Flagpole. (Athens, Ga.) 1987-current, September 14, 2011, Image 10
THE WORKS p EVE ARTISTS ADORN THE NEW EACIEiTY T he work of five Athens artists will be on permanent display starting this week at one of the most prominent downtown locations: the new parking deck behind the Georgia Theatre. Twenty-four metal panels and eight long, fabric banners are scheduled to be installed on the building this week, as construction wraps up about two weeks after the projected Aug. 31 deadline. When complete, the new parking deck will add 500 spaces for downtown visitors and businesses, six new storefronts and a rooftop office. "We were trying to open it for the first home game, but that's not going to happen— but we're close," says Ken Crellen, SPLOST project administrator for Athens-Clarke County. The original plan, Crellen says, was to open the deck to parking while the retail spaces were finished. But that plan changed as work on the retail spaces followed the timeline of the rest of the construction. "They said, 'Hey, we can turn it over to you and you can open it,' but we didn't want to mix people with construction," Crellen adds. The artwork dressing up the outside of the new parking deck was selected by an inde pendent jury after the Athens Cultural Affairs Commission issued a call for art in the spring. The recently installed commission, which will next work with the Classic Center and county jail expansions to find places for public art, collected a jury of representatives from down town businesses, a neighboring church, an art professor and other volunteers, says commis sion chair Marilyn Wolf-Ragatz. The metal panels and fabric banners were part of the original design submitted by the contractor, and the final designs were selected from 52 metal panel submissions and 67 ban ners. Wolf-Ragatz says she's excited to have a part in installing public art on such a large scale for downtown. "I am passionate about art in everyone's life, and giving artists a chance to be a part of the community with art," she says. "And the fact that the builder and the commission set aside money for it, it's overwhelming for me... It's just the beginning of what's going to be the start of more public art in Athens." The metal panels will be installed in vari ous exterior openings in the parking deck's stairwells, representing two designs each from artists Chet Thomas and Elizabeth Dennen. Thomas is a part-time artist and land scape architect who also teaches yoga around Athens. For his panels, he says he was inspired one day while walking through the woods. The resulting images, which will be translated to metal, are half guitar, half leaf. "Something to do with music just seemed a given," he says, noting that he focused on the shapes of the objects rather than colors. "But I also work as a landscape architect, and I work with nature... the idea just popped into my head of putting those two things together." Dennen is a graduate student at UGA's Lamar Dodd School of Art. She is a mixed- media artist with a degree in drawing from Georgia Southern, and her images show abstract gingko leaves. Both artists focused their subjects on shapes rather than colors, because the final product will be cut shapes within the panel. The deck also will feature 2-foot by 40-foot fabric banners hanging from the eight brick columns lining the west side of the building. Designs from local artists Heidi Hensley, Jared Brown and Robert Clements pulled from the sights and sounds around downtown Athens as inspiration for the odd-shaped pieces. Hensley, for example, started with the UGA arch and then added cycling (a nod to the annual Twilight Criterium), restaurants and music in her three banner designs. A longtime Athens musician who more recently found a passion for painting, Hensley says she wanted to show what downtown has to offer. "They are all super bright colors and a real loose style," says Hensley, whose three banners focus on the University of Georgia and cycling, downtown restaurants and bars and music. "I did that because that's sort of how I envision Athens—such a funky little town. So, I wanted to show what downtown has to offer." Hensley spent 10 years as a musician before having her first child. She now has two with a third on the way, and evenings spent in clubs gave way to getting kids ready for early bedtimes. That's how she turned to art as a creative outlet. "My degree is in art and architecture design, and I started painting downtown architecture, and people started to catch on," she says. "I've found out I love painting as much as I love singing, and it's been well received, and that's exciting." Jared Brown, a course editor with UGA's Distance Education program, used the call for art and the unique banner size to teach himself how to create art in a vector (digital) format. Although Brown says art is a hobby, his work has been featured in galleries across the country, as well as in Craft magazine and Herochan.com. He says he looked for down town scenes to inspire his creations. Of eight pieces submitted, three were selected for banners. He says he thought the digital format lent itself to being sized for a banner. "Mine are two-dimensional representations of things you might see going downtown," he says. "It's people dining, someone garden ing—which is more of a community thing— and cycling." Brown says the extremely vertical design made the project a challenge, as did another winning artist, Robert Clements. A professor emeritus at UGA's Lamar Dodd School of Art, Clements has created public art for decades. His work has appeared in more than 100 exhi bitions, and his sculptures can be found in corporate art collections and museums, includ ing the Smithsonian's National Museum of American Art. But these skinny banners were a first. 10 FLAGPOLE.COM • SEFfEMBER 14. 2011