The banner of the South. (Augusta, Ga.) 1868-1870, September 12, 1868, Image 1
VOL. I.
[For the Banner of the South.]
An Appeal.
Corue back to Acadia, darling,
Come nestle close up to my breast;
Come weep out the bitterness, darling,
And Heaven will whisper the rest.
Forget we ever were park'd,
And dream it was only to-day,
That we walked through a pathway of roses.
Two light-hearted children at play.
Forget that a serpent, empoisoned,
Crept, cunningly, under the flowers;
Tlic-re was one in the primeval ilden,
As well as this Eden of ours.
Remember that lore is immortal,
Its Heaven-born germ never dies;
Come bach to our Paradise, darling,
My only one under the skies,
The shadows am chased by the sun-ight,
The ftunbow comes after the shower,
My dear little modest-eyed darling,
My i>oor little broken-leaved flower.
'Die morning’s incarnadined glory’,
Must banish the terrors of night,
A Wrong, tn the blessed hereafter,
Will quail at the banner of Right.
Then come to me, lovingly, darling,
And nestle close up to my breast;
Here weep out the bitterness, darling,
And Heaven will whisper the rest.
Fidelia.
■ « ♦
[Written for tho Banner of the South.]
The Earls of Sutherland.
BY RUT H FAIRFAX,
CHA FTF.R 111.
[COXUNFED. |
Ihe next day, and the next, passed
without affording the wished for oppor
tunity, but on the third day it was offered,
and Emily was not slow to avail herself of
the chance. All the young* people left
the house in a body to visit some roman
tic scenery, about five miles distant.
Emily declined going; she saw them
start, and having made her uncle’s sofa
i catty for him, left him to his morning
nap. _ Now, was her time, and, with un
faltering steps, she ascended the stairs,
took the key from its hiding place, and
opened the door.
A long, narrow*, dark passage lay be
fore tier, but still there was light enough
to enable her to see her way. Cautious
ly she advanced, and presently she saw
Ri the dim light an open space, which was
the beginning of a flight of steps; she
ascended these and, opening a small door,
at the top, she found herself standing on
a hrend platform, and, looking down, re
cognized the entrance hall of the old cas-
Ee. She had looked up at this platform
only the day before, but the staircase had
been removed, and she never expected to
i each it; she remembered, too, that she
had thought the hall to be a great deal
better than it had been represented to be,
; <nd that but little repair would be neces
sary to put it in ite usual condition,
‘‘but I must not stop here,” she said to
herselt, “I am wasting time.” A door
on the right stood open, one on the left
Mus dosed, to this door she advanced,
juid, with unhesitating, fingers turned the
buit. The room was but poorly furnish
; it contained a bed, a table and tw 7 o
chairs : not a particle of dust was to be
■ M '°n, and the room had an air of having
'on lately used. In the right hand cor
ner of the room, on the side farthest from
die door, stood a tall statue, elevated on
a white marble pedestal, about three feet
1Ul!1 Eic floor. The hands were chained
b'gether, and from the central link de
h nded another chain, which was fastened
at its other extremity to the wail.
A\ hat on earth is the meaning of
T ls -" exclaimed Emily, in surprise.
‘ s he walked up to the statue, and reached
U P ber hand to the chain, it was too high
or her to clasp it, but Emily was active,
and a vigorous spring enabled her to
oatch it; as she hung by her hand, for a
moment or two, she felt herself swinging
“found, and, looking up, she saw that the
statue had moved from its place, disclos
ing an opening in the wall. Here was a
discovery indeed, and, with redoubled
energy, she clung to the chain, and soon
stood upon the pedestal, from which the
statue had moved, and with cautious
movements peered into a room which was
thus exposed to her view. Near the door
stood a small table, on which was ar
ranged a delicate breakfast service. The
tiny silver coffee urn was still steaming
with its fragrant contents.
An elegant bedstead stood in the cen
tre of the floor, and ifs curtains of white
muslin fell in graceful masses around it.
A low sofa was drawn near a small ta
ble, on which lay a number of books.
There were no windows in the rooms,
at least they had been closed up, and only
tiny loop-holes left. Air and light were
supplied through an opening in the
roof, which could be opened, or closed, at
will, by any one in the room. As she
stood by the table, looking at the break
fast things, which had evidently just been
used, a low voice asked : “Who is it?”
and a slight delicate figure came from be
hind the bed. Emily’s first impulse was
to fly through the open door, but a second
glance reassured her, and she stood still,
looking with curious eyes at the stranger
who regarded her with an expression of
astonishment, almost of terror, in his
eyes. And yet there was nothing terrible
about Emily. Her soft brown hair rip
pled away from her fair brow, and the
long heavy curls were confined at the
back of her neck with a rose-colored rib
bon, while her gentle brown eyes were mir
rors of the tender feelings of her heart.
This morning she wore a simple white
morning dress, with a kind of rose-col
ored ribbon at the throat. Neither was
there anything terrifying in the aspect of
of the one who stood before her. lie
was not very tall, and slight, almost fra
gile, in form ; his hands were small and
white; his hair, a dark flaxen, was long
and curly; his eyes, blue and beautiful.
Though changed, by time and sorrow,
Emily easily recoguized the original of
the pictuer in her possesion.
She noted, too, that he wore the dress
ing gown she had made for her uncle, and
Regie’s lost slippers were on his feet.
“Who are you ?” he asked, at length.
“Emily Mortimer,” answered our he
roine coolly, though her heart was throb
bing violently, “and who arc you ?”
The young man gazed at her a mo
ment, and then answered, sadly, “I have
no name; it is dead ; how did you find
me ?”
I “I knew yon were sick, or that some
j body was sick, and I wanted to know who
itwas, What can Ido for you ?”
Her voice was tender, and her eyes
expressed the sympathy that her lips, as
yet, refused to utter. Sympathy is
sweet, and doubly sweet was it to this
poor forlorn man. He went up to her,
and, taking her hand, asked :
“Are you very sorry for me?”
“Oh, so sorry 1” answered Emily, look
ing kindly into his sad blue eyes; “you
must be so sad, so lonely, here. Can’t
I do something for you ? Do you stay
here always ?”
“Will you listen to my story ?” he
asked.
“Certainly I will, if 3’ou don’t mind
telling it to me.”
“Will you believe me ?” he asked
eagerly.
And she answered, without hesitation,
“I will.’*
He seemed surprised. “Nobody ever
believes me,” he said, “but I hope you
will. But tell me, first, who are you ?”
“I am the Earl's neice, his sister’s
child. ”
. “Oh ! his neice! Well, listen to me, I !
will not tell you my name until you have
heard my story. Do you know they say
I am a. madman ? and they tried me for
the crime, it was many years ago, hut I
do not think I was guilty, oh, indeed, I do
not; will you believe me ? I was not
guilty.”
.A. XT GTJ ST A., SEPTEMBER 12, 1868.
“I do believe you,” answered Emily,
“I am sure you were not guilty; but tell
me how it was.”
“Alas !” he answered, pressing his
hand to his forehead. “I cannot remem
ber—l never could remember. T remem
ber the dead man, but I don’t know how
I found him, nor when I left him. I
think the sight made me mad. I was but a
mere boy, only sixteen, don’t yofl think
the horror must have made me crazy ?”
“Oh, no, ’ answered Emily, “you are
not crazy you have only forgotten; and
you were tried for the murder ?”
“Yes.”
“And were you not honorably acquit
ted ?”
“No, ” he exclaimed, and a wild
look flashed into his eyes; “I was con
demned !”
“Oh, you were found guilty, and had to
submit to the ignominy of being pardon
ed for a crime which you had never com
mitted.”
“ Pardoned! No! I was executed!” It
would be impossible to describe the voice
of gloomy horror with which he pro
nounced the words.
Emily sprang from his side with a cry
of terror; “decidedly he is crazy,” she
said to herself.
“Oh ! don’t leave me, don’t leave me,”
he exclaimed, in a voice of pleading
agony, “you don’t know how lonely lam.”
# Emily immediately returned to his
side, and touching his arm replied : “1
will not run away from you, but tell me
what you mean, how was it ?”
“I can’t tell how it was, I am so con
fused, but I know I saw the crowd, the
scaffold, the rope; and after that there
was a long, long sleep; when I awoke I
was in this room; I have never left it
since. They say I am in danger of
losing my life ; is not this a living death ?
They shrink from me, Emily, they think
mo guilly. I said Emily, am Ito call
you so ?”
“Oh, yes, call me Emily, if you wish.
Will you let me go now? I will come
again.”
“Will you certainly come again ?”
“I will, the very first time I can find
an opportunity.”
“Don’t tell any one you have seen me,”
he pleaded, as she was about to close the
door behind her.
“Bo assured I will keep your secret,”
she answered, and pushing the statue
back to its place, she hastened to her own
room. Here, after, closing the door, she
stood for many minutes contemplating the
picture of the young lord.
“No !” she said aloud, “he is not guil
ty, and mine be the task to prove him in
nocent !” She mused a few moments
and then continued: “I wish he could
tell me everything; evidently he is not
crazy; his mind is not broken—it is only
out ot tune ; who can he be ? Alas, what
a fate, so young, so beautiful!” And so
she mused on , until she was roused by
the entrance of her sisters, who had re
turned from their ride. And, now, while
her heart was filled with sadness, she must
listen to Eugenia’s mirthful sallies, and
to Amy’s poetieol description of the Falls,
r l he two hours yet to pass, before dinner,
seemed interminable; so, to get away from
their lively conversation, she entered the
bedroom, and, closing the windows, rested
herself on the bed for an hour, and then
rose to dress for dinner.
CiTAPTER IV.
Two weeks passed away, and Emily
had not yet made her promised visit to
the prisoner. It was not her wish that
this should bo; not a day passed that did
not find her watching for an opportunity
to visit him, but she was disappointed,
day alter day, until her anxiety evinced
itself in a feverish impatience, unaccount
able to every one but herself. If these
were her feelings, what must have been
those of the unfortunate man, who, for
the first time, in nearly sixteen years, had
tasted the sweetness of human sympathy?
For the first three or four da vs he awaited
her re-appearance with a calm expecta
tion; then, as days passed on, he became
eagerly impatient, fretful and nervous, to
an alarming degree. One night, as Emi
ly was dreaming over again the night when
she had first heard his cry of agony, her
feelings were so much excited that as she
awoke, with a start, she imagined that his
cry was still ringing in her cars. She heard
a voice, indeed, but it was Marmaduke’s,
who was softly knocking at the door, and
calling her by name. Rising hastily
from her bed, she threw her feet into a
pair of slippers, and, wrapping a dressing
gown around her, opened the door.
“Father wauts you,” was all that Mar
madukc said.
She noticed that he was very pale, and
fearing that something terrible had be
fallen her uncle, she followed her cousin
with trembling steps. But Marmaduke
did not descend the stairs which led to
his father’s room; he passed through tho
door at the end of the entry, which was
wide open. In an instant she knew
whore he was leading her, and she won
dered more intensely than before why
she had been sent for. When she enter
ed the room leading to the secret cham
ber, she saw that the statue had been re
moved from its place, and her uncle stood
in the aperture, waiting for her. With
out saying a word, Marmaduke lifted her
in his arms and placed her on the pedes
tal; the Earl then took her hand and led
her into the room. A silence, as of
death, reigned within, and after the first
hasty glance around the room, her eyes
remained fastened in their glances to the
bed. The unfortunate stranger was lying
on the bed, his bright blue eyes gleam
ing with almost the fire of insanity.
Cuthbert and Gerard were sitting by the
bed, their gloomy faces, almost repul
sive, in the darker shadow that lay upon
them. Emily drew back. “Are you
afraid ?” asked the Earl, “This is not the
first time you have seen Ormand; lie has
been calling 3*oll. You have discovered
my secret, I know not how; but go to
him.”
Emily advanced to the bedside, and,
taking his hand in hers, said: “I have
come again to see you; do you remember
me ?”
His eyes grew calmer as he looked at
her, and he answered in a low, calm voice:
“I remember you—it is Emily.”
“Yes, it is Emily; can Emily do any
thing for you ?” she tried to smile, but
her voice was choked with tears. She
picked up a handkerchief, that was lying
on the bed, and gently wiped away the
heavy drops that were standing ou his
brow. lie smiled in answer. But what
a rare smile it was! like a solitary ray of
suulight, bursting through a dark cloud,
it illumined bis face for an instant, and
then passed away. His eyelids closed,
and, in a few moments, he slept.
“lie is sleeping,” whispered Cutbbert,
and the Earl came close to Emily’s side.
“Heaven bless you, my child,” lie whis
pered, “you have saved him many hours
of suffering; he sometimes has these fits
of nervous phrenzy, when his mind has
been more than ordinarily engaged in
contemplating his past sufferings. 1 have
never seen him calmed before, until rfter
hours of acute suffering. You have
soothed him, as if by magic.”
“What is his name ?” asked Emily.
“Don’t you know his name ?” the Earl
looked surprised.
Emily shook her head.
“His name is Ormand Sutherland.”
“And who is Ormand Sutherland ?”
“My eldest son,” replied the Earl, with
a deep groan.
“Oh, my poor Uncle!” exclaimed Emi
ly, throwing her arms around his neck,
and weeping bitterly.
Day was shining brightly in the East,
before Emily left the bedside of her sleep-1
iDg cousin, and hastening to her room she !
found that her sisters bad not yet awaked. j
She immediately rang the bell for her 1
maid, and commenced her toilet. Eugenia!
was roused by her moving about the room, 1
and jumping from the bed she playfully
pulled Amy after her. Emily was a little
longer over her toilet than usual, albeit
it was very simple when finished. A
iresh pink muslin dress, with pink rib
bons, made her look handsomer, in our
e3 7 es at least, than did Eugenia in her
far richer attire.
After breakfast she went to the library
door, and, knocking softly, asked permis
sion to enter. Her uncle’s voice re
sponded affirmatively.
“Dear uncle,’ - she said, as soon as she
had closed the door after her, “will 3*oll
let me go to my cousin ? he is sick and
lonely.”
“Emily, you know not what you ask;
do 3 7 0 u know what he is !”
“I know that he is my cousin, I know
that he is unhappy, let me go ?”
“Oh child, child, must Isa it, will
you force me to it? Alas, though he is
m3 7 son, he is —a murderer!” As if the
last word had exhausted all his strength,
the old Earl covered his face with his
hands, and let his head fall on the
desk before him.
“No uncle,” exclaimed Emily, with
energy, “he is not guilty, I do not believe
it; I will not believe it. Look up, uncle
Hugh, and tell me that yon do not har
bor such a suspicion ?”
“Alas! my child, would that I could say
I do not. Sit here, and, if I can command
myself sufficiently, I will relate to you
briefly, the awful occurrence that has
thrown such a shadow over my house
hold, and condemned all my noble hoys
to be pointed at by the finger of scorn, as
the brothers of a murderer. When Or
mand was about sixteen, there came to
the village of Lea, Sir Howard Montague
and his family, comprised of his son, a
daughter, and a young Italian girl, of
lovely face and form, who was Miss Mon
tague’s companion. Ormand soon be
came very friendly with young Monta
gue, though he was several years older
than himself. Miss Montague was not
older than you, Emily, but the Italian,
Magnolia they called her, was twenty.
My boy visited the Montagues frequent
ly, and, before I knew, or even thought,
of such a thing, he was raving like a
poet, or a foolish boy, as he was, about
the beautiful Magnolia, t never demon
strated with him, I knew it would do no
good, hut I kept a strict watch over him,
to see that no secret marriage was con
tracted. I believod, Emily, that she was
but playing with my poor boy for her own
amusement. Let it pass. After awhile
I noticed that Ormand looked sad and
gloomy. I demanded the reason in vain.
One morning, he got up by daylight, and
left the house; oh! that Iliad followed
him; lie came hack in less than an hour ;
I did not see him when he came in, hut
I heard him rush up stairs with a hasty,
I irregular stop, and, in a few minutes, I
; went up after him. He occupied the
room where you found the secretaire , and
there l found him, seated before it in his
arm chair. ITis head was uncovered, his
hair was tossed and tumbled about his
face, and his aight hand and arm were wet
with blood, while his eyes were glaring
wildly at a portrait of Magnolia’s which he
had been painting. I took him by his arm
and shook him rudely, asking where lie
had been ? lie gave me no answer, and,
endeavoring to find the source of the
blood, which stained his arm and hand, I
hastily tore his coat off and looked, in
vain, for a wound. Then, was I terrified
indeed. In vain I tried to arouse him,
to make him understand what I was say
ing. I suppose I had been engaged in
my fruitless attempts over half an hour
when I heard rough voices in the hall
below, and presently a tramping of heavy
feet on the stairs. I opened the door to
see what it meant; alas! I knew too
soon. My son had committed a murder,
and they were come to arrest him. I
could not understand what they said to
me then, hut what I learned afterward
was this : Ode of my tenants, who was
well acquainted with Ormand, and, also,
No. 26.