The Mercer Cluster. (Macon, Ga.) 1920-current, October 21, 1966, Image 1

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Stipe Cluster Volume XLVII MERCER UNIVERSITY, MACON, GEORGIA, OCTOBER 21, 1966 Number 2 Lamar Lectures An outstanding authority on outhern history. Dr. dement a ton, delivered (our lectures “The Vensition from the Old to the New outh” in the tenth annual Eugenia loro thy Blount Lamar Lecture riea at Meroer University Mon ey and Tuesday. Dr. dement Eaton, Distinguished rofessor of History at the Uni- mi ty of Kentucky, a native of finston-Salem, N. C , was edu- Ited at the University of North arolina and Harvard University, [e has held a Sheldon Traveling sllowship in Europe from Harvard niversity, a Social Science Re- larch Council Award, a Hunting- >n library Research Award, and Guggenheim Fellowship. He has en a tutor and instructor at [arvard and has taught at Lafay- tte College, Clark University, and i a visiting professor at the Uni- srsity of Wisconsin. He has been a Fulbright Pro- eaor at the University of Man xes ter, the University of Inns- ruck, the Johns Hopkins Center of dvanced International Studies at Bologna and lecturer in Rome. Dr. Eaton has given the Flem ing Lectures in Southern History at Louisiana State University. He has served as president of the Southern Historical Association and as a member of the executive council of the American Historical Association. And he has been the author of several books on Southern history. . The Lamar Lecture Series is an annual event at Mercer and is sup ported by a legacy from the late Mrs. Lamar “to provide lectures of the very highest type of scholarship which will aid in the permanent preservation of the values of Southern culture, his tory and literature.” Members of the Lamar Lecture Committee include Dr. Benjamin W. Griffith, Jr., and Dr. Spencer B. King, Jr., co-chairmen; Dr. Paul M. Cousins, Mrs. Helen B. Ply- male, and Dr. Henry Y. Wamock, all of Mercer; Dean John O. Eid- son and Ralph Stephens, Athens; and William C. Turpin and Her bert F. Birdsey, Macon. he Tempest o Be Presented The first program in the 1966-67 (ercer University Concert Series ill be the American Classical heat re's production of the Shakes earean tragedy The Tempest. The performance will be present I at 8:30 pm. Friday in Willing- tm Chapel, according to Dr. Ar tur L. Rich, director of the Con- rt Series. He said that tickets for the pub i are available for the single per irmance or season tickets may be btained for the six scheduled rats in the series. Tickets are on le at The College Store in the annell Student Center on the ercer campus and at The Demp- y Corner. Dr. Rich, meanwhile, said that a rt by Jean I anglais, organist the Basilica Ste. Clotilde, Paris, tance, has been scheduled for nday, Jan. 29, as a presentation the Concert Series. This concert ill replace the previously en ounced program by Fernando Ger ani, which was scheduled for ov. 13 and cancelled because of loess of the artist The American Classical Thee ■e’s production of The Tempest ill be a fully staged presentation nder the direction of Richard Rob- won and Dennis Hayes, in asso- iation with the American Drama ociety. lossy Cauldron i Classic The Clueter wishes to extend ereby an ink-stained hand of wel- >me to its sister publication, the fencer Cauldron, and to express srewith its admiration and ap- redation for a job well done and deed masterfully Year-book sdi- ir Tina Simmons and her hard- orking staff are to be commended •r their artistic and tasteful pro action of an annual that in many ays is an innovation in Mercer's lethora of unimaginative “type- isting" and hopefully sets an tampia lor a more modem Mercer m the Move”. From the striking cover and to pathetic pictotal representation > the first pages, to the almost- aiding frankness of the editorial Mis, this year’s Cauldron pro mts a warm, sensitive, sometimes onic, often-humorous, dangerous ’-hnasst picture of the University *d the students and (acuity that •ke it up. We’re mighty proud of it! DJ). ffitrcex Cluster October 21, 1966 Volume XLVII, No. 2 EDITOR IN CHIEF Thomas W. Lang EMERGENCY STAFF ASSOCIATE EDITOR Diana Denton MEMBER BUSINESS MANAGER vMataik* Nancy Barrett Writers _... Diana Denton William Dayton Richard VanBuaUrk Advertising Staff . Sherri Clark Typist Barbara Beauchamp Circulation Manager Bonnie Lawrence / The abject (def.—showing utter resignation; cast down in spirit) staff has already decided that the reaction to this paper by the students will be one of total unconcern. Can you prove us wrong? Anyone who realizes that although God may still be with us, but that the Cluster is breathing its last, and who is willing to do something to improve the situation is cordially invited to come by the Cluster office Saturday October 22, between the hours of 1:00 and 5:00 P.M. The Cluster will continue to come out; whether it con tinues to come out in the manner of this paper is to be decided solely by YOU, the students of Mercer. MERCER ART EXHIBITS The current art exhibition of print* by William Hogarth was concluded at Mercer University Sunday, October 16 with a gallery talk by Anthony R. W. Stanafeld. Mr. Stansfeld, associate professor of art at Mercer, spoke on “The Art of Hogarth.” The Hogarth prints were the opening exhibition of the current season and have drawn much at tention during the past three weeks. The exhibition, entitled “The World of William Hogarth”, con tain 116 prints and included nearly all of the British artist’s graphic work. They were lent by the Anglo- American Art Museum of the Louisiana State University, and are being circulated under the auspices of the Smithsonian Insti tution Traveling Exhibition Service. Mr. Stanafeld, a fellow country man of the 18th century artist, holds two degrees from Oxford Uni versity. He has been a member of the Mercer University faculty since 1948, during which time he has traveled extensively in Europe, T Jilin America and the Middle East. He spends several months each year traveling and living in Mexico and Spain, where he writes books under the pseudonym “Dane Chandea.” Marshall Daughtery, chairman of the Department of Art, announced that an exhibition of lithographs by the great Austrian Expression ist, Oskar Kokoschka, went on view Tuesday and remains open to the public through Oct. 30. The 65 prints, entitled; King Lear, Apulian Journey and Hellas, are lent by Marlborough Fine Art, London, and the exhibition is spon sored by the Austrian Embassy and being shown under the auspices of the Smithsonian Institution Traveling Exhibition Service. Kokoschka was born in 1886 in Poechlam, Austria, the son of a Czech goldsmith. At one point in his early life he supported himself by painting fans. Always a rebel, most of his artistic life seems to have been spent in opposition to the paints taking attention to detail required by goldamithing and fan painting. He lived and studied in Vienna prior to World War I, where he came under the influence of Gustav Klimt and Egon Schiele, the young Austrian Expressionists, as well as the Jugendstil Movement. Also in fluential was the Expressionist group of Dresden known as Die Brucke, where the artist lived and taught from 1917 to 1924. During the 20’s and 30’s he wandered about Europe and the Mediterran ean, fleeing to London in 1938, where he spent the war years. Kokoschka came to the United States in 1949 and taught at the Museum of Fine Art’s school in the Berk shires, and later at the Minne apolis School of Art. He now lives and teaches in Salzburg, Austria. Of hiB duties as a teacher, he has said: “An artist has a special necessity to look after the next generation. I must save a little cul ture for the youngsters so that they will not be starved.” Kokoschka finds lithography an ideal medium, as it combines his gifts as both painter and draftsman. The prints in this series continue his lifelong interest in graphic art and at the same time permit him great freedom of expression. The graphic art of Oskar Koko schka reflects all the developments and transformations of a long creative life. In all the works in these series. King Lear, Apulian Journey and Hellas, one sees the zest and job for life which moti vated the artist. Georgia Politics NOTE—This column was written shortly after Maddox’s run-off victory. Now, after having watch ed things a bit longer and after seeing the “Lea’ and Bo Show” on television, 1 am not so sure as to who will win the race; Callaway and/or whoever is ad vising him is/are a good bit cleverer than I had originally thought.—WGD One thing about Georgia politics, there’s never any lack of color. As a Floridian, I have been only an observer during the past few years, but from the first, there’s been a good bit more to observe than I ever noticed at home. Coming up here as a fresh man I saw several of the Griffin-Senders speeches and heard the numerous heated arguments about that race from all the Georgian denizens of Sher wood Hall. Looking forward to a good race this year, I have not been disappointed (except in the relatively min or fact that the only candidate who really seemed able and qualified to govern, Ellis Arnall. dropped out of the picture). Now, with Lester promising to abolish Federal guideline* and Bo still delivering ^mechsa obviously written for a race with Arnall (someone ought to tell him), things will certainly not be dull I suspect that Maddox (“The Lester of two evils” as he has been dubbed by one faculty member) will win the race. The former proprietor of the Pickrick has the advantages of being better known (a house hold word), a good, appealing speaker, a Democrat and backed by a solid phalanx of seasoned, intelli gent, wheeler-dealer politicians of every political tint from Carl Sanders to Marvin Griffin. Calla way, on the other hand, is touched with segrega- tioniam as far out as Lester’s but not nearly as clever or colorful, a short and undistinguished po litical record, a short and undistinguished list of political friends, and lots of money. Then, too, Les ter looks like the little businessman next door—far mors easy to identify with than Bo, who looks like a rich but not over-bright politician. Although it must be admitted that too much of Ellis A mail’s campaign was aimed at a 1939 audi ence and that he occasionally acted like FDR was still in the white bouse, instead of LBJ, his defeat is still fairly good evidence that Georgia is not real ly interested in able, qualified leadership this year Governor Maddox will certainly provide more inter est and color than anyone around and he is in all probability the most capable of the figures left in the race—no one who can have thousands of people clamoring to boy axe handles for $4.00 each can be bad for the economy. Freshman Talent Contest The sophomore class played host to an audience packed auditorium at 7:00 p.m. Tuesday, October 11th at the annual freshman talent con test, which was held at Willingham Chapel. This contest is one of thi highlights of freshman week, an annual event sponsored by the_ sophomore class. David Hudson, freshman class advisor, served as master of ceremonies (or the even ing. There were approximately fifteen entries in the contest, ranging from singing and acting to fire-baton twirling. A lull filled the auditorium as David announced the winners of this year’s contest, who were judged by upperclassmen. Sarah Hackney, who played the guitar and sang a French ballad and a Yiddish ballad, tied for first place with a group of singers known as “Jasmine and Four More.” The girls who sang with this group were Jasmine Dawson, Elaine Morgan, Yyonne Jackson, Alice Bums, and Mary A. Buckner. Carol Bruce took second prize for her fire-baton twirling. Third place went to Babs Barclay for acting out a cutting from a play. The first place win ners were presented with trophiesy. for their outstanding display of 1 talent in this event