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gramming will illuminate the
six basic principles of Judaism:
Torah, learning, education-and
law; Avodah, love of God, wor
ship; Gemilat Hasodm, love of
man, charity; Emet, the quest
for truth; Din. the quest for
justice; and Sholom, the quest
for peace. It is hoped that those
who enter the Pavilion of Juda
ism, both Christian and Jew—
will on leaving have a better
understanding of the “signifi
cance and validity of Judaism
today.”
One of the great treasures
of Israel, the Dead Sea Scrolls,
will feature the Israel Pavilion.
With its unique quality of in
triguing antiquity and almost
unbelievable legend this will
surely be one of the Expo’s
“things to be seen,” a conver
sation piece such as the Vatican
Exhibit at the New York Fair.
Both for those Jews who have
seen the Dead Sea Scrolls in
Jerusalem in 'their beautiful
Shrine, or who haven’t been
fortunate enough to make the
trip to Israel since the Scrolls
have been exhibited, this will
be a high priority of things
to be seen.
The Israel Pavilion’s basic
exhibit will trace the country’s
history from bibical days to
present-day, modern Israel. The
story will be told in terms
of both antiquities and the mod
ern progress that has converted
vast expanses of desert to a
livable area in a thriving state.
The Pavilion will also include
a 200 seat terrace cafeteria, the
only place where Jewish food
can be obtained at the Expo.
1 hree specialties of the menu
will be chumus, tchina and
falafel, s all served with pita
bread. An extension of the din
ing area will be a suken garden
which will feature Israeli folk
dancing.
.The presentation by the Cam-
eri Theatre of “The King and
the Cobbler” during the week
of May 15-20 will be the only
Jewish representation among
the 150 of the world’s finest
performing grops that will be
a part of “The World Festival”
which will run concurrently
with Expo '67. These cultured
presentations will be seen out
side of the Expo grounds in the
three theatres of the Place des
Arts complex, on St. Catherine
Street West, very close to the
center of Montreal. The Carneri
will be seen in the 800 seat
Theatre Port Royal.
This musical, highly popular
in Israel, has for its subject a
variation of the double inden-
tity theme. The storwconcerns
King Solomon, his 99!)® W Ives
(with all of the inherent pos
sibilities of mistaken identifi
cation) and a cobbler who bears
a remarkable resemblance to
the monarch.
The “book" is by Samuel
Gronemann. one time leader of
the Zionist movement in Ger
many* and, prior to his death
in 1952. President of the Court
of Honor of the Zionist Con
gress. An attorney by profes
sion, Gronemann enjoyed a rep
utation as an author of satiri
cal novels on Jewish subjects
and, after settling in Israel in
1936, as a writer of comedies.
Music was composed by Alex
ander (Sasha) Argov, with sets
by Arieh Navon.
The comedy will be present
ed at Expo 67 in Hebrew, as
translated by Natan AltcYman,
well known Isreali poet-play
wright, who has also written
additional lyric for the musical
version. However, as one Fren
ch critic observed in reviewing
the company’s 1965 perform
ance at the Theatre des Nations
in Paris, “Watching them, you
can’t help laughing. You say
to yourself, ‘Look! I understand
Hebrew’!"
Tickets for “The King and
the Cobbler’.’ may be purchas
ed by writing Ex-po '67. Box
Office, P.O. Box 1330, Station
“B,” Montreal 2, Canada
The big problem at Expo '67
at this moment seems to be the
matter of lodging. Hotel reser
vations are reputed to be scarce,
although your favorite travel
bureau may help. But then are
several alternative. Zim has
scheduled two ten day cruises
by boat. Montreal from New
York and Boston, with the ship
serving as hotel in Moq. : real
for three days and two ni hts.
The first tour, largely booked,
leaves May 20th, with the sec-
The Southern Isri lite
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