Newspaper Page Text
Pag* 8-C
The Red and Black, Thursday, Sept. 24, 1970
Enjoy any
of Big Scoop 1 ' 36 V,
f oli/ fashion sundae fia- }
vors in the Gay Nineties
atmosphere of the Big Scoop
Ice Cream ralace. You’ll also
love our delicious sandwiches,
sausage dog, and hamburgers,
with crisp, salty french fries,
cole slaw or pork and
beans. Next time you're
I hungry—visit Big
Scoop, for good- it
ness sake! ArM
UGA ART MUSEUM
Pearlstein collection exhibits
By KAREN REAVERS
Staff writ*!
Eighty works by artist
Philip Pearlstein, a c ollection by
Gregory tiillespie and a group
ol anonymous paintings from
the Cuzco collection are on ex
hibition at the Georgia Museum
ol Art
According to Bill Paul,
director of the museum the
Pearlstein collection, on exhibi
turn through November 8, is the
largest one man exhibition
ever given to a mtxiern artist
Bom in 1924 in Pittsburgh
Pearlstein attended Carnegie
Tech and now holds a Master
ol Arts degree from the New
York Institute ul fine Arts
The 80 work exhibit consists
ol paintings, lithographs and
drawings completed between
1950 and 1970
ALREADY THE GEORGIA
exhibit has received national
recognition in the September
issue of ARTnews magazine
At present a 168 page rata
logue on Philip Pearlstein is
being compiled by the museum
with the text by a student, Un-
da Norhlin
Paul stated We derided Ui
print the catalogue on Pearl-
stein because we like him as an
artist and like his works We
feel that he is a leader in the
new realism and that he has a
tremendous future
Pearlstein's early works
consisted of landscapes made
in Italy while the artist was
there on a Fulbright Grant His
later works weie almost entire
ly figures
Only recently has Pearlstein
begun to paint directly from the
live model Previously the art
ist made his paintings from
drawings of the models
THE PAINTINGS now on
exhibit by Pearlstein are Studio
paintings of still models Char
arteristirally they typify Pearl
stein's tendency to paint his
subjects to the point of bore
dom
In addition the paintings re
flect Pearlstein's return to
realism Paul said, Pearlstei
returns to a different type o
realism, that of the 20th centu
ry This is a contrast to earliei
types of realism and is oftei
referred to as new realism
The Cuzco collection is a
group ol anony nous paintings
from Peru daUng from 1642 to
1800 They were made during
the Colonial ix-cupation of Peru
and reflect Colonial interpret*
lion of European motifs
There are five sources for
the Cuzco collection They are
the Birmingham Museum of
Art in Alabama, the Brooklyn
Museum, the Isaac Delgato
Museum in New Orleans Mrs
Glenda Greenwall, and Profes
sor Dr Georges deBone at
laGrange College
ACCORDING TO PACI. the
Cuzco exhibit was brought to
the University in order to aid a
graduate student in writing her
Doctorate paper on Colonial
Peruvian Art
The Gregory Gillespie
Collection also reflects real
ism It has elements of social
realism as well as surrealism
The subject matter is largely
Italian as ten works were made
while Gillespie was living in
Italy
Gillespie was born in Brook
lyn in 1926 and is now married
and has two children
THE COLLECTION no on due
play reflects brutality and ma-
sicis n which is a major theme
in all of Gillespie works
Concerning all three exhibits
Paul said, “All are concerned
with life aspects, but life as
pects in contrast The Gillespie
collection and Pearlstein
collection ismlrast with life in
ancient Peru The Gillespie
collection is more brutal than
either the Pearlstein group or
the Cuzco works
To some the Pearlstein
collection would seem risque
but Paul feels that the showing
is more passive without having
the qualities most people asso
elate with nudes
UNTITLED PAINTING IS
Many cn exhibit have
ALSO ANONYMOUS
unknown craaton
Theater...
..From page 1C
half weeks Peer Gynt
could not possibly have been
ready in four and a half
weeks.
"ALSO WE must lake the
auditorium into considera
tion when we consider a
play We face enormous dif
ficulties with any production
we must present in that au
ditorium.'' he continued
"You know, we are the only
university theatre in the
United States who doesn't
have a theater, he added
Rallew went on to explain
that because University
Theatre does not receive
anv funds from Student Ac
tivities. the Theatre must
pay for all its productions
from box office receipts
Fortunately, we have
accumulated some profit
over the years We ll be tak
ing a loss now. but it will be
absorbed by the assets We
are trying to break even on
each production ."
This is Ballew's 28th year
as chairman of the drama
department and as director
of the University Theatre
The University Theatre has
been in existence for 33
years. In 1937 Mr. Edward
Crouse, a journalism profes
sor. formed the department
of drama and the University
Theatre. When he retired in
1945 Uallew took over as
head of the department and
director of the Theatre
From
PEARLSTEIN'S "CHILDREN .xhibiti until Nov 8
fainting porlroyt Pearlstein s own two children
\» ngliru l*
Seme
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