Brunswick advocate. (Brunswick, Ga.) 1837-1839, December 21, 1837, Image 1
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BRUNSWICK, GEORGIA, THURSDAY IVEORNXjVG, DECEMBER 21, 1837.
i* o i: t is i .
WHEN TO WOO.
BY WILLIAM C. BRYANT.
Dost thou idly ask to hear
At what gentle seasons
Nymphs relent, when lovers near
Press the tenderest reasons !
All I they give their faith too oft
To tin l careless wooer ;
Maiden’s hearts are always soft,
Would that men's were truer !
Woo the fair one when around
Early birds are singino-;
When o'er all the fragrant ground,
Early herbs are springing ;
When the brookside, bank and grove,
All with blossoms laden,
Shine with beauty, breath of love—
Woo the timid maiden.
Woo her when, with rosy blush,
Summer eve is sinking—
When, on rilL that softly gush,
Stars are sofly winking;
When, through boughs that knit the bower,
Moonlight gleams are stealing,
Woo her, till the gentle hour
Wakes a gentler feeling.
Wnu her when autumnal dees
Ting • the woody mountain ;
When tie* dropping foliage lies
In the half choaked fountain ;
Let. the scene, that tells how fast
A until is passing over,
Warn her ere her bloom is past,
To secure her lover.
Woo her w hen the north winds cull
At the lattice night!v ;
When, within the cheerful hall,
R! ize the faggots brightly ;
When the wintry tempest round
Sweeps the landscape hoary
Sweeter in her ear shall sound,
Love’s delightful story.
is is i s: iz fj %x v.
| Extract from Mr. Dewey’s discourse
| BEFOJtE THE AMERICAN INSTITUTE. Mr
, President, end Gentlemen of the Institute :
|We have cone together Ibis evening, to cele
brate in ■ great and noble arts of in*lit .-try. I
icannot say, the humble arts, in deference
I to popular i>lii'a.-eii!o;ry ; the splendid spectacle
jof your Annual Fair, would rebuke me if I
j did so. 1 confess tad: it has given me new
ideas of wliat iiii'ii try can do—of what mind
j could do w ith matter. As l have stood in your
l magnificence—descriptions from the mirgeou
! page of Milton, have been in mv thoughts,
j Aml yet. ‘the wealth of Orudis or the Ind,’ ‘har
dline pearls and gold," could off r nothing so
gratifying to the eye of patriotism, as that
j splendid assemblage of flic products of mc
! clianie art. To one who had not. w itnessed
i that spectacle, this might seem extravagant.
! Rut 1 am sure tint 1 should not do justice to
i the feelings of Riom; who have seen it,without
j speaking of it as I do. And w lien we rentem
j her tin t it is hut two centuries, since the rude
j savage wandered across this wooded island
I all his weapons, tools and instruments togeth
er, hut a tomahawk, a scalping knife, and ainm
iters how—we pity lit imagine that the Genius
l of Civilization had stretched out it ; wand, and
! conjured up this laity scene, to otibli-h her
j triumph.
llow characteristic is this spectacle, gentle
men, of the times in which we live ! In oth
or days, it vmild nave been the tournament, or
I the fcasting'hnU, hung round with helmets and
i swords, and the grim and shaggy trophies of
: the chase. And, indeed, if we had fixed our
eye first upon the upper end of that; hall, w o
might have imagined that we wore w itnessing
; only the same thing, in higher perfection—en
j Iv more gorgeous caparisons and trappings of
I the war-horse, more polished, weapons, and
more fatal instruments of death. But, ns we
| look around us, we see other tokens—the pro
ducts of the peaceful loom and planing tool,
i carving and tape-try, works of equal util itv
j mill beauty in iron, and marble, and glass, and
| shining metals—comforts for home, and con
veniences for travel—and books, in bindings
j splendid enough to seduce the eye from tho- e
attractive and ponderous ledgers, in which
there is to be so much more profitable writing.
We see, too, that the busy and delicate Inigl
of woman has been here. Meanwhile, music,
far other than that of the war-song, flings its
notes over the gay scene, and all around us
breathes of peace and prosperity. It is a char
acteristic and striking exhibition of the arts
that conduce to human improvement; and it
is to some reflections hearing upon this point,
that I wish, on toe present occasion, to invite
the attention of this assembly.
*«**»*#*
TR&E NOBILITY OF LABOR.
llow many natural ties are there between even
the humblest scene of labor, and the noblest
affections of hulnanity ! In tins view the ein-
j plovment of mere muscular strength is enno-1
i hied. There is a central point in every mans
i life,around which all his toils and cares revolve,
ilt is that spot which is consecrated by the
' names of wife, and children, and home. A se
| crct, an almost an imperceptible influence from
that spot, which is like no other on the earth,
steals into the breast of the virtuous laboring
man, and strengthens every weary stop of Ins
toil. Every blow that is struck in the work
j shop and the field, finds an echo in that holy
—brine of his affections. If he who fights to
protect his home, rises to the point of heroic
virtue, no less may he who labors,his lifelong,
to provide for that home. Peace he within
those domestic walls, and prosperity beneath
j those humble roofs ! But should it ever be
otherwise; should the time ever come when
the invader’s step approaches to touch those
sacred thresholds, T see in the labors that are
taken for them, that wounds will he taken for
i thorn too ; 1 see in every honest workman a
rnuml me, a hero.
So material do 1 deem this point—the true
i nobility ol labor, I mean—ihat I would dwell
i upon it a moment longer, and in a larger view.
\\ by. then, i.i the great scale of things, is la
bor ordained for us ? Easily, had it so pleas
ed tho great Ord,liner, might it have been
ini jimised with. The world itself might have
been a mighty muchicnery for the production
|of all that man wants. The motion of tho
i globe upon its axis nugli have been the pow
er, to move that world of machinery. Ten
1 thousand wheels within wheels might have
I been at work' ; ten thousand processes, more
| curious and complicated then man can devise.
' might have been going forward wit bout mail’s
aid: houses might have risen like an cxiiala
i tioii,
With the sound
Os dulcet symphonies and voices sweet.
Built like a temple ;
i gorgeous furniture might have been placed in
; them, r.nd soil couches and luxurious banquets
I spiead, by hands nn-ecu ; and mail, clothed
with fabrics of nature’s weaving, richer than
j imperial purple, might, have keen seen to dis
port him.'.dl'iii these Elysiaii palscy-. ‘Fair
scene !’ 1 imagine you are saying ; ‘fortunate
for us. had it been the scene ordain and for hu
man life !’ But where then, tell me, had beer;
j human energy, perseverance, patience, vir
j tue, heroism p Cutoff with one blow fro ilii?
world ; and mankind h id sunk ton crowd, nay.
j far beneath a crowd of Asi:tie voliiptu. fie-.
I No, it had not been fortunate. Better that the
earth be given toman as a dark mass, where
on to labor. Belter that rude a id unsightly
materials be provided in the ore-bed and forest,
for him to fashion into splendor and beauty.—
| Bettor, I say, not because of that splendor and
beauty, but because the act creating them is
| hotter than the things themselves; because
| exertion is nobler than enjoyment; because
: the laborer is greater than and more worthy of
honor than an idler. I call upon those whom
I address, to stand up for that nobility of labor.
It is heaven’s great ordinance for human im
■ provement- Let not that great ordinance he
broken down. What no I say ? It is broken
down; and it lots been broken down forages.
Let it then be built tq> again; here if any
where, on these shores of anew world, of a
new civilization. But how, I may be a-ked. is
'it hro!; m down ? Do not men toil, it may be
said. They do indeed toil, but they too gen
erally do it because they must. M any submit
to it ns, in some sort, a degrading neccssitv ;
and they desire nothing so much on earth, as
i escape from it. They fulfil the great law of
labor in the letter, lmt break it in spirit; fulfil
it w ith the muscle, but break it with the mind.
To some field of labor, mental or manual, every
idler should fasten, as a chosen and coveted
theatre of improvement. But so, is lie not. im
pelled to do under the teachings of our im
pel feet civilization. On the contrary, he sits
down, folds his hands, and blesses himself in
his idleness. Tins way of thinking is the her
itage of the absurd and unjust feudal system:
under which sects labored, and gentlemen
: .-spent their lives in fighting and feasting. It
! is .ime that this opprobrium of toil were done
away. Ashamed to toil, art thou ? Ashamed
, of thy dingy work-shop and dusty labor-field :
of tfiv hard hand, scarred with service more
honorable than that of war; of thy soiled and
weather-stained garments, on which mother
nature has embroidered, midst sun and rain,
mid.-t fire and steam, her own heraldic honors ?
i Ashamed of these tokens and titles, and cu
rt ions of the flaunting robes of imbecile iille
| ness and vanity ? It is treason to nature; it is
impiety to heaven; it is breaking heaven’s
great ordinance. Toil, I repeat it —toil,
either of the brain, of the heart, or of tho hand,
is the only true manhood, the only true no
bility !
RELIGIONS TENDENCY OF MECHANIC ART.
There is one further and final suggestion,
which, at the risk of its being thought profes
sional, I would not altogether omit in this sur
vey of the moral tendencies of mechanic art.—
Its leads the mind to the infinite wisdom of
| nature, to the infinite wisdom of its Author.
‘ HEAR ME FOR MY CAUSE.”
The materials, for instance, on which art is
to work, —how wonderfully are they adapted
to one another, and to the natural pow ers of the
workman ! The steel is adapted to the wood
it cuts—the water to the wheel it moves, and
to the ship it bears—the plough to the soil it
turns. Weight is ad justed to pow er. If the
hammer weighed a hundred pounds, vainly
would the hand strive to wield it. If the earth
were covered with a forest of iron, man would
labor in vain to cut it down and build it into
houses.
It an intelligent manufacturer or mechanic
would carefully note down in a book all the
instance of adaptation that presented them
selves to lus attention, he would in time have a.
large volume; and it* would be a volume of
philosophy—a volume of indisputable facts in
defence of a Providence. I could not help re
marking lately, when I saw a furnace upon
tlie stream of the valley,and the cartman bring
ing down ore from tho mountains, how incon
venient it would have been if this order of na
ture lad been reversed; if the ore-bed hid
been so constituted as to rise, and to make its
■ channel upon the tops of the ridges. Nay,
more; treasures are slowly prepared and care
fully laid up in the great store-houses of nature,
; against the time when man shall want them.—
When the wood is cut off from the plains and
i 1
the hills, and fuel begins to fail, and man looks
about him with alarm at the prospect, lo! be
neath his feel are found, in mines of bitumen
and mountains of anthracite, the long hid trea
sures of Providence—tho treasure-houses of
that care and kimlne-s, which at every new
step of human improvement, instead of appear
ing to be superceded, seems doubly entitled to
the name of Providence.
Nature, too, is itself a world of mechanism;
and it invites mechanic art at every step to ad
mire that intelligent, and if I may say so, that
congenial wi dom which is displayed in it.
i The human body is a structure of art, fearful
ly and wotuiderfully made. The hum in arm
eml hand is a tool, an instrument! composed
iof tv. ; n!y or thirty solid, separate parts, be
• sides the cartilages, ligaments end nerves, that
■ give it its wonderful security, stronirih, and
tact. What indefeasible cunning lies in that
right hind ; nay, what latent cunning—every
i new ye rof mechanic discovery developing it
more and more—vhit latent cunning sleep
in the sinews and nerves of that folded palm 1
And that curious rotary motion of the forearm
u Int efforts of mechanic art have there been
to imitate that skill of tho great M iker of our
frame ! And again the human head—that dome
of tho lieu ;c of life—is built upon the most
perfect principles of that kind of structure:
with iis thicker bones in the base of the skull,
1 like the solid masonry of a Roman arch : with
its interior and supporting ridges of bone, like
the flying buttresses of a Gothic cathedral. —
Tho dome of St. Sophia, in Constantinople,
built in tho time of the Emperor Justinian, fell
three times during its erection: the dome of
the Cathedral of Florence stood unfinished T2O
years, for the want of an architect: and yet it
it has been justly said, that every man employ
: rd about them, had the model in bis own head,
j All nature is not only, I repeat, a world of
mechanism, but it is the work of infinite art:
and the mechanic-inventor and toiler, is but a
'-•trident, nn apprentice in that school. And
when he has done all, what can he do to equal
the skill of the great original he copies: to e
qu and the wisdom of him w ho ‘has stretched out
tho heavens like a curtain, who has laid the
beams of his chambers on the waters!’ What j
engines can he form, like those which raise up !
through the dark labyrinths of tho mountains, !
the streams that gush forth in fountains from !
j their summits ? What pillars, and v. liat nr-1
cliitecture can lie lift up on high, like the'
mighty forest trunks, and their architrave and j
frieze of glorious foliage? What dyes can he,
invent,like those which spread their everchang- j
iiignnd many-colored robe over the earth?— j
*Wlial pictures can lie cause to glow, like those j
which are painted on the dome of heaven ?
It is the glory of art, tli it it penetrates and
envelopes the wonders and bounties of nature, j
It draws their richness from the valleys, and j
their secret stores from tlie mountains. I* leads i
forth every year, fairer flocks and herds upon j
tho hills; it yokes the ox to the plough, and j
trains the fiery steed to its car. It plants the I
unsightly germ, and rears it into vegetable!
beauty; it takes the dull ore and transfuses it!
into splendor, or gives it the edge of the tool j
opthe lancet; it gathers the filaments which !
nature has curiously made, and weaves them
into soft and compact fabrics. It sends out its |
•ships to discover unknown seas and shores ; i
or it plunges into its work-shops at home, to!
detect the secret, that is locked up in mineral,!
or is flowing in liquid matter. It scans the i
spheres and systems of heaven with its fair I
sigiit; or turns with microscopic eye, and finds j
in the drops that sparkle in the sun, other
worlds crowded with lite. Yet more is me
chanic art the handmaid of society. It has
made man its special favorite. It clothes him
with fine linnen and soft raiment It builds
him houses, it kindles the cheerful fire, it lights
tlia evening lamp, it spreads bafore him the
J manifold page of wisdom; it delights his eye
with gracefulness, it charms his ear w ith mu
; sic ; it multiplies the facilities of communica
tion and the tie of brotherhood; it is the soft
' nor of all domestic charities, it is the bond of
! nations.
Gentlemen of the American Institute! you
! need no commendation of mine ; your works
j speak for you ; and I have oniy to wish, that
! they may advance in improvement and extend
!in utility—an honor to yoursolves, and a bless
ing to onr common country!
[From the Boston I’ost.J
IJULWEIt.
The Post lately expressed my own sen
timents with regard to this popular writer,
i He is, perhaps, as you say, ‘‘unequalled
in his apt and sententious remarks on hu
man nature; —and these little apothegms
! constitule one ol tlie principal charms ofliis
| novels, in which respect he soars far a-
I hove Sir Walter Scott.” IJulwor has
; been a careful observer, lie lias also
1/17/ and experienced much. 11 is remarks
are not merely from the head, from mem
ory, from liooks. He does not repeat tho
! thoughts and expressions of preceding wri
| tors. Every tiling comes fresh from the
j heart, ot is the result of his own reflections
] This, every one who has Jett, who has
j actually been in the situations he describes
j must perceive as he reads. ‘‘lt comes
| from the heart, and reaches the heart,”
ias the ministers sav. Bulwer is also an
I able gni<ru!i~ir. From numerous facts
! and observations lie deduces general prin
ciples and axioms. He is thus an instruc
tive, as well as mi entertaining writer.
Ju tlie preface to “Multruvcrs,” he in
timates, that those who like Itienzi and
The last Days of Pompei, will not be
pleased with his new work. Their char
acteristic are a highly wrought extrav
agance of character ami incident. His
last novel is more quiet, and natural, and
l pliilosopical. I did read Rieuzi, but was
' not greatly interested by it. The Pompei
I have never read, but have merely tur
ned over a few leaves of it. With his
oilier works, I have been delighted : and
wait with impatience for the completion
of Ernest Maltravers.
For the benefit of those who are fond
|of such reading, 1 have noted the “ap
| othegms,” and striking thoughts, which
| most attracted my attention during the
perusal. 1 now send you those taken
from the first volume, and will soon fol
low them by those from the second. Per
haps that class of readers, who are to
much interested in the stun/, to regard,
at the time, the wise remarks with which
it is intermingled, will attend to them
and profit by them, in this detached form.
REMARKABLE THOUGHTS.
[From Bulwer's last novel, ‘•Earnest Mal
travers. 'J
“What do you teach the girl ?” asked
1 Maltravers of the schoolmaster. “That
God made her, and that he loves good
girls, and will watch over them.” “What
else?” “That the devil runs away with
had girls, and ” “Stop there : never
mind the devil yet awhile. Let Iter first
learn to do good, that God may love her;
the rest will follow. 1 would rather make
people religious through their best feel
ings than their worst. We can do with
out the devil, at present.”
There is nearly always something of
Nature’s own gentility in every young
woman, (except, indeed, when they get
together, and fall a giggling.) A vulgar
boy requires, Heaven knows vvliat assid
uity, to move three steps, I do not say
like a gentleman, but like a body that lias
a soul in it ; but give the least advantage
of society or tuit ion to a peasant girl, and
a hundred to one but she will glide into
refinement before the boy can make a
bow without upsetting the table.
The refinement of a graceful mind and
a happy manner is very contagious. There
was a time when all information was gi
ven orally ; and probably the Athenians
learned more from hearing Aristotle, than
we do from reading him.
“Whoever acquires a very great num
ber of ideas interesting to the society in
which he lives, will be regarded in that
society as a man of abilities.”—Helveti
an.
I think it is Goethe who says some
where, that in reading the life of the grea
test genius, we always find that he was
acquainted with some men superior to
himself, who yet never attained to gener
al distinction.
Ferrers had not what is usuallv called
genius ; that is, he had no enthusiasm ;
and if the word talent be properly inter
preted as meaning the talent of doing
something better titan others, lie had not
much to boast of on that score. But
Ferrers had what is often better than e
ven genius or talent ; —he had a powerful
and most acute mind.
It seldom happens that we are very
strongly influenced by those much older
than ourselves. It is the senior of from
two to ten years, that most seduces
J. W. FROST, EDITOR.
NUMBER 29.
! and enthrals us. There is very little in
fluence, where there is not great sympathy,
or similarity of tastes and pursuits.
Few persons obtain pre-eminent cele
brity for any thing, without some adven
titious and extraneous circumstances
which have nothing to do with the thing
celebrated.
Some people seem born with the tem
perament and the tastes ofgenius, without
its creative power. They have its ner
vous system, but something is wanting in
! the intellectual.
Beauty lias little to do with enngaging
the love of woman. The air, the man
j tier, the tone, the conversation, the sorne
■ thing that interests, and something to be
proud of, these are the attributes of the
man made to he loved.
People, to live happily with each other,
must fit in, as it were ; the proud be ma
ted with the meek, the irritable with the
' gentle, and so forth. We talk of “con
i genial minds ; ” but married persons
i must not 100 closely resemble each other.
Depend upon it, that if you do not ful
! 11l what nature intended for your fate,you
will be a morbid misanthrope, or an in
j dolent voluptuary—wretched and listless
in manhood, repining and joyless in old
I aSe
“'l’lie men of sense, those idols of the
j shallow, are very inferior to the men of
passions. It is the strong passions, which,
rescuing us from sloth, can alone impart
i to us that continuous and earnest attention
necessary to great intellectual efforts.”—
Ih lectins.
A young woman, who once loves a man
not indeed old, but much older than her
self, loves him with a looking up and ven
erating love. The attachment is, perhaps,
more deep and pure for the difference of
their ages.
“I never think (says Montaigne,) ex
cept when I sit down to write.” it is true,
that connected, severe, well developed
thought, in contradistinction to vague me
rtlitation, must be connected with some
tangible plan or object ; we must be eith
er writing men or acting men.
! There is, in a sound and correct intel
| lcct, a calm consciousness of power. Men
|of second-rate genius, on the contrary,
are fretful and nervous. It is the short
I man, who is always throwing up his
| chin.
Good sense is not merely an intellectual
j attribute ; it is rather the result of a just
j equilibrium of all our faculties, spiritual
and moral. It is not an abstract quality
|or a solitary talent ; but it is the natural
result of the habit of thinking justly, and
j therefore seeing clearly. Asa mass of
| individual excellence makes up this attri
bute in a man, so a mass of such men
! thus characterized, give a character to
j a nation.
A wise man will despise all the systems
: for forcing infants under knowledge-frames
1 which are the present fashion. Philoso
phers never made a greater mistake,than
in insisting so much upon beginning ab
stract education from the cradle. It ru
ins the health, and breaks the spirit, and
! nothing is gained.
A bold child, who looks you in the
lace, speaks the truth and shames the de
vil—that is the stuff of which to make
men good and brave—aye, and wise
i men !
j Depend upon it, that the Almighty,who,
I sums up all tlie good and all the evil done
!bv his creatures, in a just balance, will
not judge the august benefactors of the
! world with the same severity as those
drones of society, who have no great ser
vices to show in the internal ledger, as a
set-off to the indulgence of their small
vices.
The poor unfortunates, who crowd our
streets and theatres, have rarely, in the
first instance, been corrupted by love, —
but by poverty, and the contagion of cir
cumstance and example. It is a misera
ble cant phrase, to call them the victims
of seduction ; —they have been the vic
! tims of hunger, of vanity, of curiosity,
of evil female councils ; but the seduction
of love hardly ever conducts to a life of"
vice. Man loves the sex, but woman
loves only the individual ; and the more
she loves him, the more cold she is to tho
species.
There is a vast deal of hypocricy ii*
the affected admiratipn of nature. I don’t
think one person in a hundred cares for
what lies by the side of a road, so long as
the road itselfis good, hills levelled, and
turnpikes cheap.
Originality arises from seeking rather
after the true than the nctr, It is often
but a hair’s breadth, that divides a tru
ism from a discovery. No two minds are
ever the same ; and, therefore, any man
who will give us fairly and frankly the
suits of his own impressions, uninflueru
ced by the servility of imitation, will h*
original.
Ah ! who is grateful, except a dog and
a woman ?
Marriages with foreigners are
fortunate experiments,