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January 5, 1995 AUGUSTA FOCUS
ARTI?Cat
African Children’s Choir comes to the garden city
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Many of these choir children are orphans ,many of thier parents having been Christian pastors martyred for their faith, touring the
world, raising awareness of the needs of destitute and orphaned children in East Africa.
They are a group of beautiful
African children, ages 5 through
12. Many have lost one or both
parents. Some are the children
of Christian pastors or lay lead
ers martyred for their faith. They
are the members of the African
Children’s Choir, and they're
coming to Augusta.
The Choir performs a wide
variety of songs, including de
lightful African tunes, accompa
nied by drums and ethnic instru
mentation, and well-loved chil
Music mogul Charles Underwood:
independence is how the game is won
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L A
Underwood: “We ... allow the maijors to stay in their Ivory
Towers, because we are the ones who discover the new stuff.”
So far, 1994 has been one heck
of a year for Hollywood music
mogul Charles B. Underwood.
As the new year opened, Mr.
Underwood was rudely awak
ened one January morning by
the sound of a ratherlarge move
ment of the earth.
“I believe in God,” he now says
with a youthful smile which be
lies his 40 years, “but when the
Northridge earthquake hit, I was
one scared man. We were in bed
and it almost destroyed the en
tire house. Man, glass was ev
erywhere! But again, thanks to
God’s help. we did not get a
scratch.”
Fortunately for Underwood,
the rest of the year did not hold
the same amount of high drama,
just steady progress in his quest
to build an independent record
and film production company
that will one day compete with
the majors. The name of his com
pany is Records/Records and
Filmworks.
“It has been much slower than
I thought when we first opened
our doors in 1989, but when you
put togethera multi-layered com
pany, some parts work better
dren’s songs, gospel melodies and
spirituals. The emotionally stir
ring concert was musically pro
duced by Tom Keene, interna
tionally recognized arranger,
conductor, pianist and guitarist.
The choirs have been applaud
ed by more than 1,500 churches
since 1984. They have appeared
in civic auditoriums, television
and radio broadcasts, including
CBS This Morning, Good Morn
ing America, Focus on the Fam
ily with Dr. James Dobson, Hour
than others.”
For Mr. Underwood, the part
that is working best at the mo
ment is the publishing arm of his
company, G.A.B. Music. He pres
ently has a catalogue of over 300
“exceptional songs,” plus he co
wrote and published several
modest hits this year, including
Sweet Sable’s hit “Old Time’s
Sake,” which was released as a
single on the Scotti Brothers
record label. Additionally, it was
one of the feature songs on the
Deathrow/Interscope label’s
best-selling soundtrack “Above
the Rim.”
InJanuary, he will be heading
to France to attend the impor
tant MIDEM International Mu
sic Festival in Cannes, where he
is an invited guest, and where
his company, in a real coup, is
handling this year’s merchan
dising.
This means Records/Records
and Filmworks will have the ex
clusive rights to sell T-shirts,
jackets, posters and caps. Mr.
Underwood hopes to move over
10,000 units while in Cannes.
“The MIDEM Music Festival
is for the music world what the
of Power with Dr. Robert
Schuller. They have performed
with the Vancouver Symphony
and Bob McGrath from Sesame
Street, at Disneyland,
Disneyworld, Knott’s Berry
Farm. In Europe they’ve sung at
the Edinburgh Music Festival,
at London’s Festival Hall and
the London Palladium and Ul
ster Hall in Belfast with Roger
Whittaker and for the BBC. This
is by no means a complete list
ing.
Cannes Film Festival is to the
film world. Itis abig, big honor to
be working with them so closely
this year,” he said.
In addition to working the
merchandising concession, he
will also be working hard to put
together the framework for an
international distribution net
work for future products.
“Thebiggest problem when you
are an independent is that you
have to work extra hard to get
your product to the market. And
these days, your market, nomat
ter if your product is Rap or Old
School, or whatever, is an inter
national market.”
Mr. Underwood has been in
the musicbusiness all ofhis adult
life. He says that, as a young kid
in his native Detroit, he hap
pened to wander backstage after
one of Motown’s famous all-star
revues. “That’s when I suddenly
saw Berry Gordy, one of my main
idols, sitting at a desk with five
stacks of money,” he said, his
eyes coming alive at the memo
ry, “He sat there and paid off
person after person. And you
know what? After he paid off all
of those people, he still had five
stacks of money left! I said right
then and there, that is the busi
ness [ want to be in!”
Mr. Underwood started off in
the business in 1972 as the man
ager of The Dramatics. Under
his leadership, The Dramatics
became one of the most success
ful R&B singing groups of the
"70s, with hits such as “What’cha
see is What’cha get” and “In the
Rain.”
Then he started his first record
label called T.E.A.I. Records, and
met with some success. “But,” he
said, “toreally bein this business
you have to be in Los Angeles.”
So he packed up and left Detroit
in 1980 for the music capital.
Now, after earthquakes, a very
expensive divorce, a serious ill
ness, and a few business set
art - music literature - theatre
The primary goal of the choiris
to raise awareness of the needs
of destitute and orphaned chil
dren in East Africa and to raise
funds for the continued develop
ment of the African Qutreach
Academy/ African Children’s
Choir program.
The choir will be appearing in
concert on Friday, Jan. 6 at 7
p.m. in the Sanctuary of Trinity
on-the-Hill United Methodist
Church, 1330 Monte Sano Ave
nue in Augusta.
backs, Charles B. Underwood is
still going strong and making
new deals daily from his office in
Hollywood.
The question is: Why would
someone with his vast experi
ence want to struggle as an inde
pendent, and not run a large
division at a major label?
“I am not bragging, but at this
stage in my career, I could easily
run a major division, no question
about that. However, I do not
like beating someoneelse’sdrum,
so it would have to be one heck of
an offer.
“Being independent is where
it’s at for many reasons. One, you
are working for yourself and not
just making someone else rich.
Second, as an independent, you
have your ears closer to the
ground and can spot the latest
trends and new ideas, and not be
hampered by bureaucrats and
accountants. We independents
allow the majors to stay in their
Ivory Towers, because we are
the ones who discover the new
stuff. Rap, Alternative, Punk, you
name it, the independents were
there first. Weindependents just
need to stick together a bit more
so that the majors don’t come in
and eat us alive with their big
bucks.” t
When not working, Underwood
is a dedicated family man. In
fact, his daughter Tiffani Rene
seems to be following her dad
into the music business. At 14,
she is already an accomplished
actress/singer and has received
honors for her performances.
In April of next year,
Underwood is holding a grand
gala for his mother’s 70th birth
day at the Hotel St. Regis in
Detroit. “We come from good
stock,” he said, smiling again.
Good stock, good luck, good
talent or the good Lord, some
thing is certainly helping
Underwood achieve his goals.
—By Fred Beauford
McNeil new announcer, sports
producer for AC basketball
Charles K. McNeil, former
WJBF-TV, (Augusta) weekend
sports anchor/reporter, has
joined Sportsßadio 1480,
WRDW-AM as the play-by-play
man and “Voice of Augusta Col
lege Basketball” during the 1994-
95 season. His first game airs
Jan. 7 at Lander University. He
will also produce and provide
play-by-play for a variety of local
sporting events and studio shows.
“Charles is an organized,
knowledgeable and extremely
talented television broadcaster
who will make a great addition
to our staff,” said Betty Beard,
Sportsßadio 1480 President.
McNeil said, “I feel blessed and
I am thrilled to be a part of both
the Augusta College and
Sportsßadio 1480 families. This
position allows me the opportu
nity to remain an integral part of
the CSRA sports scene.
Sportsßadio 1480 gives me the
chance to give exposure to local
sports without the time re
straints of other mediums.”
McNeil, 33, joined WJBF-TV
in August of 1993, providing fea
tures, live interviews, and game
stories, serving as Sports An
chor on weekends. He also sub
stituted as Sports Anchor on the
AJP presents Big Band Jazz at
the Imperial Theatre Jan. 14
Project
It’s that time again. Jazz time
with the Augusta Jazz Project as
the curtain is set to raise on the
second installment of Big Band
Jazz, Jan. 14, 1995, 8 p.m. at the
Imperial Community Theatre.
Ifyou missed the first concert in
October, you owe it to yourself to
attend this high-caliber perfor
mance. If you caught the October
show, chances are you've already
gottickets for next Saturday. Good
for you.
The show’s repertoire is a color
ful one, consisting of standards
including “Misty” and “Don’t Get
Around Much Anymore” (the lat
ter to be sung by the beautiful and
talented Sheri Murray), as well as
big band arrangements of “Geor
gia On My Mind” and “Save The
Last Dance For Me.”
And as always, keeping time in
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. S s
o R
Lot
F o
i L
i G
. i
e Lo
R
1. Miles Davis asked this musi
ciantotake Miles’ trumpet home
to doctor it and enable Davis to
play faster. Who was he?
2. What big band leader do we
associate Artistry In Rhythm
with?
3. What is Down Beat?
4: What instrument does Don
Pullen play?
5. What is the name of the jazz
show on BET?
6. What instrument does Rodney
Kendricks and Joe Sample play?
7. Which type of saxophone is
Najee’s favorite?
Noon, 6 p.m. and 11 p.m. televi
sion newscasts on weekdays and
radio sports anchor for FOXIE
103’s morning show. He received
the 1993-94 Director’s Award
from the Augusta Bowling Asso
ciation for outstanding television
coverage of bowlinginthe CSRA.
Prior to WJBF-TV, McNeil
spent two years at WLOS-TV in
Asheville, N.C. as a sports re
porter. His other television expe
rience has come from freelance
sports reporter/photographer
assignments with ESPN, BET,
ABC Sports, NBA Entertainment
and Sports News Network.
McNeil was play-by-play man
for nationally ranked
Georgetown University men’s
basketball team during the 1990-
91 season. He also provided
world-wide radio coverage of the
Big East Conference Basketball
Tournament in 1991.
McNeil has nine years of broad
casting experience. He and his
wife Zina plan to remain in Au
gusta for some time.
McNeil joins longtime local
radio personality John “Buck”
Kelly and former Augusta Tech
Basketball Star Scott Alpersas a
commentator on Sportsßadio
1480, “The Fan.”
front (and—but don’t tell any
one—possibly favoring the audi
ence with another blazing sousa
phone solo) will be the talented
maestro himself, Dr. Rudy
Volkmann.
Augusta Jazz Project was orig
inated by Dr. Volkmann in 1986.
He hand-picked the finest musi
cians from the CSRA—including
music educators, members of the
Army Signal Corps Band, mem
bers of the professional communi
ty—and even an import from the
North Texas State Jazz Band.
Since its inception, the band has
played a variety of venues, but it
was in 1993-94 that the group
premiered a three-concert season
of big band performances. It was
met with open arms (and ears).
The premiere was so successful
that a chamber series was added
for this season, the first concert
having been a fine performance
by the Dick Goodwin Quintet at
the Unitarian Church last No:
vember. :
There are four more concerts for
your enjoyment this season, two
big band and two Chamberjazz
shows. The Augusta Jazz Project
dates are Jan. 14 and April 1,
Chamberjazz will be Feb. 25 and
May 13. For ticket information,
call 738-3094. Get your tickets,
get decked out, and get ready for
great jazz. ¢
—Derick Wells :
8. Other than host of BET’s jazZ
show, what else does Ann
Stribling contribute to the world
of jazz?
9. Whatis Rachell Farrell’s claim
to jazz? {
10. A young, blind jazz pianist
with the initials M.R. [
11. A saxophonist with the ini
tials E.H. who played sax with
the president. 4
12. A young, innovative jazz gui
tarist. t
13. Thelate, great Wardell Grayi,
tenor saxophonist, died in what
city?
14. What state was Barney Kessél
born in? 3
15. Name the instrument that
Howard McGhee and Ernie Roy
al play.
16. What is another name used
to describe the guitar? :
17. What is the name of the fe
male flutist from Dallas?
18. What female vocalist had
have both of her legs amputa
ed? ;
19. What city will host the 199
National Collegiate Jazz Fes
val? ’
20. Who was the first recipient
the First Annual National Asso:
ciation of Jazz Educators’ Conz
position Contest? ;
B Answers on page 18 d