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A A «9«tm * W A f I
wvwi'iiH *4 * W *•
•(fact
attributed to
the genius of Borowcxyh-" REN
AISSANCE by yabdan Bosow-
etyk o4 Poland typifies tbs art
form known as Now Cinema.
In ENTER HAMLET by Mo-
(nbgnb frosn tbs UJA, sack word
sf Hamlet’s eoliloqny la given its
own picture. LA JETER by Chris
Marker of France is a love story
filmed “after the Third World
War.” “A hallucinogenic voyage
Into the distances at outer apace
suggesting an emotional signifi
cance like that at music, the aub-
fcm.il rhythms ot the inner ooa-
ao«" daacrlbaa Jordan Belson’s
ALLURES.
Running time for the filme
ranges from three minutes to twen
ty aeven minutes, and admission is
cne dollar.
tollman Attends
anguage Meeting
I)r. A. Eliot Youman of tbs De
partment of Classical Languages at
Mercer University will attend Nov.
7-9 a meeting of the Classical As
sociation of Midwestern and South-
trn States.
The masting will be bald at
Vanderbilt University in Nashville,
Vew Cinema
Little boy bine
ID in
life
• UMnpa, portraits
pieces. This f aas
Hm Cadet ot tha Waak se
lected October 28, 1968, is
Cadet Stephan L. Mathawa,
tha sob of Colonel and Mrs.
C. F. Mathews ot Tampa, Flor-
Ida. Stars, s fraternal at Mer
cer, Is a
and is
baU
Cadets Cited
ROTC
designated Distinguished Military
Students at Mercer University.
They are Cadet Major Donald
Stevens Hartley, Cadet Captain
John Wayno Crowley. Cadet Cap
tain Jamas Thomas Armstrong,
Cadet First Lt Charles Lawton
Ogburn Jr. and Cadet Sergeant-
Major Walter James Lane Jr., all
of Macon; Cadet Mapor Thomas
Michael Crook of Stuart, Fla.; and
Cadet Captain Robert Daniel New
ell Jr. of Miami
Lt Col. Robert M. Brambila,
professor of military science, de
signated the cadets at the weekly
drill.
A Distinguished Military Stu
dent is recognised as one who pos
sesses military leadership, high
moral character end baa shown as
aptitude for military service. He
has distinguished himaelf academ
ically and by participation in cam
pus activities.
NOVEMBER 11, IMS
POOR HENRY’S ALMANAC
k will begin tha first in
interviews with BMOC
l on campus) Paul Ko-
wffl
Sbortkid,
a moat able and rnmpstsnt news-
man. Tha scans opens In tbs Co
op (doesn’t everything?).
Mercer student sir, what do
you think ot tha priceless ex
hibition of Well Hangings from
the Museum of Modem Art in
New York which has been on
display for the last two week*
and . .
Kodac: They’re okay. Nothin
Sbortkid: If you must But the
novelty, the deUeacy, the . . .
Kodac: They’re okay. Nothin!
I’d want in the bathroom,
though.
Sbortkid: But what is your over
all opinion of the hangings?
Kodac: The nigs. Some Of ’am
look like .. .
Sbortkid: Yes, well. What would
you say is the basic reaction
of the students?
Kodac: To some it’s a welcome
change from the old gray walls
but to me it’s a cause for in
digestion.
Sbortkid: Would you comment
farther on that?
Kodac: Right In conjunction
with Cafeteria food . . .
Sbortkid: No. the reaction.
Kodac: Right You know that it’s
a natural reflex to flick ashes
on rugs . . .
Sbortkid: I’ll take your word for
it
Kodac: Well some guys Aid; ash
es on rugs just like some guys
spit on sidewalks. You know.
. Their mom yells for eighteen
years, “Don’t flick ashes on
the nig!” So, natch when they
come to college they feel it is
their duty as collegiates to
totally reach tha opposite ex
tremes of their previous exie-
Shortkid: That’s quite a philoso
phy-
Kodac: Sorry. Anyway, when
they sea the rug, they uncon
sciously flick their ashes only
to find the rug is in a God
awful vertical position, you
know, hanging sideways.
Sbortkid: Yes. But does this cre
ate any hostilities towards this
representation of the fine arts?
Kodac: The rugs!
Sbortkid: Very well the rugs.
Kodac: Not spookin' for every
body, I’d say more French
movies and leas rugs. It’s
downright maddening to flick
ashes on a rug hanging side
ways! It destroys all confi
dence in Newton’s lew of figs!
You can’t imagine ...
Sbortkid: Yes, yes. But. . .
Kodac: Well, how would you like
to put fifteen cents into a Coke
machine that was lying side
ways? Huh? Well, it’s just the
same. The coins don't roll and
the ashes don’t flick.
Sbortkid: I believe we’re moving
a bit off the subject ...
Kodac: But this is pertinent wind
that's moving!
Sbortkid: But to change for a
moment, do you think the
Wall Hanging exhibition is im
pressive?
Kodac: The rugs! The rugs!
Sbortkid: The rugs . . .
Kodac: Right off hand I’d sSy
that nobody’s hardly seen
them. The only one that
caught my eye was the one
that looks like a horse’s butt.
Sbortkid: Oh? In what particular
way did that one catch your
eye?
Kodac: ’Cause it looks like a
horse’s butt! I was walking un
der it, didn’t see it, GR088!
. . just like hitting a wet
spider web at night. Makes
you want to run and scream
Sbortkid: Have you any sug
gestions for the artists?
Kodac: If they could only talk
Sbortkid. The artists?
Kodac: No, the rugs.
Sbortkid: Some do reach out at
you.
Kodac: I’d hate to see ’em in a
dark alley.
Sbortkid: The artists?
Kodac: No, the rugs!
Sbortkid: And the exhibition
room itself?
Kodac: Fitting punishment for
two or more chapel cuts.
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