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Art in the Neighborhood
Decatur is a haven for visual artists
By Isadora Pennington
The old slogan “It’s greater in Decatur” has surely proven true for its
eclectic artistic community.
The city is home to the Art Institute of Atlanta-Decatur, Decatur Arts
Alliance, the annual Decatur Arts Festival, and plenty of smaller galleries
and studios. Local artists have numerous spaces and ways to make, display,
and sell their art, including the many festivals that take place in the square,
like the upcoming Decatur Book Festival.
This month, four of Decaturs visual artists discuss what compels them
to make art, and what it’s like to live and work in their community.
Larry Holland
“My favorite way to create is making mixed media pieces, lately I use wood, photographs, paint and found
objects. I’ve been drawing since as far back as I can remember, and making art has been pretty constant
in my life, save for a few lulls here and there. There was a show on Saturday mornings before the cartoons
came on - this guy named “Captain Bob.” He would show you how to draw animals with these weird
little crayons. I remember getting up early every Saturday to draw with him. Later, I briefly attended The
School for the Museum of Fine Arts in Boston and then just took classes when I could, learning different
mediums and techniques. I moved to Decatur in 2003, and I’ve had a few public art installations,
sometimes gathering different artists to participate, as well as curating shows at Trackside Tavern for the
last few years. The city of Decatur and the Decatur Arts Alliance have been tremendously supportive and
great to work with. They are embracing new ways to saturate the city with art, and I’m glad that they
allow me to do my weird little projects as I think that, for any city, the more art there is, the better. I have
been participating in Free Art Friday (fFAFATL) since 2011, and it really gave me a kick-start to get back
into making art. Right now I’m excited about working on getting artists together to paint the big silver
traffic signal boxes in Decatur (fdecboxproject), as well as a smaller temporary art sign installation. You
can check out fishboneartdecatur.com to see more of my work.”
Aurorah Yarberry
“I’ve been living in Decatur for about two years now, but I’ve
lived nearby for the last three or four years. I grew up here and
graduated from the Ben Franklin Academy in 2004, then I went
to Georgia State for a while before going to England where I
got my degree in animation production. I also went to school
in London later where I studied art and graphic design. Some
of my earliest memories are of me painting with watercolors,
drawing, and making paper sculptures and collages. At one
point I made a zen garden from paper and glue, complete with
a bridge and water. I’m a multimedia artist, but I’ve also been
an animator, designer and illustrator since I graduated, in one
way or another. I’m in-house for RaceTrac petroleum, at their headquarters here. I also own
my own design company, Spoken Word Pictures, which I started back in 2013.1 stay active
with working on projects outside of my day job as well. Recently, I’ve shown in a few group
shows at Ponce City Market, HodgePodge Coffee House, Paris on Ponce, and I am hoping
to find more opportunities to show my painting and illustration work. These days I’m also
working on a book about all of my unfinished projects, because I feel that as an artist and
creative person, a lot of times stuff happens and your great ideas don’t see the light of day. I
actually also do a lot of graphic design for motorcycle rallies, have designed some motorcycles
that have won some awards, and there’s an all women’s motorcycle and camping event in
North Carolina called ‘No Man’s Land’ that I’ve done some design for. My clients include
restaurants, television shows, networks like Hulu and IFC, and a variety of companies both
locally and across the country. I’d like to develop more digital technology around artwork
that helps to connect not only the audience but also the artist. I’ve been thinking a lot
about technology and what we can do as tactile artists to translate that into the digital space
appropriately. You can see my art at aurorah.net.”
Lisa Alembik
When I was five, Saks 5th Avenue would have kids art shows here at Phipps, and I did a yarn stitching of a pony and
won an award. It wasn’t that I won the award, but that in doing it, and seeing it up, it just felt right. All through high
school I thought I was going to be a fashion designer, really heavy metal, ‘80s
stuff. When I went to school, I studied art history, but couldn’t keep away
from art making. I transferred to a program that was half art history and half
studio. That was in D.C., but D.C. only really supports dead artists. Then
I moved back here, and it has been a great place to be an artist. I’ve lived in
Decatur for almost four years where I keep a studio for my art at Sycamore
Place Gallery. I graduated with a Master of Fine Arts degree from Georgia
State University. My work will be in an upcoming group show curated by
Jeffrey Collum at Whitespace Gallery called ‘Garden of Unearthly Delights,’
opening Aug. 5, on the 500th anniversary of Hieronymus Bosch’s ‘Garden of
Earthly Delights.’ I’m also organizing the fall show for Agnes Scott Gallery,
where I was the director for over a decade. My work has shown at MOCA
Georgia, a show called ‘The Last Taboo.’ My work is pretty edgy. I have a
series called ‘Meaterbation,’ which is people masturbating with meat products. I also recently organized an exhibit
at the Hambidge Center in Rabun Gap, Georgia. It was called ‘Lightweight,’ and it’s about how heavy we carry our
load. Kind of an existential idea of how we carry ourselves. I can be found at lisaalembik.com.” QD
Joe Dreher
“When I’m asked what medium I work with, I say people. People are always at the center of what
I do. Part of the reason I enjoy street art and murals is because it’s outdoors and in the public. I’m
big on doing things that don’t cost money - things that are free and accessible to everyone. The
murals are perfect for that. I consider myself a social artist. I enjoy the social aspect of it, like when
members of the community come by the murals and show their support. I usually end every mural
with a wrap party. That’s an important part of that process. I’m also an architect. I had my own
firm for many years, but when the economy went
bad in 2008 I had to close my practice, which
is kind of what pushed me back into making
art. I was fortunate enough to attend SCAD in
Savannah where I was around filmmakers and
artists, and I was inspired by being around other
creatives. I continue to practice Free Art Friday,
and I’m currently participating in an event with
Squishiepuss. It’s called the Monster Mash show,
and he starts a piece and then sends it out to
other artists. He’s got probably around 50 artists
participating. I’m also in the Creatives Project,
which is a two-year artist residency at the Goat
Farm. It’s an outreach program to give the youth
more exposure to the arts. You can see my work at
josephdreher.com.”
AtlantalNtownPaper.com
34 August 2016 \m