Newspaper Page Text
WORTH CA_ R_o LINA
NOB t m
t \ ;a *^Jfenr
By EDWARD EMERINE
WNU Features.
u\\/HY not enjoy living? We
W do!”
Backed by over 400 years of his
tory, tradition and romance, soft
spoken South Carolina is still glam
orous and appealing. Consider for a
moment that 90 per cent of the
South Carolinians in the armed
forces, when polled, indicated their
intention of returning to their na
tive state when they got out of uni
form! Though they had seen the
world, they found nothing to lure
them away from the Low country,
the Up country, and the Piedmont
in between.
South Carolina has had a glori
ous past. But also it has a future!
It endured terrible years of Recon
struction following the War Between
the States, and it was not until the
turn of the century that order came
out of chaos. Then South Carolina
was aware of itself again, ready to
cope with its problems in the light
of progress.
Each decade has seen improve
ment, and a further step toward the
fulfillment of its destiny. South Caro
lina is vibrant with new life, new
energies, and a will to progress.
Wealth has been introduced by tex
tile and other industries, including
Old grist mill, Anderson county
plastics and chemicals. Soil rec
lamation, reforestation, flood con
trol, hydro-electric development
those are the projects of today.
Agriculture has been spurred to new
heights by scientific aids. Fields of
cotton, corn, tobacco and peanuts
still remain; but new crops have
been added and more will come.
And new industries too, for South
Carolina is rich in natural re
sources, many of them as yet un
developed.
“Open for business,” South Caro
lina advertises, and points to ex
cellent highways, rail and water
transportation, and main routes of
airplane travel. Favored by a mild
all-year climate, it beckons to those
who want a home, pleasure, jobs,
business, manufacturing, farming
and a good life.
More than 80 years before Vir
ginia was founded and over 90 years
before the Puritans reached Massa
chusetts, a white settlement was
founded on what is now Winyah bay
RANSOME J. WILLIAMS
Governor of South Carolina
in the Low country. It was the ill
fated Spanish settlement of San
Miguel de Gualdape.
Other Spaniards came, De Soto
and Juan Pardo, to explore the inte
rior about the Savannah river. Com
peting with the Spaniards were the
French, who in 1562 briefly settled
a body of Huguenots at Port Royal.
None of these ventures endured,
however, and it was left to the
English to establish permanent set
tlements.
Charles I in 1629 granted to Sir
Robert Heath ‘‘all America from
sea to sea between the 36th and 31st
parallels of latitude under the name
of Carolina.” Even then the coun
try remained unexplored until 1663
when Charles II chartered the
same territory to eight of his loyal
friends. They became lord propri
etors of the province of Carolina.
In March, 1670, the first settlement,
consisting of 148 persons, was made
at Albemarle Point and named
Charles Town, the Charleston of to
day.
Cavaliers and Puritans came
from England to swell the popula
tion. The fame of Carolina sunshine
spread, and the story of its fertile
soil was repeated in many lands.
From across the sea and from other
American colonies they came, until
there were Cavaliers, Puritans,
French Huguenots, Irish, Dutch and
Germans. Many Quakers arrived
early, and one of them, John Arch
lade, served as governor of the
province. Later more than a thou
sand suffering Acadians found a ref
uge and a home. Added to all these
were the Negroes, bringing an un
suspected gift of rhythm, and fur
nishing the sinews for the struggle
to build a new land.
Like all colonists they brought
with them old hatreds and differ
ences of class and creed. Some
came for riches, some for adven
ture, others sought relief from re
ligious persecution. They quarreled
often among themselves, but stood
together against any common
enemy. They repulsed the attacking
Indians and they fought off pirates
from the coast. In 1718 at
Charleston, 49 pirates swung from
the gallows in one month, with 22
of them dangling there one day.
They fought for the right of local
THE HOUSTON HOME JOURNAL. PERRY, GEORGIA
self-government. They overthrew
the proprietary government and be
came a royal province under the
king’s charter. They finally revolted
against the king himself, and be
came one of the 13 original Ameri
can colonies. They reasserted them
selves again in 1860, and there fol
lowed the Civil war.
Through all the years, in massa
cre and war, through storm and
fire, despite earthquake and pesti
lence, the people of South Carolina
struggled on. They explored the wil
derness and located new towns and
more plantations. They built roads
through forests and swamps, and
threw bridges across rivers and
streams. They built houses of ‘‘tab
by”—a composition of crushed oys
ter shell—and of thick hardwood
logs. They spread out from the Low
country to the Up country. They built
for beauty and utility and discov
ered the dignity of life.
“Charleston is the place where
the Ashley and Cooper rivers meet
to form the Atlantic ocean,” is the
traditional geography lesson of a
Charleston child —a lesson as sig
nificant as it is descriptive. Men
and women of South Carolina be
lieve in themselves, in their state,
and in their destiny. They have pro
duced leisure, culture and a high
responsibility of citizenship. They
have drawn character from the
land itself, and courage and integ
rity from their labors. More than 250
years of war-torn history have
molded and tempered and strength
ened a people until they know their
metal.
Gloriously patriotic in World Wars
I and 11, South Carolina has fur
nished, fed and trained men for ev
ery battlefield in the world. Her
heroes have followed Old Glory to
the farthest ends of the earth, gath
ering Purple Hearts and battle
stars—and filling lonely graves.
South Carolina’s motto is Dum
Spiro, Spero (While I Breathe I
Hope); also, Animus Opibusque
Parati (Prepared in Spirit
Wealth, or Ready with Minds and
Resources), and at no time in her
history have these phrases been
more fitting than they are now.
From the mountains to the sea,
South Carolina has 31,055 square
miles of inviting land!
Typical Low County road,
Edisto Island.
POOR PRESCRIPTION
Two Maine farmers had been
meeting each other once a week for
many years on the way to market.
Their conversation was usually con
fined to;
“Good morning, Lem.”
“Good morning, Sy.”
“Nice day, Lem.”
“Yes, it’s a nice day, Sy.”
“Well, good day, Lem.”
“Good day, Sy.”
This dialogue remained un
changed over the years, unless the
state of the weather required a mi
nor adjustment.
One particular day the conversa
tion changed. In addition to the
above colloquy one of the farmers
said: “Say, Sy, what did you give
your horse when he had the colic?”
Sy answered; “Well, I gave my
horse turpentine when he had the
colic."
“Thahk you, Sy.”
A week later they met again and
Lem said: “What did you say you
gave your horse when he had the
colic?” Sy answered: “I gave my
horse turpentine when he had the
colic.”
“Well, I gave my horse turpen
tine and he died.”
“So did mine. Good day, Lem.”
“Good day, Sy.”
CAN’T CHEAT SANDY
MacTavish stepped into the taxi
and said, “Waterloo Station, my
mon.” The driver quickly sized the
Scot up as a stranger to London,
and proceeded to take advantage
of thd fact by driving his fare all
over the great metropolis instead of
directly to his destination.
At the end of three hours of sight
seeing, MacTavish was finally un
loaded at Waterloo Station. Darting
up to a policeman, the Scot inquired,
“Officer, what is the taxi fare from
Euston to Waterloo?” The bobby
told him.
“Would you mind paying the driv
er?” asked MacTavish, proffering
the exact sum to the policeman.
“I’ve a train to catch.”
And with that he disappeared into
the station.
Tale of a Goat
A Connecticut school-teacher has
a prize essay on goats, submitted by
a frazzle-headed, freckle-faced sixth
grader—a boy, of course. It reads
“A goat is about as big as a sheep
if the sheep is big enough. A male
goat is a butt; a female goat is a
buttress. A new little goat is a
goatee. Goats are very useful for
eating up things. A goat will eat
up more things than any animal that
ain’t a goat.
“My father had a goat once. My
father is an awful good man. Ev
erything he says is so, even if it
ain’t so. But he ain’t had a gnat
since it ate up ma’s rose bushes,
“And that’s all I know about
goats.”
A HIGH BID AT THAT
A dilapidated car wheezed up to
the toll gate of the Golden Gate
bridge in San Francisco. Its last drop
of gas was gone and its wornout
tires were almost flapping in the
breeze.
“Four-bits,” demanded the bridge
attendant briskly.
“Sold!” exclaimed the two weary
G.l.s.
Filled Up
“Oh, honey, bring half a dozen
mousetraps when you come home
this evening,” said the bride.
“Why, I just bought six yes
terday!”
“Yes, I know, but they have mice
in them!”
Money Has Wings
“How can I enter the missing
amount the cashier inn off with?”
asked the bookkeeper.
“Put it under ‘running ex
penses’,” replied the auditor.
Woman's World
Quilted Bedspread Makes Fine
jjiniper for a Teen-Aged Girl
(hif £lrtla .
THOSE lovely quilted bedspreads
of which we are so fond for
dressing up our bedrooms begin to
show wear after a few seasons. Per
haps it is a pity that the lovelier ma
terials do not last longer, but do
not despair. There’s fine material in
these bedspreads for quilted jump
ers for the girl in her teens.
Quilted jumpers for the younger
set are just the thing to wear for
household duties. They keep the
dross from getting soiled, and be
cause of their loveliness, they often
lend glamour to the menial tasks
such as dusting or straightening up
to which every girl must devote
some of her time.
The principal function of these
jumpers is to add a bit of color,
gaiety and charm. For this reason,
the loveliness of these old, worn-out
bedspreads are truly ideal. See that
the spread is well laundered and
pressed before you begin working
on it. In many cases, these spreads
are just made of cotton, with lit
tle or no filler. If you are not
certain of material laundering well,
then have it dry-cleaned.
Patterns for jumpers are ex
tremely simple to cut and easy to
sew. They consist of a square neck,
usually, perhaps a bit of ruffle over
the shoulder, a nipped-in waist and
seamless skirt.
By the way, if the bedspread has
a white background with a print
on it, you might like to dye it. Even
though the background is an attrac
tive pastel, the print will show
through.
Essentials of Laying
Pattern, Cutting
Before you attempt to cut the
jumper from the material, make
sure that the fabric is straightened
out. Stretch and straighten the
goods until both lengthwise and
crosswise grains line up perfectly.
Never pull so hard as to damage
// you have a Unlit quilled spread . . ,
or tear the fabric. If necessary,
press the fabric if you have a lot of
cutting to do.
You will find chalk marks and
tailor’s tacks of inestimable value
as a guide to sewing and fitting the
pieces together. These should be
made in contrasting color so they
will be easy to find. Both sides
should be marked in exactly the
same way.
Before you start cutting, make
sure that the pattern—whether it be
a professional or a home-made one
—fits. Then there will be no ma
jor alterations, once sewing and fit
ting are started.
It may be necessary to lay the
pattern out several times before you
can make it fit the material. This
is especially true when you are
making a garment out of old ma
terial, for then pattern layouts,
which are made with new material
in mind, will be of little help.
For the simple jumper which I
have described, you will need only
these parts: front bodice (made
without sleeves); back bodice; back
Make a jumper from it.
of skirt apd front of skirt—two
pieces, since no gored or seam ef
fect is desirable on this quilted type
of material and then the two or
three-inch band which will circle
the waist. If ruffles or capped ef
fect over the shoulders is desired,
this will add two more pieces to the
pattern.
Sew the shoulders together first,
then the side seams. Finish the
i
Spring Fashion Notes
1 :
Dresses of pure silk are very sim
ple indeed, probably because of the
price of .-the material for one thing;
and the other, because the lovely
designs of the fabric look best in
simple classic form. Black crepes
are decorated with lace inserts.
Chiffon seems to be ready to return
to the rubric world, and shantung is
selng iwed for dress suits.
Petticoat Ruffles
W"
-v - -- . *
gfflf\ “ £43
mi " ' vlPp '**■ H|
A dress of sophistication with x
hint of romance is made of straw
berry chambray with ruflles ol
eyelet by Joan Norton Irwin.
skirt next, by stitching the sidle
seams, then fit the skirt to the waist
band and to the bodice, pin in place
carefully, baste, and sew. Th®
capped effect over the sleeves may
be added after the jumper itself t»
finished.
In a quilted material of this typ«v.
it is best to make the garment three
to five inches shorter than the dress.
No large turned seam should be
used, as this will make the hem to®
bulky. Rather, it is best to use
a narrow binding at the skirt and
turn a little of the quilting under
neath (so the band will not show
on the outside), press carefully, and
then hem in place.
Sewing Heavy Fabric
Needs Special Care
It’s the wise woman who will test
her sewing machine on the type of
fabric she is using before she at
tempts to do any sewing on the gar
ment itself. It may be that th®
needle is too light or too heavy. Spe
cial attention should be given to the
thread—remember that the bobbin
and the needle should have the same
type of thread! And last, but not
least, check the tension on the ma
chine to make sure you are getting
nice stitches without any forcing or
pulling. In ide;fl sewing technique,
the tension, stitch and thread work
is in such accord that they seem to
flow out of the machine without any
restraint. Every stitch should be
straight and perfect.
In learning how to stitch straight,
mark pieces of paper with straight
lines, squares and triangles. Take
the thread out of the machine and
the bobbin out of the machine and
practice stitching on the marked
lines. Turn the corners accurately
and keep spaces even.
Pockets may be placed on th®
jumper if desired, provided the ma
terial used is not so heavy as to
make the finished garment bulky
appearing or stitching too difficult.
The hems at the tops of the pockets
must be placed in first before th®
pockets are placed and sewed onto
the garment.
Stain Removal
One of the problems in the up
keep of clothing is the removal
of stains. There is no single set
of directions that can be given
for success every time, because
stains and fabrics vary greatly.
Some of the general tips for stain
removal, however, should be part 1
and parcel of every woman’s
knowledge.
Stains should always be re
moved before they set in the fab
ric. Soap and water make an ex
cellent solvent for many stains y
but will be harmful if the fabric j
will not stand water. Ammonia I
must be used cautiously as it I
may remove the color from cer-1
tain fabrics.
Sheer fabrics like crepe and 1
chiffon can stand but little
sponging, so place an absorbent
pad underneath them and pat flue
stain lightly with a solvent, fol
lowing immediately with a dry
cloth.
Lipstick, one of the commonest
stains, should be removed by
washing out, if possible. If the
fabric is not washable try a white
petroleum jelly and sponge with
carbon tetrachloride, available at
the drug store.
: :
White pique is another trimming
that is giving that crisp touch to
spring and summer ensembles.
Gray and black are two importaflSt
shades for suits this spring. The
jacket usually carries the
the dolman sleeves and a lacy jaboft
or neckpiece add smart notes to th»
costume. Hats will pick up the dif
ferent shades in the suit itself.