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PAGE 6—The Southern Cross, August 15, 1963 WRITERS AND READERS EDITED BY LEO J. ZUBER 2332 North Docatur Ed. Dacatur. Gaorgla MAMMALS OF GEORGIA, by Frank B. Golley, University of Georgia Press, 1962, 21S pp., maps, charts, diagrams, $3.75. Georgia, this tidy volume re ports, counts among its attri butes 30 species of mammals; 69 are terrestial, S are mar ine, and 3 are feral. The terres trial include, for example, the opossum, various shrews, mice, rats, rabbits and squir rels. The marine have four kinds of whales, porpoise, dol phins and the manatee. The feral include the wild pigs (boars to hunters) of mountain ous and coastal plain areas. The bulk of this book is a detailed account (description, distribution, and biology) of each of the 30 species; there are distribution maps, on a county basis, and various charts as appropriate to the facts at hand about each. Like a dic tionary, the book is hard to read but excellent for ref erence. But readable and of particular interest are the fore materials and its near-tantaliz ing account, through brevity, of the “History of Mammalogy in Georgia.” There is a glossary of terms and a partial bibliography. The book will never be a best seller except among others of its kind if such there be. Two words of recommendation though: Geor gia schools should have copies; does your school have one? And, if that boy or girl of yours brings home various kinds of varmints (mammals), you might just spark his interest by hav ing a copy of MAMMALS OF GEORGIA around the house; it doesn’t crawl or squeek. One of the points made in the text is how much more needs to be known about the state’s mam mals. The latter subject is one of increasing importance be cause so much former Georgia farmland is reverting by design or by neglect to woodland; the mammal population, finding habitat in woodland and in aban doned fields, is on the increase. And that is not bad. (LJZ) learn that ranking among the great marine tragedies of his tory was that which resulted from the explosions on the new riverboat and pride of the Mis sissippi, the SULTANA, while plying its northward way on an overflowing river April 27, 1865. Of the almost 2,500 pas sengers aboard, less than 1,000 survived. The author states that the only comparable disaster history offers Was the sinking of the TITANIC which claimed less lives than the SULTANA, And the jacket blurb calls the SULTANA carnage “the great est marine disaster of all time.” This is open to question, since statistics exist which de clare the contrary. Neverthe less, other significant news of the day allowed little space in newspapers for more than brief mention of the fate of the SUL TANA and her passengers. The New York TIMES gave it only five inches on page four. Its front page, and the front pages of all newspapers were filled with the events of Lee’s sur render, President Lincoln’s as sassination, Joseph E, John ston’s surrender to General Sherman, and the death of John Wilkes Booth. Mr. Elliott calls it “histori cal amnesia” for the disaster of the SULTANA to have been TRANSPORT TO DISASTER, by James W. Elliott, Holt, Rine hart and Winstone, 1962, 247 pp., illus., $4.95. Reviewed by W. L. Schmidt. It will be news to many to forgotten and so long neglect ed. His work, then, is signifi cant inasmuch as it is the first that dwells solely and more comprehensively on the river- boat’s maiden voyage and its ill-fated return trip. Much re search, and personal interest, prompted by the fact that one of the passengers was his own grandfather, went into the work. Except for an amount of tedi ousness imposed on the reader by the author’s injection of so many first hand accounts of survival by passengers that liv ed to tell about it, the work is fast moving and terse, and in terestingly fills a gap in marine history that was apparently long overdue. -See Story Page 1- FATHER JOHN GARVEY, pastor of Our Lady of the As sumption parish, Sylvania, addresses some Sardis resi dents at meeting outside trailer chapel. JOTTINGS- (Continued from Page 4) bly match. Others may prefer to spend long hours on the golf course, as I often have, in my time or on tennis courts or in the stands cheering the Red Sox on to possible victory. But for me, there is nothing to com pare with the feeling of a tarred line in my hand. . .or casting out from the breakwater. . .or feeling the bite and pull on a line. . .or again to hold a tiller in your hand and feel the swell of the sea under you and the flap of a sail overhead. This is the life for me. This is a clean, simple, uncomplicated life. If I had been born a boy, I might have gone to sea as a sailor charting my course by the stars, meditating on the endless rhythmic beat of the mighty seas. . .or become a fisherman, living providential ly on the harvests of the sea... controlled by the timeless for ces of nature. ON A summer’s evening down at Galilee, my favorite seaside spot here, as I sit on the wharf and watch the fishing boats come in through the jettys and the cheery greetings the returning fishermen from boat to boat, it is not difficult to envision another Galille of long ago. On the waters Christ walked to wards His apostles; from a boat Christ spoke to the crowd, Gali- llean waters witnessed many miracles, it was here the first apostles were called from mending their nets. , .fishing folk the world over are the same in and out of season through the centuries, “Christ and the Sailor's” author tells us. The sea has ever fascinat ed me, poems and stories about it. The Holy Scriptures num berless references to it from Jonah and the whale through to St. Paul’s shipwreck. Thoreau’s essays, “The River” and “Cape Cod’ ’ capture this same beat and excitement for me. It is "Our Lady Star of the Sea” which is my tavorite invocation in the Marian litanies, And when I sing the hymn, “Star of the Sea”. ., pray for the wanderer, pray for me” I hope this invocation will one day bring me into the eternal port to which one known as the Fisherman holds the keys. Calls For True Understanding ROCKVILLE CENTRE, N. Y., (NC)—Biship Walter P. Kellen- berg of Rockville Centre called for “true understanding and greater charity” among men as a remedy for minority discri mination problems now facing the nation. In a pastoral letter issued on the first anniversary (Aug. 5) of the founding of the Rockville Centre Diocese Catholic Inter racial Council, the Bishop termed the struggle for equal opportunity a matter of correct individual conscience which must be recognized basically as a moral issue. The Bishop reminded Ca tholics that “only equal oppor tunity for all can make the American dream of justice a reality for our citizens.” SCRIPTURE- (Continued from Page 2) by Revelation, but by perhaps the Church’s sense of the quality of the books themselves). F inally, while maintaining that all matters of faith are in Scripture at least germinally (save, perhaps, the canon), some concede that Tradition may be the sole vehicle of cer tain revealed liturgical and dis ciplinary practices of the Church. They hold at the same time that Scripture and Tradi tion go hand in hand, and that any thgology viewing Tradition as something completely sepa rate from Scripture would be dangerous. Those siding with the doctrine and terminology of the first chapter of the Theological Com mission’s draft reply to critics along the following lines. Cer tainly, God is the author—and therefore The Source—of Re velation. But since He doesn’t speak to us directly, the medium or media of our knowledge of the divine message can legiti mately be termed “source” or “sources” of Revelation. Scripture and Tradition have been referred to as two sources of Revelation for the last four centuries not only by the great majority of theologians but also by such popes as Sixtus V, Cle ment XIII, Pius IX, Leo XIII, Pius X, Pius XI, Pius XII, and John XXIII himself. And the other bishops echoed this lan guage in provincial councils. Moreover, the draft’s defend ers continue, that Scripture and Tradition are two distinct sour ces of Revelation is clear from this passage of the First Vatican Council: “By divine and Ca tholic Faith everything must be CASTELGANDOLFO—WHERE POPE PAUL WILL SPEND THE SUMMER— Pope Paul VI has arrived for his summer stay at Castelgandolfo, the papal residence in the cool Alban hills 18 miles from the Vatican. Some 21 popes have spent their summers there. Photos show the exterior of the villa from the town square; one of the beautiful gardens there, and the pope’s private chapel located near his bedroom. - (NC Photos) (Continued from Page 4) Jewish Revolt against the Ro mans. (This date was subse quently confirmed by the car bon-clock process.) THE RELATIONSHIP be tween the scrolls and the “mon astery” was readily deduced. During the Jewish revolt the inhabitants dispersed, but not before hiding the precious scrolls in the nearby caves. Since they never returned to their “monastery,” the scrolls remained concealed down through the ages—until now. THE ERRONEOUS impres sion that the Dead Sea Scrolls impugn the uniqueness of Christ and Christianity was occasioned by a very unscholarly theory formulated by a French author, Andre Dupont-Sommer, whose book, translated into English, achieved a measure of popu larity in this country largely because of an article in the New Yorker (May 14, 1955). The magazine report, put into a book, quickly became a best seller. SUBSEQUENTLY, in 1956, The New York Times publicized a series of B.B.C. broadcasts in London which equivalently placed a British scholar in about the same camp as Dupont-Som mer. IN ALL FAIRNESS, Dupont- believed that is contained in the written word of God or in Tra dition. . .” And, they add, this distinction is all the more un deniable if, as they contend, Tradition is the sole source of some revealed truths (the Scriptural canon and yet others). In behalf of the latter conten tion, the draft’s defenders make their own appeal to Church Fathers, medieval theologians, the Council of Trent and various popes. Together with the common teaching of theologians of the last four centuries, all this, it is held, adds up to a solid argument from the ordinary universal magisterium of the Church against the view that the Bible contains the whole of Revelation. Finally, the draft’s cham pions claim, by trying to move closer to Protestants (by con ceding all Revelation is in Scripture), one would alienate other brethren, members of the separated Eastern Church es. And even if all Revelation were in Scripture, the Church’s authority to interpret the latter would still remain as a great stumbling block for some Pro testants. The proponents of the origi nal draft could muster only 37 per cent of the council Fathers to vote in its favor last Novem ber 20, when a vote was taken on whether to discontinue dis cussion of it. Of 2,211 council Fathers present, 1,368 voted to shelve the document and 822 against. The opponents of the draft failed by 106 votes to achieve the required two-thirds majority Sommer eventually clarified his views (in effect, he actually retracted). One commentator suggests that his original errors were due to the fact that he was so ' ‘hypnotized by his own theory that he read into the holes of the leather of (the manuscripts).” And the British scholar who erred was openly castigated by a group of his colleagues in a letter to the London Times. Unfortunately neither this rebuttal nor Du pont-Sommer’s clarification were as widely publicized as their original groundless theo ries. THE SIGNIFICANCE of the Scrolls? First, they provide us with hitherto unpossessed pri mary source matter on the Es- senses—hence, open up doors to certain historical mysteries relating to the New Testament. As regards the Old Testament, their importance is cited by Bi shop John J. Dougherty in his SEARCHING THE SCRIPTURES (Doubleday, Image Books; 1962): “The biblical scrolls will serve scholars in recon structing the history of the Old Testament text, in the critical evaluation of readings of the Masoretic text, and the Septua- gint, and the study of Hebrew scripts. It is not too much to say that the scrolls have revo lutionized the science of Old Testament textual criticism,” NEWMAN AWARD—George N. Shuster, (above) prominent Catholic educator and author, will be presented with the 1963 Cardinal Newman Award during the 48th annual conven tion of the Newman Apo stolate at Lafayett, La., August 26 to 31. Dr. Shuster, who is as sistant to the president of Notre Dame University, was president of Hunter College, New York City, from 1939 to 1960. - (NC Photos) LATEST LEGION LISTINGS CLASS A SECTION I Young and the Brave, The CLASS A SECTION II The Man with the X-Ray Eyes CLASS A SECTION III V.I.P’s., The Running Man, The CLASS A SECTION 4 This Sporting Life CLASS B Johnny Cool Of Love and Desire Shock Corridon LEGION OF DECENCY CLASS A —Section I — Morally Unobjectionable for General Patronage Alakaxam, The Great—Am. Inti. Almoat Angela—Buena Vista Assignment Outer Space—Am. Inti. Beau, The (Fr.)—Embassy Black Gold—War. Boy Who Caught a Crook (Was: Boy Who Found $100,000)—UA Captain Sindbad—MGM Capture That Capsule—UA Cattle King—MGM Constantine and the Cross—Embassy Damn the Defiant (Br.)—Col. Day Mars Invaded the Earth—Fox Dentist in the Chair, A (Br.)—Ajay Film Co. Drums of Africa—MGM Escape from East Berlin—MGM SS Days at Peking—AA First Spaceship to Venus—Pan-World Films Five Weeks in a Balloon—Fox Flight That Disappeared—UA Flipper—MGM Francis of Assisi—Fox Gathering of Eagles—U-I Gay Purree—War. Gidgct Goes to Rome—Col. Great Escape—UA Great Van Robbery—UA Hercules and the Captive Women (Ital.)— Pan-World Heroes Island—UA Honeymoon Machine—MGM tHow The West Was Won—MGM In Search of the Castaways—Buena Vista Invasion Quartet—MGM It’s Only Money—Para. Jason and the Argonauts—Col. Joseph and His Brethern—(Ital.)—Colorama tjumbo—MGM Kill or Cure—(Br.)—MGM King Kong vs. Godzilla—U-I Lafayette—Maco Films Lassie’s Great Adventure—Fox Legend of Lobo—Buena Vista Lilies of the Field—UA List of Adrian Messenger—U-I Longest Day, The—Fox Make Way for Lila—Parade Releasing Man From the Diner’s Club—Col. t Miracle of the White Stallions—Buena Vista Mouse on the Moon—UA Murder at the Gallop (Br.)—MGM My Six Loves—Para. Mysterious Island—Col. Mystery Submarine—U-I Nikki, Wild Dog of the North—Buena Vista No Place Like Homicide (Br.)—Embassy Nutty Professor, The—Para. Papa’s Delicate Condition—Para. Password Is Courage—MGM Phantom Planet—Am. Inti. Pied Piper of Hamelin—Prod. Unlimited Pirates of Tortuga—Fox PT 109—War. Purple Hills—Fox Queen of the Pirates—Col. Raiders of Leyte Gulf—Hemisphere Pictures Raven, The—Am. Inti. Reptilicus—Am. Inti. Savage Sam—Buena Vista Sergeant Was a Lady—U-I Seven Seas to Calais—MGM Snake Woman—UA Son of Flubber—Buena Vista Summer Magic—Buena Vista Swordsman of Siena—MGM Tammy and the Doctor—U-I Tarzan’s Three Challenges—MGM Teenage Millionaire—UA Thief of Baghdad—MGM 13 Frightened Girls—Col. 30 Years of Fun—Fox Ticklish Affair, A—MGM Titans, The—UA Traitors—U-I Two Daughters (Indian)—Janus Ugly American—U-I Valley of the Dragons—Col. Varan—The Unbelievable—Pan-World Films Voyage to the Bottom of the Sea—Fox When the Clock Strikes—UA You Have to Run Fast—UA Young GunB of Texas—Fox CLASS A—Section II — Morally Unobjectionable (or Adults and Adolescents All the Way Home—Para. All Night Long—Colorama Amazons of Rome (was: Virgins of Rome) (ItaL)—UA Atlantia, the Lost Continent—MGM Billy Budd—AA Birds, The—U-I' Black Fox—Capri Films Black Zoo—AA Bridge to the Sun—MGM Burning Court, The (Fr.)—Trans-Lux Call Me Bwana—UA •Castilian, The—War. Cat Burglar—UA Centurion (Ital.)—Altura Films Charade—U-I Child Is Waiting, A—UA Come Fly With Me—MGM Convicts 4 (was Reprieve)—AA Court Martial (Ger.)—UA. Courtship of Eddie's Father—MGM Cow and I, The (Fr.)—Zenith Inti. David and Lisa—Continental Day and the Hour, The—MGM Day of the Triffids—AA Days of Wine and Roses—War. Devi (Ind.)—Harrison Devil at 4 O’clock—Col. (Ind.) Diary of a Madman—UA Donovan's Reef—Para. Dr. Blood’s Coffin—UA Duel of the Titans—Para. Electra—UA •Erik, The Conqueror—Am. Inti. Everybody Go Home (Ital.)—Davis-Royal Flame in the Streets (Br.)—Atlantic Four Days of Naples (Ital.)—MGM 40 Pounds of Trouble—U-I Frantic (Fr.)—Times Film Corp. Fury of the Pagans—Col. Girls, Girls, Girls—Para. Good Soldier, Schweik (Ger.)—Lionex Guns of Darkness—War. Harbor Lights—Fox Hook, The—MGM House of the Damned—Fox Huns, The (Ital.)—Altura Films It Happened at the World’s Fair—MGM Just For Fun—Col. Kiss of the Vampire—U-I •Lancelot and Guinevere—U-I Lawrence of Arabia—Col. Lazarillo (Spanish)—Union Films Long Absence (Fr.)—Commercial Pictures Miracle Worker—UA Murder on the Campus (Br.)—Colorama Mutiny On the Bounty—MGM My Name Is Ivan (Russian)—Sig Shore Naked Edge—UA Old Dark House, The—Col. Paranoiac—U-I Play It Cool—AA Pit and the Pendulum—Am. Inti. Playboy of the Western World—(Br.)—Janus Samson and the Seven Miracles of the World Am. Inti. Sanjuro (Jap.)—Toho Inti. Sardonicus—Col. Scream of Fear—Col. Secret of Deep Harbor—UA Showdown—U-I Slave, The—MGM Stagecoach to Dancer’s Rock—U-I Square of Violence—MGM Taras Bulba—UA Terror, The—Am. Inti. Thrill of It All—U-I fTo Kill a Mockingbird—U-I Trunk, The—Col. Twenty Plus Two—AA Twice Told Tales—UA Weekend With Lulu—Col. Werewolf in a Girls’ Dormitory—MGM Yellow Canary—Fox Young Doctors—UA Young Racers, The—Am. Inti. CLASS A — Section III — Morally Unobjectionable (or Alnltt Ada—MOM Armored Command—AA Baltic Express (Pol.)—Telepix Corp. Battle of Stalingrad (Swed.)—Trans-Lux Beach Party—Am. Inti. Big Risk, The (Fr.)—UA Breakfast At Tiffany’s—Para. Bye, Bye, Birdie—Col. Caretakers—UA Cairo—MGM California—Am. Inti. Claudelle Ingliah—War. Come Blow Your Horn—Para. Come September—U-I Corridors of Blood—MGM Couch, The—War. •Crime Does Not Pay (Fr.)—Embassy Critic’s Choice—War. Crooks Anonymous (Br.)—Janus Day in Court, A (Ital.)—Ultra Films Dime With A Halo—MGM Fatal Desire—Ultra Films Five Miles to Midnight—UA Great War, The—Lopert Heavens Above (Br.)—Janus Hud—Para. Hustler, The—Fox I Could Go On Singing—UA In the French Style—Col. Love and Larceny (Ital.)—Major Films Love at Twenty (Fr.)—Embassy Love Is a Ball—UA Lovers of Teruel—(Fr.)—Continental Magnificent Sinner—Film-Mart, Inc. Manchurian Candidate—UA Marriage of Figaro (Fr.)—Union Films Mind Benders, The—Am. Inti. Money, Money, Money (Fr.)—Times Film Corp. Monkey in the Winter (Fr.)—MGM Nine Hours to Rama—Fox One Plus One—Selected Pics. Panic in Your Zero—Am. Inti. Passionate Thief (Ital.)—Embassy Period of Adjustment—MGM Police Nurse—Fox Quare Fellow (Irish)—Astor Rebel with a Cause (was: Loneliness of the Long Distance Runner) (Br.)—Continental Rice Girls (Ital.)—Ultra Films Rififi in Tokyo—MGM Rocco and His Brothers (Ital.)—Astor Season of Passion—UA Secrets of Nazi Criminals (Swed.)—Trans-Lux Sparrows Can’t Sing (Br.)—Janus Spencer’s Mountain—War. Summer and Smoke—Para. Sundays and Cybele (Fr.)—Davis-Royal Susan Slade—War. Term of Trial—War. Three On a Spree—UA Thunder of Drums—MGM Town Without Pity—UA Toys in the Attic—UA Trial, The—Astor Trial and Error—MGM Two for the Seesaw—UA Two Women (Ital.)—Embassy •Warriors Five—Am. Inti. West Side Story—UA Whatever Happened to Baby Jane?—War. * Where the Truth Lies (Fr.)—Para. Winter Light (Swed.)—Janus Wrong Arm of the Law (Br.)—Continental Yojimbo—(Jap.)—Seneca Inti. CLASS A—Section IV—Morally Unobjectionable for Adults, with Reservations (An A-IV Classification is given to certain films which, while not morally offensive in themselves, require caution and some analysis and explanation as a protection to the uninformed against wrong interpretations and false conclusions.) Adam and Eve (Mex.)—Wm. Horne Advise and Consent—Col. Anatomy of a Murder—Col. Case of Dr. Laurent (Fr.)—Trans-Lux Circle of Deception—Fox Geo from 5 to 7 (Fr.)—Zenith Crowning Experience—MRA Devil’s Wanton (Swed.)—Embassy •Divorce, Italian Style (Ital.)—Embassy Eclipse (Ital.)—Times Films 8yi (Ital.)—Embassy Freud—U-I Girl of the Night—War. Important Man (Mexican)—Lopert Intruder—Pathe-Am. King of Kings—MGM L-Shaped Room, The Columbia—Davis-Royal La Dolce Vita (Ital.)—Astor Pictures, Inc. Lolita—Seven Arts Long Day’s Journey Into Night—Embassy Martin Luther—de Rochemont Mondo Cane—Times Films Never Take Candy From a Stranger—Omar Pressure Point—UA Sky Above and the Mud Below, The (Fr.) — Embassy Storm Center—Col. Strangers in the City—Embassy Suddenly, Last Summer—Col. Too Young to Love—Arthur-Go Pictures, Inc, Victim (Br.)—Pathe-America Walk On the Wild Side—Col. CLASS B — Morally Objectionable in Part for All Arturo’s Island—(Ital.)—MGM Back Street—U-I Candlde—(Fr.)—Union Films Cleopatra—Fox •Diamond Head—Col. Explosive Generation—UA Follow the Boys—MGM For Love or Money—U.I. Free, White and 21—Am. Inti. Girl Hunters, The—Colorama Features Goodbye Again—UA Head, The—Trans-Lux House of Fright (was: Two Faces of Dr. Jekyll)—Amer. Inti. In the Cool of the Day—MGM Irma La Douce—UA Island of Love—War. Joker, The (Fr.)—Lopert Kind of Loving, A (Br.)—Governor Landru (Fr.)—Embassy And God Created Woman (Fr.)—Kingsley Baby Doll—War. Balcony, The—Continental Bed of Grass (Greek)—Trans-Lux Bell’Antonio (Ital.)—Embassy Films Boccaccio 70 (Ital.)—Embassy Breathless (Fr.)—Films Around World Cold Wind In August—Aidart Come Dance With Me (Fr.)—Kingsley-Intl. During One Night (Br.)—Astor Expresso Bongo (Br.)—Continental Pive Day Lover (Fr.)—Kingsley- Inti. Girl With the Golden Eyes (Fr.)—Union Films Green Carnation (was: Trials of Oscar Wilde) (Br.)—Warwick Films Green Mare (Fr.)—Zenith Heroes and Sinners (Fr.)—Janus I Am a Camera—DCA I Love, You Love (Ital.)—Davis-Royal Joan of the Angels?—Polish-Telepix Jules and Jim (Fr.)—Janus L'Awentura (Ital.)—Janus La Notte (Night) (Ital.)—Lopert La Viaccia (Ital.)—Embassy Leda (Fr.)—Times Light Fantastic—Embassy Madame—(Ital.)—Embassy Main Attraction—MGM Man Trap—Para. Marilyn—Fox Marines Let’s Go—Fox Mary Had a Little (Br.)—Lopert Mongols—Colorama New Kind of Love, A—Para. Night Is My Future (Swed.)—Embassy No Exit—(Fr.)—Zenith Inti. Operation Bikini—Am. Inti. Paris Blues—UA Peeping Tom—Astor Private Lives of Adam and Eve—U-I Purple Noon (Fr.)—Time* Rampage—War. CLASS C — Condemned Lady Chatterley’s Lover (Fr.)—Kingsley Law, The (Fr.)—Embassy Les Liaisons Dangereuses (Fr.)—Astor Pic tures, Inc. Liane, Jungle Goddess—DCA Love Game (Fr.)—Films Around World Love Is My Profession (Fr.)—Kingsley-Intl. Lovers, The (Fr.)—Zenith Mademoiselle,Striptease (Fr.) —DCA Magdalena (Ger.)—Buhawk Maid in Paris (Fr.)—Bellon-Foulke Mating Urge—Citation Miller’s Beautiful Wife (Ital.)—DCA Mitsou (Fr.)—Zenith Inti. Mom and Dad (Sideroad)—Hallmark Prod. Moon Is Blue, The—UA Never On Sunday (Greek)—Lopert Nude Odyssey, The (Ital.)—Davis-Royal Odd Obsession (Jap.)—Harrison Oscar Wilde (Br.)—Four City Enterprises Passionate Summer (Fr.-Ital.)—Kingsley Phaedra (Gk.)—Lopert Playgirl After Dark (Br.)—Topaz Films Sodom and Gomorrah—Fox Splendor in the Grass—War. Stripper, The—Fox Tartars—MGM That Touch of Mink—U-I Temptress and the Monk (Jap.)—Hakim Pro ductions Time Out For Love (Fr.)—Zenith Tomorrow Is My Turn (Fr.)— Showcorp. Two Weeks in Another Town—MGM Vampire and the Ballerina—UA ‘Very Private Affair—MGM Wall of Noise—War. Waltz of the Toreadors (Br.)—Continental War Lover, The—Col. White Slave Ship—Am. Inti. Wild Harvest—Pathe-Am. Wives And Lovers—Paramount World by Night—War. Please, Not Now I (Fr.)—Fox Port of Desire—Union Pot Bouille (Lovers of Paris) (Fr.)— Continental Prime Time—Essanjay Films, Inc. Private Property—Citation Question of Adultery—NTA Saturday Night and Sunday Morning (Br.)— Continental Savage Eye—Trans-Lux-Kingsley Inti. Seven Capital Sins (Fr.)—Embassy Sins of Mona Kent—Astor Smiles of a Summer Night (Swedish)—Rank Tales of Paris (Fr.)—Times Films Temptation (Fr.-Ital.)—Shelton Third Sex (Ger.)—D. & F. Dist. Too Young, Too Immoral—Rialto Inti. Trials of Oscar Wilde (Br.)—Warwick Filins Truth, The (LaVerite) (Fr.)—Kingsley Inti. Viridiana (Sp.)—Kingsley Inti. Wasted Lives and The Birth of Twins— K. Gordon Murray Production Women of the World (Ital.)—Embassy