The Augusta herald. (Augusta, Ga.) 1890-1908, October 30, 1898, Image 15
' □ UHli ct LA2|^y
THt NATIONAL HOUSE SHOW
MADISON SOUARE GARDEN.
The louriccnfh Annual Exhibit, For Which
the Finest Animals In the Inited
States Are Entered.
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JR eta**** given up to them, and they
are vo well selected that the greatest
harness horses now on the turf have
fteen entered. The prizes for the trot
ter* are the largest ever hung up by
the authorities, the first* In some cases
being as high as ISO®, so that the very
best quality have Incentives for enter
ing It Is ohly right and proper that
this distinctively American horse, the
one which for grace, endurance and
speed Is unequaled and In which we arc
head and shoulders al>ove'thc rest of
the world, should have a prominent
place in the premier American horae
show.
The thoroughbreds are so classed that
u most Interesting lot of entries should
be shown. There Is a class for stallions
3 years old and over, breeding and rac
ing qualities to be considered. The sec
ond class Is for stallions suitable for
g-'tting. hunters and saddle horses, and
the third Is for marcs 3 years old and
over, breeding and racing qualities to
be considered.
There are 14 clesses for the ever pop
ular hunters. Th* entries are so many
that it Is probable that the associa
tion will be obliged to resort to Its re- ,
served right of ordering preliminary
trials for the purpose of Weeding out
the poorer horses. This will Insure the
best kind of sport In the finals.
Included in the hunting classes are
the usual qualified ones for heavy, mid
dle and light weights ( and ladles' hunt
ers. There are also a special thor- j
oughbred class and three others— |
heavy, middle and light weight—for
green hunters.
The most interesting classes from the
spectators' point of view, however, are
the Corinthian, In which both qualified
and green hunters will be allowed to
compete. In the open to all high jump
for the first trial the bars will be placed
at a height of 5 feet. They will then be
raised to 5 feet 6 inches, to C feet, to 6
feet 3 inches and lastly .to 6 feet 6
inches, which height, when reached,
will be the maximum. In the event of
two or more horses clearing 6 feet «
inches the judges in making their
awards will consider the form In which
the animals have taken their jumps.
In the Corinthian classes the horses
must he ridden by gentlemen riders who |
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half breeds, cab horses, heavy di%ft
horses and carriage and delivery
horses.
The classes for ponies, in which the
little folks always take so great an In
terest, promise a good showing. The
usual tandem and four-in-hand com
petitions will also give plenty of oppor
tunity for exhibitions of delicacy' and
skill In handling Ihe reins. The four
in-hand team for which Mr. Alliert C.
Bostwick of New York recently paid
Mr. F. C. Bates, the well known ex
hibitor. the record' breaking price of
SIO,OOO will be shown In many class s
by their new owner. The leaders com
prise the ecn-atlonal pair of bay mares
Lady Ursula and Lady Flavia, the
equals of which in head, neck and gen
era! conformation are seldom seen. The
wheelers consist of the grdat pair of
bay geldings Lord Chumley and Lord
Chesterfield. The mares are 15.2 hands
high and the geldings 15.3. Altogether
they form a magnificent four and will
make a sensation when shown in the
ring.
Another splendid harness horse that
will be shown is Coxey, the 1506 cham
pion carriage horse. He belongs to Mr.
F. C. Bates and Is one of the most fan
cied horses for the blue ribbon this
year. He has won more ribbons proba
bly than any other horse now living
and has been shown all over the coun
try. *
Among the special features this year
will be the exhibition of the "white
wings" of the New York street clean
ing department with their horses and
carts. The Waldorf-Astoria cup, val
ued at SSOO, for the best gig horse will
the -A-TJOUST-A.; SUITD-A.Y HERAXD.
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The
I the influence of shows, *s demonsl rated
conclusively by the fact that horses
aMi ll several years ago Won blue rlb
bms would not be good enough for
competition In these days. It Is also a
notable fro t that blue ribbons wore cap
lured this year at both the Dublin and
i Crystal palace horse shows by Ameri
ian animals The Crystal palace exhl
-1 billon occupies the same relative posi
tion in England as does the Madison
Square CJardgn affair In this country,
i Besides being a wonderful agent In
' the development of horseflesh, the ex
hibition is a magnificent spectacle, with
its tanbark oval holding its burden of
faultlessly formed, splendidly galted
animals, surrounded by a broad ring of
horsy looking men with gay waist
coats and large diamonds, who have
1 eyes for nothing but the occupants of
the arena.
Outside these moves a kaleidoscopic
! and ever changing mass of well dressed
1 but yet quietly clad people, some few
taking'ln what can be seen of the
horses as they slowly circle the Gar
den, but for the most part their faces
are directed in an upward stare, gazing
open mouthed at what by many is con
sidered the real attraction of the week
—the occupants of the boxes. Fenced
in from this moving throng of the hoi
polio! are the occupants of the reserv
ed boxes, who are present to be seen
as much as to see. They are to the hu
man race what the occupants of the
ring are to the horse world—the blue
bloods, the folk of high degree, the
newly rich and just common everyday
wives and daughters of millionaires.
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y
with the crow’s feet, goes on acting her
self older and trying to make Ihe public
believe that she is younger. It is not
Invariably so. fortunately. The other
day on the Elbsron road I saw a very
nutty 'turnout,' driven by a comely
woman who didn't look a day over -.5.
Her hands were firm and unyielding,
her tints fresh, wholesome and nonar
tlflclal and her demeanor one lhat said,
Tm enjoying myself immensely, thanks
for kind inquiries.’ It was Maggie
Mitchell, the 'veterun actress,’ who was
a 'favorite' u hen we were born and who
made hay while the sun shone. (They
say the sun used to shine in the old
days.) A sum In very simple addition
will convince anybody that Maggie
Mitchell was 55 a great many years ago.
She Is now living in retirement and en
joying life for all it. Is worth. (Authori
ties differ as to the precise value of
life.) She looks young enough to go on
the stage today, wearing a torn sunbon
net ahd eating a green upph-. Nobody
has ever really taken the estimable
place she lefttyacant."
"The Adventure of Lady Utsula'" is
to be given by the Broughs in Aus
tralla.
POOR BLIND TOM.
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: I>t.nwi üba la at ftaril IHr orftanVl
j,4 lit l<a»* charrh. Sir* Tart) Hiy
Aflar Ita at*ll »ar Mr J-din <l. Krlhuti'
1 ,n <4 ■ ;anaual IVlHnar had aftanir "I
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the works of the great masters. Thus it
was that Tom’s repertory came to In- j
elude ihe following numbers: Concertos,
Rubinstein, fourth in D minor: Hcn
gnlt, F minor; Beethoven, E flat; Men
delssohn* E minor and D minor; Chopin,
E and F.
Under Professor Poznanskl's guidance
and tuition Tom also learned to execute
Thalberg's fantasy, “Ellsire d’Amore;”
"Massaniello," "Don Pasquale" and
"Sonnambula;” Liszt's "Bigoletto"
"Fantasie Hongrolse," "Midsummer |
Night's Dream” and several rhapsodies; ,
Rubinstein's "Melodic In F," "Serenade
Russo,” ‘‘Barcarolle,” "Gavotte” ami
"Valse Caprice.” Chopin is represented |
In Tom's repertory by “Fantasie Im
promptu,” "Ballade in G Minor,”
"Scherzo In B Flat Minot;'' and several i
waltzes, and Mendelssohn by “Songs
Without Words” and "Rondo Capric- j
ctoso.”
As regards Tom's ability as a com- j
.pozef, It Is beyond question, but one of
his many eccentricities Is that he does
not like Ills name to appear when his
music Is published. Two of Tom’s com
positions taken down for him and pub- j
Ilshed under the supervision of Pro- j
lessor Poznanski are "Wellinklange” 1
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(uawu-d ifta apr-Kn* Hara «4 Ita ran*
aftrio as 1 aar«r la- dal n-4 ala * rear i>y ]
■it hi nai Drat trial, and an Tam la i
«.ry nrrvoii* aad V morhhUy vadtx*
aM I a mart Vat 4l> ■* • irlivtam P- l
a.aah* «raa ah)l«at *« «* a annd deal
~f drib ala dit’Siunai y Tar main*,
after Tom tad jitayad a vary difficult
p.i«*afte I’ornan.kt aald. Thy. Tam I
am .uryulaad al you " Why am, air*'
•ef.ti.-d Tom. about *tam Vt It ha noted
|,. rv cat laaaaanl. that ta apaaba with
perfect 1 weet iv-iw
“| am Mftpticd.” nmiinuad ttaanan
ah I, "that you play thta paanapa a» y«u
do If Bcathov' a Wat* hate, ha would
00000; Wh> nita-kroui *o.Mlnaaa, that
can't ta Ita pel. Ita crl*-hrat'-d artl.t.
Hlltid T'-m Hr aonld know ballrr than
to play Ihl* |aa,aa«r In Ihv nay'—har*
Pnanaiiakl played It a* Tom had played
—•|»u« he would know 1 Hal It ah.atld
he Interpreted Ibla way'” Her* l*oi
tuiiiakl playeit It cntTc ily Thru t*or
n.inaki added. "Why. Tom Beelhoren
wna not klittafled with hta own crea
tion of title paanaye till ha hail played
It IS time*."
“All liebt. profemor," replied Torn,
who at once act to work, or rather to
play, and executed the pnaMl* exactly
15 timer.
Once, when Tom wua on a concert
lour, hi* matiaxcr. Mr. Ib-thune. cn-
KHeed an art lot to play for Tom a idee#
that Mr. Bethune wlahed to add to the
rr|iertory. When thl* art I*l l*»*l hi*
tctn|»er on one «H-ca*lon and *aid to
Tom. "Oh. confound It. you played that
wrong." Tom atrttek not the piano, but
the pi»n!*t. who went down aa though
Fltxalmmnna hud performed a nolo on
hi* *nlor plexu* The profe**or reelxned
hi* iwirltlon. renmrklnx that he did not
like "to be knocked down by a blind
darky."
Here It may lie proper to *tate that
although Tom I* blind he can *ee an
object In front of him without being
able, however, to dl*llnxtil*h whether
the object Is a cow, n man or a gun
boat.
Aft#r th* «|pnth »»f Mr. John O.
Bethune Tom fell under the manage
ment of Mr. l.erche. who married Mr.
Bethune'a widow. They all, including
Tom. live during the Hummer at the
Highland* of Navealnk. N. J.. and the
big black object that Is seen every day
bobbing up and down In the salt sea
wave* I* In hi* genlu* a music necro
mancer and In hi* "single *elf" a negro
man, whose name I* Thomas Wlggln*.
known to everybody In general and to
music lover* In particular a* Blind
Tom. DANTKL OTTOLENOUI.
Tim Murphy aucl the Farmer.
Last season Tim Murphy was travel
ing through Pennsylvania. On the train
1,,. came across a farmer, whom lie took
to be a Quaker, and determined to
please him by tulklng to him in the
Quaker dialect. This Is how lie suc
ceeded ;
••How do thee do, sir? Is—that Is—
are thee meditating?” If the man was
delighted, he controlled his emotion ad
mirably. All he did was to gape and in
quire, "Hey?"
•The fields, the birds, Ihe flowers,”
Murphy pleasantly pursued, "are
enough to bring thee dreams—l mean
dreams to thou."
The farmer was looking at the come
dian. who fell that his syin.ix hail been
very idiotic instead of idiomatic. 80,
wiping the sweat from his blow, Mur
phy eyed him calmly and observed:
"Those rows out yonder, are they
tliy's—or I bee's—that is—thou'B—dur n
It. I tneun. are they thine's?"
The far mer mi ned around In his s-at.
nibbled at a plug of tobacco and irniig-.
nantly exclaimed: "Go to bedlam! I'm
a farmer, but, thank heaven, I’m not a
loonatlc!"
i
Stories of
The Stage.
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j for Ita !Tr.te*t»nt» Hip. htp’**
tn the theatric#! world truth la lell|
. MotMllf proved ftt tang r than V Ita,
\ f»w w-ftfth# ago in tlv fnntaMff hoy
pb ktttg dtetrVt of V VMarie • >un»y
New York and juft* adjoining a small
village there a merry party of bf
pvta-ta aerr jovially tilling In tba
turn he..n tv..uc Tta singing «c . .>mnwM
..1 garden ballad# seemed to ta Ita cbl#f
' mean# of dlvetaktn.
A gentleman from New York. w#!l
v errw-d In mu#V. *ra# leisurely *1 rolling
near at tta time, and his ear »•• at
.■nor arresli-d l.y the aw rt-inewa and har
mony of the nlngtng. Following the di
rect lon m which lh<- voice* led. he eaina
upon th- jolly hop pvkera just na tha
, tear, full «nd high lone# of the '"no,
swelled out the refrain al 'fomln
Through tta Rye ” Amaged to find aueh
a rare, aw eel. natural voice In thla out
of the way »pot, he at once 10-eama In
tereated and at the conrlualon of tha
-ling approached the singer and asked
him where he had received hi# musical
| training.
The rough garbed singer explained
• that he never had any; that he wan
leader In tta village ,-holr. adding with
becoming modesty that there wer* •ev
ent I others In the choir who sang even
letter than he. The gentleman at tinea
wrote to n theatrical friend In New
York unit told him of the remarkable
vocal find he had made and roiuegted
him to come up.
This the latter did, with the result
thut he arranged with five of th# local
singer* to go to New York and guaran
teed them an engagement. He at onc«
took them to a New York manager,
whose keen eye saw In them a good
vaudeville turn. They have been re
hearsed In many popular song* and a»
the Hon Pickers' Quintet" will open
at a well known Gotham theater. All
who have heard them at rehearsal pro
nounce them "to be real "Bnds" of a
valuable character.
Henrietta Grosman hus a home In
New Jersey not far from Plainfield, and
she Is a very great favorite in tbo
neighborhood. They had a cattle show
at Plainfield lasi summer, Just after the
actress had gone home from her long
season, and one of her neighbors, an
honest farmer, had made ail entry of
all of his Jersey cows. There were three
of them that were beauties, perfect in
pedigree and form, save that the tip
ends of their tails were striped with
white hairs.
Were It not for these white hairs
the herd would certainly take first prize,
for they were the only spots which
marred ihe beauty of the beasts. The
time came near for Ihe cattle show, and
lie- farmer was telling his Sroubles to
the uctress. She told him not to worry,
because If that was the only thing that
was bothering him she would person
ally see that it was rectified.
Miss Crosman Is an artist of no mean
merit, and the night before the herd
was driven to the show she put in an
appearance with her palette and box of
paints. Strange to relate, when the
Judges passed upon llie cattle exhibit
there was not a white hair to he found
In the tails of any of the herd, and the
farmer was the happiest man in the
stale, because the horns of all of them
were decorated with the blue ribbon
which denoted the first prize.
Next! _
Cora Tanner, Louis Massetl, Rose
Kytlnge. Isabelle Evesson and Rice's
production of the "Origin of the Cake
Walk" were concurrent attractions ill
ill.- Keith quadruple circuit of vaudda
viile theaters. v.