The Maroon. (Atlanta, GA) 1996-????, January 01, 1997, Image 7
The Maroon
Page 7
January J997
AUC Museums
by heather thompson
| j He Atlanta University Center is
/ teeming with history that is sig
A nificant not only to the devel
opment of this University Center but
also to black culture at large. Clark At
lanta University and Spelman College
both boast museums that house cel
ebrated collections of art by premiere
African-American artists of the 20th cen
tury.
Clark Atlanta University's museum is
located on the second floor of the Trevor
Arnett building. The atrium of the mu
seum if filled with six separate frescoes.
The murals depict abstract images of
Africans and African-Americans and
their cultural and religious icons over
the ages. The frescoes are named (in
numerical order) Native Forms, Inter
change, Dissipation, Parallel's, Influ
ences and Muses. In addition to their
aesthetic value these frescoes are trea
sured because the artist responsible for
them is Hale Woodruff.
Hale Woodruff is credited for the pro
liferation of the arts in the AUC. In 1942
FROM REARGUARD TO VANGUARD:
Selections front the
Clark Atlanta University Collection
of African American Art
he founded the fine arts department at
Atlanta University. Until that point only
arts and crafts had been taught in the
AUC. Soon after the Atlanta University
department was established, Woodruff
began to lay the foundation for the de
partments at both Morehouse and
Spelman College. It is because of this
seminal work that Woodruff's name is
synonymous with the arts in the AUC.
Woodruff is also responsible for con
ceptualizing and bringing to fruition the
"Atlanta University Annuals" which
were held annually in the spring from
1942-1970. Artists were encouraged by
the college to participate in this juried
show and the artists work that received
the highest rating was purchased by the
college. Over the twenty-eight year
course of the "Annuals" Atlanta Uni
versity acquired 291 pieces of artwork.
This body of work forms the nucleus of
CAU's current permanent collection.
The Annuals also served as a critical rite
of passage for many African -American
artists. It afforded them national expo
sure that they often could not get in
white museums and shows. Participa
tion in the AU Annuals signaled to the
artistic community that an artist had
"arrived."
CAU 's current exhibit is entitled
"From Reargaurd to Vanguard." Selec-
museums that house cel
ebrated collections of art by
premiere African-American
artists of the 20th century.
tions in the exhibit have been taken from
the CAU collection of American-Ameri
can Art, and features work by artists
such as Jacob Lawrence, Charles White,
Romare Bearden, Elizabeth Catlett and
Henry Ossawa Tanner.
Spelman College opened the doors to
their museum in February of 1996. The
museum is located on the first floor of
the Cosby Center. Currently the "Bear-
Courtesy of Spelman College Museum
Valerie Maynard's Get Me Another
Heart This One's Been Broken
Many Times currently on display at
the Spelamn College Musuem.
ing Witness" exhibit is showing in the
museum. "Bearing Witness" features the
work of over thirty current African
American women artists. The exhibit
opened at Spelman and from there will
travel to museums all over the nation.
The show features work by notable art
ists like Spelman alumnae Varnette
Honeywood and Charnelle Holloway.
Other recognized artists include Betye
Saar and Lois Mailou Jones. The show
features collages, paintings, photo
graphs and sculpture. In October,
Spelman hosted a three day symposium
that gathered all of the artists and pro
vided an opportunity for them to dia
logue openly about their work and the
role of black women artists as we ap
proach the new millennium. The show
will be at Spelman until the end of De
cember. Museum hours for CAU are
Tues-Fri 11:00-4:00 and Sat 12:00-4:00.
Spelmans hours are Tues-Fri 11:00-5:00.