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PAGE TWO “Why Girls Leave Home” Feature At Rylander Monday ft ■;■. ■ ■ TL* • tSBw -4* ■'•’'■ ”" J**- * 'W'”' ' 'N-• ■ '■? i - ’ L ' g 3 G" Scene From " NVHY,GIRLS LEAVE HOME" WarNsrS Pictures Jfi„ im ■ ■ I • ill niiniiii—ttiii—T T TiiMWiriiiM— TJI in ■iimhh rru —ri-TrniniwiiH-rwinriwiiwrii - - „--n-nr.T-.-i i irini” « “H/iy Girls Leave Home’’ Great Human Interest Drama Vivid Compelling Picture at The Rylander For Monday Only For the seeker after something different in the of the photo play, the Rylander Theater has something, special to offer- next Monday in “Why Girls Leave Home Althou'h the theme and title of the production are from the igreat Amer ican stage success of the same name which thrilled American thea tre-goers a generation ago, the pro ducers of this photoplay claim thPre is not a bit of maulding melodrama in the entire story. One promin e<nt reviewer has stated that the production struck him as “a blend of 'Way Down Esat’ and ‘Humores que,’ although the picture itself re sembles neither of the two produc tions mentioned. The story deals with every home in general, but for the sake of clarity presents two specific in stances. One, the home of a rich merchant who indulges his daugh ter’s every whim. The other, the home of the.pch man’s employe, who represses in his daughter ev ery youthmu] instinct. The result is. that both girls leave home and I Am Agent For The Macon Daily Telegraph EUGENE LANGFORD Phone 760 RAILROAD SCHEDULE Arrival and Departure of Passenger Trains, Americus, Ga. The following schedule figures t üblished as information and not guaranteed: CENTRAL OF GEORGIA RY. Arrive » Leave 11:55 pm Colum’s-Chgo 3:45 am 10:35 pm Albany-Mont 5:14 am 7:jl pm Macon-Atl’nta 6:37 am 1:55 pm Alb’y-Montg’y pm 2:14 pm Macon-Atla’ta 1;55 pm 10:15 am Columbus 3:15 pm 6:37 am Albany 7:21 pm 5:14 am Macon-Atla’ta 10:35 pm ? .45 am Albany-J’ville 11:55 pm 2:58 am * Ibany-J’ville 12:37 am 12:37 am Chgo.St.L.’Atl 2:58 am 3:45 am Cin & Atlanta 1:35 am SEABOARD AIR LINE (Central Time) Arrive Departs 10:05 am Cordele-Hel’na 5:15 pm 12.26 pm Cols-M’t’g’y 3:10 pm 3:10 pm Cordele-Savh 12:26 pm 5:T5 rw» Richland-Cols 10:05 am I •> DO YOU KNOW WHY GIRLS LEAVE HOME? PARENTS! SEE ‘WHY, GIRLS SLE ‘ LEAVE HOME’ to ‘WHY GIRLS !t Wi ** Make If j LEAVE HOME’ Think Twice It Will Give You Much Food For Thought ———> 1 i . PyS. M There are thousands of reasons—the most important of which are vividly de —P’cte£l * n th** P u l® e »tHTing drama. You ' owe it to yourself to see it! “ ' RYLANDER Regular Admission * ** • Why Do Girls Leave Home? attempt to fight the battles of life alone. Later their paths cross and together they work out their own destiny in a manner which is at one. time of compelling interest and at the same time true to life. The theme of “Why Girls Leave Home’’ is a, problem that many par ents have been called upon to face. Statistics are often boresome, but the fact that in New Yotk City alone the Bureau of Missing Per sons reports 65,000 girls lost in a year, .gives one much cause for re flection. “Why Girls Leave Home” goes i right at the heart of the problem | and does riot deviate in the slight-1 est from its purpose of presenting a clearcut and constructive story that reveals not only the regspni but skilfully suggests a correction of them. Why Do Girls Leave Home? Because— 1— Parents are too cruel to their children. 2 Os the lure of the big city. 3 Os shattered romances and town scandal. 1 4 They leave in answer to fake matrimonial advertisements. > s—The search for romance and fine clothes is irresistible. Thus, Anna Q. Nillson, the mo tion picture star, in no uncertain words expounded her reasons why over 65,000 girls desert the hearth stone every year. The igirl prob lem has baffled the best known au thorities and although from time to time many preventatives have been .evolved for the benefit of the young women, the disappearances yearly continues to he appalling. Experiments have indicated that large areas in the Phillippines are well adapted to the production of quinine. When a man goes to the dogs many of his friends bark at him. MBIWSB | w/ PENCIL \\ •w'"™**"**™' /» red band \ TEUffiSL:T'>:iiciLrf.cTonr2r PENCIL CO. NEWYOPKUSA. *™ c Wiiß “ THIS GIRL HADI RISE Bffl SOOL Viola Dana in ‘Rouged Lips’ a Most Entertaining Photo- Play , -..dfL Nex Wednesday Vila Dana conies to the Rvlander Theater in her fa stest picture, “Rouged Lips.” a story of the stage and stage people from Rita Weiman’s story, “Up stage.” The author is the most de lightful of all chroniclers of life J behind the footlights ami her I stories have won millions of read ers. I Supporting Miss Dana in the pic ture are Tom Moore, Arline Pretty Nola Luxford, Sydney de Grey and Francis Powers. “Routged Lips” is the story of a little girl whrf is a member of a musical comedy chorus. She meets her Prince Cfiarming who Recogn izes her innate sweetness and in nocence but who is led astray by false rumors and fails to realize the secret wishes of every woman’s heart. In the end Norah wins her Prince Charming, but how she suc ceeds in doing it against terrific obstacles forms as interesting a tory as i the local theatres have ever presented. One of the most interesting fea tures of “Rouged Dips” is a devil’s’ “chorus of “thirty under twenty.” I This expression has become famous in theatrical circles and signifies a collection of beautiful girls, per haps thirty in number and all un der twenty years of age. In “Roug ed Lips” several of the bi«g scenes are laid inside of a theatre with the performance in full progress before an audience. This chorus was picked out of hundreds of California beauties. On the program with “Rouged j Lips” will be shown “City Chaps,” I Cine of the Sunshine comedies j which have proved so popular in Americus. Chainp! Champ! Champ! They are ’coming!. a/a 10-5 t IHSWTFIT RYLANDER TUESDAY j Popular Minstrel Star Brings His Best Show Ever To Americus AH, lovers of ministrelsy will be pleased to note that on Tuesday night, Nov. 13, the inimitable Lasses- White will' bring his all star mins trels to the Rylander Theatre. Great credit is due Lasses for the ? aekno!edged supremacy of the All Stars which is the result of his great personr 1 popularity combined with uncommon sense of what con stitutes a good minstrel entertain ment Combined with the ability to write and stage it. The coming visit will be the fourth of the All Star and it would seem that each succeeding season finds it a bigger tnd better show. Lasses’ talent, it is said;* - aside from his personal funmaking, is shown finely in two big features this'sea son that are widely disimilar. One is “At the Seashore” and the other, which -is the afterpiece is “The Blackville Speedway” in which Las ses will be seen as “Exezema Itch.” Seats for Lasses White Minstrels are already ein sale at the Rylan der box office. Harold lloyd COMING SOON The Rylander announces as one of its coming big attractions Harold Loyd’s new feature comedy, “Why Worry..” It is Lloyd’s first serious attempt at straight farce and pre sents real characters and entirely probable situations exaggerated to a state of absurdity that yet re mains within the realms of possibil ity. “Why Worry” is the story of an American youth, accustomed to lux ury who has a flare of advanture in his make-up. Ke goes to South America and promptly becomes en meshed ~in a fierce, firey and flam ing revolution. It is a story of in trigue and romance such as Richard Harding Davis would revel in, yet containing surprises and twists such as 0. Henry would give it, is a decided departure from previous Lloyd stories. From the moment Lloyd is intro duced being taken aboard ship on a stretcher to the final fade-out, where he is tying up traffic, “Why Worry” is. one mirthful, hilarious situation after smother, each situa tion inextricably bound up with the plot, thereby producing a staccato laugh effect throughout the entire development of a story that intri gues the interest, while adding rhe glow of romance. Conspicuous among Lloyd’s aides in “Why Worry” are Joby.na Rals ton and John Aasen. Jobyna is young, pretty \and spirited. Aasen is an' 8 foot 9 inch giant and is such a hit we prophecy giants on the screen will be in demand here after. He takes you back to the days when you believed in Jack, the Giant Killer. SOME COMING ATTRACTIONS. ' Among the many big productions booked for an early date, at the Ry lander are Harold Lloyd in “Why Worry;” “Ruggles of Red Gap,” a Paramount special production; “Broadway Gold” with Elaine Ham- i merstein; Wesley Barry in “The Printer’s Devil,” Robert W. Cham ber’s “The Common Law” Thomas Meigham in “Woman Proof,” Gloria Cwanson in “Zaza;” David Belas co's “Tiger Rose;” William De Mille’s ‘The Marraige Maker,” Jackie Coogan in “Lor.ig Live the King;” Buster Keaton in his first feature comedy, “The Three Ages” and many others. Many Stars in “Lawful Larceny” ' Sa. I v w* \ Ml A i i au WWOnIOOTmODMITOm v-,-, j rt 7irJ u flj.ii WHO IMO ‘ tltlH l» Hope Hampton, Lew Cody Nita. Na-IcLi and Conrad Nagel in a scene, from the’ Paramount Picture ‘Lawful. Larceny* .An Allan P_wan‘ Produotion'. .‘SOUL Ilf THE debt ; STOPY OF THE IMS On Program With William Duncan, in ‘The Steel Ji ft? Trail ' 'Next Saturday’s program at the Rylander is one of unusual inter est, including a feature produc tion, “Soul of the Beasc' with Madge Bellamy, Cullen Landis and Noah Beery; a Century comedy, “Hold on;” and William Duncan in the second Chapter of “The Steel Trail.” I Y With an elephant star to fur nish novelty and a delightful hu man interest plot for a story “Soul of the Beast,” a Thomas H. Ince production, is said to be a most unusual picture. “Oscar,” the elephant, shows api intelligence in his performance that is uncanny dnd marks him for place in the front rank of the screen’s most popular animal stars. Madge Bellamy as the for lorn little elephant girl gives a de lightful performance. The combi nation of the elephant, the girl and some absolutely novel situa tions carries a striking appeal for every member of the family. “Soul of the Beast” tells the ad ventures of a little Cinderella of the circus who has centered all her affections in her elephant, Oscar. The motherless girl is the drudge of a moth-eaten troupe and the tar get of the petty spitefulneSS of her step-father until one night when a cyclone blows down the big cir cus tents she and Oscar run away into the backwoods of Canada. Some romantic adventures ensue. This, chapter shows a thrilling es- It Is Lawful Larceny To Steal Another Woman's Husband? z' ' 7 ' It’s stor y a W® m ®“ ,£l- ■ ■ who loses her husband to ' J?- 1 a mc dern Cleopatra and wins him back again in S’; Wfet startling fashion. 11’4 i/r* -“'W L. I \ ■SkrAJu tx % ’■ 'lnfll s 9aram ' Hu ' t K, 1 tajh 7/ V ! v' T BW : \ I'ftY 4 \ HOPE HAMPTON NITA NALDI V' V-wKjil LEW CODY ■ , I I CONRAD NAGEL lIIMKIIU - ■'“jiEW' W ! [awful Jarceny AN ALLAN DWAN PRODUCTION * Added Attraction—Aesop’s Fables > o f' d 'Af i .1 RYLANDER ™“ rßday , Friday • ' When You Miss a Single Picture at the Rylander You Are Missing a Real Treat Nita Ndldi Seen As Cleopatra in ‘‘Lawful Larceny” Conrad Nagei Also in Cast of Paramount Picture Thurs day and Friday Allan Dwan’s new Paramount production, “Lawful Larcejny,' 1 which will be the feature attrac tion at-the Rylander Theater next Thursday and Friday, is filled with scenes of splendor seldom attempt ed by the average picture producer. The prologue presents Nita Nalai as Cleopatra in her court on the Nile. The atmosphere of ancient E‘gypt was brought to the Long Island studio through the erection of one of the largest sets ever built on the huge stage. Nita Naldi in the raiment of the champion charm er of the world, reclines on the. royal couch, while huge black slaves fan her and demure handmaidens bring viands a,nd wine for her pleasure. While Sonia Tomora, classic dancer, interprets an Egyp tian dance, Cleopatra spurns lover after lover in contempt. , All this is shown preparatory to cape from pursuers in the wilder ness, a desperate fight at a meet ing of agitators, in which the en gineer -pits himself against a horde of “reds” and the hair-raising semaphore adventure, i<n which a heavy runaway car drags the two toward death. Their escape is one of the most ingenious devices ever put into a motion picture story. “Thg Sthel Trail,” the ■ second chapter of which will be shotvn' c.i the Same program, is a thrilling story of the building of , a, railrohd, in which, William Duncan, as the fighting cc ( nstruetion ’ engineer, batties with the elements and with plotters inside his organization Lb push his road to completion. • SATURDAY, NOVEMBER 10, 1923 the-appearance of Miss Naldi as Vivian Hepbuir.i, a modern charm er. The Egyptian motif is carried mH throughout the picture in Vivian's New York apartment, which gives ,\j vivid coloring to many of the scenes in this picture. At the same time j Mr. Dwan has preserved all the drama and heart interest of the story—a swift moving tale of the intri’gues of women against men and men against women, with the honor and integrity of a home hanging in the balance. The cast of “Lawful Larceny” . includes four of the most promin- Y ent Paramount players, Conrad 3 Na*gel, Hopq| Hampton, Lewis I Cody and Nita Naldi. ' t' i Program For i Next Week Monday—“ Why Girls Mome,” “Hot Chris tie comedy. Tuesday—Lasses White Min- J strels. ■ Wednesday—Viola Dana in “Rouged Lips;” “City Chaps,” | comedy. • Thursday and Friday— I “Lawful Larceny,” Paramount 1 special production; Aesop’s Fables. Saturday “Soul of the Beast;’ William Duncan in “The Steel Trail,” “Hold On’ Century comedy. < PROGRAM FOS TODAY There is being shQVtn at the Ry la(nd.er today ’fom Jtiis.in. his latest feature ' “Romance Land;” Art Acord ip. .the last chap ter of “The OiT-gori. Trail.” William Duncan in' “The Chapter of Steel Trail,” "Taking Orders,” a Century comedy.,