Newspaper Page Text
PAGE 6—The Southern Cross, August 15, 1963
WRITERS
AND
READERS
EDITED BY LEO J. ZUBER
2332 North Docatur Ed. Dacatur. Gaorgla
MAMMALS OF GEORGIA, by
Frank B. Golley, University of
Georgia Press, 1962, 21S pp.,
maps, charts, diagrams, $3.75.
Georgia, this tidy volume re
ports, counts among its attri
butes 30 species of mammals;
69 are terrestial, S are mar
ine, and 3 are feral. The terres
trial include, for example, the
opossum, various shrews,
mice, rats, rabbits and squir
rels. The marine have four
kinds of whales, porpoise, dol
phins and the manatee. The
feral include the wild pigs
(boars to hunters) of mountain
ous and coastal plain areas.
The bulk of this book is a
detailed account (description,
distribution, and biology) of
each of the 30 species; there
are distribution maps, on a
county basis, and various charts
as appropriate to the facts at
hand about each. Like a dic
tionary, the book is hard to
read but excellent for ref
erence. But readable and of
particular interest are the fore
materials and its near-tantaliz
ing account, through brevity, of
the “History of Mammalogy in
Georgia.”
There is a glossary of terms
and a partial bibliography. The
book will never be a best seller
except among others of its kind
if such there be. Two words of
recommendation though: Geor
gia schools should have copies;
does your school have one? And,
if that boy or girl of yours
brings home various kinds of
varmints (mammals), you might
just spark his interest by hav
ing a copy of MAMMALS OF
GEORGIA around the house; it
doesn’t crawl or squeek. One
of the points made in the text
is how much more needs to be
known about the state’s mam
mals. The latter subject is one
of increasing importance be
cause so much former Georgia
farmland is reverting by design
or by neglect to woodland; the
mammal population, finding
habitat in woodland and in aban
doned fields, is on the increase.
And that is not bad. (LJZ)
learn that ranking among the
great marine tragedies of his
tory was that which resulted
from the explosions on the new
riverboat and pride of the Mis
sissippi, the SULTANA, while
plying its northward way on an
overflowing river April 27,
1865. Of the almost 2,500 pas
sengers aboard, less than 1,000
survived. The author states that
the only comparable disaster
history offers Was the sinking
of the TITANIC which claimed
less lives than the SULTANA,
And the jacket blurb calls the
SULTANA carnage “the great
est marine disaster of all
time.” This is open to question,
since statistics exist which de
clare the contrary. Neverthe
less, other significant news of
the day allowed little space in
newspapers for more than brief
mention of the fate of the SUL
TANA and her passengers. The
New York TIMES gave it only
five inches on page four. Its
front page, and the front pages
of all newspapers were filled
with the events of Lee’s sur
render, President Lincoln’s as
sassination, Joseph E, John
ston’s surrender to General
Sherman, and the death of John
Wilkes Booth.
Mr. Elliott calls it “histori
cal amnesia” for the disaster
of the SULTANA to have been
TRANSPORT TO DISASTER,
by James W. Elliott, Holt, Rine
hart and Winstone, 1962, 247
pp., illus., $4.95.
Reviewed by W. L. Schmidt.
It will be news to many to
forgotten and so long neglect
ed. His work, then, is signifi
cant inasmuch as it is the first
that dwells solely and more
comprehensively on the river-
boat’s maiden voyage and its
ill-fated return trip. Much re
search, and personal interest,
prompted by the fact that one
of the passengers was his own
grandfather, went into the work.
Except for an amount of tedi
ousness imposed on the reader
by the author’s injection of so
many first hand accounts of
survival by passengers that liv
ed to tell about it, the work is
fast moving and terse, and in
terestingly fills a gap in marine
history that was apparently long
overdue.
-See Story Page 1-
FATHER JOHN GARVEY, pastor of Our Lady of the As
sumption parish, Sylvania, addresses some Sardis resi
dents at meeting outside trailer chapel.
JOTTINGS-
(Continued from Page 4)
bly match. Others may prefer
to spend long hours on the golf
course, as I often have, in my
time or on tennis courts or in
the stands cheering the Red Sox
on to possible victory. But for
me, there is nothing to com
pare with the feeling of a tarred
line in my hand. . .or casting
out from the breakwater. . .or
feeling the bite and pull on a
line. . .or again to hold a tiller
in your hand and feel the swell
of the sea under you and the
flap of a sail overhead. This
is the life for me. This is a
clean, simple, uncomplicated
life. If I had been born a boy,
I might have gone to sea as a
sailor charting my course by
the stars, meditating on the
endless rhythmic beat of the
mighty seas. . .or become a
fisherman, living providential
ly on the harvests of the sea...
controlled by the timeless for
ces of nature.
ON A summer’s evening down
at Galilee, my favorite seaside
spot here, as I sit on the wharf
and watch the fishing boats come
in through the jettys and the
cheery greetings the returning
fishermen from boat to boat,
it is not difficult to envision
another Galille of long ago. On
the waters Christ walked to
wards His apostles; from a boat
Christ spoke to the crowd, Gali-
llean waters witnessed many
miracles, it was here the first
apostles were called from
mending their nets. , .fishing
folk the world over are the
same in and out of season
through the centuries, “Christ
and the Sailor's” author tells
us. The sea has ever fascinat
ed me, poems and stories about
it. The Holy Scriptures num
berless references to it from
Jonah and the whale through to
St. Paul’s shipwreck. Thoreau’s
essays, “The River” and “Cape
Cod’ ’ capture this same beat and
excitement for me. It is "Our
Lady Star of the Sea” which is
my tavorite invocation in the
Marian litanies, And when I sing
the hymn, “Star of the Sea”. .,
pray for the wanderer, pray
for me” I hope this invocation
will one day bring me into the
eternal port to which one known
as the Fisherman holds the
keys.
Calls For True
Understanding
ROCKVILLE CENTRE, N. Y.,
(NC)—Biship Walter P. Kellen-
berg of Rockville Centre called
for “true understanding and
greater charity” among men as
a remedy for minority discri
mination problems now facing
the nation.
In a pastoral letter issued on
the first anniversary (Aug. 5)
of the founding of the Rockville
Centre Diocese Catholic Inter
racial Council, the Bishop
termed the struggle for equal
opportunity a matter of correct
individual conscience which
must be recognized basically
as a moral issue.
The Bishop reminded Ca
tholics that “only equal oppor
tunity for all can make the
American dream of justice a
reality for our citizens.”
SCRIPTURE-
(Continued from Page 2)
by Revelation, but by perhaps
the Church’s sense of the quality
of the books themselves).
F inally, while maintaining
that all matters of faith are in
Scripture at least germinally
(save, perhaps, the canon),
some concede that Tradition
may be the sole vehicle of cer
tain revealed liturgical and dis
ciplinary practices of the
Church. They hold at the same
time that Scripture and Tradi
tion go hand in hand, and that
any thgology viewing Tradition
as something completely sepa
rate from Scripture would be
dangerous.
Those siding with the doctrine
and terminology of the first
chapter of the Theological Com
mission’s draft reply to critics
along the following lines. Cer
tainly, God is the author—and
therefore The Source—of Re
velation. But since He doesn’t
speak to us directly, the medium
or media of our knowledge of
the divine message can legiti
mately be termed “source” or
“sources” of Revelation.
Scripture and Tradition have
been referred to as two sources
of Revelation for the last four
centuries not only by the great
majority of theologians but also
by such popes as Sixtus V, Cle
ment XIII, Pius IX, Leo XIII,
Pius X, Pius XI, Pius XII, and
John XXIII himself. And the
other bishops echoed this lan
guage in provincial councils.
Moreover, the draft’s defend
ers continue, that Scripture and
Tradition are two distinct sour
ces of Revelation is clear from
this passage of the First Vatican
Council: “By divine and Ca
tholic Faith everything must be
CASTELGANDOLFO—WHERE POPE PAUL WILL SPEND THE SUMMER—
Pope Paul VI has arrived for his summer stay at Castelgandolfo, the papal
residence in the cool Alban hills 18 miles from the Vatican. Some 21 popes
have spent their summers there. Photos show the exterior of the villa from
the town square; one of the beautiful gardens there, and the pope’s private
chapel located near his bedroom. - (NC Photos)
(Continued from Page 4)
Jewish Revolt against the Ro
mans. (This date was subse
quently confirmed by the car
bon-clock process.)
THE RELATIONSHIP be
tween the scrolls and the “mon
astery” was readily deduced.
During the Jewish revolt the
inhabitants dispersed, but not
before hiding the precious
scrolls in the nearby caves.
Since they never returned to
their “monastery,” the scrolls
remained concealed down
through the ages—until now.
THE ERRONEOUS impres
sion that the Dead Sea Scrolls
impugn the uniqueness of Christ
and Christianity was occasioned
by a very unscholarly theory
formulated by a French author,
Andre Dupont-Sommer, whose
book, translated into English,
achieved a measure of popu
larity in this country largely
because of an article in the
New Yorker (May 14, 1955).
The magazine report, put into
a book, quickly became a best
seller.
SUBSEQUENTLY, in 1956,
The New York Times publicized
a series of B.B.C. broadcasts
in London which equivalently
placed a British scholar in about
the same camp as Dupont-Som
mer.
IN ALL FAIRNESS, Dupont-
believed that is contained in the
written word of God or in Tra
dition. . .” And, they add, this
distinction is all the more un
deniable if, as they contend,
Tradition is the sole source
of some revealed truths (the
Scriptural canon and yet
others).
In behalf of the latter conten
tion, the draft’s defenders make
their own appeal to Church
Fathers, medieval theologians,
the Council of Trent and various
popes.
Together with the common
teaching of theologians of the
last four centuries, all this, it
is held, adds up to a solid
argument from the ordinary
universal magisterium of the
Church against the view that the
Bible contains the whole of
Revelation.
Finally, the draft’s cham
pions claim, by trying to move
closer to Protestants (by con
ceding all Revelation is in
Scripture), one would alienate
other brethren, members of
the separated Eastern Church
es. And even if all Revelation
were in Scripture, the Church’s
authority to interpret the latter
would still remain as a great
stumbling block for some Pro
testants.
The proponents of the origi
nal draft could muster only 37
per cent of the council Fathers
to vote in its favor last Novem
ber 20, when a vote was taken
on whether to discontinue dis
cussion of it. Of 2,211 council
Fathers present, 1,368 voted to
shelve the document and 822
against. The opponents of the
draft failed by 106 votes to
achieve the required two-thirds
majority
Sommer eventually clarified his
views (in effect, he actually
retracted). One commentator
suggests that his original
errors were due to the fact that
he was so ' ‘hypnotized by his
own theory that he read into the
holes of the leather of (the
manuscripts).” And the British
scholar who erred was openly
castigated by a group of his
colleagues in a letter to the
London Times. Unfortunately
neither this rebuttal nor Du
pont-Sommer’s clarification
were as widely publicized as
their original groundless theo
ries.
THE SIGNIFICANCE of the
Scrolls? First, they provide us
with hitherto unpossessed pri
mary source matter on the Es-
senses—hence, open up doors to
certain historical mysteries
relating to the New Testament.
As regards the Old Testament,
their importance is cited by Bi
shop John J. Dougherty in his
SEARCHING THE SCRIPTURES
(Doubleday, Image Books;
1962): “The biblical scrolls
will serve scholars in recon
structing the history of the Old
Testament text, in the critical
evaluation of readings of the
Masoretic text, and the Septua-
gint, and the study of Hebrew
scripts. It is not too much to
say that the scrolls have revo
lutionized the science of Old
Testament textual criticism,”
NEWMAN AWARD—George
N. Shuster, (above) prominent
Catholic educator and author,
will be presented with the
1963 Cardinal Newman Award
during the 48th annual conven
tion of the Newman Apo stolate
at Lafayett, La., August 26
to 31. Dr. Shuster, who is as
sistant to the president of
Notre Dame University, was
president of Hunter College,
New York City, from 1939 to
1960. - (NC Photos)
LATEST
LEGION
LISTINGS
CLASS A SECTION I
Young and the Brave, The
CLASS A SECTION II
The Man with the X-Ray Eyes
CLASS A SECTION III
V.I.P’s., The
Running Man, The
CLASS A SECTION 4
This Sporting Life
CLASS B
Johnny Cool
Of Love and Desire
Shock Corridon
LEGION OF DECENCY
CLASS A —Section I — Morally Unobjectionable for General Patronage
Alakaxam, The Great—Am. Inti.
Almoat Angela—Buena Vista
Assignment Outer Space—Am. Inti.
Beau, The (Fr.)—Embassy
Black Gold—War.
Boy Who Caught a Crook (Was: Boy Who
Found $100,000)—UA
Captain Sindbad—MGM
Capture That Capsule—UA
Cattle King—MGM
Constantine and the Cross—Embassy
Damn the Defiant (Br.)—Col.
Day Mars Invaded the Earth—Fox
Dentist in the Chair, A (Br.)—Ajay Film Co.
Drums of Africa—MGM
Escape from East Berlin—MGM
SS Days at Peking—AA
First Spaceship to Venus—Pan-World Films
Five Weeks in a Balloon—Fox
Flight That Disappeared—UA
Flipper—MGM
Francis of Assisi—Fox
Gathering of Eagles—U-I
Gay Purree—War.
Gidgct Goes to Rome—Col.
Great Escape—UA
Great Van Robbery—UA
Hercules and the Captive Women (Ital.)—
Pan-World
Heroes Island—UA
Honeymoon Machine—MGM
tHow The West Was Won—MGM
In Search of the Castaways—Buena Vista
Invasion Quartet—MGM
It’s Only Money—Para.
Jason and the Argonauts—Col.
Joseph and His Brethern—(Ital.)—Colorama
tjumbo—MGM
Kill or Cure—(Br.)—MGM
King Kong vs. Godzilla—U-I
Lafayette—Maco Films
Lassie’s Great Adventure—Fox
Legend of Lobo—Buena Vista
Lilies of the Field—UA
List of Adrian Messenger—U-I
Longest Day, The—Fox
Make Way for Lila—Parade Releasing
Man From the Diner’s Club—Col.
t Miracle of the White Stallions—Buena Vista
Mouse on the Moon—UA
Murder at the Gallop (Br.)—MGM
My Six Loves—Para.
Mysterious Island—Col.
Mystery Submarine—U-I
Nikki, Wild Dog of the North—Buena Vista
No Place Like Homicide (Br.)—Embassy
Nutty Professor, The—Para.
Papa’s Delicate Condition—Para.
Password Is Courage—MGM
Phantom Planet—Am. Inti.
Pied Piper of Hamelin—Prod. Unlimited
Pirates of Tortuga—Fox
PT 109—War.
Purple Hills—Fox
Queen of the Pirates—Col.
Raiders of Leyte Gulf—Hemisphere Pictures
Raven, The—Am. Inti.
Reptilicus—Am. Inti.
Savage Sam—Buena Vista
Sergeant Was a Lady—U-I
Seven Seas to Calais—MGM
Snake Woman—UA
Son of Flubber—Buena Vista
Summer Magic—Buena Vista
Swordsman of Siena—MGM
Tammy and the Doctor—U-I
Tarzan’s Three Challenges—MGM
Teenage Millionaire—UA
Thief of Baghdad—MGM
13 Frightened Girls—Col.
30 Years of Fun—Fox
Ticklish Affair, A—MGM
Titans, The—UA
Traitors—U-I
Two Daughters (Indian)—Janus
Ugly American—U-I
Valley of the Dragons—Col.
Varan—The Unbelievable—Pan-World Films
Voyage to the Bottom of the Sea—Fox
When the Clock Strikes—UA
You Have to Run Fast—UA
Young GunB of Texas—Fox
CLASS A—Section II — Morally Unobjectionable (or Adults and Adolescents
All the Way Home—Para.
All Night Long—Colorama
Amazons of Rome (was: Virgins of Rome)
(ItaL)—UA
Atlantia, the Lost Continent—MGM
Billy Budd—AA
Birds, The—U-I'
Black Fox—Capri Films
Black Zoo—AA
Bridge to the Sun—MGM
Burning Court, The (Fr.)—Trans-Lux
Call Me Bwana—UA
•Castilian, The—War.
Cat Burglar—UA
Centurion (Ital.)—Altura Films
Charade—U-I
Child Is Waiting, A—UA
Come Fly With Me—MGM
Convicts 4 (was Reprieve)—AA
Court Martial (Ger.)—UA.
Courtship of Eddie's Father—MGM
Cow and I, The (Fr.)—Zenith Inti.
David and Lisa—Continental
Day and the Hour, The—MGM
Day of the Triffids—AA
Days of Wine and Roses—War.
Devi (Ind.)—Harrison
Devil at 4 O’clock—Col. (Ind.)
Diary of a Madman—UA
Donovan's Reef—Para.
Dr. Blood’s Coffin—UA
Duel of the Titans—Para.
Electra—UA
•Erik, The Conqueror—Am. Inti.
Everybody Go Home (Ital.)—Davis-Royal
Flame in the Streets (Br.)—Atlantic
Four Days of Naples (Ital.)—MGM
40 Pounds of Trouble—U-I
Frantic (Fr.)—Times Film Corp.
Fury of the Pagans—Col.
Girls, Girls, Girls—Para.
Good Soldier, Schweik (Ger.)—Lionex
Guns of Darkness—War.
Harbor Lights—Fox
Hook, The—MGM
House of the Damned—Fox
Huns, The (Ital.)—Altura Films
It Happened at the World’s Fair—MGM
Just For Fun—Col.
Kiss of the Vampire—U-I
•Lancelot and Guinevere—U-I
Lawrence of Arabia—Col.
Lazarillo (Spanish)—Union Films
Long Absence (Fr.)—Commercial Pictures
Miracle Worker—UA
Murder on the Campus (Br.)—Colorama
Mutiny On the Bounty—MGM
My Name Is Ivan (Russian)—Sig Shore
Naked Edge—UA
Old Dark House, The—Col.
Paranoiac—U-I
Play It Cool—AA
Pit and the Pendulum—Am. Inti.
Playboy of the Western World—(Br.)—Janus
Samson and the Seven Miracles of the World
Am. Inti.
Sanjuro (Jap.)—Toho Inti.
Sardonicus—Col.
Scream of Fear—Col.
Secret of Deep Harbor—UA
Showdown—U-I
Slave, The—MGM
Stagecoach to Dancer’s Rock—U-I
Square of Violence—MGM
Taras Bulba—UA
Terror, The—Am. Inti.
Thrill of It All—U-I
fTo Kill a Mockingbird—U-I
Trunk, The—Col.
Twenty Plus Two—AA
Twice Told Tales—UA
Weekend With Lulu—Col.
Werewolf in a Girls’ Dormitory—MGM
Yellow Canary—Fox
Young Doctors—UA
Young Racers, The—Am. Inti.
CLASS A — Section III — Morally Unobjectionable (or Alnltt
Ada—MOM
Armored Command—AA
Baltic Express (Pol.)—Telepix Corp.
Battle of Stalingrad (Swed.)—Trans-Lux
Beach Party—Am. Inti.
Big Risk, The (Fr.)—UA
Breakfast At Tiffany’s—Para.
Bye, Bye, Birdie—Col.
Caretakers—UA
Cairo—MGM
California—Am. Inti.
Claudelle Ingliah—War.
Come Blow Your Horn—Para.
Come September—U-I
Corridors of Blood—MGM
Couch, The—War.
•Crime Does Not Pay (Fr.)—Embassy
Critic’s Choice—War.
Crooks Anonymous (Br.)—Janus
Day in Court, A (Ital.)—Ultra Films
Dime With A Halo—MGM
Fatal Desire—Ultra Films
Five Miles to Midnight—UA
Great War, The—Lopert
Heavens Above (Br.)—Janus
Hud—Para.
Hustler, The—Fox
I Could Go On Singing—UA
In the French Style—Col.
Love and Larceny (Ital.)—Major Films
Love at Twenty (Fr.)—Embassy
Love Is a Ball—UA
Lovers of Teruel—(Fr.)—Continental
Magnificent Sinner—Film-Mart, Inc.
Manchurian Candidate—UA
Marriage of Figaro (Fr.)—Union Films
Mind Benders, The—Am. Inti.
Money, Money, Money (Fr.)—Times Film
Corp.
Monkey in the Winter (Fr.)—MGM
Nine Hours to Rama—Fox
One Plus One—Selected Pics.
Panic in Your Zero—Am. Inti.
Passionate Thief (Ital.)—Embassy
Period of Adjustment—MGM
Police Nurse—Fox
Quare Fellow (Irish)—Astor
Rebel with a Cause (was: Loneliness of the
Long Distance Runner) (Br.)—Continental
Rice Girls (Ital.)—Ultra Films
Rififi in Tokyo—MGM
Rocco and His Brothers (Ital.)—Astor
Season of Passion—UA
Secrets of Nazi Criminals (Swed.)—Trans-Lux
Sparrows Can’t Sing (Br.)—Janus
Spencer’s Mountain—War.
Summer and Smoke—Para.
Sundays and Cybele (Fr.)—Davis-Royal
Susan Slade—War.
Term of Trial—War.
Three On a Spree—UA
Thunder of Drums—MGM
Town Without Pity—UA
Toys in the Attic—UA
Trial, The—Astor
Trial and Error—MGM
Two for the Seesaw—UA
Two Women (Ital.)—Embassy
•Warriors Five—Am. Inti.
West Side Story—UA
Whatever Happened to Baby Jane?—War.
* Where the Truth Lies (Fr.)—Para.
Winter Light (Swed.)—Janus
Wrong Arm of the Law (Br.)—Continental
Yojimbo—(Jap.)—Seneca Inti.
CLASS A—Section IV—Morally Unobjectionable for Adults, with Reservations
(An A-IV Classification is given to certain films which, while not morally offensive in themselves, require caution and some analysis and explanation
as a protection to the uninformed against wrong interpretations and false conclusions.)
Adam and Eve (Mex.)—Wm. Horne
Advise and Consent—Col.
Anatomy of a Murder—Col.
Case of Dr. Laurent (Fr.)—Trans-Lux
Circle of Deception—Fox
Geo from 5 to 7 (Fr.)—Zenith
Crowning Experience—MRA
Devil’s Wanton (Swed.)—Embassy
•Divorce, Italian Style (Ital.)—Embassy
Eclipse (Ital.)—Times Films
8yi (Ital.)—Embassy
Freud—U-I
Girl of the Night—War.
Important Man (Mexican)—Lopert
Intruder—Pathe-Am.
King of Kings—MGM
L-Shaped Room, The Columbia—Davis-Royal
La Dolce Vita (Ital.)—Astor Pictures, Inc.
Lolita—Seven Arts
Long Day’s Journey Into Night—Embassy
Martin Luther—de Rochemont
Mondo Cane—Times Films
Never Take Candy From a Stranger—Omar
Pressure Point—UA
Sky Above and the Mud Below, The (Fr.) —
Embassy
Storm Center—Col.
Strangers in the City—Embassy
Suddenly, Last Summer—Col.
Too Young to Love—Arthur-Go Pictures, Inc,
Victim (Br.)—Pathe-America
Walk On the Wild Side—Col.
CLASS B — Morally Objectionable in Part for All
Arturo’s Island—(Ital.)—MGM
Back Street—U-I
Candlde—(Fr.)—Union Films
Cleopatra—Fox
•Diamond Head—Col.
Explosive Generation—UA
Follow the Boys—MGM
For Love or Money—U.I.
Free, White and 21—Am. Inti.
Girl Hunters, The—Colorama Features
Goodbye Again—UA
Head, The—Trans-Lux
House of Fright (was: Two Faces of Dr.
Jekyll)—Amer. Inti.
In the Cool of the Day—MGM
Irma La Douce—UA
Island of Love—War.
Joker, The (Fr.)—Lopert
Kind of Loving, A (Br.)—Governor
Landru (Fr.)—Embassy
And God Created Woman (Fr.)—Kingsley
Baby Doll—War.
Balcony, The—Continental
Bed of Grass (Greek)—Trans-Lux
Bell’Antonio (Ital.)—Embassy Films
Boccaccio 70 (Ital.)—Embassy
Breathless (Fr.)—Films Around World
Cold Wind In August—Aidart
Come Dance With Me (Fr.)—Kingsley-Intl.
During One Night (Br.)—Astor
Expresso Bongo (Br.)—Continental
Pive Day Lover (Fr.)—Kingsley- Inti.
Girl With the Golden Eyes (Fr.)—Union Films
Green Carnation (was: Trials of Oscar Wilde)
(Br.)—Warwick Films
Green Mare (Fr.)—Zenith
Heroes and Sinners (Fr.)—Janus
I Am a Camera—DCA
I Love, You Love (Ital.)—Davis-Royal
Joan of the Angels?—Polish-Telepix
Jules and Jim (Fr.)—Janus
L'Awentura (Ital.)—Janus
La Notte (Night) (Ital.)—Lopert
La Viaccia (Ital.)—Embassy
Leda (Fr.)—Times
Light Fantastic—Embassy
Madame—(Ital.)—Embassy
Main Attraction—MGM
Man Trap—Para.
Marilyn—Fox
Marines Let’s Go—Fox
Mary Had a Little (Br.)—Lopert
Mongols—Colorama
New Kind of Love, A—Para.
Night Is My Future (Swed.)—Embassy
No Exit—(Fr.)—Zenith Inti.
Operation Bikini—Am. Inti.
Paris Blues—UA
Peeping Tom—Astor
Private Lives of Adam and Eve—U-I
Purple Noon (Fr.)—Time*
Rampage—War.
CLASS C — Condemned
Lady Chatterley’s Lover (Fr.)—Kingsley
Law, The (Fr.)—Embassy
Les Liaisons Dangereuses (Fr.)—Astor Pic
tures, Inc.
Liane, Jungle Goddess—DCA
Love Game (Fr.)—Films Around World
Love Is My Profession (Fr.)—Kingsley-Intl.
Lovers, The (Fr.)—Zenith
Mademoiselle,Striptease (Fr.) —DCA
Magdalena (Ger.)—Buhawk
Maid in Paris (Fr.)—Bellon-Foulke
Mating Urge—Citation
Miller’s Beautiful Wife (Ital.)—DCA
Mitsou (Fr.)—Zenith Inti.
Mom and Dad (Sideroad)—Hallmark Prod.
Moon Is Blue, The—UA
Never On Sunday (Greek)—Lopert
Nude Odyssey, The (Ital.)—Davis-Royal
Odd Obsession (Jap.)—Harrison
Oscar Wilde (Br.)—Four City Enterprises
Passionate Summer (Fr.-Ital.)—Kingsley
Phaedra (Gk.)—Lopert
Playgirl After Dark (Br.)—Topaz Films
Sodom and Gomorrah—Fox
Splendor in the Grass—War.
Stripper, The—Fox
Tartars—MGM
That Touch of Mink—U-I
Temptress and the Monk (Jap.)—Hakim Pro
ductions
Time Out For Love (Fr.)—Zenith
Tomorrow Is My Turn (Fr.)— Showcorp.
Two Weeks in Another Town—MGM
Vampire and the Ballerina—UA
‘Very Private Affair—MGM
Wall of Noise—War.
Waltz of the Toreadors (Br.)—Continental
War Lover, The—Col.
White Slave Ship—Am. Inti.
Wild Harvest—Pathe-Am.
Wives And Lovers—Paramount
World by Night—War.
Please, Not Now I (Fr.)—Fox
Port of Desire—Union
Pot Bouille (Lovers of Paris) (Fr.)—
Continental
Prime Time—Essanjay Films, Inc.
Private Property—Citation
Question of Adultery—NTA
Saturday Night and Sunday Morning (Br.)—
Continental
Savage Eye—Trans-Lux-Kingsley Inti.
Seven Capital Sins (Fr.)—Embassy
Sins of Mona Kent—Astor
Smiles of a Summer Night (Swedish)—Rank
Tales of Paris (Fr.)—Times Films
Temptation (Fr.-Ital.)—Shelton
Third Sex (Ger.)—D. & F. Dist.
Too Young, Too Immoral—Rialto Inti.
Trials of Oscar Wilde (Br.)—Warwick Filins
Truth, The (LaVerite) (Fr.)—Kingsley Inti.
Viridiana (Sp.)—Kingsley Inti.
Wasted Lives and The Birth of Twins—
K. Gordon Murray Production
Women of the World (Ital.)—Embassy