The Athenaeum. (Atlanta, GA) 1898-1925, January 01, 1925, Image 13
THE ATHENAEUM
117
ANNUAL CONCERT
W. B. Scott, ’26.
The most classical event of the school year at Morehouse, with
the possible exception of the commencement exercises, is about to
take place in Sale Hall Chapel. Although this has been an annual
affair for more than a decade, it is always looked forward to with
great eagerness, and each occurrence of this event is more than a
compensation to those who give it their whole-hearted support for
their anxious waiting from one year to the other. Perhaps you
have already surmised that the classical event referred to is the
annual concert of the Glee Club and Orchestra- No doubt this is
pleasant news to the music lovers of Atlanta. Not only to the citi*
zens of Atlanta do we rejoice to make this announcement but to all
throughout the country who are interested in the welfare of the
student activities at Morehouse and to those who have real apprecia
tion for the best that there is in music.
We are pleased to say further that most of the stars of recent
years will appear this season, among whom are John Hervey Wheel
er, renowned violinist of college circles, whose tone and technique
are superb; Oliver E. Jackson, also a noted violinist of the col
legiate world, whose playing in the largest cities throughout the
South has made for him a host of friends and admirers; Andrew J.
Taylor, Morehouse’s greatest- baritone, who will be at his best this
his last year at Morehouse.
The Orchestra and Glee Club have been rehearsing day and
night and are putting forth every effort to make this the greatest
concert in the history of the school.
No one who attends this concert will leave disappointed, for the
arrangement of these annual programs constitutes such a broad
variety of numbers as to include something suitable to the taste of
all. Therefore let all be present on the evening of Friday, Feb. 6
when the doors swing open at eight o’clock.
KI! KI! KI! TEAM!
W. A. Richardson, ’25.
Like the old gray mare Morehouse “aint what she used to be.”
This idea has been a singsong among old Morehouse men during
the last few years. But it has received a new stimulus within the
last few weeks as a result of our recent defeats in football. The
idea expresses an absolute truth and deserves respect for so doing.
We agree that Morehouse is not what she used to be* that
Morehouse has changed. But the change has been a progressive one
in many respects, in others it has been the reverse- There are certain
courses responsible for the Morehouse of today as compared with
the Morehouse of former years. Today we have younger men labor
ing under different conditions and aspiring toward many and varied
ideals. But this is shooting at the wrong mark.