Flagpole. (Athens, Ga.) 1987-current, February 17, 1988, Image 3
THE FLESHTONES
When I think of great Rock 'N' Roll bands
from NYC, the three that spring to my mind
immediately all draw their main inspiration
from the different decades. Of course,
there's the Ramones, the band that
virtually created 70's style punk rock. And
there's The Cramps who so brilliantly
adapted 50's rockabilly/horror movie/trash
styles. That leaves one decade
unaccounted for - and my choice for the
top band drawing from that hallowed
ground is The Fleshtones.
Not that the Tones could ever be
classified as (God Forbid) a "garage
band." Their own definition for their
swingin' sound is Super Rock, which is
probably perfect since you can read as
much or as little into that phrase as you
care to. I prefer to think of them as kind of
the ultimate modern day frat band, in the
grand tradition of cool outfits like the
Swinging Medallions or Sam the Sham
and The Phaorahs. Bands like those
could pump out either trash R & R or great
flagpoCe 3
blue eyed soul, es circumstances (and the
drunken crowd) dseatated.
\ love Rock 'N' Roll bands with horns
(note: Chicago was not a R & R band)
and The Fleshtones always have a great
sax department to give old Rhythm and
Blues or Soul Material the rich sound that
guitars alone just don’t supply. I usually
judge bands by the hipness of their
covers, and when the Fleshtones do
versions of songs like "Rockin' Behind the
Iron Curtain" (by Huey "Piano" Smith and
the Clowns) and do 'em right, they get
several gold stars in my book;
What it all comes down to is that The
Fleshtones are a party band. Of course,
not all parties are created equal (don't be
put off by the disastrous Jones show at
Legion Field a few years ago) - but a
great Fleshtones show (which most of
them one) is a true born burner. They’re
playing this Thursday , the 18th and
Friday, the 19th, at the Uptown. Don’t miss
'em.
Kurt Wood
Cover photo by Ken Kelly
r
The Collective
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