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altii) tt|(tt ai* to toll*** I* l°a
Tto Cfmif Ato art irlto to aaaw**
la tto tMtr wA*r* to aat ai tto fl
- tfctt* waa a tall lamp, -1 ii*a- I
oil* a pal* told ahato Ita IIaAI l*at
» Ala *»*n toatarw a»*l to A a • loa* t
rropfxd a*to. alrrtojr totiflM * l '
gray kjr mtblaaa T*ara, a r*rtala t f *-
Uactloo
M* *u avoolai atailaßalr «•»** ’h*
karboaii an*l the alra that A* laapm
vla*d »**a» to at tun* ttotawiaaa. «
ttoir piaiothra taloor fttklQß. to tto
aiaalr araa tA* oaa Itiaory la wfci *
tto Cynic p*rß>ltt*d hltn**!f to I ton I**'
aittAont llaiit. He tut foad of claim
ing that It «aa Ala oa* »«aa* of tto
log acaxoa wltA tto frlmda who hoc**!
Atm ao lattyttolbl!
Hr had dtwfoad a aatlafactlun bow
ttowt k**a h*catia* wbollj* wlftatt.
Irom tA* light of two tar** tear* ta
tA*- Orcam Olrl'a gmtra. «***t *y«a K
aacni' I 10 him quit* Joat that ah*
ahould *og«r a IHU*. if only In requital
for th* Indlffcrtmt U»#t*s ahe waa *»-
AUdtlng In wfuain* him Bh* had. U*
reflet* <l. in nil prebablllty. onctalei
th* tear* on wa!kl*a acroaa tto palm
dackod window embraaur* to converse
with tto Kllgible Man; b*caus* no girl
caret to cihlbtt to th* Kliglbl* Man th*
team that hav* to*n brought to her
eyre by th* atupldlty, or th* cruelty, of
the Rejected One. The Kliglbl*
In thia caae »'a* but five and twenty,
hot It waa not th* fewtieaa of bin year*
that tb* Cynic envied him; M win hi*
frmbaea* of face and aoul —the aggre*-
give, convincing aelf-honeaty that
■poke from hta voice and manner, anil
that acemed to barmonlx* ao perfectly
with the grave, aweet eyre, and the
-Sunli like the fountain in th* n*it
room. And in bla picture that the two
made, and in hia Wtter envy thereof,
tto Cynic found hia theme.
For m amateur, hia playing was
reeliy very effertive; and Hi the dim
light of th* richly furnished room, hi*
Improvised symphony, or whatever you
chooee to call it. wa« beard to egceilent
advantage. H* with a succes
sion of *‘ep. sonorous chords, in a flat
major, that fell upon the silence like
a benediction, and from these he went
dreaming, naturally, into the sharp
trinor change, sending up a
thread of haunting and ten
der, that pierced every crtvlee and cor
ner and hung on the air, quivering. He|
waa really in a very uncertain mood
and it pleased him to paint. I« a wa> ’
the fancies that passed through hi
mind with bis music. In a few bars of
a buoy&nt march movement he pic *
lured the boyhood that had ended alas
too soon; In a medley of waltzes tiicbe
and in an “Ave Marla,” mournful as
from Waldteufel and Lanner, he hint
ed at the fleeting effervescence of youth
and In an “Ave Maria," mourn
ful as a requiem, he suggested the
sorrows or errors of a manhood that
had been grotesquely crowded with
both. But out of the gloom there stole j
other thoughts—thoughts of the bright, j
blest day of the Dressm Girl's coming; |
when it had seemed as if all the mis- 1
ery In the world were a mere pretense •
and as if Folly had Red forever before
the unutterable Innocence of tftc grave j
aweet eyes. And witlrthose thoughts a ;
froth of fairy like dance music cam*
rippling and trippling from his fingers
—to be followed swiftly by a reverie
In minor, suited to the realization that j
not ail the innocence In the world can j
conceal from a seared and worid-wom j
soul fie unworthiness to approach It
From where the Cynic satAd the In-j
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aolcmuHy. nr If neck toep In th* mnr
rlng* nerrtcc and tto ttalody tbnl
crept rreneWtnly from undar his Ba
ser* formed a dulnn arrompawimcAt ij
bit word*. * I bav* llv*«l, perhaps a
Ills totter than that of some men -
wt'rm* than that of other*. I hav* had
blttrr trial*; I have known d*< p grief*;
M’’ contact with **m* pha*e» of human
character to* brad in me n bittern***
that I shall carry Ui my grave. I h*d
It red in the coßtemplatlon of th * bit
tern*** and expected to die* lo it—un
til I met you H was my utter unwe
thine** that toad* me wornhlp yon. I
think Hot nmy worehlp of you—cf
your beautiful girlhood -of your puri
ly. of your fa tb -1 have found ao rare
and perfect a happlnc** that i »tn cer
tain Almlgbly God nttor meant II to
icat. Nothing that It perfect doe* lt»t
Vou proved that by what you *»ld a
while ago. But >«rtU> thin laated I had
no right to complain; for I waa laating
heaven before death. To ju»t that ex
tent, young lady, have I profited by tny
prstfUßf of loving you.
The Dream Girl scanned him cloaely.
Her handa were trembling, and the
grave, aweet eyea were troubled. Hhe
marked the ilnre of care about the Cyn
ic's month, and *he wished for a mo
-1 ment that her own bright hair were
: touched with gray, ao It might to like
• If I thought," she aald, in fairly
audible tone* "that you were not .*
heartlesa as yrm have always declared
to be-if I thought you had
[ ever performed one kind deed I would
j f/jL,lve you all the rest”
The Cynic did not anawer ImmedUto
; ly. Th« spell of his own music had
encompassed him. and for a moment
he waa tempted The Dream Girl's face
was as tender aB a poem, a..d the gold
shade of the tamp made her hair look
like the heart of a sunset. The Cynic
ibought, fleetingly, of the utter ecstacy
of such a life as ane might lead with
her- a life that should blot out til the
pain and the ache, and the ashes of
that other life that he now so devoutly
loathed. And, Anally, the thought
aroae—"would It be fair to her?”
7 SUTHERLAND
SISTERS’
HAIR GROWER '
FOR OVER 14 YEARS
Thi. hilthlx mf-ntorkra, pr.par.Uon hu
rtood at th. brad ol all bair ro«torati*e.
More than 3,000.000 bottles baee been used
b, the America, people, and thousand, of
teetimonlal. bear witnem to it. exoeHenee,
»bH» there were eeoer any complaint,
urban direction, ware JoUtmed.
SEVER SUTHERLAND SISTERS'
SCALP CLEARER
Is the only dandruff car*. For «ham
pooing, It has no tquxl
AH Uvo Oruggiota Sell 11.
THK HTBRAXD
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tk#n»t *4 iirioir dwftff ~ fftilt, ftftftprr fthoft
**>#■•llo »•* »»* ***
hT# \h# o#f i* to tH! o»<* lift w lift#*t I
lift# him Win 4ft you flliftfe ««f
* rr „|, Un>k*4 ottoOjr#4. H#
fto##r«*«i ftftftiHltay ft# *# r#pl»t4 "1
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wlh liftvftift eajoyeii th# vftfiftfttlftft# # ‘f
t»tjn#t>thn»pt#t ftt ft #iftftil #ip#ft##
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(iirl ftratl)
The Cyol# 0# ttu«4 u 0 into • ctiepin
fa:itaste and tto K’lglbb Man. looking
at tb* doorway, vulalmed Its surprise,
• A* I live. Aere'a my auat ”
Tge Cycle aroae Imm tto piano, and
with a gracefully rxprreaM e*cua*. de
parted without waiting to Be intro
,Steed Aa to passed tto newly arrlvtd
and rather dowdy lady fiom M**»arbu
astta. to glanced at her Just one* At If
it. ft|spf#hrtu»loo. ftO** ih#tt ftft ft •*' ”#
her *#*•. But a* to stood In tto hall
way wrestling with hia luvpmre*. tto
sound ot her high p tcb*d and rn'hcr
excited voice pursued him dhe seenieil
to to making inquiriea and voluntaer
i,.ft rrttlilmnt In the asm* breath.
Before he could let hlraaelf out Iherr
cam* the swirl of drapurle* and lh* pat
'of kid noire over tto tile work. The
Dream Olrl atood before him. smiling
up Into hi* face, and reading hia *oul
wiui the grave, aweet «yea. "You dear,
dear liar." ahe aaltl.-Euatace Gunt.
For Asthma use CHE
NEY’S EXPECTORANT
f emous Statue*
The three most famous statue* In
history are the Col<>*t«t of Rhode*, the
sphinx and the vocal statue of Mem
non at Theto*. and of these the last is
most remarkable In consequence of Its
property of emitting sounds when Its
! Ups are touched by the rays of the ris
ing sun so that It seemed t<> greet the
coming day. It waa original a por
trait model of King Auienophls 111,
and was oue of a pair of statue* be
tween sixty ant seventy feet high,
i carved out of single blocks of *and
; stone, and transported from the quar
! rlea to Theto*. whereas the sphinx wav
1 carved from the living rock In situ. Of
statues other than stone, the most re
-1 markable Is that of Buddha at Nara,
! ,-ear Kioto, in Japan. wh'"B WBS pr< “''
ted A. D. 1100. It Is made of bronze,
and is fifty-three feet six Inches high,
and more than twenty-eight feet broad
across the shoulders. On its head
are 966 curls, and the Image is sur
rounded by a glory or halo twenty
eight feet In diameter, on which sixteen
Images each eight feet long, arc cast.
Two smaller images, each iwenty-flve
feet high, stand In front of the larger
one. The total weight of measure In
the main figure Is about four hundred
and fifty tons, of which five hundred
pounds consist of gold. Pittsburg
Dispatch.
Bucklen’* Arnica Salve.
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or no pay required. It I* guaranteed to
give perlect satisfaction or money re
funded. Price 26 cent* per box. FOR
BALE BY HOWARD & WILLET.
■ ! ■ -
Everything.
“What have you here?” asked the
fresh young man of the waiter at a
first eiHSS restaurant. "“Everything,
sir,”
“Everything?” sneerlngly. “Have.lt
served at once,” “Hash for one - yell
ed the waiter.
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rr GLy&y&E&c
SHOES [THAT AHE KNOWN l
1 Known Irom Maine to
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that material and good
4M|gp\ workmanship can pro*
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AS yQU STYLK
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Everything that Is sty* ■4Mji
Itsh. artistic and com- mtdß
fort able, combined with J
j the best of workman- t *
ship will he found in "um#
Hanan & Sons Shoes.
CASHIN. GOULET & VAUGHAN, 808 Broad Street.
AOtINTA ro» HANAN A SOS.
IT WILL MAlkf? VOU I l-I.L 6lv
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1 _ j: r:: r-'-,,..«. I Jf# .j \ V\»
AjlAlMr AMLAMtI 4
The
“Maine”
Album!
/ Photographic
History Devoted
1 Exclusively To
Spiejfflslifie
Sefallee
CAPTAIN SIGSBEE Bl 3DCO
and 'ntereatlng scene* associated with the deatructlon of our Giant Bat
ehlp and her Heroic Crew.
Souvenir Edition!
Few Incidents of American history have been attended by such pubiij
excitement and national Indignation a* that which followed quickly upon
the destruction of the Battleship Maine. In response to the universal de
mand for « pictorial history of the 111-faied warehip, its capta ncy and In
fact everything In connection with It leading up to and Including Its aasas
fflnatlon, we have aerured and offer our readers this week a beautiful Maine
Album or Portfolio, the moat complete photographic record l**ued upon the
subject, embracing splendid photos ol
The Martyrs
Which la now ready for delivery at our office, or by mall for Ten Cents.
CONTENTS OF -MAINE'' DABUM.
Captain Chas. D. Blgsbee. General
Fltzhugh Lee.
The Battleship Maine.
The Dcstruetion of the Maine.
Havana Harbor and the Maine An
chorage.
The Harbor Entrance to Havana.
Gunner’s Gang of the Maine.
Views of the Maine's Crew oft Duty.
A Minstrel Show on the Maine. Ship's
Company of the Maine.
Please notice the Maine Album above advertised is one of a 'Souvenir
Scries” of eight portfolios, devoted to the great Heroes and Achievements
of the Spanish-American War, each portfolio being a special number devoted
to a great and principal event. ,
Next week No. 2 will be offered as a Memorial or the First Sacrifice of
the v ar, or the heroic death of Ensign Kagley and hls companions, Inclu
ding many other special features of the early events of the war such as the
vessel that fired the first shot; the first prize; bombardment of Malanzas,
cutting of the cable*, etc., etc. .
Then irt weekly and consecutive order will appear the .ollowing.,
THE DEWEY. NUMBER—The .Hero and.baJU* of.ManUa.
THE SAMPAN NUMBER —Bombardment of San’Juan and Morro Cat
-11 HOBSON AND THE MERRIMAC—with additional special features.
ADMIRAL SCHLEY—The Destruction of Cervera’s Fleet.
THE SHAFTER NUMBER—The Siege and Capture of Santiago.
GENERALS MILES AND MERRITT— Army Operations in Porto Rico
and Philippine*.
Be min and get each number of this souvenir series while you have an
opportunity, and »dv!»e your friends to do the **ru« thing.
A Group of Junior Officer* of the
Maine.
Wardroom of the Maine.
The Court of Inquiry in Session.
Funeral of the Victims of the Maine.
Disaster.
A Fruit Vender In Havana. Milk De
livery In Havana.
The Captain General's Palace in Ha
vana.
General Blanco y Arenas.
Looking Down the Prado, Havana.
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LIST OF CHAMPIONS OF AMERICA AND
TOURNAMENT RECORDS. ETO.
The author giver
F'i«ge*Uo»i to nov ice* which serve to
render clear the rotfboda employed by
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HOW TO FLAY
cioti, 7ii cents. .
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(cot, prepaid, te #c>, addrwa «4
receipt of price.
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