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PEOPLE'S PARK
The Ked and Black. Friday, March 30, 1973
HEY.' trOODNCCOS,' THE
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ASSIGNED us A REPORTER//
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IN TM6 PRESS?//
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CONCERT DANCE
Program explores inconsistency
Consistency will not be the
hallmark of the Concert Dance
Group’s repertoire in their
performances tonight and to
morrow at 8 p.m. in the Fine
Arts Auditorium.
But then, it is not meant to
be. According to company
director, Ms. Alita Kobnak, ‘‘I
think we have utilized modern
dance, Jazz and ballet in the
concert to explore movement
and design, and to underlay
the different dances' themes.”
In respect to variety of dance
styles in the program, Ms.
Kobnak believes the concert is
"experimental.”
Comprised of ten dances, the
concert was choreographed
chiefly by senior dance majors
and the company’s directors,
Ms Kobnak and Ms. Virginia
Carver. The Concert Dance
Group itself is composed of 18
members who are enrolled in
the University of Georgia's
dance program, which is under
the auspices of the Department
of Physical Education for
Women. There are also ap
proximately 25 students from
other areas of study participat
ing in the dance group who are
selected through individual
auditions
TIIE CONCERT DANCE
Group meets twice weekly for
technique instruction under
Ms. Kobnak. which culminates
in the annual spring dance
concert. The concert’s admis
sion is free both to the public
and students.
For her chorepgraphic con
tribution to the concert, Ms.
Virginia Carver uses music by
John La Montaine and modern
dance movement to express
what she describes as a “a
tense dramatic situation out of
which the dance grows into a
semi-literal form with conflict
between two forces as its
theme.” The title of her work
is “Flight.”
In choreographing a primi
tive-modern work for nine
dancers, Ms. Robnak incorpor
ates benches and tables as a
media for movement and
design.
Perhaps one of the most
unique performances of the
concert was staged by Will
Pilchard of the Art Depart
ment In what Pilchard de
scribes as a “non-dance,” the
stage will be filled with three
huge poly vinyl sacs which are
inflated with air while dancers
move about inside them.
The bulk of the concert was
choreographed by senior dance
majors Linda kabhan, Lyn
Bush, Laura Chapman. Sandy
Keim, Elaine Kelly and
Martha Harrison as a part of
their curriculum requirements.
IN HER DANCE, 'Tradition
al Changes,” Linda Kabhan
compares and contrasts classi
cal ballet and modern jazz,
extending themes of movement
in both dance forms.
For a modern dance trio
entitled "The Masque," Lyn
Bush uses music by Leon
Kussel) to correspond to her
representation of free expres
sion. With freedom of move
ment as her theme, Sandy
Keim choreographed her mo
dern dance to music by Michel
LeGrind. Entitled “Free." da
dance is based upon the idea
CONCERT DANCERS USE ORIGINAL CHOREOGRAPHY
Modern dance, jazz and ballet are used to explore a theme
that people go through three
phases in learning to move.
In Martha Harrison's lyrical
modern dance choreographed
to Judy Collins’ instrumental
piece, "Nightingale II,” five
dancers alternate between
unison and contrasting group
movements. Elaine Kelly
blends modern and jazz dance
DANCERS EXPRESS INTENSE DR AMATIC SITUATION
Senior dance majors choreograph most of the concert
in her attempt to describe
man’s search for the essence
of existence to the music of
David Gates and Ken Hensley.
With man's religious aliena
tion from God as her theme,
Laura Chapman composed
“Mosaic on Estrangement
from God." Represented in the
Sailing Club
meets Wed.
The University of Georgia
Sailing Club will sponsor
racing and lessons as part of
its Spring Quarter program.
Racing will be held in
conjunction with the Georgia
Tech Sailing Club and the
South Atlantic Intercollegiate
Sailing Association Sailing
lessons will be given by
members of the club.
The Sailing Club currently
has one boat, a Flying Junior,
which is kept at Aqualand at
Lake Lanier Several members
also have boats which the club
uses.
Both the races and the
lessons are held on weekends.
Club members meet on Satur
day mornings to go to the lake
and rides are provided
Regular meetings of the Club
are held on Wednesdays in 404
Memorial Hall at 8:00 All
students, staff and faculty
members are invited; no
experience is necessary.
work are stages of innocence,
laxity, facade and complete
perversion.
A FAST-PACES and lively
jazz dance performed to the
theme music of “Hawaii
Five-O" completes the varied
program.
ALPS drive in
NORTH AVE. AT BY PASS
FRIDAY & SATURDAY
■mi: i.oni; swift sword
OF SIEUFRIKD" X
\ND
“THE EROTIC ADVEN-
TURKS OF ZOItltO" X
SUNDAY, MONDAY. TOES
"KANSAS CITY BOMBER"
RAQl'KI. WELCH
AND
'•SKYJACKED'.'
Little Caesar's
Pizza Treat
WANTS TO THANK UGA
STUDENTS FOR THEIR
PARTICIPATION IN
MAKING LITTLE CEASARS
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It plugs directly into
the current cry for
law and order.
DEEPLY INVOLVING
— Kevin Thomas L A Times
BASED ON ATRUE STORY 1
★ ★★★★★
Jim Ward
sings gospel,
plays jazz
The University Chapel will
be the setting lor a unique
rendition of rhythm-and-blues
gospel and jazz Saturday.
March 31, as Jim Ward
presents a concert of his
original works. Sponsored by
the Inter-Varsity Christian
Fellowship. Ward will begin
his piano concert at 7 p m.
Ward, who calls himself a
soulful song painter, is a
free-lance musician from Chat
tanooga, Tennessee. He writes
all of his own music, which he
performs at such places as
Tulane University. Georgia
Tech, and Florida State
University. His back-ups in
clude Hal Pendergrass on
drums and Glen Donehue on
bass.
Since he graduated from
Covenant College. Ward has
been travelling to colleges and
universities in the South and
East. He appeared on the
University campus for the first
time two years ago.
was the last time
you stood up and
applauded a movie?
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1** DUSTY RUSSELL LAURA BROOKS *THE WORLD CHAMPION HELL DRIVERS
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Winner of 8
Academy
Awards
THEY CALL IT "BACKYARD BINGO!'
@ Women in prison
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WOMEN