Houston daily journal. (Perry, GA) 2006-current, August 31, 2007, Page page 5, Image 39
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Using a traditional carving tool, James
cuts a groove in an old-growth cedar log.
and natural ability to repel insects and
resist decay.
“If we find an appropriate living tree,
we first bless it in a prayer ceremony, then
hire a logger to drop it, and pay a logging
company to haul it to the reservation,” says
James, who works as a policy analyst for the
Lummi tribe.
When a log arrives in his yard, he cuts
it into lengths and removes the outer bark
and soft, pulpy layer, exposing the carve
able, fragrant wood. After he rounds and
smrxxhes tire log with a 30-inch drawknife,
James decides where he will carve the totems
figures, which might include eagles or owls,
whales or wolves, the sun or the moon.
He outlines the figures with a marker and
cuts away wood that won’t be part of the
final design. As he carves, the totems three
dimensional images take shape until figures
cover the entire pole.
James and his assistants can labor as much
as 1,000 hours to create a single totem and
typically they receive no compensation for
the "healing” poles they carve. Volunteers
often help him with cutting, chiseling, sand
ing or painting.
“Traditionally our people used elements
found in nature for the paint colors, like red
earth for ted, cattail pollen for yellow, and
various burned plants to create black or even
an off-white," he says. “Now we buy exterior
paint at the hardware store.”
Among Pacific Northwest tribes, totem
poles traditionally were towering accounts
of family ancestry, clan achievements and
creation myths. In his work, James tries to
convey stories about human relationships,
with each other and the environment, in
hope of promoting peace and healing in
the world.
Heather Larson is a freelance writer in Federal
Way. Wash.
To comment or for more infor
mation, click on this story at
americanprofile.com.
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