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\iicl that began the story anklin, the bull-thrower, (1 him to France and v admits he’s been gored lv several times. In fact, have four operations on wounds, which refuses to still insists that it isn’t langerous than being a •ling from a scaffold, or weep or an aviator. Well, ( do have their point of Hibernian is the theatrical year 19.10. As the director itional Theatre Guild suc- China!” he is looked upon -lie most promising men in lie is only thirty-one and of the University of Penn- il the possessor of an M.A. i Vale. But all that isn’t [-articular 1 v impressive. that’s interesting about man is that he was destined to a cetti'U merchant. His family, of hia. has been in the cotton mart wring business for a long mu'. W hen Herbert quit school he made vice-president of the firm. Hut lie discouraged. And decided > iii Yale to study under Professor Pierce Baker. He was even permitted to stage-manage some of iductions. It was then he got mute-bitten. And lie’s been at it ever 'Wire Hibernian is pretty young for one Miitstanding directors. But a fellow who’s willing to forsake com- rre tor the present-day devastated theater deserves every bit of success he gets. Sr m or - A sweet, sleepy voice came over the i"iie. “I’m Mrs. So-and-So.” I had difticulty in placing the woman. She seemed to be yawning rather than talk- “Y u know my husband—we were married last night!” hen I recalled who her husband was, ' this woman on the wire was. highly complimented to be the "'»n to be spoken to by the bride e ni ruing after. After we had ex- 1 the usual pleasantries she chirped "\veetly! “Do you think that you wet our picture into the papers— • of rny husband and myself? Of you know, I don’t care so much publicity, but since I have the d'h I may as well let the papers I couldn’t stop the young lady iding the photo. w > to complete the story, her hus- a well-known rabbi. u re any sort of a radio fan you w by this time the most amazing the last half-decade of broad- I he great master has at last d to the lure of the air. He he a Brahmin of very high caste, to have anything to do with the who cluttered up the studios of ing stations. But whether it is lis genuine desire to give millions wers th echance to hear his in- iusic, or whether it is due to his provide for the future of his The Southern Israelite Page 19 new-born girlie, no ono will ever be able to know. At any rate, lie prepared to hear Jascha Heifetz, whose miraculous playing with the strings of the violin will be accessible to every one with a radio set on the evening of December 21st, when lie will be the guest artist over the National Broadcasting Company’s chain of studios. For years Heifetz was one of the three musketeers, the other two being Fritz Kreisler and Ignace Paderewski. They rigidly refused to have their artistry ex ploited by introductions which would speak of cornplasters, yeast or, perhaps, coffee. After all, you’ve got to give Heifetz credit. He lasted long in his determination. But now that he has suc cumbed he has stipulated that during the time he plays and before and after there shall be no mention of the product of the Kellogg Company, under whose auspices he will play. When he docs fall Heifetz does it with class. Hats off to a great artist! Whether he profits by it or not, the great American public will now be able to hear the greatest violinist of our time—not excluding Kreisler. In these days of ballyhoo, when an author is pushed through all the forms of exploitation required by strenuous competition, he is compelled to go through all kinds of stunts. Matthew Josephson is one of the exceptions. One of the finest writers in America today, Joseph son remarks: “I never make radio speeches or sign copies in the department stores, or do anything hut remain sur prised, happily, if people want to buy my books at all.” Mervyn LeRoy, noted Hollywood film director, is a nephew of Jesse Lasky? Vladimir Dukelsky writes some of the greatest song hits for various musical productions—except that he is known as Vernon Duke? President Hoover recently wanted to issue a statement expressing sympathy with the Zionists in their troubles on ac count of England and her new announce ment of policy in Palestine, but that he was dissuaded from doing so by a Jew and a Zionist? One of the big Yiddish dailies in New York is losing at the rate of quite a few thousand dollars a week? “Once in a Lifetime” is the biggest hit on Broadway today in the way of the straight drama. It’s George S. Kauf man’s terrific take-off on the Hollywood industry. Herman Glogauer is the cen tral figure of the piece; through him are supposed to be exhibited all the crassness, the vulgarity and idiocy of the phlicker world. The story goes that on the opening night, after the seecond act, while the audience was strolling about in the lobby of the theatre, a certain friend of Adolph Zukor, a Paramount, said to his wife: “You know, I pity poor Adolph. Why, Glogauer is him to the nose. Just then Zukor came out into the lobby beaming. Seeing his friend, he walked over to him briskly and said: “That’s a cracker-jack of a play, isnt it. But I sure do feel sorry for Sam Goldwyn.” n\ Q CH/AJU/ / Protects the Youthful j)' Figure IvUnnv hist M successfully as Omris HrT has foT years re created and I / supported the mature figure, / / does it today protect the grace- / 4 ful lines of thcyouthful figure /I ...preserving the lovely slcn- J (l derncss and vitality of youth. The (.hakis model designed CHARIS is especially for youthful figures pru,d from »sexceedinglysnwrt..cutlowin 46.9) up. back, and its cupped brassiere section produces the desirable outlined bust. It has the paten ted adjustable features of all Charis foundation garments. A Charis Representative will show you this exquisite gar ment in your home. Just write or phone the address below. C HAKir $ 4 95 Bags for *4 TODAY these are not $10 bags- not $7.50 bags. .95 The Same Quality S o 1 (1 for Those Prices LAST YEAR. But, This Is THIS Year! The Price Is $4.95 NOW And every bag is the best in Atlanta at the price. KEELY’S 0 + +