The Red and Black (Athens, Ga.) 1893-current, December 06, 2006, Image 11

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8 I Wednesday, December 6, 2006 | The Red & Black VARIETY The Collegium ensemble to sing Performs Renaissance music By COLBY DUNN For The Red & Black Have you ever heard of a rebec? How about a gamba? When was the last time you played a lute? For the members of the University’s Collegium Musicum, these ancient instruments, with the more than 300-year-old musical compositions they perform, are a regular part of their week. The Collegium, a small choral ensemble composed of both faculty and stu dents, is devoted to per forming music written exclusively before and dur ing the Renaissance. Led by Dr. Mitos Andaya, associate director of choral activities in the Hugh Hodgson School of Music, the ensemble per forms a wide range of early music, and usually with the original instruments — some of which have been out of popular use for hun dreds of years. While the Collegium per forms complex period pieces, which Andaya described as “challenging but wonderful,” the ensem ble is not exclusive to music majors or faculty. In fact, many of the members have no other connections to the school of Music. Dr. Leigh Holland, an academic adviser in Franklin College, has been a member of the Collegium for the last three years and said she joined because she just “liked the old stuff bet ter.” For Holland, the music is “like a puzzle” — it takes time to put together. A short, eight-minute motet may take five to six weeks to reach perform ance quality and even longer to fully perfect. Andaya is committed to tirelessly rehearsing a piece to achieve the original qual ity. “One of the goals of Collegium is to try to per form the music as it was meant to be,” Andaya said. That means not only perfecting the notes, but also teaching members to play unusual period instru ments like the rebec (a three-string, medieval pre cursor to the violin), gamba (a large instrument similar to a cello) and the guitar like lute. When modern instru ments are used, they are augmented to remain true to the original sound. Ashley Garofalo, a senior music major from Woodstock, joined the Collegium in Fall 2005. “I really enjoy the oppor tunity to perform such clas sic works,” she said. “There is so much to learn from this music.” That is exactly what Andaya said she hopes the Collegium can provide for its members and its audi ence: exposure and under standing of the early mas terpieces that get less attention than their mod ern counterparts. “There’s a whole world of music out there still waiting to be heard,” Andaya said. S795 PHILIP STEIN’ -0- TESLAR* Downtown Athens 706-543-3473 Mon.-Sat. 10am-5:30pm Experience the Teslar* Effect and let yourself feel more relaxed, more rested and less tense. Try it. Wear it. Live it. Feel rt. OTolv 'sdBCorpomifl2006 MnarM• wwwptacsfeifflHtt'.cari ‘Chick lit’ authors angry at book By KRISTA DERBECKER kderbecke@randb.com “Chick lit: A genre of Ac tion that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeat edly) . Girl Ands Prince Charming.” With this deAnition on the back of Elizabeth Merrick’s collection of short stories, “This Is Not Chick Lit: Original Stories by America’s Best Women Writers,” Merrick makes it clear that she’s forgoing the world of makeovers and blind dates for something more substan tial. This anthology, published in August 2006, features more than a dozen female literary authors such as Jennifer Egan, Francine Prose, Curtis Sittenfeld and Jennifer Davis. With its black cover and bright pink title, the book grabs attention from across the bookstore, making a statement about a new kind of female writer. At least, that’s what it attempts to do. Many of the same issues of love and loss that occur in chick lit books still are present in this collec tion. But unsurprisingly, the stories that focus on those banal themes are the weaker ones, almost not even worth reading. My personal favorite was a humorous and poignant story about Almmakers docu menting the life of Joan of Arc. “Joan, Jeanne, LaPucelle, Maid of Orleans,” by Judy Budnitz is innovative and unique, a stark contrast from the cookie-cutter chick lit novels, and even from some of the other works in the book. Despite the book’s noble intentions of raising female readers’ standards, there has been some opposition, espe cially by chick lit writers themselves. Lauren Baratz-Logstead, author of “The Thin Pink Line,” and “A Little Change of Face,” even came out with a retaliatory work soon after Merrick’s, called “This Is Chick Lit.” In a particularly nasty online response to the origi nal collection, Baratz- Logstead, said Merrick’s anthology is “bitch-slapping the subgenre of chick lit.” Maybe it is. I’ve never read BOOK REVIEW THIS IS NOT CHICK LIT “This Is Not Chick Lit” Grade: C+ Verdict: Good idea, not the best execution. any of Baratz-Logstead’s books, but I have read and enjoyed some Jennifer Weiner (“Good In Bed,” “In Her Shoes”), who also responded negatively to Merrick’s anthology. Weiner cites a letter that petitioned Oprah to include more contemporary litera ture in her famous Book Club. The letter was signed by numerous authors around the country, including some of the authors featured in “This Is Not Chick Lit.” “So on the one hand, it’s ‘Oprah, do your part for women writers! We’re all in this together, and we’re all lost without you!’ And on the other hand, we’ve got the country’s (self-proclaimed) best women writers turning up their noses at their fellow women author’ more com mercial efforts,” Weiner wrote on her Web log. She does bring up a good point. What makes these writers “the best?” If this is the absolute pinnacle of female writing, I have to admit, I’m a little disappoint ed in the lack of creativity, and also in the overall somber feel of the collection. Can a novel or short story have a happy ending and still be considered a serious book? Are readers more interested in breezy beach reads than insightful works of literature? Is it possible to have a light-hearted book that addresses deeper issues (“Divine Secrets of the Ya-Ya Sisterhood,” for example)? I may not put “This Is Not Chick Lit” on the shelf with my favorites like Margaret Atwood or Isabel Allende, but being a book nerd who reads both literature and chick lit, I’m just grateful for the discussions this collec tion has fostered about female authors and their works. Greg Giraldo crude but amusing By RUSTY BAILEY rbailey@randb.com Greg Giraldo is rude, crude and doesn’t care what comes out of his mouth. In his new comedy CD, “Good Day to Cross a River”, he’ll Are at will at every type of person he can think of. Some of the most talked about people are “fat, stupid Americans.” In one part, he mentions how waitresses always ask if you “have room” for dessert. As if Americans eat so much during their main course that they have to make room for a slice of pie. But of course, we don’t just eat a slice of pie; we have Death by Chocolate. And he just goes on and on about how obese and moronic Americans are. However, he doesn’t stop there. He pokes fun at blacks, gays, couples, differ ent religions and even burns himself about being middle- aged. He mentions such things as his balls dipping into the toilet water, and how he gets stares as he walks into an Abercrombie and Fitch. Many of his jokes will make your jaw drop. You’ll think to yourself, “I can’t believe he just said that,” but at the same time you’re grab bing your side while laughing, because you know it’s just funny. Greg Giraldo’s new CD is deAnitely worth a listen. He knows how to make you GREG GIRALDO Grade: A Verdict: Don’t miss out on this hilarious take on today's American culture. laugh and never misses a beat with his in-your-face humor. THE WEST OF BOTH WORLDS UNIQUE TQWNHOME FLOORPLANS TANNING SALON Sand volleyball court Residents tan for free! 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