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Flagpole.
March 02, 2011
Image 14
Flagpole., March 02, 2011, Image 14
About Flagpole. (Athens, Ga.) 1987-current | View Entire Issue (March 2, 2011)
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Newspaper Page Text
Books? Clothes? Dinner? Music? Jewelry? Shoes?
□ODD
You really CAN have it all.
706.3S3.1421
downtownathensga com
I *%r* hangup the phene.
LJ litter ofVn an apotogv
T« vor/y ramlihng, he vay*.
Wm0 ■ to ttm yov fc*ww 1 fW so **< ■
IteM wtiat I a* tjl» nf atxput, *od then f go
Oh and on and ,. Shit tm doing t again *
It * 00 titter h free to ooMa ad he
wants. Detavie when he does, aether so an
i: interview o^ in a tong, the words that corn#
! | hwth ate always Mffiar*. always centompt*
ttve and always genuine.
aju eiW m aafew ^ -*-~ — jiajuumIa^«
rfif TOf w*#n & <ws. mpf
tetter. U» has engaged listeners and tan* with
| [ hn etoguent ramWmg tain and m* woods «f
aHuswn and illusion Since toe «cte*i* fid N*
sdi m dehut iften. Utter has stated Ns
doMo io the met* world demanding attention
hi that gentle way errty tree talent can, As Ns
II wpertewt wpended. and fe*« fa* Wee etong
with *t the seewc industry took *urte, with
| Attie meganne mewing M*» owe a# the top
I too f*Nie*t Hiring songwriter* m WOO
*t moon, you anew, what do yew say he
j; that’ OM a fa*|# haneg to he on that font,
j on there wdh these people I adwrttg* titter
:l[ says. *tl % m #w«iwu| to me that I get to
i do what I tee*, t fee* ths* huge *e*pw«**hd
|| tty t* my ta*. f* hut op to what they ere
hading hew a *eo*dy of scwntHts and ara-
i den**# the Idaho n*th* or*p»nady eeperled
hK fthe t» wad hue >«*u the wertd 0* phywrs
I *e#n he flirted *** ceiftey# career a* a neurta
1 science •water Out jurttway through fcfci studfe*
I we was m* o*th tn* memy that musit was
; hhi tme passion and : j ading. taping the to#
; ethns demit w*th whrtfc he has feeen Me*wed.
| Ittler t seated hi* aw* mapor American N*
\ spay through oematNe %H etus* through hi*
! shudht* he Pereteped a siorytitteig ahrtrty
| that has hoc wee has ewowat fradete-wr* ?**
I #«ufhwr posed mi hast *#***. Unger y hat-soy*
I n set t» 3w shnewMt haw# #g.} tseter han amt?
| a lawner #* he* narrative w*f# wongt
: that wo at pope asrtertaPwuig and there* a#
1 the Art# art fie owe# itedhel let *w t rwvrtant
I I# tehee h^wiwif a* a irtoryOefti* awe* rtkj^gh
I ho ar&eits thai y « vawge psn* at who he %*
*t shy away New the w&#l dMeyOedw* «$*»«*
f -isywpd..* *w idy# "W*'***- j sd
I a | **t£gdhl a dade »* a -rert. '*s%-
<Mww. . se v*?.h '• i '.er»y shwe* e? a 'hrws*^^'^ *
t $]& 'i?fer *fe.„ he# 1 dp *## *» s-'iwee hithm ’
■ mp
Sam mru ftiuar * now o« tou# with hH
iiett 4 adtem. So fhe Wend 4uwy. As
e»i>e<ywA tm* work H just e* (yricat. \mt
a* creative and just «* *mid a* hH pnmou*
MPwm hawe been And yet. there H weuh
thing different A slight twHt, a layering of
torts that dhptay* not only has ahdity to grew
a* aa artist hut dso a* a wrtter.
On Urn *. tmer and hi* hand, The toyai
City land (named after a line fo Ns eg*,
nrne pluv »»nute song *thhs 9tue flame*^
«r»tt hft the 40 Watt, sparking crowds to their
feet with the wonderful energy he »t cor*'
stantiy c«p**<e of mustering, Put don't ewpet t
to onty hear songs hum the newest nHease.
though. Thai's just net how litter rods*
'TO for sure he ptaymg some stuff how* the
new adhum hut! dant hhe gomg to shows
when *t s *M one net#. f*oe» one Cl * titter
says, 'He and the guy* we Hfce to «*» « up,
throw hi new and eld stuff. I thin# tt show*
wore respect to the crowd. It's awesome that
people are wdiiny to g**e m m evening of
the* INes tt"* my jet &* «m*w sure tt ht worth
jp d
if npf rnidi^
And thaf's the a«sd of guy litter «i: a
gentle sewt wrth wot talent and a centagwu*
energy. An* can hear the peswan m hH tyr ■
ids hret Ns rtpeancy wrth every pf#** of the
gertar He’s aHe te draw hum a seemnigly
endhm wed of msgtratiww and string tegetne*
meewwts m ©we set t» a pHch perfect
mmtumsk
'1 th-inA you can And e»gauait*en every
where. **pee*e% when yaw topec-t '
he sawf. *1 can he srttmg on a newniem tee
waoihiwg the sun n*e and wet have a damn
Thing «* say jAmd <t Put then t can p#
woe^Nwg eeww *v# leer# 9# drive in a perfcimi
■*d. n*d thefs what on* we. I can w«?e yew
m ***** wham dfeewc *1 H*u h##w to juac
Art rt ut*% when f| d*i*4 Hmf« p«#t Hdhp. ft’*
perphning. *
Aene forgeoew rtgrt
Uhl fNtai. Me Ni. Mm *****
«Nf«} tdMtOM
dhl% AMoguday «h». I.. «|»
Wi-IMQl Iff ;-iidv i
V I
“Runs the World Away to Athens