Below is the OCR text representation for this newspapers page.

j I ujl. f\ V%[hm? Vww© ~ I mmsi £r $ immA t? '~ n *mg DAISY MAY'S IDEA OF GOLF. Under Certain Conditions She Re gards It as a Mighty Pleas ant Game. if v tfopi right I** | I h.\. hern round ijtg link. with J.' k aud. Uka our <44 lekool frl< ml Virgil, 1 *'wr of arm* and a man. dull la id course the tial ihtnt. »ml .vary Woman im*al rave over I* or ahi- la loal. la a woman', champhtnahlp. vim i Iron of, and a wiwnana champion, and If one earn'd bo a Ml«a M**yt »uo *U»I ad toil o iwr, and. emulating tho exam pin of tho titan who ua« kicked by Andy Jackson. glory In tailing how one , haul tho honor to b« licitlon liy hot ot aon: ■ other pottliituMod golfomanlac known to fain*. Htrlctlv iH twoon ourselves, however. I ght not take very kindly to golf at the •tart. “Chasing a quinine pill around u ton arm lot." a* some otto ha. vary aptly described tho sport, did not make iw wish to ramp out on tho link*. ami this was especially tr.» of tho cold weather chasing when Che quinine pill moot not only bo chased uml ovortakon. but taken aa well after each g.tmv to ward off an ultack of pneumonia. I raved ulmut It of mu no* unit I talkod at' ut clocks and brussl** and stymie* and fooilca and bunker* nnd caddie* and bulgers and bogle* and iwiatiini't and fouraonn a and nlbllckn until my tongue win tied in a doulilo knot that only a shandygaff would loosen, until tho sunset sky seemed a v»mt Hootch tdaid and until, aa our Michael below Mtitlra would express it. I foil "kilt en tirely." Talking on tho clubhouse veranda or on the green, however, was much malar than milking weary miles after the quinine pill under a fright making uml freckle producing nun. uml of the two evil* I uaually chime the lessor. Conse quently an Invitation to go around the link* from Willie Ftulger Kniblicks or Reginald Brussle was Invariably ac cepted with an outward smile and an Inward groan. What possible fun can there be. thought 1, in tramping a tor turing mile or so In a S A shoe when one really ought to be wearing a 4 C. In getting tired and cross nnd sunburned and freckled and In climbing over stone fence* when there Isn't a single man looking at you that you care the snap of your linger for? Not a bit. not a little, wee bit. was my usual answer. . I am exactly In this frame of mind when Jack proposes—lsn't that a sweet word?—proposes that we go round to gether, but golf and Jack and golf and Willie Bulger Knlblicks arc* two very different propositions, don't you see? He has been away uuch a long time, yon know, and he does till bis kmcker bo kera so adorably! So when Jack p-r-o-pOsoF—that's my word. I saw It first —that we go round the links, my heart begins to throb a trifle faster, the bunkers, and the foogle*. nnd the freckles ate in part actually robbed of I their term™, and even the bogies no | longer seem bogs Had. The horde us goifomanlacs are at I luncheon, the link* are practically de ! ..riot, and the only blot on the land* •rape ll our raddle. Why. oh. why, uaa the caddie ever Invented? Why. I oh. «hy. if It waa really necessary io invent him. »aa hr not made deaf, dumb and blind - * All caddie# are nui sances and worse than useless, bui on 1 this ooc talon Jack and I seem to be for tunate In our selection. Our caddie Is HANDSOME HOUSE GOWN. THE AT7CKTSTA SUNDAY HERALD. ? A /MOTHER" |l\ W*~ n* ¥ J ' -&L Sv,P? v*f '?Z22 / £*.l f % J t he" 00 j *~\ji s M y w 1 4s? F° r m -V ■ With 'he Uj 4/~lS>, ffj 3MP—2?,03/ > rnn 4*3 ■■ML****.-'* * >\o /y rfr Wrmi ft aw auk ftß(v n \ / V A | really a very deserving fellow. If « | : always at least ten minutes in boding 1 i the ball when a goes over a bIU or he- , j,,„J • (Vo. e, sod unlike Led • wire, he is sbe-.luielv guiltless ..f rubber neck- ! | mg. There's a t sitdte for yog* 1 « on- j | der how much It coals Jack? As se crew* that lltlle stream beyond i the first tee Ja< k helps me over like a ; I aullant fellow and then—what elmple- J !•>!»» some men are*-he dings In my I hand and pats It and fries to- well. Irtee to get It near hut mustache, but * draw I It gway. After all. golf Is not such a bad game, don't you know, nr wouldn't be if men I wees not so foolish. 1 stop under a magnificent oak to ! reprove Jack for hla conduct, and while | I am engaged In lecturing him the raa- j ! cal call hes my hand again and doca j | what—what helu»sl>een trying to do be- I I fore I can prevent him. Men are such j ' btundere™: they have no tact—they nev er do Ihe rlghl thing at the right time. 1 I The Idea of a great, handsome frllow ; like Jack kissing a glrl a glove, don't you know, when —when— • Hut really I think I may have been a !f? rJ j? ==v— T^W'r WTWW WAtTtM b /S * / 1 -ftR/_. ‘ VMf J*«rf Aw tenting! %// *r muff «/k»w if) •Mff/ XH A l rg 0/ rfirW ere / 1 y\ rir i or row* m<( 7 Jy / JS ( & y 'TO/' * /" 4 And now he siendt betide, a* f fflh r By him my thenks ere shered. ,' w f V. 1 here much hr whet wm given. But motx/hr whet wm spered. x He fought end never fettered / Whcrb the front of bettk frownedi / Then I welcomed beck my hero. With e net ion s honor. crowned. j\ IQ To crush e cruel tyreni bJS And meke his fellows free. | ‘~\jGo4 girt him bsck to me. I trifle unjust to golf. When the mob la J i off the links at luncheon, the game ap-1 | pear* In a mm> belter light, don't you 1 know and aa Tor the health giving hors lof the gentle craft." whet is there **u I earth that gives a girl a O' Iter appetite | than a quiet lUrlation? Between our-4 selves that Is exactly what golf s'-nglSsj | literally Is a quiet flirtation When i your real golfomanlac Is driving or put ting. utter but a word, a miserable, lit tle, meek ar.d modest monosy.labie even, and off goes your head. Silence and lots of It Is the only thing that will win the approval of a golfomanlac like Willie Bulger Knlblicks. but playing slnglea with Jack under an oak tree gorgeous with Ihr prismatic tints of autumn, while one's subsidised caddie la spending a quarter of an hour In a vain hunt for the ball beyond the hill, given one an opportunity for an exhibi tion of "gentle craft" that ta really great. But here I am digressing at length while Jack Is still holding my hand, while Jack la whispering adjectives of the superlative degree In my ear. ■•Dourest," he gays, "dearest, I" Jack isn't an expert. He hasn’t even the making of a good pluyer. He aays things, you see. w hile he Is playing. 1 regain exclusive possession of my left glove. I frown, and 1 *ay. "How dare you?" We of our sex all say, "How dare you?" In exactly the same tone. It Is the first phrase we commit to memory after our hair goes above our shoulders and out skirts go below our shoe tops. There is fentjnlne fierce ness In our tone, indignation In our air and Invitation In our eye?. So Jack says. "How dare you? Leave me. sir! This Is no private lesson In palmistry,” I say with withering scorn, and despite all his cynicism Jnck withers, foregoes palmistry for the time being and de parts all of two feet. Golf Is really becoming rather Inter esting, but Just at this Juncture the nearsighted, farsighted or sightless oad die—may his particular tribe increase!— tinds the ball, and with ten strokes each we halve the hole ahead and proceed to the second tee. We both drive the balls over the stone fence ahead. The caddie dives over the fence after them and disappears from mortal ken with Jack's small change jingling In his Jeans. “Dearest.” Jack says, “dearest”— "That's exactly the word for it,” 1 say enthusiastically. "This Is Just the dearest links I have ever scon—the very dearest!" ,il Jack looks disappointed, t He gnaws ! his mustache. He viciously beheads a i i daisy with his club. He dot*- not swear It wowld not be polite. Bubble*. Jack ; never swears. I know It, sot Ills moth er told me so. a "Do you know what a foozle Is Jack"" I ask demurely. Jack knotbs. He has just made one. but not with'liis club. lie looks unutterably sad. as if his dinner were cold or as if hfs pipe had gone out and th* near*#! match were mile# away. How terrible It Is io see a strong man suffering! He look* at tie with a world of reproach In his tine ( brown eyes I mart his sans unfllnch- ! mttly. and he wither# again. Who says j that woman's la Iha weaker aex? We reach the st- ne fence,, and Ja-It cheers up a hit, A liquid “stone fen*-**'' has cheering qualities to the average j man, but a solid and high stone fence it even a greater Joy producer to him. j Oise the average man a stone fence and j a pretty ir-el and a caddleh-ss solitude, | and he's as happy as a little boy with his first red wagon A pretty girl, you see, cannot go through a stone fence, ghe must go over It, and when she goys over if the average man must assist her with all his strength and cleverness and politeness. He must take her by the THE LATEST PARIS HAT. srjnz.r.z • «»..a ktbw Mssw* %•»#*•*•. I Tfc* quinsu at IMglk** •• **■•* •* *• I 4r%.rka* •■» ..in IIUS* I urt tb* MM IM I ombmadk* Hliilfil« | l tlMit f&rt CMM* tillf** I i»f h*4 4*r IM mmmwr • M ••• | i*««rf«Mt I iMH r«l1 rt4»UW»M • I •«< *4MMI •#**•§ H** l IHflWW'*'® I tuy tit# ft*** •! <®f ■•M' Tww <iw#, I ••• mmm I |Niftll*Ni MnN hAm M 4, !»•* lw* | BtodßlM. •* W* i iwym I*® MMI pM Pw* { !|r la VMllMr iMlflM 9& __ At tIMM IP M *• P» •**•? | fMP M ** P^i»i€ I «Pt *'•• #nHkff «•* In*P#*y «**i ? of tii* c*rrtwr» **”f *ew***- 1 »4 th» »<«••• •» fVt«**n »li** *• "' Her wrv»>l i<» t)M T+t*w ’■* ,r j for tlM> 4n* o»4 »n Ifc* fwoooot t tvttmc •>•' ***l ••»*■«. h*»* j *.|f mo»M to tfc* "’“»<•>* «•* «** j to tfc* wimllio •••ll rollk 'trl *** I *ut of »t*h< «*• Ikon M rmr } rt«*» imol fo""*'' 1 *** T y' I mItUVOOMt 0* *Ml>'<t IJI-'fM* ' ' "* | i.l. ntli) of »h* <n»«*n o*4 gromhlod «t IMM tho* lnt*rru|»t*<l l* »« rmol j,- .ur*» At Ikt •■* **■»* •*• •"* dtoobor. tgwtkers •> Orest Hr*. Itehumann's mother was gifted with mu***'* I *Mtltjr. CHoptn f mother. Mmi MmuMf. w»* my mothfT am IMM of pAtntinc •lid mu*Mv . .apohr s mother was an excellent jndga of music, but n« musician MUton’s letters often allude to hla mother In the most afftLliaUUla term#. Wordsworth's mother had a «harar ter aa pecuhar as that of her gifted ton. Raleigh said that be owed all his po liteness of deportment to hi* mother d.wthe pay# aeveral trlbutea In hi# w ritings to the character of hi* mother. Haydn dedicated one of hi# most im portant Instrumental comp«i#tl!«»ns t» hla mother. Sydney Hinlth's mother was a clever convrr*at*onalist and very quick at repartee. (llbbon'e mother was paastonateiy fond of reading and encouraged her son to follow her example. Charles Harwln's mother had a decid ed taste for alt branches of natural hla tory. Director#* For Finding Hcircttc*. Wkmbts 9b tim.ingfriß *g *%r& 4tfb lA #»*»•» ■ ii , us Imk f ■ »4MA # MMi »» lllii tfc«f MM ts f»* f'l%4* 1 * fit OSSBtgkOt* whS- * ***'■■ + ***** tJMM|F ttM» gptvMK tlw •MtntMuM iHm» bfgtukbun ; t tttbrfb u net '**'*• Mt» IM 4»w >'» A» l < l« HP *•*•’* PMP* tw«t««f« WIMHt «r* P P !• ***• lITiHMt f*H rww*#* *B • •’■H’ laiM sniitt., pnfßW'vtMr,. vpr tK*r» wba »t» olfrt l« M -HA «f m oyltlfHl • *» !•* km^mm I MMNttlmMMl 00 * li#* I ** P*€fV«pi# FalMvtfM In IP M«»f I tl P tlpMNiit !• BP*r%» Pm Mr*# nun (Ail to Am*** )v. :». to (yvAt Ipir Ih> -ft It nwP *• ipni **•*•“ ■* ,n onry to lift UPtr Pit of to fl v * tlPi# woftfl aMI 4n#PH IP fMtbrbwfy *« woo Ml frwoly ruMff Ui *®| •*•**•* mil* •Mo of III* rlrrl* m» »* «• 4 test A#, mhd IP wmcf A (oyolotMHi »* __ . . |». tmtfwt TIP oAP#t i »M m.*t j- r»u*«l' ** ir*«tP on Ih* rtf •«owtt# of tip Mp mil am b iW» bjr i tutrlf to work UP < h*n«* olikouoli t w nttld !><• At'll lul t<»w«»r«l tMt CAM* I W h*\ m •*vwdkmi l» Ih right trotolltg t ! m (ftrtp, (ViurtEottf tpiuivlfH* I »ti iylt| p niforffd by pomtltn lA IP mrtif way 00 otlPf g«o4 * »fi«* ,*f tip mot itKf«iMfyl tniitruf *•*»• of Up young In our cloy tpor* ih a tniliM*} pwt<4* r«<n|>lalti «f tha my thU4r«n l»h«»a |M U)* iha btamo of th*ir botiavior on lb« day M hool. b-t It tb*v would only molia tha (hildon do at knnw «• th*y ar* r*qulr«l i«> <t« in acbool. muttrra would b* dlff»r*nt. Tl><*y luuah at <h« > htld wit-n h* I fia hla hat or aaya •»d*an*' nr Thunk you.* rorc'-lttns that othrra ar* tryiu* ut makr up for thrlr nr«lo< t of duty '* Thia won! In wiwn rhould atlr up par. ant* to a wnw of tha lmp<»rtan<'a of rulttvutln* by prao.pt and axampla th« of dwnritir aipjuatta. orlantnl nw*ha»«l*. B<»ma alrli and woman Kara to ba ax* traordlnarlly racktaad In tha rnattar of < »nt ran Inc marrtagaa with foreltnarx, or. rather, oriental*. Numbarlen* are the •toria* wa hear of Knyllah girl* marrying atudant*. who invariably reprawnt thamaalva* u* In. dlan prlm-aa. but turn out to be peraong of no Imiwrtanra, and, a» tha Waat As« rlcan» aay. “go fantae." Immadiatclg they return to thalr native land. Tha Idea of an American girl marrying a Chlnene la extremely repugnant to moat people, even If It ware possible to imagine for one instant that she rould ever live happily W ith him. but w hen the almost inevitable result of such a union is desertion at Shanghai, under brutal circumstances, the whote thing VfffM on th** Inxane. Kvf*n undt»r Up moAt favorable ron<* ditions such marriages are more than objectionable, and, at any rate, befora entering Into them girls should makn the most minute Inquiries into the con. ditions of women's life in the countries from which their would be husbands hail and also into the atalus of a girl sceordlng to law In those lands. The simplest thing, however, and ond which would effectually put an end tn ail such difficulties, is never to listen to un offer of morriuge from an oriental. . ■' - 1 I.rather Work. How is leather work accomplished t So simply that the veriest amateur may: essay it. The leather, with a design traced on paper laid on its upper sur face. is affixed by drawing pins to A wooden board. The design is then In dented by passing a tool not unlike g knitting needle aver the whole of tha tracing or cutting it in with a short, | sharp knife. Next the leather is re moved from the hoard and sponged with a damp sponge on the reverse sida of the leather. The pattern is then raised or embossed from the back by judicious scraping and pressure and finally modeled and softened down on the front by laying the leather on t slab ot slate, glass or marble and work, i ing tools over the face of the leather, , The embossed surface can be filled at the back before modeling. If the relief is to be high, by using wax or a mix tttr<* of ry<? triesl find damp sawdust! as a paste Whon dry. the pattern may be * elnred <»r not. at th*' "ill "f th« 1 w orker, with stain or indelible ink.