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CHILD OF WAR Last year, film critic David Denby gushed in the New Yorker about Edward Zwick's Blood Diamonds. Set in Sierra Leone dur ing its horrific civil war, the film is a romantic drama about an American journalist and a South African diamond smuggler. Despite a great performance by Djimon Hounsou, every African character, including Hounsou's, is little more than a backdrop of human depravity used to highlight the white protagonists—Jennifer Connelly and Leonardo DiCaprio—as they ascend to new heights of angst. That might sound reductive or mind-numbingly PC, but one doesn't need a degree in oostcolonial theory to understand what a problematic cliche it all is. African characters bleed, white folks have existential crises. The setting could be Sierra Leone in 1994 or Tatooine in 2,000,007; what's the difference? So while Denby's critical acumen has gone down in this critic's estimation, it's a welcome relief to read Ishmael Beah's A Long Way Gone (Farrar, Straus & Giroux, New York, 2007), a memoir of the same conflict Zwick so thoughtlessly ransacked written by someone who experi enced it first-hand. Unless you've endured a civil war, it's probably impossible to understand what Beah went through. From the age of 12 to 15, he was as a fugitive from the Revolutionary United Front (RUF), which attacked his village and would later kill his family. At age 13, he was recruited into the army of the Sierra Leone government. He was hardly an anomaly as a child solider. Beah recounts his experi ence in prose that's deceptively simple. Reading of killing and flee ing looted villages, rapes and murders right in broad daylight, it's so far beyond the pale of First World unpleasantness that ingesting it is like logging in to a dead URL. It just won't load. However, sprinkled between the atrocities are moments that underline the madness of being young, desperate and unprotected. Witness a short list of what can be considered the "lighter side" of his pre-soldier wander ings: • Being chased into trees by packs of wild boars. • Sleeping in trees for safety. • Being rounded up (and bound up) with a half-dozen refugee children in a coastal village. There, the chief de manded to hear Beah's hip- hop tape and while Naughty By Nature's "O.P.P." failed to impress the chief, Beah was spared execution. Strange, then, that these adventures are sometimes more frightening than the war; per haps because being alone in the jungle fleeing feral pigs is easier to envision than a brigade of middle schoolers shooting up a rural village. As Beah said, he quickly lost compassion for anyone and could shoot a person as easily as one might recycle a can of Coke. Like most other young conscripts, Beah became addicted to "brown brown," a mixture of cocaine and gunpowder popular among his comrades. An interesting parallel between Beah's war experience and that of Anthony Swofford, whose Gulf War memoir Jarhead was also made into a somewhat forgettable film, is the reliance on another sort of narcotic, war movies. In both cases, soldiers watched Hollywood war films like porn, to get psyched for a good day's killing. Unlike Swofford, who saw combat but didn't kill anyone, Beah shot people and celebrated with his friends. A Long Way Gone doesn't delve into the politics of the civil war, as it's not a polemic. In Beah's wartime view, the rebels either destroyed your village or they're about to. It's not hard to under stand Beah's decision to fight, though, as it wasn't much of a deci sion. Without a family, much less a definite meal plan, the army is a place where you can, if nothing else, stop running. From a safer perspective, the enemy is anyone who turns children into killing machines. As he'd later learn, both factions peddled the same logic to their child soldiers: "Over and over in our training he would say the same sentence: Visualize the enemy, the rebels who killed your parents, your family, and those who are responsible for everything that has happened to you." It's an unenviable contradiction: being revved up for killing by channeling your suffering and then getting loaded on numbing agents to forget it. There is a happy ending. Beah was chosen to be part of a UN panel on child soldiers. He traveled to New York City and years lat er was adopted by a woman he met there. He went on to graduate from Oberlin, an elite private college in Ohio. How does he make sense of these two starkly different realities? Maybe we'll find out in another book. Beah doesn't wrap up his life in a neat bow, as well he shouldn't: It's far from over. 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