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MUSICAL H E R ! T A G E
(Continued from Page S)
JJSC//.I HEIFETZ
Ilrilhant emit nisi whose art
is ha licit anno by the musical
icor hi.
Beet lio veil, been use of his reseni-
blance to Rubinstein and Mark
I Lmihourg; Wanner, as the son of
Ids mother's second husband, the
•lew (iuyer; Strauss and Hoffman
because of their Jewish names.
Berlioz is pointed out as of Moorish
(,r Saracen origin. Sullivan, of
Hilbert and Sullivan fame, is an
acknowledged Jew.
1 lie field of comic opera and
musical comedy produced Hammer-
stein, (icorge (iershwin, Oscar
Strauss, Rudolph Friml, Irving Ber-
I in and Jerome K( •rn.
A large proportion of the great
performers on the concert stage
today are Jewish; among conduc
tors, Modest Altschuler, Artur Bo-
dansky, Walter and Frank I)am-
rosch half Jewish), Issai Dobrowen,
Fdwin 1* ranko Goldman, \ ladmirir
fiolsehmann, Louis Ilasselsmans,
Alfred Hertz, Agide Jacchia, Otto
Klemperer, \ ictor Kolar, Serge
Kouvsevitsky, I ierre Monteux, Krno
Rupee, Fritz Reiner, Hugo Reisen-
h<*ld, Kurt Schindler, Alexander
^malleus, Nicolai SokolofF, Joseph
Stransky and Bruno Walter.
^ iolinists are the late Leopold
Wicr, Adolph Brodsky, Eddy Brown,
Richard Burgin, Samuel i)ushkin,
Mischa Elman, Carl Flesch, Jac
ques Cordon, Arthur Hartmann,
Jascha Heifetz, Sascha Jacobsen,
the late Laid Kochanski, Fritz
Kreisler, I>ea Luboschutz, David
Marines, \ehudi Menuhin, Nathan
Milstein, Mischa Mischakoff, Eriki
Morini, Michel 1 iastro, the late
Eduardo Remenyi, A lax Rosen,
1 osclia Seidl, Joseph Szigeti, Helen
1 ascher Tas, the late violinist com
poser, Henry Wieniawski and Efrem
oimbalist.
Ihe renowned list of pianists in
cludes Beryl Rubinstein, born in
Athens, Georgia, who is now on
leave of absence as director of the
Cleveland Institute of Music, pre
paring a new American ojrera in
collaboration with John Krskine-
Isrdor Achron, Harold Bauer, the
late fanny Bloomfield Zeisler. Sas-
cha Gorodmtzsky, Schubert Memo
rial Winner in 1»S0, the late Fer
ruccio Busoni, Shura Cherkasskv,
Igmaz Friedman, Ossip Gabrifo-
vvutdi Ixmpold Godowsy, Alfred
Grunfeld, Mark Hambourg, Mvra
I ess, Gottfried Galston, Vladimir
Horowitz, famed in his own right
and a son-in-law of the great Tos
canini, the late Rafael Joscffy, Alex
ander Lambert, Wando I.a'iidow-
ska, Mischa Levitska, Josef and
Rosina Lhevinne, Benno Moisei-
vitsch, Leo Orustein, the late de
Faohmann, l.clf PoiishnofF, Moritz
Rosenthal, Arthur Rubenstein, Har-
old Samuel, David Saperton. Emil
Sauer, Arthur Schnabel, Germaine
Schnitzler and the great virtuoso,
Karl Taussig.
Famous singers on the concert
stage are Max Bloch.the late Sophie
Breslau, Leopold De Muth, Alma
(duck, Nanette (■ nil ford. Sir (icorge
Rensehel, Isa Kremer, Hulda La-
" Everything is
re tat ice an,l con
ditional” -Jlherl
Einstein.
(See gage
shanska, Lilli Lelmumn, Guiditta
Rasta, Rosa Raisa, .Marie Rappold,
Giacomo Rimini, Ernestine Seliu-
mann-Heink and others.
It is the tendency of the Jew
to live a peaceful life, assimilating
the customs and interests of the com
munity until his national pride
is awakened through the distress
of his own people. It is ironic,
therefore, that the great upheaval
in Germany lias furthered the
renaissance of Jewish art and Jewish
Nationalism, begun in Russia in the
early part of the 40th century.
As in the past, the awakened Jewish
consciousness and rise of nationalism
are destined to produce a new genera
tion of artists. In America, the
first tones of a greater and more
triumphant musical literature have
been dimly heard, colored with a
fierce pride and a marvelous affirma
tion.
In the words of Sabaneev: “. . . .
The elements now implanted in
the national music permit us to
say with truth that some of our
hopes have already been justified,
the Jewish nation having enriched
the musical literature of the world
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