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Smile ft little, smile a little, -
As you go along,
Not alone wlien life Is pleasant,
>• But when things go wrong. <
Care delights to soe you frowning.
Loves to hear you sigh.
Turn a smiling lace upon her. >
Quick the dame will fly.
Smile ft little, smile a little, ' .
All along the road, ’ v
Every life must have Its burden, ‘ >
Every heart Its load.
Why sit down in gloom and darkness,
With your grief to sup?
As you bring fate’s bitter tonlo
j Smile across the cup..
The: Other Fellow.
HARACTERS :
Dick Hatherly, a
and Ml young painter;
' i . y i Letty Lorimer,[his
.. I - ’. - Kir'.ffl second cousin au
orphan; aud Cap
tain Vere Grierson,
a soldier on a fur
■ lough.
I Scene I; A studio,
Campden Hill.
Hough sketches
| pinned on walls,
some new can
i vasseson easels;
’ lay figure, with
T am -o’- Shanter
rakishly a-top,posed on throne. Tray
with a plate of sandwiches’and empty
beer bottles on piano. Under north
skylight Hatherly ia a painting
blouse at work on six-foot-by-four
canvas “Autumn in the New For
est.”
Hatherly (soliloquizing): Well, I
hope to goodness no one drops in this
afternoon. There wasn’t a day I could
work from the time I brought it home
in November till last week. If I’m not
interrupted and got on as well as I have
been doing, I may be in time for send
iug-in-day after all. (Gentle knock at
the door, which Hatherly does not
bear.)
Visitor: Tap, tap.
Hatherly (impatiently): O, bother!
I’ll pretend I’m out.
Visitor (louder): Tap, tap, tap!
Letty Lorimer (hesitatingly): Yes,
Dick. May I come in? You’re sure
I’m not disturbing you?
Hatherly (mendaciously): 0, no.
Of course you’re not. But I say,Letty,
you won’t mind my going on with my
work, will you? I want to get this
done for the Academy, and time is
short now.
Letty (earnestly): No, Dick!
Hatlierly (complacently): That’s all
light, then. Sit down there like a
dear, and don’t mind me. You see,
jthe light is good now, and in a while
"it will be loo' darls fo paint.
Letty takes a seat behind him and
silently watches the progress of the
work. At last, summoning up courage,
she says nervously: Dick!
Hatherly (starting): Yes! why, I had
nearly forgotten you, Letty. By the
bye, what has become of the Dowager?
She doesn't usually allow you out
alone.
Letty: Grandmama is tired to-day
and resting. I’ve been to the dress*
maker’s. Ford is with me. She is
waiting in the carriage downstairs. I
came alone (falteringly) because I
wished to speak to you.
Hatherly: That’s right, my dear.
Gossip away. Tell me all your new T s.
I can listen quite well, though I’m
busy. How’s the old lady? Been any
pleasanter lately?
Letty (almost in tears): O, Dick!
her temper is simply unbearable.
Hatherly: Horrid old vixen. I’m
glad she’s no guardian of mine.
Letty: Ido try to be patient, but
her tongue is so bitter and so cruel.
Hatherly (absently): Poor little
girl.
Letty: I sometimes feel as if I
could run away.
Hatherly (engrossed in studying
foreground of picture, sotto voce):
Ah, I’ve caught it now. Claxton was
right. That ’shadow to the left is too
heavy. What are you saying, Letty?
Letty (getting it out with a jerk):
Do you rember Captain Grierson, one
of the Leicester Griersons?
Hatherly (squeezing fresh color on
his palette): Yes, that alteration will
make all the difference. I beg pardon,
Letty. You were saying—
Letty (patiently): Do you remem
ber Captain Grierson?
Hatherly: Yes; he was at Rugby
with me. Or was that his brother?
Cecil Grierson—sandy-haired chap,
tall.
Letty: Yes, Cecil Yere Grierson. I
want to tell you, Dick —(Hatherly,
leaving Easel abruptly, goes to a table
anil returns with a small piece of card
board with square cut from the centre,
through which he gazes absorbedly at
the new arrangement. Letty sighs
despondently.)
Hatlierly (turning to her): Say,
Letty! Just look through this square
a moment. Don’t you think the pic
ture will compose better with that
shadow lightened?
Letty (pale and agitated): Dick, I
must go soon. Can you spare me a
moment to-day?
Hatherly (penitently): Excuse me,
deal’. I’m beastly rude, treating you
like this. It’s the fault of this glorious
light. There hasn’t been a day like it
all winter. I’m a boor, I know, but
the fatal Monday draweth nigh after
which no man can work.
Letty: Well, I was trying to tell
you that Captain Grierson returns to
India in two months to rejoin his regi
ment, and—
Dick (cheerfully interrupting!:
Lucky beggar! Seeing the world while
we all vegetate at home.
Letty (faltering): And—Dick—he
pays he hates going back. He doesn’t
wish to go alone.
Hatherly (struck with sudden com
punction): I say, Letty, what a
thoughtless brute I am not to have
given you some tea. Just touch the
bell, will you?
Letty. No tea, thanks. I really
couldn’t drink it. Dick, he feels aw
ful at leaving—everybody—and grand
mama keeps getting worse and worse,
and—
Hatherly (painting away vigorously):
She’s an unmitigated old wretch. Good
thing she was a bit queer to-day, io
SMILE A LITTLE^
Smile upon the troubled pilgrims
*• Whom you pass and meet.
Flowers are thorns and smiles are blos
soms f**
Oft for weary feet.
; Do not mako the way seem harder
By a sullen face.
Smile a little, smile a little,
■Brighten up the place, i
Smile upon your undono labor.
Not for one who grieves
O’er his task waits wealth or glory.
He who smiles achieves.
Though you meot with loss anil sorrow
In the passing years.
Smile a little, smile a little, 1
Even through your tears.
Ella Wheeler Wiloo'
that you could got off the chain auc
have a little flutter by yourself.
Letty: O, I don’t think she would
object to my coming here so much.
She likes you pretty well, Dick. But
to return to what we were saying—
Hatherly; Letty, just baud mo that
liand-mirror, will you? It’s on the
table beside you. Ah, thank you.
Letty (continuing, doggedly and
huskily): So he said he’d come this
evening—for his answer.
(Dick, staring fixedly at the reflec
tion of his picture ia the hand-mirror,
makes no reply. Letty waits in breath
less silence.
Hatherly (speaking suddenly): Do
come here, Letty, and say if you like
that, or is it too strong?
Lottie (rising): It is strong and de
cided, like yourself aud all men, Dick.
It is only we women who are weak and
irresolute. Good-bye. No, don’t
come downstairs; I can seo myself
out. Good-bye.
Hatherly (relieved) Well, if you
must go, good-bye. Come again
soon, like a good girl, when I have
more time to spare. And don’t let the
old lady bully you too much. Ta-ta.
(Hatherly paints till the light fails,
and then sits before the picture smok
ing meditatively.) Glad I took that
hint of Claxton’s. Funny how the
duffer always gives you the best sug
gestions. It will be easy sailing now.
The rest groups all right. Nice of
Letty not staying when she saw I was
working against time. She did not
seem so happy as usual, somehow.
Hateful time she has with that old
grandmother.* If I was richer I’d like
to carry her off out of that old witch’s
clutches; but she’s too young yet. She
was talking about Grierson. Capital
fellow he used to be. Going back to
India? What a lot of fun those army
chaps have—not like artists, shut up
in a studio half the year. By the bye,
what was it that Letty said about him
not wishing to go Ijaek alone? He
can’t have be<Sn making love to that
child. She is only eighteen, and I al
ways thought of her as mine—some
day. What, did she say about him
coming for his answer? Heavens!
what a fool I’ve been. That’s what
she was trying to tell me, and I was
ass enough to have thoughts for noth
ing but my picture, Blind idiot!
(Getting up hurriedly.) This evening
she said. I wonder if I can possibly
be in time. (Seizes hat and rushes
out.)
Scene 11. Entrance to the Dowager
Lady. Lorimer mansion in May-'
fair. Hatherly, alighting hurriedly
from hansom, runs into Grierson
descending steps of house.
Grierson (radiantly): Hullo, Hath
erly!
Hatherly (blankly): Grierson!
Grierson: Delighted to meet you
again, old man. Seems almost a good
omen, don’t you know.
Hatherly (with hollow politeness):
Ah, very pleased, I’m sure.
Grierson (confidentially and effu
sively): Feel you sort of relation,
don’t yon know. You see I’ve just—•
that is, Miss Letty has just—l say, old
chap, by Jove, I’m awfully happy!
Congratulate me.—Black and White.
Hail-Storm Prevention. ’
United States Consul Sephar, at An
naberg, Austria, reports to the State
Department an interesting and success
ful experiment of a grape-grower in
that country in warding off the destruc
tive hail-storms that visited his vine
yard. At first he tried galvanized wire
netting, but this was too expensive,
and he decided to install a battery and
test the plan of causing explosions to
drive off the hail-storms. He erected
six stations on prominent mountain
summits, commanding a territory of
about two miles in extent. The prac
tical test is thus described:
“Threatening black clouds made
their appearance on the summits of the
Bncher Mountains. At a given signal
all the mortars were fired off and the
continuous detonations in a few mo
ments caused a sudden reaction in the
movements of the clouds. The cloud
wall suddenly opened up funnel like;
the mouth of the funnel began to rise
in the form of consecutive rings, ex
panding gradually until all the clouds
scattered and entirely disappeared. No
hail nor even a sudden downpour of
rain fell. The same experience was
gone through with six times last sum
mer, and has without a single excep
tion proven a successful preventive.”
Looking Out for Herself.
Here is an instructive story and one
quite new about Queen Victoria. It
was suggested to her the other day
that Queen Anne’s statue, opposite St-
Paul’s, should be removed for the
jubilee thanksgiving service, in order
that the view might not he obstructed.
When this proposal was submitted to
Her Majesty she refused to sanction it.
“I am not willing to allow the statue
to be displaced,” the Queen is said to
have remarked. “If I permit it some
one may consider it a justification for
removing my statue some day on a
similar occasion.”
Women Easier to Digest.
A member of the Ethnographical So
ciety in Paris has made a public argu
ment in favor of cannibalism, from a
hygienic point of view, and proves his
case by the fact that those savages who
eat each other are stronger and more
virile than those who do not. Further,
this scientist affirms that "women are
more nutritions and digestible than
men!”—New York Pr6*s.
INJUN’S HEART GETS BAD
CAUSES OF THE USUAL YEARLY
OUTBREAKS IN THE WEST.
The Ghost and War Dances Potent Causes
of the Red Men’s Uprising—While
Smoking the Pipe of Fellowship In
dian Orators Arouse the Warlike Spirit.
It is the custom, upon the occasion
of each Indian uprising at any of the
Western agencies, to assign some
special cause, differing according to
the circumstances, for the outbreak.
In the case of the Cheyennes, who
l}ave been making trouble at the
Tonguo Kiver Agency in Montana, it
is said that the disturbance originated
in the murder of a sheep herder by
the Indians because they feared that
he would inform against them for
A GROUP OF SIOUX GHOST DANCERS.
cattle stealing. There can usually be
found, of course, some incident upon
which to fasten the outbreak, but the
real cause of the Indian troubles lies
deeper than this.
At certain times, as the red man
himself says, “Injun’s heart gets bad.”
Very often, declares the New York
Tribune, this occurs in the spring,
when the fresh, new grass has put the
ponies into perfect condition and when
the mild weather has caused the ponies’
masters to shake off their winter
lethargy. Then the aforesad “bad”
feeling manifests itself, and the In
dians desire nothing so much as to go
LOW DOG.
(A Sioux with a very bad record.)
forth and kill. The killing of human
beings would be preferable, as furnish
ing more excitement, but hunting, if it
is good enough, offers a substitute
which may be accepted. Thus, as
long as the buffaloes lasted they pro
vided a means of outlet for the Indian’s
surplus destructive energy, but now
this resource has disappeared and
there is no other legitimate hunting to
compare with it. So, when tho coun
cils and the dances have aroused every
particle of warlike spirit in the hearts
of the young braves, what more nat
ural than that it should be found easy
to pick quarrels, and that the thirst
for the white man's blood, once ac
WHITE BULL.
(A Cheyenne leader prominent in the recent disturbances.)
quired, should often take a long time
to quench?
The ghost dances and the war dances
held in the spring are always more
effective than those at other times pf
the year. The Indians are pleased at
the though; of being able to hold them
out of doors again, after the close con
finement which the cold of & Dakota
or Montana winter enforces. An extra
amount of vigor is infused into the
savage and grotesque contortions of
the dancers, and the spectators gaze
as if they could not see enough of these
movements, which are suggestive to
them of the highest type of valiant
daring.
But it is perhaps after the dance is
ended, when the warriors are seated
around in a circle on the ground, that
the fightiDg desire is worked up most
surely and powerfully among them.
The pipe of good followship is first
passed in silence, each Indian taking
only two or three puffs, and then hand
ing it on to his next neighbor. Just
here it is interesting to note that the
red man does not smoke after the man
ner of his white brother. In the whole
circuit which the pipe makes its mouth-
piece is never wet. The Indian merely
lays the end of the stem against his
lower lip and, with his mouth partly
open, draws a deep breath. Bemov
ing the pipe, he exhales this smoke,
and then perhaps lays the stem to his lip
for a second puff, but never does he put
the mouthpiece into his month, in the
common white man’s fashion. If asked
to smoke a peace-pipe after a white
man he first wipes off the end of the
pipestem where it has been in the pre
vious smoker’s mouth.
To return to the circle which is
formed after the dance, the smoking,
as was said, takes place in silence.
Then some noted warrior of the band
rises and strides into the centre of the
group. When he has fixed the atten
tion of all, he begins to recite the brave
deeds which he has accomplished in
war, illustrating his remarks with a
most picturesque variety of gestures,
and certainly allowing his story to lose
nothing in the telling. As he talks,
the eyes of the young braves glow, and
their features work with excitement
aud a desire to emulate such achieve
ments. The fact that the Indian
habitually represses his emotions need
lead no one to doubt their strength,
aud the amount of pent-up energy
which is expressed in the attitudes of
these young braves is enough to make
the civilized spectator shudder as he
thinks of the savage expression it
might find.
At the conclusion of the speaking af
ter all the famous men of the band
have recited similar experiences to
those of the first orator, the excitement
is intense. Then it is, and sometimes
for many days afterward, that the
Indians are to be dreaded, for they
are ready to seize upon almost any
pretext to pick a quarrel with the
whites. It is the opinion of many
people experienced in Indian affairs
that nearly all of the difficulties arise
from this uncontrollable lighting' ardor
of the youug men of the tribes. They
have heard their fathers tell so often
the glories of killing the white men
twenty years ago, at the time of the
Custer massacre and other noted fights,
that they feel as if they must also
achieve something of the sort or for
feit a reputation for bravery.
An Indian face which is the very
type of cruelty and cunning is that of
the Sioux Low Dog, here reproduced.
His nature does not belie bis name,
either, for he committed, several years
ago, a particularly horrible murder
upon a United States mail carrier.
The unfortunate man was going to
Fort Buford, on the line between
North Dakota and Montana, and near
the junction of the Yellowstone and
Missouri rivers, when Low Dog at
tacked him. Not content with plun
der and the mere killing, the savage
Sioux resorted to the most dreadful
speoies of Indian torture, and his vic
tim, though still breathing when
found, was mutilated and his flesh was
burning in several places. Owing to
a not uncommon conflict between the
civil and military authorities, Low
Dog was never brought to punishment.
A United Btates Marshal came down
from Helena with a warrant for the
murderer’s arrest, but as the offloer
commanding at the reservation re
garded this as au infringement upon
the military rights, nothing could be
accomplished.
Low Dog is now living at one of the
agencies in Montana, and has rather
subsided since this conspicuous
achievement in his career. Such a
deadlock as the foregoing, between
the Army and the State officers seems
diineult to avoid, judging by the fre
quency with which it has occurred.
White Bull, whose portrait is like
wise given, is a well-known leader. It
was his band, numbering 125, that es
caped from the Tongue Kiver Agency
and betook themselves to the hills on
the Tongue Biver, near Ashland.
There are many points of similarity
between the Cheyennes and Sioux,
and they have not infrequently joined
on the warpath. It is often stated
that the Indians w'ho took part in the
battle of tbo Little Big Horn were all
Sioux, but it has been proved that
they were assisted by a considerable
band of Cheyennes.
MOVING A BIG CHIMNEY.
’Tall Structure Conveyed Nearly 1000 Fce(
Over Rough Roads.
There are two ways of moving a
chimney. One way, and that usually
followed, is to tear it down carefully
and rebuild it in the desired place.
This utilizes only the brick and means
a great deal of labor. The other
method of moving a chimney is to
handle it much as a bouse would be
bandied and to move it bodily and
without tearing it down, by putting it
on skids.
This latter method was followed by
a firm of contractors of Binghampton,
N. Y., iu moving a chimney for the
Manhanset Improvement Company at
Manhansett, N. Y. The chimney is
eighty-five feet high and seven feet
square at the base. It weighs nearly
one hundred tons, aud yet it was
moved a distance of 950 feet over
rough roads and up and down steep
grades without injury or accident.
TALL CHIMNEY SUCCESSFULLY MOVED
950 FEET.
But six men were required to do the
work. One horse attached to a wind
lass furnished the needed power.
The accompanying picture, from
a photograph reproduced in the Scien
tific American, shows the style of
braces used and the sort of sled
on which the chimney was moved.
The skids were well greased on the
bottom, and the rate of progress was
so fast that but nine days elapsed from
the time work was begun until the
chimney was securely located in its
new foundation.
A Cliurcli’s Historic Memorial.
The old Dutch Reformed Church,
on Norfolk street, near Stanton, in
the very heart of the packed tenement
district of the lower East Side of New
York, is to be destroyed, and a dwell
ing house is to be erected in its place.
In the last century two of the
church’s mo3t prominent members
were John Jacob Astor, the founder of
the Astor family, and the famous Baron
Steuben. In the vestibule of the
church, set into the wall, is a tall mar
ble memorial, on which is inscribed
the following:
Sacred to the memory of
Frecl'k Will’m Aug's Baron Steuben,
a German,
Knight of the Order of Fidelity,
Aid-de-Camp to Frederick the Great,
King of Prussia;
Major-General and Inspector-General
in the Revolutionary War.
Esteemed, respected and supported by
Washington, he gave Military
‘skill and Discipline to the
Citizen Soldiers
who
(fulfilling the Decrees of Heaven)
Achieved the Independence of tho
United States.
Tho highly polished manners of the
Baron were graced by the most noble
feelings of the heart. His hand, “open
as day for melting charity,” closed
only in the strong grasp of death.
ThisgSlemorial is inscribed by an
American who bad the honor to be
his aid-de-camp, and the happiness
to be bis friend.
Obit., 1795.
This memorial is eight feet in height
and tapers to a point, just below which
is a crown, surmounting a shield.
Lower there is a Greek cross, w ithin
which is the word “Fideli'tas. ”
Bag Carts in Street Cleaning.
Kansas City will adopt another of
Colonel Wariug’s New York ideas in
street cleaning. Along with the white
brigade and clean streets, the Street
Department will have hag carts to be
used by the street sweepers. Bag
carts are something new' in the West.
They are little two-wheeled push cart#
arranged to hold a large jute bag. The
street cleaner deposits sweepings in
the bag as dirt is gathered from the
pavement, and when the bag is filled
ties it up and lays it on the curb to be
hauled away and emptied. Each cart
is provided with half a dozen bags.
They answer the purpose better than
the little dump carts, doing away with
dust and facilitating the cleaning
work. —Kansas City Star.
Don’t believe that every one else in
the world is happier than you.
FOR MATRON AND MAID.
NOVELTIES IN FEMININE CARMENTS
FOR THE SUMMER SEASON.
An Elegant and Comfortable House Jacket
Made of Soft Twilled, Pale Blue Silk
—J mm tv Sailor Suit of Blue and White
Pique, Oecorated With Fancy Braid.
Ease and elegance, according to May
Manton, are aptly combined iu this
charming negligee here shown in soft
twilled, pale blue silk trimmed with
’ ladies’ house jacket.
Valenciennes insertion and lace. The
seamless back has two box-pleats
formed from the shoulders that give a
trim appearance to the waist and afford
SAILOR SUIT FOR LITTLE GIRLS.
necessary fulness beloiy the belt. Un
der-armed gores separate the back
from the full, loose-fitting fronts, which
are disposed in gathers at the neck
and drawn in by the ribbon girdle that
can encircle the waist, as shown, or be
included in the under-arm scams and
bowed in front or a little on one side.
The full topped two-seamed sleeves, of
fashionable proportions, are simply
finished with frills of lace and feather
stitching to match collar. The turn
over collar is edged with a frill of lace
and decorated with feathered stitching
of violet wash silk.
Taffeta in black, changeable or fig
ured, mohair, sateen, and alpaca are
frequently employed, while, the sum
mer wear, pongee and wash silks are
special favorites.
To make this jacket for a woman of
medium size will require two and
three-fourths yards of forty-inch ma
terial.
Little Girl’s Jaunty Sailor Suit.
Blue and white pique are united in
the jaunty little suit depicted in the
large illustration, that is neatly deco
rated w'ith braid. The pattern, says
May Manton, provides for a plain body
lining that is simply shaped by shoul
der and under-arm seams, the closing
of which is effected at the centre-back
with buttons and buttonholes. To the
lower edge of the body-lining the full
gathered skirt is joined. The blouse
is also adjusted by means of shoulder
and under-arm seams, and closes in
front, the neck being cut away to ex
pose the shield of white pique. The
handsome broad sailor collar displays
stylish pointed revers in front, from
under which a sailor-tie knot falls.
Elastic is drawn through the hem that
finishes the lower edge of the blouse,
to adjust the fulness at the waistline.
The bishop sleeves are of moderate
width, and are gathered top and bot
tom, round cuffs finishing the wrists.
The skirt has a straight lower edge,
showing a neat decoration, consisting
of a band of white pique headed by
bows of braid. A close standing band
finishes the neck.
Flannel, serge, duck, pique, grass
linen andVrash are suitable for develop
ing, white braid is invariably the ac
cepted decoration. The mode is par
ticularly adapted to seaside, country
or general wear. While blue is the
conventional color for onting purposes,
dressy little costumes can be made of
cream-white serge united with silk in
the same color and narrow gilt braid.
Scarlet canvas weave combined with
white doth and black braid is exceed
ingly effective.
To make this costume for a girl of
ten years will require five and one-half
yards of thirty-six-ineh material.
Shoes for Hummer Sauntering;!}.
Hotel piazzas bid fair to take on an
even gayer air than ever this summer
in view of the astonishing styles in new
shoes. The feet that peep out from
beneath flounced gowns and silken
petticoats arc themselves incased in
the liveliest of coverings. The models
after which the new hoots and slip
pers are patterned are for the most
part French.
High heels, according to these new
models, have not disappeared. They
are even higher and Frenchier than
ever. Toes, however are less pointed.
The toothpick variety has passed quite
out of date aud the new toes are per
ceptibly wider and rounded.
One particularly dainty piazza slip
per for morning wear is of ox-blood
ooze leather. It is cut very low aud
is fastened over the instep by a series
of satin straps. Even prettier is a
smart little slipper with a front part of
plaided silk and the back of patent
leather.
For evening wear there are slippers
with French heels and highly orna
mented toes. Most of these are of
plain colors of satin embroidered in
real or mock gems. High boots are of
plaided or striped leather, laeod or
strapped at the front.—New York
World.
A Woman’s French Blouse Waist.
This stylish waist is carried out in
foulard, showing white figures on a
dark-blue ground, the side-fronts
opening upon a full vest of white
crepe de chine. The foundation con
sists of a glove-fitting lining fitted with
the usual number of seams, double
bust darts and closing- invisibly in the
centre-front. The full vest is gathered
at the neck edges and again at the
waist line, where it drops in slight
blouse effect over a narrow belt. This
vest can be made to close ins ' v at
the centre-front or at the left fide, if
preferred. The neck is shaped
loiv, rounding outline, presents a the
guimpe effect—a fashion by the way .’
extremely youthful and becoming;'
Smooth under-arm gores separate the
fronts from the back, which is seam*
less, having scant fulness at; the waist
that is collected in gathers. A band
of galloon covers the standing collar,
from the upper edge of which flares a
becoming frill of lace. The sleeves
are provided with upper and under
portions, and have short puffs at th?
top. The wrists finish with Venetian
poiuts that are decorated with galloon
and lace. Waists of this description
can be fashioned in any one of the
beautiful summer fabrics, including
foulard, China, India, taffeta and
glace silks. The full vest is particu
larly designed fo; contrasting ma
terial, such as mousseline or -chiffon
over satin, crepe de chine, net or
gauze. Among the less
materials for developing are challie)
figured organdy-, canvas weaves,
etamine and dimity.
To make this waist for a woman of
STYLISH BLOUSE WAIST.
medium size will require two and ous
- yavds of fortv-four-inch material.
Juno—“ Harold said he would makj
my life one long dream. ” Kit —“Dw
he know that you snore?' - —Truth.