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(TURSDAY, MAY 25, 1950.
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HiS CHOICE—IKE—John Orr Young, New York advertising man
who helped spark the 1940 presidential boom for Wendell Willkie,
points to his cheice for the presidency in 1952—Gen. Dwight D.
Fisenhower. Young has begun a “draft Eisenhower” boom by
inserting ads in local papers calling for small contributions from
individuals who want Ike for president.
The New York
Theater
By ESTHER BUSH
Ballet Theater, which the Met
-opolitan Opera Company has just
signed for its ballet- productions
nd ballet school for the 1950-51
eason, last week completed a
lighly successful engagement -at
she Center Theater.
The program which we witness
.d consisted of three very differ
ent styles of ballet: “Les Sylphid
es,” “Billy the Kid,” and “La Fille
Mal Gardee.”
Nana Gollner, Texas-born bal
‘erna, who will be the Metropoli
‘an’s premiere danseuse, and Igor
rouskevitch danced brilliantly in
“L,a Fille Mal Gardee,” choreo
sraphed by Bronislava Nijinska
o J. W. Hertel’s music. The story
s about a farm girl, Lisette, who
oves Colin, but whose . mother
ries to force her to marry the
vitless Alian. As the marriage con
ract is being signed the mother
nknowingly locks Lisette and
~olin in the hayloft, where they
re discovered, the contract called
»ff, and the mother finally allows
‘he lovers to marry.
“Les Sylphides,” with choreo
sraphy by Michel Fokine to Cho-
Jan’'s music, is an exquisitely
seautiful elassic ballet, delicate
'nd poetie, without story. It was
seautifully danced by Diane Ad
ms, Norma Vance, Lillian La
.ese and Hugh Laing.
“Billy the Kid” is a modern
hallet, as much theater as dance.
‘horeography is by Eugene Lor
\g and musi¢ by Aaron Copland.
ohn Kriza gave an arresting per
ormance as Billy, who, travelling
Vest at the end of the Civil War,
ces his mother shot in a street
yrawl. He kills her slayer and em
jarks on a career of crime until
\e is killed by a sheriff.
Dunham Revue
The revue which Xatherine
Junham and her company are
resenting for a limited engage
nent is unique,vivid and exciting
Junham, who has studied eWst
ndian dances under Rosenwald
nd Guggenheim fellowships, has
ust returned from two years in
urope, and her show is a happy
lend of both influences.
The first part consists of “Trop
s,” in which she plays “the wo
nan with the cigar;” the starkly
rimitive “Puberty Ritual,” “Rit
al of Fertility,” and “Shango,”
ne last a ritual for the sacrifice
f a white cock to free a boy pos
ssed by a snake, and the delight=
More Comfort Wearing
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pesoto S|LVEY'S PpLymoutH
ful “Batacuda” in which Dunham
flirts with longshoremen who
playfully snare her with a rope
about her waist.
The second part, “L’AG’YA,” is
an original story by her. Set in
Marinique, it is an eerie and violent
tale of love potions, zombies and
fighting.
The third part is an American
section consisting of “Jazz in Five
Movements,” “Barrelhouse,” and
“Flaming Youth.” The last part is
the spirited and colorful “Veracru
zana,” a Mexican number which
features the native dance “La
Bamba.”
The show is staged with great
theatrical effectiveness. The com
pany of dancers are superb. The
costumes are stunning.
Concert Series
The series of “Pops” concerts
which is being run this Spring at
Carnegie Hall by Music Sponsors
Foundation, a non-profit organi
zation, features light, tuneful se
lections beautifully played by 65
members of the New York Phil
harmonic-Symphony. Each pro
gram also includes an outstanding
soloist.
Aim of the series is to give solo
opportunities to young artists and
to providé employment for the
orchestra members between the
winter and summer seasons.
Dignified Carnegie Hall has
turned informal for the series. The
first eight rows in the parquet
have been taken up to make room
for 48 tables where patrons may
sip refreshments as they listen. A
number of musical instruments
are suspended over the stage,
which is decorated with artificial
fir trees.
The evening we attended, Fred
erick Fennell, conductor at the
Eastman School in Rochester, led
the orchestra in an attractive Vien
nese program, with Edna Phillips,
coloratura soprano with a lovely,
flexible voice, as soloist. The selec
tions ranged from the second
movement of Schubert’s Unfinish
ed Symphony to marches and
waltzes.
Clever Sketches
“These Are the Times,” an orig
inal musical’ revue presented by
the Dramatic Workshop, satirizes
various aspects of our age in some
clever sketches and catchy songs.
The music is by Jay Gorney,
head of the Workshop’s musical
play department. Mr. Gorney, who
composed the music for the Broad
way success “Touch and Go,” and
his wife, Sondra, are producers of
the revue. Eleven writers contri
buted the sketches and lyrics.
Two sketches by Ira Wallach
are among the best: “No Sartre by
Jean Paul Exit,” which pokes fun
at the Existentia lists, and “Sala
mic Bimba,”.a satire in double
tsdk about spies and investigations.
“Simian’s Rainbow,” by Joe Dari
on and Norman Franklin, Work
shop = students, is a humorous
sketch in which two monkeys dis
cuss humans in no f}atteping_ _tel:m‘s.
The songs included “Ballad to
a PBra,” a sparkling take-off on
advertising; “That Mittel Europa
of Mine,” a hilarious number
about the good old days on the
Continent, and “No Fun Eating
Alone.” 7 -
Outstanding performances were
given by Liz Ross, Frank Moore,
and Jackie Pipa. Elena Karina and
Frank Aletter danced skillfully.
“Salute To Xsrael”
An elaborate pageant, “Salute
to Israel,” which vividly and dra
matically reviewed th astove
thousand.years -of. Jew?sf)- history,
was held by Zionist Organization
of America Madison Square Gar
den recently in tribute to Israel's
second anniversary and the first
anniversary of its admission into
the UN.
Principals in the cast were
Jacob Ben Ami, noted actor, who
was a very moving narrator, and
Richard Tucker, member of the
Metropolitan Opera Company, who
in the role of a cantor sang many
Hebrew melodies magnificently,
Ed Sullivan, columnist, was mas=
ter of ceremonies. - .
Also featured on the program
was the New York. Philharmonie
Orchestra, with Mimi Benzell,
Metropolitan Opera soprano, as
soloist.
Governor Dewey, who address
ed the 18,000 persons present, de
clared that Israel must be armed
to defend its frontiers against ag
gression because “a strdng Israel
is the surest guarantee to peace in
the Near East.”
Dr. Abba Hillel Silver, world
Zionist leader, criticized the State
Department for withholding “a
reply to the request o’ the Isreali
Government to acquire arms in
the U. S.” in the face of “the
mounting rearmament threats of
the surrounding Arab countries.”
He accused British Foreign Sec
retary Bevin of “blunderingly
helping to prepare the next war
against Israel.”
: ’! &
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-~ SAN-GABRIEL, Calif,~n(AP)—
William Curry hasn’t b;a{en the
bank yet — afid he’s seeing to it
that he never does. Curry’s bank
is the Regional Red Cross Blood
Bank, and transfusions from its
supply of plasma have been the
difference between life and death
for him for six years. curry, bat
tling for recovery. from nephritis,
has had more than 600 transfusions
in that time. And he recently made
up his mind to repay the bank for
its lifegiving fruits. ’
“I'm going to start a one-man
S ’\f &7/ And BD means Black-Draught, the friendly laxative that helps
SR N 8 cut out work day loss. You can readily pick out the man who
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e to keep free of the disrupting reactions from ordinary constipation,
© N AR At the first sign of sluggish bowels, take Black-Draught, the
SNy ;’ e laxative popular with four generations, Black-Draught is pure;
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’;\‘\’"\ R " . 2 logYy, or cranky
B \ L Ak &By €W "\ condition, For chil-
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BNI N eR e el S \ Black-Draught. They
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. e o BLACK-DRAUGHT
e Rt e o
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THE BANNER {:ZRALD, ATHENS, GEORGIA
recruitment campaign for blood
g donors,” he said. “I'm going to do
‘| everything possible .tq. keeP. -an
| even balance on the books.” He
.| figures that to make up for the
| plasma, whole blood and blood de
i rivatives he has used he will have
| to recruit 625 persons’ ‘who will
| give a pint of blood.
'| SUGAR-FAT TESTS
GIVE ODD RESULTS
; MADISON, Wis.— (AP)—Su
' | gar and fats mix in odd ways
| when you eat them. Sometimes
both are needed to make a heal
| thy food mixture. But you have
to mix just the right kind of sugar
with the right kind of fat. Dr. E,
B, Hart, .at. the University of Wis
consin, worked with milk, He re
moved the butterfat and substitu
ted a vegetable fat. This modified
milk failed to make animals grow
izsfl éo9 ke
oot RUMMAGE
Bargains in ‘ i .
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B 3-PC.BEDROOMSUITE . ... . . . iviwiivae) 19.95
@ WALNUT OCCASIONAL TABLE . ... ... vt vvee oo 5.95
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Doors Open No Phone
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Friday ‘ No COD’s
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6P. M. Final
434 E. Broad St. :
las well as milk econtain'ng the
| butterfat.
‘I« “Next -the experimentors chang
| ed the sugar in the milk, They re=~
l’tained the vegetable fat and
‘i changed the sugar to sucrose or to
PAGE SEVEN
Bs S e e s s M
dextrvse, With either of these su
gars the modified milk sapporied
animal growth - -as-well ‘ag the
original, unaltered milk, Swerose
is table sugar. Dextrose eomes
from bread, potatoes and proteins .