The Southern Israelite. (Augusta, Ga.) 1925-1986, June 08, 1973, Image 14
P)age 15 - TH E SOUTH ERN KRA ELITE Ji«e8,1973
Jewish Quiz Box
By Rabbi Samuel J. Fox
QUESTION: Why is it
customary to sing special table
songs at the Sabbath table called
“Zemiroth?"
ANSWER: Some (e.g. Ya’avetz)
derive Ibis custom from the verse in
the Psalms (Psalm 92) which reads
“A Psalm, a song for the Sabbath
Day.” This would technically
demonstrate that somehow the
Sabbath and song are phenomena
which have something in com
mon and that Sabbath is a day
of song. (Sefer Chasidim, also.)
Others derive the idea from the
fact that Job cursed his day by
saying that there would be no songs
on that day. This would indicate
that a day which is regarded as
blessed should have songs (Sefer
Chasidim). Since the Bible, in the
book of Genesis, indicates that the
Almighty blessed the seventh day,
these commentaries assert that its
blessing should be demonstrated
with song.
Some (Rabbenu Ephraim) claim
that the finishing touch which the
Almighty put on Adam was the
power to express himself in speech
and song. Some rabbis note the
fact that the words “Hashevi-i”
(the seventh) and “Shevach B’peh”
(praise with the mouth) have the
same numerical equivalent in
Hebrew letters. This tells them
that the seventh day (i.e. the Sab
bath) is a day on which to praise
the Lord with one’s mouth.
Perhaps the gist of this idea can be
understood when we note that the
songs are chanted at the table. The
Sabbath table is supposed to stand
out in comparison with the table
set during the rest of the week.
Physically, the best foods are plac
ed on the table for the Sabbath.
Spiritually, the atmosphere at the
table is comparatively more relax
ed and spiritual.
This latter factor is
A passion play with anti-Semitic
overtones opened recently in the
village of Tegeln, In the heavily
Catholic southeastern part of
Holland. The play, written 40 years
ago by the Roman Catholic poet-
priest Jacques Schreurs, will run.
through July. Some 50,000 visitors
are expected to attend.
demonstrated by intellectual dis
cussions which take place at the
Sabbath table as well as by songs
whose words quote phrases from
the Bible, the Talmud and all of
Jewish holy literature. While
scholars can easily engage in deep
conversations involving the in
tellect, the average layman might
have difficulty in attempting to do
this. Hence, a way was provided to
quote works of intense scholarship
without being frustrated at having
to understand their deep meaning.
This was accomplished by putting
these words into song which anyone
can chant without too much trouble
in comprehending them. In this
way all alike can indulge in quoting
the words of Scripture and the
words of the wise — the scholar in
his discussion — the layman in his
song.
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