Southern literary gazette. (Athens, Ga.) 1848-1849, October 28, 1848, Page 199, Image 7
Exaggeration.
‘The age in which we live’ is frequently charac
teriied. hy writers and orators, as being ‘the age of
‘ the age of resolution,’ ‘the age of super
ficiality,’ and the like. With all deference to the
claims of the respective advocates of these distinc
tive features, we beg leave to consider the present
a( r e as ‘the age of exaggeration A slight exami
nation will suffice to shew the justice of our claim.
\ love of the marvellous is common to mankind,
an d whatever administers to this taste is welcome
and popular. Hence, the effort on the part of au
thors, either in the world of fiction, or in the more
real world of observation, to give the highest possi
ble degree of interest to their narratives —inducing
the habit of exaggeration, of too high coloring, fre
quently amounting to an actual disguise and perver
sion of the truth. Some authors have achieved their
popularity mainly by the power of exaggeration.
There is scarcely one of the popular works of Charles
Dickens that is not a tissue of overdrawn characters,
amounting, in many instances, to caricatures—the
highest species of exaggeration in Art.
In books of sober philosophy, in treatises On social
and political economy, iu theological expositions
even, we may often encounter this feature. What
are Mesmerism, Homeopathy, Hydropathy, Four
rierism, Mormonism aftd Swedenbourgianism, but
exaggerations 1 All of them have more or less truth
in their principles, but the fancifulvagaries of their
exponents have so distorted that truth, as to leave
scarcely the semblance of it in the outworkings of
these systems.
But we must confine ourself to a very limited
view of the manifestations of this tendency —we may
venture to say, this fault —of the age. The portrait
painter exaggerates every picture he produces—sof
tening the features of ugliness into a less repulsive
aspect, and heightening the charm of beauty by the
power of his Art. Like the character, described by
Goldsmith,
“A flattering painter, who made it his care
To draw men as they ought to be —not as they are,”
the Artist of the present day never intentionally
fails to flatter his subject—aware, as he is, that the
moro beauty he can bestow upon his canvass, the
more perfect will the likeness be regarded by those
whom it is his interest to please—setting aside, of
course, the unimportant opinion of the disinterested
observer.
The public orator is perpetually exaggerating his
themes—exhausting the vocabulary of praise in his
descriptions of a favorite theory— ‘ m iking the worse
appear the better cause,’ or seeking to gain over the
popular opinion to his peculiar views.
The press is, however, the great organ of exag
geration, and affords innumerable illustrations of
our position. We might instance the adulation of
political papers bestowed upon a party candidate for
some office in the gift of the people—from that of
Constable of the Village to President of the Repub
lic. All the virtues that adorned the character of a
Cincinnatus, a Sully, or a Washington, are united
in the illustrious person of Col. John Smith, who
runs for the office of Constable, equally with that of
General Cass or General Taylor, who seeks the
highest place in the councils of the nation. Nor is
it in adulation alone that the political press exag
gerates. In dispraise, it is not a whit more circum
spect. No epithets of dishonor and obloquy are too
strong to be applied to a candidate of an opposing
P'irty. His very virtues are tortured into vices, and
his acknowledged excellencies into faults, by the ex
aggerations of ptavty spirit.
Nor is the political press alone liable to this
charge. The Literary organs of the day teem with
exaggeration. If they arc to be believed, almost
every new book that appears—upon the tables of
the Editors, of course!—is a master-piece of Genius,
a prodigy of talent, a miracle of wit. It is the best,
without disparagement to a thousand others, of its
kind! The author has achieved not only fame, but
immortality! Every successive issue of a Magazine
is more excellent than its predecessor. The Editor
and Publishers have outdone themselves. Brilliant,
>splenilid, magnificent, unparalleled, are words of
common application in such cases. Nothing less
satisfies the publisher—nothing less would attract
the attention of the reader. Under this system a
Magazine, or newspaper, of very respectable circu
lation, boasts of its “ million of readers.”
The advertising columns of our daily and weekly
papers afford, perhaps, the highest specimens of ex
aggeration. Every patent nostrum is a wonderful
panacea, a miraculous elixir, a transcendent trea
sure to the sick, and the like.
Is a country-house offered for sale I It is describ
ed as an elegant mansion, built, perhaps, after the
J emple of the Winds—a long time after it, truly—
surrounded by most romantic and charming scene
ry > and furnished with all the appliances of comfort,
luxury and magnificence!
There is yet one other phase of this evil which we
must notice. It is the manner in which intelligent
1 < ‘mmittees, composed of practical men and appoint
ed to attend the examination of Schools, make their
§©®tfsm ta is a# mr a&& ib -anr s ♦
reports. To read them, one would really suppose
that all the classical erudition of Oxford, all the
mathematical skill of Cambridge, all the logical
acumen of Whately and Mills, all the elocutionary
grace and power of Cicero and Demosthenes, had
been concentred in the pupils of the “ Muddy Creek
Academy.” We have read these reports with open
eyed astonishment to think that such transcendent
genius should exist in places so obscure—illustrating
painfully the language of the Poetl
“ Full many a flower ip born to blush unseen,
And waste its sweetness on the desert air,” &c.
Dear reader: did you ever know a Fourth of July
Oration, a Temperance Address, a political speech, or
an anniversary poem, that was not described by the
newspapers as full of the fire of genius and patriot
ism, thrillingly eloquent, powerfully argumentative,
or abounding in the sublimest thoughts and pas
sages ?
Is there anything common-place at the present
day I Certainly not—if the newspapers are to be
credited. It has become so common to exaggerate,
that the most intense words of our language are
tame to express our common ideas of common things.
We deal altogether in hyperbole—and he who would
form a true estimate of men and things, must take
all he hears or reads of them cum grano salis , and if
the grains are ounces all the better.
2TI)e 3Ltterara> S^orlfr.
A Stolen MS. — The “National Intelligencer”
says that a very valuable and highly illuminated
MS. volume of Prayer and Scripture Passages has
been stolen from the Library of the Georgetown
College. It is about 600 years old and highly pri
zed. We make this announcement to increase the
chances of its recovery by the College.
New Publications. — Stringer & Townsend, suc
cessors to the well known and esteemed firm of Bur
gess, Stringer & Cos., have published Mr. Herbert’s
great sporting work' —some time since announced as
“ Frank Forrester’s Field Sports of the U. S.” It
is in two elegant vols., finely illustrated.
©ur ©ossip Column.
We do not know what better disposition we can
make of the following note than to serve it up in our
Gossip—where, we have a notion* its writer expects
it to appear. Let us assure our fair readers, how
ever, especially the younger ones who are the spe
cial objects of ‘ Peter Schlemil’s ’ satire, that we do
not at all agree with him in his opinions, and think
it altogether more than probable he has been “jil
ted ” by one of the very “ young ladies in short jack
ets” of whom he speaks so contemptuously. We
think, if this be the case, he has exhibited a very
illiberal and contracted spirit, in the poor revenge
he takes. But he must be heard nevertheless—and
wo cordially invite some of the objects of his sarcasm
to pay him back in his own coin.
Mr. Editor. —I have observed of late anew and
singular fashion in the dress of our young ladies,
which I presume they think very pretty and becom
ing, or they certainly would not have adopted it—
but which, I must confess, appears to me to be just
the opposite. I allude to the short-jacket, or round
about, which they wear, of some color contrasting
with the skirt of their dress. They call this jacket
by a very singular name, moreover, viz: a jump —a
term significant to me of male habits. I use the
word habits not in the sense of dress, but of customs,
as it is one of the commonest sports of boys to —jump!
Do our young ladies intend to intimate, by thus
adopting a part of the boyish dress, and by giving it
a name indicative of boyish practices, that they are
preparing themselves, by degrees, to adopt, at some
future period in their lives, the rest ts the male at
tire —in other words, to wear the breeches as well as
the jacket ? Now, modesty forbids an idea so alarm
ing ; and yet, sir, I am seriously afraid that you
and I, and all the rest of creation’s legitimate lords,
will have to come eventually to the petticoat cos
tume, if we would maintain distinctiveness of appa
rel in the sexes. I suggest, Mr. Editor, that the
young gentlemen attempt to nip this threatening
evil in the bud, by fighting the enemy with their
own weapons —in short, that they immediately adopt,
as a part of their costume, a skirt of ample breadth,
tied around the waist with a sash, and that it be
called a courtesy, a name unmistakeably feminine.
Now, sir, if I can get a few others to second my plan,
I will, with them, appear on Broad-street, and at
Church, thus arrayed; and so we shall give them
“a Roland for their Oliver” —a ‘ courtesy’ for their
‘jump.’ Let them beware how they trespass on the
immunities of our sex, or they will find that the ass
in the skin of the lion is less respected than ho is in
his own hide!
1 have the honor, sr, to be your obedient servant,
PETER SCHLEMIL, Jr.
W ithout further comment, we commit our corres
pondent to the tender mereies of the young ladies
who patronize the “jump ” .... A case of Yel
low Fever, of a very remarkable character, was re-
cently reported to us hy a friend, in the course of a
pleasant evening’s conversation. The patient was
addicted to the bottle, and was in the habit of tak
ing a good pull at it every night, before retiring to
bed. He kept for this purpose a quart bottle of fine
old Cognac, in a closet, in his bed-room. Returning
home about twelve o’clock, one night, in an advan
ced state of “ interrogation,” he resorted to the
closet, and, eagerly grasping his beloved bottle, he
took a long draught, then hurried to bed, and soon
fell into an unquiet slumber. He did not sleep long,
however, awaking with a feeling of nausea, which
was shortly relieved by a violent vomiting, and he
lay restless until morning. The dawn disclosed to
him the sheets of his bed, and the floor also, stained
with a dark fluid, which, superadded to his excited
system, instantly suggested the idea of the Black
V omit. In great alarm, he called a servant and
sent for friends and a physician, who were soon at
his bed s : de; and the latter, with the dark evidence
staring him in the face, pronounced it a decided case
of Yellow Fever, in the last stages! Great excite
ment followed this discovery, and the patient was in
a fair way of dying outright, when the servant girl
came into the room, and, going to the closet, saw
the bottle from which her master had taken his last
drink, and immediately comprehending the truth of
the case, she exclaimed, with uprolled eyes,
“Why, Lord a massy, if master ain’t been and
drinkt nearly half a bottle full of ink !”
These words had an electric effect on the victim
of Yellow Fever, for he sprung up from his bed, and
looking eagerly at the Black Vomit, he said,
“ Drunk, hy , and didn’t know ink from Cog
niac. Thank God, I’m a well man again,”
The servant had placed the ink bottle just in front
of the brandy bottle, and hence the mistake of her
master, which made him ever after suspicious of bot
tles at the hour of midnight! .. . . The sketch
of Madame George Sand which wo copy this week
from De Vericour’s valuable work, will doubtless at
tract the attention of our readers, in consequence of
the popularity of her writings and the conflicting
opinions which prevail concerning their character.
The judgment of De Vericour seems to us to be cor
rect. While some of her earlier productions are un
fit to be read, her late works display her great ge
nius without demoralizing sentiments.
£lje American s*ttoir(cal Jlvess.
Godey’s Lady’s Book, for November.
To say that the Lady’s Book is a beautiful Mag
agine, and abundantly worthy of the favor with
which the Public has received it, would be merely
echoing the universal sentiment of the Press. We
admire the energy of its worthy Proprietor, and not
less his ingenuity in continually devising novelties
for the gratification of his patrons. The Number
before us contains 72 pages of reading matter, two
fine steel plates, a sheet of music, a beautiful colored
fashion-plate, and very numerous wood cuts. One
article —a very interesting one on the Home of Shaks
peare—has no fewer than twelve beautiful illustra
tions. Godey has the credit of being always in the
advance, and with his friendly rival, * Graham,’ has
run a brilliant career of popularity—which we hope
will continue and increase.
Graham’s Magazine, for November.
The present Number opens with a capital story
by Mr. Simms—a Tale of Venitian History, which
is followed by numerous very pleasant articles from
well-known authors.
The Odd-Fellow’s Literary Magazine.
This is a neat monthly of 32 pages, devoted, as its
name indicates, to a rapidly growing interest.—
There appears to be both talent and industry in its
management, and it should command a wide circu
lation at its moderate subscription price—One Dollar.
Blackwood’s Magazine, for October. Am. Ed.
We have read several of the papers in this number
ofMAGA with more than common interest. The
Inst article will attract much attention. It is a cri
tique on Byron’s Hymn to the Ocean in Childe Ha
rold—in which that much be-lau<led “ Address” is
dealt with in a manner that will certainly awaken
the ire of the legion admirers of the noble poet.
The critic makes a strong case against the poem and
its author, the burden of his charge being the spirit
of hatred to his fellow man which breathes through
out the hymn, and which, as he insists, impairs both
its truth and beauty. A more ingenious and spirited
article has seldom enlivened the pages of Ebony.
‘The CaxtonV loses none of its interest. ‘Life
in the Far West’ is one of a graphio series of cis-
Atlantic Sketches. Blackwood is re-printod by
Leonard, Scott & Cos. of New York, for Throe Dol
lars per annum.
The Daily Morning Star —is the title of a very
neat and well-oonducted paper recently commenced
in Savannah, indicating very pleasantly an onward
tendency in the business of our beautiful sea-port.
It is published by E. C. Council, and we trust it will
succeed.
The Radiator —is a quarto Journal issued week
ly at Clintoh, New York; and we imagine that it is
connected in some way with “ Hamilton College,”
a view of which forms a very pretty vignette for the
paper. It is a pleasant, racy sheet, and we cordial
ly respond to its request for an exchange.
©uc 3300 ft Cable.
A Search After Truth, or a New Revelation on
the Psycho Physiological Nature of Man. By
T. 11. Chivers, M. D. Published for the Author
1848.
We may suppose the author of this brochure to
have made the same determination which the mat
ter Poet put into the mouth of Poionius:
“ I will find
Where Truth is hid, though it were hid, indeed,
Within the centre.”
We are not informed, however, that Poionius wm
successful in his search, and we fear that our author’*
readers will throw aside his very elaborate and learn
ed disquisition in a state of equal doubt as to wheth
er or not he has found what, he has so resolutely set
out to discover.
We know not very well how to characterize the
work before us —it partakes of so many natures in
audition to the Psycho—Physiological one which
gives it a namo. It is at once metaphysical, theo
logical and philological—and the author appears to
disport himself in these deep seas with all the confi
dence of a true child of the element —laughing at
the reasonable apprehension of the spectator that he
may possibly get out of his depth. Out of his depth
indeed ! Not he ! The deeper the better —and
“ full fifty fathoms deep ” ho plays as gracefully as
on the surface ! There is an old adage about Truth
being at the bottom of a well, and we suppose that
our author has gone down in search of her.
Seriously—the “ Search after Truth ” leads the
pursuer through such mazes of metaphysics—such
labyrinths of psychological physiology—such tortu
ous paths, where Latin, Greek and Hebrew roots
obstruct his progress-—that long before ho has ac
companied the adventurous author to his goal, he is
exhausted with the greatness of the way, and turn*
aside, prefering a simpler method of discovering
Truth.
Wo do not question the Doctor’s learning, or hi*
ingenuity ; but iu the namo of Truth we ask him—
What ho expects to accomplish by such efforts I
Wo verily believe that not one in a hundred of his
readers will have the tomerity to pursue his argu
ments to an issue ; and not one in a thousand derive
a single practical now idea of Truth from all his
elaborate investigations!
High-sounding words applied to abstruse and diffi -
cult theories, may dazzle and bewilder, but cannot
enlighten the understanding of the enquirer. If the
Doctor desired to shew his learning—his acquain
tance with books and with tongues, he may have
gained his end ; but if ho desired to reveal valuable
truth to his fellow men, we think he has utterly fail
ed of his object. We would remind him of the lan
guage of Seneca—“veritatis simplex oratio est.”
Rhapsodies and wild flights of fancy arc not the
proper media for the exhibition of truth, and espe
cially when that truth concerns the nature of the
immortal soul and man’s future destiny.
We subjoin a paragraph or two to exhibit, at
once, the matter and manner of the book. The au
thor is enforcing the simple, but sublime truth, that
Death has power over the body and not over the soul
of man, and this is his language:
“ The divesting of one’s self of the garments of
the aufia body at the hour ot death, does not effect
the essential entity of the 7rvev/ia spirit any more
than pulling off the garments at night to lie down to
a quiet sleep effects the body. It, therefore, follows
that if the soul is the true Man while in this life, it
will carry away with it on the wings of its own spir
itual nature all the self-consciousness and knowledge
with which it was possessed while in this life, where
it will exist, perhaps, as a monad in the duplex hy
postasis of Tfwiirj Psyche and 7rvtvfia Pneuma spirit;
the former, or Psyche, being the vehiculum of the
Pneuma spirit.”
And again:
“ He who fulfils his destiny here on earth, cradled
in the delicious abundance of God’s overflowing
bounty, beholds from his death-bed —the second cra
dle of his euthanasian metamorphosis—the Chariot
of fire, thronged with the rejoicing Angels, coming
to convey him up through the parting clouds, from
an astonished world, into the everlasting joys of the
Amaranthine yEons of Heaven. As the Sylph-like
Butterfly, in all its sinless dalliance, floats, at noon
tide, upon the cloudy perfume of the newly opening
flowers; so shall the soul of Man, filled with the
most ecstatic rapture—bathed in the lightning
splendors of the Eternal Love—rise up upon the
snow-white wings of the rejoicing Angels into the
blissful company of the glorified spirits of the Ilelu
sion of God.”
We verily fear that in this practical age the Doc
tor has labored in vain, and if he has indeed found
Truth “within the centre,” he will not find patient
readers to penetrate so far as to reap the fruits of
his researches.
In conclusion, wo are tempted to apply to our au
thor the doubtful compliment which Festus, cr .
certain memorable occasion, addressed to Paul, in
the following words: “Paul, thou art beside thy
elf; too much learning hath made thee mad.’
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