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SOUTH GEORGIA IS
GOOD ENOUGH.
Lawerenceville, Ga.,
June 28.’09.
Editor Monitor:
Many are the people here who
seem to lie amazed when I tell
them of the possibilities of South
Ga. They ask me such questions
as, How is the water? How are the
people?\Vhat is the price of land?
etc.
There is not a correct under
standing among these people
about the condition of that sec
tion known as South Georgia.
There is more wealth and lux
uries in North Ga. than South.
Land here sells for $25 to SBS
per acre and land too, which is
not level and is very rocky.
The homes are filled with finer
art and the people own more au
tomobiles and buggies, even the
people who do not own homes en
deavor to control stock and ve
hicles. Every young man who
works for wages or rents land
must have a~Bhggy, It is very sel
dom that you enter a home here
without seeing an organ or piano.
I have tried to convince several
of these young men that it would
be so much easier to own a home
in South Georgia where land can
be bought for five to 10 dollars
per acre than to pay SBS here.
They say if they knew that it
was healthy and would have good
water in South Georgia they
would make the sacrifice and
go at once.
Many people have gone to that
section and was sick while there,
possibly from no local cause and
came back and told their neigh
bors that South Georgia was a
death hole or grave yard. It is
true that section has not luxuries
or as many beautiful homes as
this older section but when we
consider the price of land and the
possibilities of that section there
is no further argument in favor
of swinging on to“mother’s apron
string”.
The unsatisfactory features of
South Georgia are the bad roads,
and poor stock, and cattle, whieh
could he improved and will be
soon.
I found the people all clever
jtmd friendly. Montgomery county
piasgiod patriotic citizens. The
pride of the county is her public
school system. I know of no abler
or energetic school comm is
sinner than Col. Hutcheson.
'file thing most needed is con*
eolidatioo of the public schools,
which would give longer terms
and more efficient seryice. The
people should congratulate them
selves on having seven months
p«bj;c term while inanv counties
pave o nly five. The teachers here
ill Gwinnett county have just
pad their institute followed by
the teachers examination j# which j
there were Beventy-eight teachers
AMMpdmd for license. I observe that
ihere arc too many childaen try
ing to teach and making it a step
(to some other profession as law,
medicine etc. I/'t ns fcftye pay
enough to keep teachers who are
prepared in the work.
J see that the male teachers
wlio arc competent can secure bet
ter pay in soiother line of work
sand hence given pp teaching,
which leaves all this uftpoytant
work of training the young idea
(to shoot to younger and unexper
•enced hands.
ft is laudable in every young 1
lady or gentleman to educate
themselves but there should be
proper inducements in a pecun
iary way to keep them in the j
teaching profession. It is conce
ded by all that there is no other
opening which offers more oppor
tunities for doing good, but many
are forced to leave this noble
work to others on account of the
meat and bread proposition.
I will close with aeontinued re
gard for all your readers.
Very truly,
YV. A. Wood.
BRITISH AUDIENCES.
Thslr Habit of “Booing” Plays Thay
Do Not Lika.
It is a difficult thing for theater
goers on this side of the water to
understand the temper of audiences
which attend the first performances
of plays in England. Apparently
the British first night audience noi
only understands full well that it
has the power practically to make
or break a play, a manager or an
actor, but is invincibly determined
to exercise that power to the very
utmost. At all events, the frankness
and candor with which a Loudon au
dience expresses its opinion of both
play' and players are wholly unknown
in this country. A player who is
so unfortunate as not to please a
London audience is not allowed to
escape, as here, with a liberal sen
tence of cold and contemptuous si
lence or an occasional half hearted
outbreak of ironic laughter—uot at
all. He is liberally “booed,” while
the outbreak of this typically Brit
ish form of censure at the fall of
the final curtain of a play that has
not pleased is of so vindictive and
poisonous a character that nobody
who has heard it once is ever likely
to forget it.
Nor is the British audience al
ways merely frankly and candidly
brutal in its behavior toward those
who have been so unfortunate as to
fail to please it. Occasionally it
exhibits a subtlety in its cruelty
that is quite marvelous, considering
that it is shown by not one person
or by a small group of persons, but
by a majority of a large assembly.
This mob subtlety bikes the form of
luring the author of a new play by
means of spurious applause to make
his appearance in front of the cur
tain, only to he instantly greeted
and overwhelmed by a perfectly cy
clonic storm of furiously angry
“booing.”
“As for the ‘booing,’" said an
American actress who played in
London, “it is an old custom. There
is no doubt that it is cruel. It is
brutal and merciless, and no mistake,
but there is this to say for it—it has
done a lot to keep utter trash off
the British stage and to keep the
English theaters of the first class
from swarming with incoippefept
players who ought to be working as
stenographers or ribbon clerks or at
some other wage earning task in
stead of being foisted upon the pub
lic in positions for which they have
no natural aptitude and for which
they are totally unable to acquire
the necessary skill. I think nobody
at all acquainted with the facts will
contend that the general average of
ability among players in America
is anything like the equal of that
shown by the English. I don’t pre
tend that the ‘booing’ custom is the
nn}y pause of the British superiority
in this respect, but I am firmly con
vinced that it has a very great dual
to do with the fact that in Loudon
one seldom sees a grossly incompe
tent player set forward to play a
leading part requiring finished skill,
#nd that certainly is not the case in
Amerjc#. ‘Booing’ is heroic treat
ment, but it results.” —New
York Sun.
Old and Blind and Stupid.
No one could say a sharp or bit
fey thing with more absolute cool
ness than JLprd Westbury. After
retiring from the office of lord
chancellor he took a very active part
in the house of lords sitting as a
.court of appeal, where his colleagues
were Lord Chelmsford and Lord Co
lonsay. Lord St, Leonards, who
was senior to them ali, never ub
tended. One day Lord Westbury
chanced to meet him and said to
him, “My dear St. Leonards, w'hy
don’t you come down and give us
your valuable assistance in the house
es lordg?”
“Ah,” said Lord St, Leonards, “I
should he of no use! I am old and
blind and stupid.”
“My dear lord,” said Westbury,
“that does not signify in the least.
I am old, Chelmsford is blind, and
is stupid; yet we make the
very best court pf appeal which has
ever sat in that assembly."—Lon
don Mail. j
Specially Selected.
A mild faced individual entered j
the postoffice.
•“j)o you keep stamps?” he asked, i
“We do, sir,” answered the polite
clerk, somewhat surprised.
“What sorts do you keep?” pur-j
sued the customer.
“All the values that are issued,
atv ” replied the official, “from a
halfpenny upward.”
“Could I see some penny ones ?”
Promptly the office clerk pro- 1
duced a twenty shillings’ worth;
sheet of penny perforateds and i
spread it out upon the counter.
“There you ale, sir,” he said. “If j
you want penny stamps there are «
few.”
The mild faced individual looked i
them over and then pointed to the j
center stamp in the sheet.
“I think,” he said, producing a
p*gny, “I’ll take that one, please!”
—London /Scraps.
THE MONTGOMERY MONITOR—THURSDAY, JULY .8 1010.
SHAKESPEARE’S LAW.
Citations to Show That Ha Was In thi
Fashion of His Time.
No ordinary reader of Shake
speare’s works can fail to he strucl
bv the copious and ever recurrin<
legal phraseology' witli which they
are filled. Not only are law terms
frequently employed with an a!
most professional correctness ti
give color and intensity to his sen
tences, hut whole scenes are taker
up with allusions to or discussions
on purely legal matters, as in “The
Merchant of Venice,” “Henry V.’
and the grave scene in “Hamlet, ’
not to mention other plays. Sr
profound indeed is the knowledge
displayed all through that no les?
an authority on the subject thar
Lord Campbell has told us that “tc
Shakespeare’s law, lavishly as In
propounds it. there can neither hr
demurrer nor bill of exceptions nor
writ of error.” To this marked
feature of the works more than tc
any other one might perhaps witli
justice attribute the very origin of
the whole Baconian theory'. The
point is naturally of extreme im
portance in the eyes of those whose
only knowledge of the literature of
the period is confined to Shake
speare’s writings. But that impor
tance shrinks rapidly to insignifi
cance after a course of reading
through the general dramatic liter
ature of the time, in which, as n
matter of fact, legal similes and al
lusions are found to occur with
about the same frequency us in
Shakespeare’s works. So strong in
deed is the legal coloring of all
stage writing at the time that one is
forced to believe that law talk must
have been more common among lay
men in those days and especially
among laymen of a playgoing dis
position (haq it has ever been dur
ing any period since. There are in
dications besides that some critics
were getting tired of all this legal
jargon, Dekker, for instance, who
writes :
“There is another ordinary at
which your London usurer, your
stale bachelor and your thrifty at
torney do resort —the price, three
pence; the rooms as full of com
pany as a jail. If they chance to
discourse it is of nothing but stat
utes, bonds, recognizances, lines, re
coveries, audits, rents, subsidies,
sureties, inclosures, liveries, indict
ments, outlawries, feoffments, judg
ments, commissions, bankrupts,
amercements and of such horrible
matter.”—Gull’s Horq Hook, lUO9.
Tourneur also:
There ure old men at the present
That are so poison’d with th’ affectation
Os law words, having had many suits
canvass’d.
That their common talk Is nothing but
barb’rous
Latin. They cannot so much as pray, but
In law, that their sins may he remov'd
with
A writ pf err<r *nf| tpelr sums fetch’d up
to heaven with a rertturart.
—Revenger's Tragedy.
There is therefore no more diffi
culty in Shakespeare’s case touch
ing his knowledge of law than in
the case of anv other playwright of
his age.—Nineteenth Century.
A man whose wife found much
fault with him—probably with jus
tice—on account of His untidiness,
went to a tailor to order a suit of
clothes.
“What kind of goods do you
want?” asked the tailor.
“All wool and madly of tlii
color.” replied thp customer, pre
sen ting a sample.
‘‘lt is hard {o tell just what color
this is," rejoined ttie* other, inspect
ing it. “Where did you get it?”
“1 cut it from my last suit.”
“It doesn’t seem to have any fig
ure.”
“No. This is where some grease
got on it. I cut out the entire spot.
1 w/mt something a grease spot
won’t show on. See?”
After a lengthy explanation the
tailor succeeded in convincing him
that there was no cloth of that kind
in the market.—London Mail.
A G r * n d Mercery.
A highland girl who had been in
•erviee in Dundee and had gone to
a place farther south called upon
her old mistress on her way north
to visit her friends.
She was invited to take dinner
with the family, and her master
tpked a blessing on the meal os
usual, when the girl said:
“My maister, ye maun ha’e a
gran’ memory. That’s the grace
ye said when I was here sax years
syne.”—London Telegraph.
So It Would Beem.
They were talking about silver
ware down at the general stire the
other day. Farmer Bellows mi id he]
thought this firm turned out more
silverware than any other, and some
of the rest disagreed with him. It
was Farmer Stubbs settled it.
“Reoms teh me.” sa’d Fanner]
Stubbs, "these here Sterling people
do a lot o’ business. Voh see their
name on most everything.”—Sub
urbanite.
I! mmmmwtmmmmi&m&mmms&smim
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