Flagpole. (Athens, Ga.) 1987-current, March 23, 2016, Image 10
By Andy Barton music@flagpole.com
U is more our speed,” says
A11A 9 Jake Ward as he lifts a
piece of Popeyes chicken to his mouth.
Cajun-tinged jazz is playing over the fast-
food restaurant’s speakers, and there are
two TVs—one in front of and one behind
Ward and bandmate Marie Uhler—set to a
low murmur. The first is on ESPN, which is
airing a bowling competition; the second is
tuned to CNN’s coverage of the Michigan
Uber-driver murders. The family at the next
table over is glued to that screen, except for
the young daughter, who’s on the verge of a
breakdown.
Uhler and Ward, who comprise the noisy
garage-pop duo Eureka California, aren’t
distracted. They just wrapped up a meet
ing with their label head, Mike Turner, and
are in need of some serious sustenance.
Among the topics discussed: upcoming
tour dates; plans for the release of their
third full-length album, Versus; and other,
more far-off intangibles that need to be
solidified. This is the calm before the Eureka
California storm, which is fitting, given the
dark clouds moving in overhead on Prince
Avenue.
Up to this point, Eureka California
has crafted the sort of high-energy, ram
shackle power-pop that recalls Superchunk,
Japandroids and Jonathan Richman.
That’s not to say Versus, which the band
will release Mar. 25 on Turner’s Happy
Happy Birthday To Me Records, is a huge
departure in terms of style or influences;
they haven’t stopped writing straight-to-
the-point rock songs with hooks and bite.
They have, however, taken a big sonic step
forward, which is even more distinct con
sidering their two-person lineup and past
recording approach.
“It was really just kind of super-sad DIY,”
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10 FLAGPOLE.COM • MARCH 23, 2016
STACEY-MARIE PIOTROWSKI