Flagpole. (Athens, Ga.) 1987-current, July 20, 2011, Image 3
ZERO COST TO YOU When Dr. Frisky Walker pulled up into our backyard one evening to show my father his new Pontiac station wagon, my father was duly impressed. "How much did it cost you, Frisky?" my father asked. "Well, Rollo," Frisky answered. "It didn't cost me anything." Through further questioning, my father elic ited the information that Frisky had traded his old car on the new Pontiac and the monthly payments were the same, so it was not costing him any more by the month, even though, of course, he had a big, new loan to pay off. As Frisky's taillights receded, my father shook his head. Once he made it through the Depression and the War buying used cars from people he knew, he prided himself on buying a new Ford every three years for cash. It just didn't occur to him to borrow money to buy an automobile. Frisky represented the future that day in our back yard, a future my father would never know. My father represented the past in which people made do with what they had until they could afford to do better. He lived in a small town that was dependent on the surrounding farming country, and they had all been through hard times. Farmers got credit against their crops for seed and fertilizer, and if the mule got sick, the vet would treat it for collards or quail, if necessary. Same with the doctor. There wasn't much cash in the economy, and less credit. That's why my father was so nonplussed at the idea that somebody could just go to the bank and borrow the money to buy a new car, especially when the one he had still worked perfectly well. All the current discus sion and debate about the economy hinges on consumer confidence; every body seems to agree that the way to get this country moving again is for people to be willing to borrow and spend and for banks to be willing to finance them. Of course, jobs are the prerequisite, but the role of jobs is to give people the confi dence to buy the big-ticket items. The assumption all around is ! that we will not become prosperous again until our people are willing and able to buy stuff. That's exactly the opposite idea from what kept our grandparents (your great-grandparents) going. They could make it if they saved and went without. We can make it if we borrow and spend, and if we do, our economy can make it. Of course, the role of government in getting our economy moving is the dividing line in figuring out what to do. In the attempt to end the Depression, the government stepped in with programs designed to increase jobs and programs to curb the economic abuses that had contributed to the Depression. Those programs had mixed results, and those that have not been abolished are under attack today. Opponents of govern ment intervention in the economy say that only the ach nt of World War II ended the Depression. Of course WWII was a government operation all the way. The government took over the economy. All our industries were running at full capacity. The demand for workers was so strong that women went to work in the factories. We had strictly lim ited consumption. No new cars were manufactured. Food, gaso line and other necessities were rationed. Our industries were running around the clock at full employment. Everybody was making money, but there was not much to spend it on. People were forced to save their money. By the end of the war, people had money, and they were ready to consume. That period of doing without and our new wealth made us the most prosper ous nation on Earth, and the trick has been how to keep that boom going once the demand was met. That's why everybody keeps up the pressure to consume, rather than rethinking the economy and basing it on demand for necessities and their production. That pent-up demand carried us through the post-war years and all the way to Vietnam. Since then, our wars have been catered, with the effects hidden from us, the costs not showing up in the budget or in public discourse. Listen to politicians decrying the cost of government and blaming Social Security and Medicare. How often do they mention our three wars that are burning through billions every minute? Meanwhile, they make us believe that if we would all just buy new Pontiacs, everythinq would be fine, and it wouldn't cost us anything. Pete McCommons editor©flagpole com We can make it if we borrow and spend, and if we do, our economy can make it. THIS WEEK’S ISSUE: [MEWS (is FEATURES City Dope 4 Athens News and Views The river district feasibility study is complete Is anyone paying attention? Cobbloviate 6 “Was” May Look Just Like “Is,” But It Isn’t How Georgia's new immigration law is like the old Black Codes and how it’s not Apnn EVE1MT The Reader 7 Stupid and Contagious Taking Punk to the Masses is a definite keeper for anyone who loves the bands of the Pacific Northwest. Film Notebook 11 News of Athens' Cinema Scene Cme s Summer Classic Movie Series continues July 22 with Ernst tubitsch's Cluny Brown COVER DESIGN by Kelly Ruberto featuring a painting by Lamar Dodd on display at the Georgia Museum of Art GMUSO© Threats & Promises 12 Music News and Gossip Songwriting classes for kids' New music from Viking Progress! Secret Record Swap' And more... Mixtape Wars 13 Musical Essence: NeSmith vs. Condescending Jason NeSmith (Casper & the Cookies) and Don Condescending (The Shut-Ups) go head to head. CITY DOPE 4 CITY PAGES 5 CAPITOL IMPACT 6 COBBLOVIATE 6 THE READER 7 THEATRE NOTES 8 i ART NOTES 9 MOVIE DOPE 10 FILM N0TFB00K 11 THREATS & PROMISES 12 I MIXTAPE WARS 13 SLOPFEST 14 CAMP AMPED 15 THE CALENDAR' 16 BULLETIN BOARD 20 ART AROUND TOWN 21 COMICS 22 REALITY CHECK 23 CLASSIFIEDS ^ 24 EVERYDAY PEOPLE. .*? 27 i* WEM M ►► World View: Sudan: theleft-over country ►► Read an extended Q&A with Ed Schrader ►► Like us on Facebook! Follow our Tweets! ►► We want to know about your next event: email calendar@flagpole.com ►► Tired of dating a drama queen? Jyl Inov still wants to hear from YOU! Get a free Reality Check ►► Contact Us! Submit your original, non-published writing, photography, story ideas or cover art to editor@flagpole.com ►► Write a Letter to the Editor. Pete wants to know your thoughts on local issues EDITOR l PUBLISHER Pete McCommons ADVERTISING OIRECTOR l PUBLISHER Alicia Nickles PRODUCTION OIRECTOR Larry Tenner MANAGING EOITOR Christina Cotter ADVERTISING SALES Anita Aubrey. Melinda Edwards Jessica Pritchard MUSIC EDITOR Michelle Gil/enrat CITY EOITOR Dave Marr CLASSIFIEDS. DISTRIBUTION t OFFICE MANAGER Nico Cashin AD DESIGNERS Kelly Ruberto. Cindy Jerrelt CARTOONISTS Cameron Bogue. lee Gatlin, Missy Kulik, Jeremy Long, David Mack AOOPT ME Special Agent Cindy Jerrell CONTRIBUTORS Caroline Barratt. James C Cobb. Tom Crawford, Gwynne Dyer. Kevin Craig. Katie Goodrum John Huie. Gordon Lamb. Chris Miller, John G Nettles. Emily Patrick. Jett Tobias. Drew Wheeler. Marshall Yarbrough CIRCULATION Charles Greenleaf. Nash Hugo.-., Jesse Mangum. Matt Shirley WEB DESIGNER Kelly Ruberto ADVERTISING t EDITORIAL ASSISTANT Jessica Smith ADVERTISING INTERNS Anne-Cathenne Harris. 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