Newspaper Page Text
ALEXANDER SALZHENITSYN
PAGE 6-March 30,1972
PROTESTS ETHNIC IMPLICATIONS OF GAME: Trenton, N.J.: Assemblyman
Anthony Imperiale, displays “The Godfather Game” in the New Jersey State
Assembly chamber. Imperiale has filed legislation which would ban the sale of games
with an ethnic connotation. Similar protestations of ethnic prejudice are being aired in
a separate meeting by blacks, whites and browns in Chicago recently. NC Photo.
PROTEST TO N.Y. LEGISLATURE
Parents May Transfer
38,000 To Public Schools
BROOKLYN, N.Y. (NC) - A group of
parents here may begin transferring more
than 38,000 children from nonpublic to
public high schools on May 1 -- unless
substantial financial aid is forthcoming
from the New York state legislature.
The plan was disclosed at a recent rally
here, sponsored by Parents’ Association
of Secondary Schools (PASS).
About 6,000 persons -- including U.S.
Congressman Hugh Carey (D., N.Y.) and
several state legislators -- attended the
rally at nearby St. John’s University.
“There should be equal treatment for
all children in all schools . . .” said Carey,
a member of the House ways and means
committee. He added that this equal
treatment had been “established by
federal policy” through the landmark
Elementary and Secondary Education
Act of 1965 -- first federal aid package to
specify equitable participation of
nonpublic school children.
Carey also said he would push for
passage of a federal tax credit bill
benefiting parents of nonpublic school
children. Several such bills are currently
before the ways and means committee.
Those attending the rally did not
discuss a $30.7 million aid program
proposed recently by New York
Governor Nelson Rockefeller.
One PASS official, however, said the
group was taking a “watchful waiting”
stance on the bill, which would provide
health and safety grants based on the
number of students attending a given
nonpublic school.
May 1 was chosen as the proposed date
to begin registering nonpublic students in
public high schools, according to a PASS
spokesman, because a court decision on
an “auxiliary services” aid program
already operating in the state was
expected by then.
By that date, the spokesman
continued, PASS should also be able to
determine how good the chances are for
more state aid.
The parents’ group will decide whether
to accept the proposed high school
registration action at a meeting April 11.
T. V. MOVIES
EASTER SUNDAY, APRIL 2 — 9:00 p.m.
(ABC) - THREE ON A COUCH (1966) -
Semi-sophisticated farce starring Jerry Lewis (in
a multiple role) and Janet Leigh; with Mary
Ann Mobley, James Best. Lewis herein plays an
inventive fellow who uses his wits and several
disguises (including one as a female) in order to
win the heart of his psychiatrist fiancee (Janet
Leigh), who keeps postponing the wedding date
because she claims her patients need her too
much. (A—III)
MONDAY, APRIL 3 — 9:00 p.m. (ABC) -
SMOKY (1966) -- Fess Parker stars in a nicely
done family type Western based on the Will
James novel about an outlaw mustang stallion.
Plenty of action for everyone. (A—I)
9:00 p.m. (NBC) - A HOWLING IN THE
WOODS -- Made-for-television feature. Barbara
Eden, Larry Hagman, and Vera Miles provide
the bodies in a mystery thriller concerning a
woman's plans to divorce her husband, a
spooky Nevada ghost town, a howling dog, etc.,
etc. Pot luck.
TUESDAY, APRIL 4 — 8:30 p.m. (ABC) -
REVENGE -- Repeat of a TV feature, originally
titled ONE WOMAN’S REVENGE. The
ninety-minute feature revolves around a
woman’s attempt (with the help of ESP) to
locate her missing husband, who is apparently
being held captive by a vindictive old crone out
for revenge.
FRIDAY, APRIL 7 — 8:30 p.m. (NBC) -
COLOSSUS: THE FORBIN PROJECT (1970)
-- The project, named after a computer
electronics scientist (Eric Braeden), is the
construction of an enormous computer
complex whose function is to be U.S. defense
which once set in operation is self-sustaining,
unjammable, and not subject to human control.
The action involves Colossus locating a Russian
computer of the same purpose and design, with
which it communicates and “decides” to create
a benevolent world dictatorship that will
correct the ills of mankind at the expense of
man's free will. A kindof horror film with
contemporary allusions, it has moments of
genuine interest arising out of the situation of a
modern Frankenstein that can initiate ultimate
human decisions, but without the capability of
compassion, human growth, or the potency of a
soul. The film’s worst flaw is its puerile
depiction of figures in high governmental
positions. (A—III)
SATURDAY, APRIL 8 — 8:30 p.m. (ABC) -
THE RELUCTANT HEROES - Repeat Of a TV
feature film starring Ken Barry, Warren Oates,
Cameron Mitchell, and Trini Lopez. Set during
the Korean War, the movie relates how a
civilian helped the Army save an apparently
doomed platoon of G.I.’s. Oates is fun to
watch; the others, like the movie itself, are only
so-so.
9:00 p.m. (NBC) - RAID ON ROMMEL
(1971) - Richard Burton, with dyed blond hair,
yet, stars as a British officer disguised as a Nazi
assigned to Rommel’s Afrika Korps. There have
been a number of adventure melodramas based
on outwitting the "Desert Fox,” but this one is
probably the least interesting, and certainly it is
the most preposterous. (A—III)
Maronite-Rite
Has Own Diocese
WASHINGTON (NC) — Pope Paul VI has raised the Maronite-rite exarchate in
the United States to the rank of a diocese.
The new Maronite-rite diocese of St. Maron of Detroit will be headed by
Bishop Francis M. Zayek, until now apostolic exarch of the approximately
150,000 Maronite-rite Catholics in the United States.
The exarchate was set up in 1966 with headquarters in Detroit. Like the
exarchate, the new diocese will have jurisdiction over all U.S. Maronites.
The Maronite rite is the only Eastern Catholic rite with no counterpart in the
non-Catholic Eastern Christian rites. Its liturgical languages are Syriac and
Arabic. There are close to a million Maronites, most of whom live in Lebanon.
Russian Author Blasts
Church ‘Submission’
MOSCOW (NC) — Nobel prize-winning
novelist Alexander I. Solzhenitsyn has
denounced leaders of the Russian
Orthodox Church in the Soviet Union for
not opposing the anti-religious policies of
the country’s “atheistic dictatorship.”
In a “Lenten letter” circulating in
Moscow and addressed to Russian
Orthodox Patriarch Pimen of Moscow
and all Russia, Solzhenitsyn cited
restrictions on the rights of priests,
church closings, and repression of
dissident clergymen as examples of
submission by Orthodox Church officials
to the government.
The novelist, winner of the 1970 Nobel
Prize for Literature, recalled that
Patriarch Pimen had appealed in a New
Year’s message to Russian Orthodoxs
abroad to teach their children to love the
Church, but had avoided making a similar
appeal to believers in the Soviet Union.
“Why do you address this call only to
Russian emigrants?” Solzhenitsyn asked.
“Why do you call for only those children
to be brought up in the Christian faith?
Why do you urge only the distant flock
to discern slander and falsehood and be
strong in justice and truth?”
Church, the appointment of priests and
bishops, including even sacrilegious
clergymen who seek to ridicule and
disrupt the church - all these are secretly
managed by the Council for Church
Affairs.
“A church dictatorially directed by
atheists is something not seen in 2,000
years.”
There are an estimated 40 million
members of the Russian Orthodox
Church in the Soviet Union’s population
of 241 million. Although the nation’s
constitution guarantees freedom of
worship, official policy opposes religion
and makes atheism obligatory for
Communist party officials.
The Soviet regime has consistently
compaigned against religion, except when
Stalin sought the Church’s help after Nazi
Germany invaded the Soviet Union in
1941.
Improved Church-state relations lasted
during the war and the early post-war
years. Then there was a new offensive
against the Church in the 1958-64 period.
Solzhenitsyn is the first internationally
known Soviet citizen to criticize the
government’s anti-religious policy and the
Orthodox Church’s compliance with it.
He denounced Church leaders for
complying with the Soviet Union’s ban
on teaching religion to children.
“Do not let us suppose, do not make
us think,” Solzhenitsyn wrote,” that for
the arch-pastors of the Russian Church,
earthly authority is higher than heavenly
authority, earthly responsibility more
terrible than responsibility before God.”
In a reference to Russian Orthodox
Church statements in support of Soviet
views on world affairs, Solzhenitsyn said:
“The Russian Church has an indignant
opinion about every evil in distant Asia
and Africa, but none ever about domestic
ills.”
“We are losing our last traces and signs
as a Christian people,” the novelist wrote.
“This surely cannot fail to be the
principle concern of the Russian
patriarchate.”
Accusing the Church leaders of lacking
the courage to fight for religious freedom,
Solzhenitsyn referred to the suffering of
the early Christians and added: “We who
are living now remember that our priests
and fellow believers have accepted just
such martyrdom worthy of the first
centuries. Then they were thrown to the
lions, but today you only lose
well-being.”
Charging the Church leaders with
taking orders from the government’s
Council for Religious Affairs,
Aolzhenitsyn said:
“The entire administration of the
Religious Family
Least Likely To
Have Drug Problem
STANFORD, Calif. (NC) - Families
with strong religious characteristics, such
as Mormons and Catholics, are least likely
to have drug abuse problems with their
children.
That is one of the conclusions of
“Horatio Alger’s Children,” a new book
by Richard Blum, a research associate at
the Institute for Public Policy Analysis
here.
Blum claims that by examining several
aspects of family life -- class, religion,
drinking habits, and attitudes toward
drugs and authority -- he can predict with
90 percent accuracy the chances that a
youth will turn to drugs.
Youths least likely to use drugs, Blum
says, come from working class families
that are strict, religious, politically
conservative, and generally happy.
“High risk families” - those whose
children are most likely to use drugs - are
described by Blum as permissive,
politically liberal or radical and
distrustful of authority. These families
are religiously liberal or have no religious
convictions, consume more alcohol and
have more arguments than the low risk
group, Blum said. They also use illicit as
well as prescription drugs.
Blum also cites a “trouble variable”
rooted in the mother-child relationship as
influencing drug use by youths. This
variable, he says, involves the mother’s
anxiety or some other disturbance in her
relations with her child.
A strong family structure, Blum says,
shields teenagers from the group pressure
that can force youths into using illicit
drugs.
The high risk youths come from
unstable families in which discipline is
not developed early, Blum says. They are
marked, he says by self-indulgence,
disregard for the rights of others and a
pursuit of pleasure.
He has criticized the regime in the past.
Last summer, he charged the government
with “the cheapest kind of atheistic
pettiness” in its decision to bar
publication of his latest novel “August
1914” in the Soviet Union as long as the
name of God remained capitalized.
BISHOP IN JEWISH PULPIT: Bishop Francis J. Mugavero of Brooklyn, episcopal
moderator of the Secretariat for Catholic-Jewish Relations of the National Conference
of Catholic Bishops, addressed Jewish rabbis and lay leaders at Union Temple,
Brooklyn. He spoke on social and educational issues shared by both faiths. In his talk,''
Bishop Mugavero said: “We have to create forums for learning together and for
initiating opportunities for our people to join others in working on practical tasks to
resolve human problems.” NC Photo.
2 STATES|
Nr!
CONFERENCE
FILM CLASSIFICATION SUPPLEMENT
A SERVICE OF THE DIVISION FOR FILM AND BROADCASTING U.S.C.C.
405 LEXINGTON AVENUE, NEW YORK, N. Y. 10017 (212) TN 7-8460
Vol. 37 No. 5 March 15, 1972
Films treated in review or capsule form in the Catholic Film Newsletter are followed by the appropriate reference to volume and issue number.
CLASS A — Section I — Morally Unobjectionable for General Patronage
African Elephant, The—Natl. Gen. 36:20
Bedknobs and Broomsticks
—Walt Disney/B.V. 36:2
Biscuit Eater, The—AIP 37:5
Black Beauty—Para. 36:21
Boy Friend, The—MGM 37:1
Clowns, The—Levitt-Pickman 36:11
Elephant Called Slowly, An—Continental 36:9
Escape From the Planet of the Apes—Fox 36:11
Fantasia—Buena Vista 35:1
Fiddler on the Roof—U.A. 36:22
Flight of the Doves—Col. 36:7
Gang’s All Here. The—Fox/Spilker 37:2
Godzilla's Revenge—Maron 36:23
How To Frame a Figg—Univ. 36:6
Kingdom in the Clouds—Xerox Films 36:18
Lady and the Tramp—Walt Disney/B.V. 36:23
Le Mans—Natl. Gen. 36:13
Man For All Seasons, A—Col. 37:2
Modern Times—Leisure Media, Inc. 36:23
Magic of the Kite. The—Xerox 36:4
On Any Sunday—Cinema 5 36:15
S1,000,000 Duck, The—Walt Disney-B.V. 36:13
Peter Rabbit and Tales of Beatrix Potter
—MGM 36:13
RA Expeditions. The—Interwest 37:5
Raga—Apple Films 36:23
Railway Children, The—Univ. 36:21
Report From China:—Radim 36:10
Run the Wild River—Jack Currey Prod. 36:12
Scandalous John—Walt Disney-B.V. 36:12
Shinbone Alley—A.A. 36:8
Socrates—New Yorker Films 36:23
Soul to Soul—Cinerama 36:17
Superargo and the Faceless Giants—Fantare 36:9
Tender Warrior. The—Wm. Thompson lntl. 37:4
Tokoloshe -Artists lntl.. Ltd. 36:20
Tsar To Lenin—Herman Axelbank 36:18
War Between the Planets—Fanfare 36:9
When Dinosaurs Ruled the Earth —W.B. 36:4
Who Says I Can't Ride a Rainbow
—Transvue 36:23
W ild Country. The—Walt Disney/B.V. 36:3
Willv W'onka and the Chocolate Factory
—Para. 36:11
Wishing Machine, The—Xerox 35:24
World of Hans Christian Andersen, The
—U.A. 36:7
Yog. Monster from Space—AIP 36:16
Zeppelin—W.B. 36:7
CLASS A — Section II — Morally Unobjectionable for Adults and Adolescents
Adios, Sabata—U.A. 36:14
Andromeda Strain, The—Univ. 36:4
Bartleby—Maron 37:4
Battle of El Alamein. The--Plaza 36:20
Blue Water, White Death—Natl. Gen. 36:10
Bus Is Coming, The—Wm. Thompson 36:23
Devil Doll—MGM 36:4
Fragment of Fear—Col. 36:4
Freaks—Brenner 36:4
Gone With The Wind—MGM 32:25
Hellstrom Chronicle—Cinema 5 36:14
Hoa-Binh—Transvue 36:16
Hot Rock, The—Fox 37:3
Abominable Dr Phibes, The—AIP 36:11
Airport—Univ. 35:3
All the Right Noises—Fox 36:22
And Soon the Darkness—Levitt-Pickman 36:8
Anonymous Venetian, The—A.A. 36:17
B. J. Lang Presents—Fine 37:1
Bear and the Doll. The—Para. 36:20
Beast in the Cellar, The—Cannon 36:9
Big Jake—Natl. Gen. 36:11
Black Jesus—Plaza 36:17
Black Peter—Altura 36:15
Bless The Beasts and Children—Col. 36:14
Le Boucher—Cinerama 37:1
Brief Season—Col. 36:9
Brother John—Col. 36:7
Brotherhood of Satan—Col. 36:9
Bunny O'Hare—AIP 36:13
Cabaret—A.A. 37:4
Captain Apachi—Scotia lntl. 36:19
Catlow—MGM 36:21
Cauldron of Blood—Cannon 36:22
Celebration at Big Sur—Fox 36:8
Chandler—MGM 36:24
Chrome and Hot Leather—AIP 36:18
Claire's Knee—Col. 36:5
La Collectionneuse—Pathe Cont. 36:9
Cowboys. The—Warners 37:2
Creatures the World Forgot—Col. 36:12
Creature With the Blue Hand—New W'orld 37:2
Crook, The—U.A. 36:5
Crucible of Horror—Cannon 36:22
Cn Blood, Apache—Golden Eagle 36:10
Death in Venice—Warners 36:12
Debut, The—Gemini-Maron 36:20
Derby—Cinerama 36:8
Diamonds are Forever—U.A. 36:24
Dirty Outlaws—Transvue 37:1
Doc—U.A. 36:15
Eagle in a Cage—Natl. Gen. 36:17
Evel Knievel—Fanfare 36:13
Une Femme Douce—New Yorker 36:11
Figures in a Landscape—Natl. Gen. 36:15
Fools’ Parade—Col. 36:10
Gang That Couldn't Shoot Straight, The
—MGM 37:1
Garden of the Finzi—Continis-Ciriema 5 37:1
House That Dripped Blood, The—Cinerama 36:8
Joe Hill—Para. 36:21
Kidnapped—AIP 37:1
King Lear—Altura 36:23
Lawrence of Arabia—Col. 36:6
Little Ark, The—Natl Gen. 37:3
Lost Flight—Univ. 36:9
Mrs. Poll if ax—Spy—U.A. 36:6
Mary, Queen of Scots—Univ. 36:24
Nicholas and Alexandra—Col. 36:24
One Day in the Life of Ivan Denisovich
—Cinerama 36:10
Pacific Vibrations—AIP 36:10
CLASS A — Section III — Morally Unobjectionable for Adults
Go-Between, The—Col. 36:14
Going Home—MGM 36:23
Gunfight, A—Para. 36:10
Hard Ride—AIP 36:6
Harold and Maudt—Para. 36:24
Hired Hand, The—Univ. 36:13
Honkers. The—U.A. 37:3
Horror of the Blood Monsters
—Independent lntl. 36:6
/Horror of Frankenstein—Amer. Cont. 36:14
Horsemen, The—Col. 36:13
Hospital, Tin—U.A. 36:23
Incredible Two-Headed Transplant—AIP 36:7
It Only Happens to Others USE Films 36:20
Island of the Burning Damned—Maron 36:23
I Want W hat I W ant—Cinerama 37:5
Jennifer On Mv Mind U.A. 36:19
Jerusalem File, The—MGM 37:4
Ketch—Cinerama 36:19
Ust Rebel, The—Col. 36:15
Last Run, The—MGM 36:14
Lawman—U.A. 3(5:12
Let's Scare Jessica to Death- Para. 36:17
Lola—AIP 36:6
laing Ago. Tomorrow—Cinema 5 36:19
Love Storv—Para. 35:24
Mad Dogs and Englishmen—MGM 36:7
Made for Each Other—Fox 36:24
.Madron—4 Star Excelsior 36:10
Man in the Wilderness—W.B. 36:23
Man Who Haunted Himself. The
—Levitt-Piekman 56:18
Medea—New Line Cinema 36:22
Mephisto Waltz-Fox 36:8
Millhouse New Yorker Films 36:20
Minnie and Moseowitz—l niv. 37:1
Murders in The Rue Morgue—AIP 36:14
Murphy's War—Para 36:11
New Leaf. A—Para. 36:6
Night of Dark Shadows—MGM 36:17
Night of the Living Dead—Walter Reade 37:4
No Drums. No Bugles—Cinerama 36:16
Organization. The l .A. 36:20
Omega Man, The—W.B. 36:16
One More Train to Rob—Univ. 36:11
Panic in Needle Park, The—Fox.36:12
Pete Seeger ... A Song and A Stone
Theatre Exch. Activities 37:5
Return of Count Yorga AIP 36:17
Silent Running -Univ. 37:5
Sorrow and the Pity. The-Cinema 5 37:5
Star Spangled Girl—Para 37:1
Support Your Ivoral Gunfighter—U.A. 36:10
Thermidor Altura 36:17
Tomorrow Eilmgroup Prod. 37:4
Yon Richthofen and Brown—U.A. 36:12
W aterloo Para. 36:7
Who Slew Auntie Ron? —AIP 37:2
Willard Cinerama 36:12
Wings Para. 36:18
Plaza Suite—Para. 36:9
Pocket Money Nall Gen. 37:3
Promise at Dawn Avco Emb. 35:24
Red Sky at Morning—Univ. 36:8
Red l ent. The - Para. 36:15
Reincarnate. The Tower Prod. 36:2!
Ryan's Daughter—MGM 35:23
Sacco & Yanzrtti l MC 36:20
Safe Place. A Col. 36:20
Scars of Draculu—Amcr. Cont. 36:14
See No Evil Col. 36:16
Shaft MGM 36:12
Skin Came W .B. 36:18
Smic Smac Smoe — GSF Films 37:3
Snow Job Warners 37:3
Some Cirls Do—U.A. 36:6
Someone Behind the Door—OS F Films 36:24
Something Big Natl. Gen. 36:20
Summertree- Col. 36:8
I ales Trom the Crvpt Cinerama 37:5
Tam I.ir, AIP 36:22
Tm. hu Japanese Film Exch. 37:3
10 Rillington Place-Col. 36:8
They Call Me Trinity Avco Emb. 36:12
I hey Might Be Giants Univ. .36:7
Three Lives -Impact Films 36:23
1 oday WV Kill . . . Tomorrow We Die
Cinerama 36:15
T. R. Buskin Piira. 36:21
Troian Women. The Cinerama 36:19
I wo-I.ane Blacktop -Univ. 36:12
l nntun. W ittering and Zigo— Para. 36:12
l tamuro and His Five Women-N. Y. 37:3
\uld.z Is Coming U.A. 36:7
W hatN the Matter with Helen?—U.A. 36:12
W hm Eight Bells'Toll—Cinerama 36:11
Who Is Ham Kellerman and Why is He
Saving 'Those Terrible 'Things About Me?
Natl. Gen. 36:12
W ho Killed Mary Whats’ername—Cannon 36:23
Wild Rovers--MGM 36:13
Witehmaker—Excelsior 36:15
Without Apparent Motive -Fox 37:5
\ oung Couple. A Trans World 36:20
Zutoichi Meets ^ ojimbo—Bijou of Japan 37:2
CLASS A — Section IV — Morally Unobjectionable for Adults, with Reservations
(An A*IV Classification is given to certain films which, while not morally offensive in themselves, require caution and some analysis and explanation
as a protection to the uninformed against wrong interpretations and false conclusions.)
Adrift—MPO 36:15
Anderson Tapes, The—Col. 36:11
Beguiled, The—Univ. 36:7
Carnal Knowledge—Avco Emb. 36:14
Conformist, The—Para. 36:6
Cop, The—Audubon 36:11
Desperate Characters—ITC 36:19
Dusty and Sweets McGee—W.B. 36:14
El Topo—Abkco 36:22
Even Dwarfs. Started Small—New Line 37:4
French Connection. The—Fox 36:20
Funnyman—New Yorker Films 36:20
Investigation of a Citizen Above Suspicion
—Col. 36:1
Beast of the Yellow Night—New World 37:3
Been Down So Long It Looks Like Up to Me
—Para. 36:18
Believe in Me—MGM 36:18
Big Doll House. The—New World 36:17
Billy Jack—Warners 36:10
Blood and Lace—AIP 36:6
Blood on Satan's Claw, The—Cannon 36:9
Body. The—MGM 36:5
Born To Win—U.A. 36:21
Buttercup Chain. The—Col. 36:6
Carry on Camping—AIP 37:2
Cat O'Nine Tails. The—Natl. Gen. 36:10
Christian Licorice Store, The
—Natl. Gen. 36:24
Cisco Pike—Col. 36:20
Clay Pigeon-MGM 36:18
Daughters of Darkness—Gemini/Maron 36:11
Dead of Summer—Plaza 36:6
Deep End—Para. 36:13
Abductors. The—Jos. Brenner 37:3
Bananas—U.A. 36:9
Beyond Control—Mishkin 36:12
Beyond Love and Evil—A.A. 36:6
Blood Mania—Crown lntl. 36:23
Brazen W omen of Balzac. The—Globe 36:15
Butterflv. The—Audubon 36:23
Christa -AIP 36:16
Cindy and Donna—Crown lntl. 36:12
Clockwork Orange. A—Warners 37:1
Cometogether—A A 36:20
Cry Uncle I—Cambist 36:17
Dagmar’s Hot Pants. Inc.—Trans. Amer.
—AIP 36:20
Dealing: or the Berkeley to-Boston 40-Brick
Lost Bag Blues—Warners 37:4
Decameron—U.A. 36:23
Devil Rider—Goldstone 36:10
Devils. The—W.B. 36:14
Dirty Harry—W.B. 36:24
Drive. He Said—Col. 36:12
Dorian Gray—AIP 36:1
Dynamite Chicken—EYR Prod. 37:2
Female Bunch. The—Dalia Prod. 37:5
Fritz the Cat—Cinemation 37:3
Ginger—Joseph Brenner 36:8
Glass Houses—Col. 37:2
Grimm’s Fairy Tales for Adults
—Cinemation 36:7
J.C.—Avco Emb. 36:17
Johnny Got His Gun—Cinemation 36:16
Klute—W arners 36:13
Macbeth—Col. 37:1
Make A Pace Karen Sperling Prod. 36:18
Medicine Ball Caravan, The—W.B. 36:17
Night Digger. The—MGM 36:11
Nun. The--Altura 36:13
Outback—U.A. 36:14
Plav Mi-tv For Me —Univ. 36:18
Priest's Wife. The—W.B. 36:5
Punishment Park—Chartwell 36:22
Pursuit of Happiness. The—Col. 36:4
CLASS B — Morally Objectionable in Part for All
Deserter. The—Para. 36:7
Dirtvmouth—Superior 36:11
$ ( Dollars»—Col. 36:24
Five Bloody Graves 1 —Independent lntl. 36:6
Fortune and Men's Eyes—MGM 36:12
Friends—Para. 36:7
(Hen and Randa—UMC Pictures 36:19
Grissom Gang. The—Cinerama 36:11
Guru, the Mad Monk—Nova lntl. 36:3
Happv Birthdav. Wanda June—Col. 36:24
Honky—Harris 37:1
Hou^e That Screamed. The—AIP 36:15
I Drink ’lour Blood Cinemation 36:5
Light at The Edge of the World—
—Natl. Gen. 36:14
Love Machine, The—Col. 36:15
Lu«t for a Vampire—Levitt-Pickman 36:18
McCabe and Mrs. Miller—W.B. 36:14
Margo—Cannon 36:8
CLASS C — Condemned
Guess What We Learned in School Today?
—Cannon 36:11
Hollywood Babylon—I.A.E. Distr. 37:4
Hollywood Blue—Sherpix 36:3
Hot Pant' Holiday—Avco Emb. 36:21
Hunting Party. The—U.A. 36:11
Is There Sex After Death -Abel-Child Prod. 36:21
Johnny Minutau Impact 36:9
Language of Love—Paragon 36:15
Last Movie. The—Univ. 36:19
Last Picture Show. The—Col. 36:19
Lizard in a Woman's Skin—AIP 36:20
Love Clinic. The—Compix 36:15
Love Object, The—Jos. Brenner 36:12
Maddalena—lntl. Co-Prods. 36:23
Maid in Sweden—Cannon 36:22
Maidstone—Supreme Mix 36:21
Making It—Fox 36:7
Moonlighting Mistress—Dalia Prod. 37:5
Murmur of the Heart—Walter Reade 36:21
My Secret Life—Jack Harris 36:9
Nana—Distinction (Natl. Gen.) 36:9
Next!—Gemini-Maron 36:16
Nightcomers. The—Avco Emb. 37:4
1000 Convicts and a Woman—AIP 36:22
Peace Killers. The—Transvue 36:20
Percy—MGM 36:10
Pink Narcissus—Sherpix 36:11
Point of Terror—Crown lntl. 36:23
Right On!—Concept East 36:9
Roommates—Pantages 36:5
Skezag—-Soho 36:9
Sometimes a Great Notion—Univ. 36:24
Summer of *42 - W .B. 36:8
Sundav Bloody Sunday--l..A. 36:19
'Faking Off-- Lniv. 36:7
TUX 1138—W.B. 36:6
To Die of Love MGM 37:3
Touch. 'Flu—Cinerama 36:15
\ ladimir and Rosa—Grove 36:10
Walkabout—Fox 36:12
Marriage of a Young Stockbroker—Fox 36:17
My Old .Man’s Place—Cinerama 36:13
formerly “Glory Boy’’
One Night at Dinner—lntl. Co-Prods. 36:22
Romance of a Horsethief—A.A. 36:16
Say Hello to Yesterday—Cinerama 36:1
Shootout—Univ. 36:11
Soul Soldier—Fanfare 37:2
St»*agle. The—Avco Emb. 36:18
Tender Moment, The—Maron 36:6
Todd Killings—Natl. Gen. 36:17
To Find a Man—Col. 37:2
Town Called Hell, A —Scotia lntl. 36:19
Toy Grabbers, The—Richard Organ. 36:11
Welcome Home, Soldier Boys—Fox 37:4
Welcome to The Club—Col. 36:17
W ild in the Skv—AIP 37:4
Villain—MCM 36:11
X. Y and Zee—Col. 37:4
Pretty Maids All in a Row—MGM 36:8
Private Duty Nurses—New World 37:3
Red. White and Blue—Aquarius 36:11
Road to Salina—Avco Emb. 36:1
S avengers. The—Rep. Amusement Corp. 36:21
Secret Rites—Avco Emb. 36:22
Seduction of Inga, The—Cinemation 37:5
Seven Minutes, The—Fox 36:13
Some of My Best Friends Are . . .—AIP 36:18
Story of F, The—Sherpix 36:10
Straw Dogs—Cinerama 37:1
Such Good Friends—Para. 37:1
Sweet Saviour—Trans World 36:18
Sweet Sweetback's Baadassss Song
—Cinemation 36:9
Telephone Book, The—Rosebud 36:19
Together—Hallmark 36:18
Touch Me—Fortune 36:16
Tower of Screaming Virgins—Maron 37:2
29O Motels—U.A. 36:22
Velvet Vampire, The—New World 36:21
Visitors, The—U.A. 37:2
Women In Cages—New World 36:21
Women in Revolt—Andy Warhol Films— 37:5
WR—Mysteries of the Organism
—Cinema 5 36:22
You’ve Got to Walk It Like You Talk It or
You'll Lose That Beat—J.E.R. Pictures 36:18