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Turrentine
From page 5C
can play. I’'m just trying to make some
music any kind of way I can that ex
presses the way I feel. People come up
to me and say things like they got
married to ‘Pieces of Dreams’ or they
got through their college exams listen
ing to another album. Youdig? It’snot
about categories, it’s about the emo
tions and memories they create for
people.”
Stanley William Turrentine was
born April 5,1934 in Pittsburgh, Penn
sylvania. His mother was a piano
player. “She was a great stride pia
nist,” he gushes. “I think I got my
bluesy feel from her. I started playing
piano by ear at seven on her upright.
Ahmad Jamal used to practice on our
piano when he lived in Pittsburgh.”
In high school, Stanley formed his
first jazz band, Four Bees and a Bop,
playing proms and such. His first
professional gig was with his brother,
trumpeter Tommy Turrentine, at the
Perry Bar in Pittsburgh. Then came a
tour down south with bluesman Lowell
Fulson during the time of Jim Crow ...
very heavy memories for a 17-year
old. In his 20s, Stanley performed
with the 158% Army Band, followed by
astintin Tadd Dameron’s groupin ‘53.
The next year, he replaced budding
genius John Coltrane in Earl Bostic’s
band. Stanley moved with Tommy
(six years his senior) to New York
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where they both gained immense rec
ognition for the year they spent in
drummer Max Roach’s band, record
ingon LPs such as Drum Conversation
and Parisian Sketches.
Turrentine made his Blue Note
Records debut as a sideman on organ
ist Jimmy Smith’s now classic Mid
night Special album. In 1960, he be
came a member of the Blue Note ros
ter, recording his first of many gutsy,
r&b-based jazz platters, appropriately
titled Look Out. During this time, he
met and later married organist Shirley
Scott and the two of them guested on
each other’s LPs throughout the de
cade (hers for Prestige Records).
In 1985, Turrentine returned to a
revived Blue Note Records where he
was reunited with Benson, Smith and
Les McCann on the album Straight
Ahead, followed by the Wonderland
‘project. In 1989, he delivered the
Bobby Lyle-produced La Place,named
after the street he grew up on in Pitts
burgh. In the 90s, he switched to
Music Master’s Recordsrecording three
more albums, including 7' Time, which
features an unforgettable rendering
of the ballad, “I Haven’t Got Anything
Better To Do.”
“It’s been a blessing being able to do
what I love to do for this long a time,”
Stanley states in summation. “It’s a
privilege to play with the caliber of
guys I have on this album and for them
to admire me enough to work with me.
With all of the records I've made, I feel
like the best ones are always the ones
that just happen naturally.
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