Newspaper Page Text
PAGE TWO
“Why Girls Leave Home” Feature At Rylander Monday
ft
■;■. ■ ■ TL* • tSBw -4* ■'•’'■ ”" J**-
* 'W'”' ' 'N-• ■ '■? i - ’ L '
g 3 G" Scene From " NVHY,GIRLS LEAVE HOME" WarNsrS Pictures Jfi„
im ■ ■ I • ill niiniiii—ttiii—T T TiiMWiriiiM— TJI in ■iimhh rru —ri-TrniniwiiH-rwinriwiiwrii - - „--n-nr.T-.-i i irini” «
“H/iy Girls Leave Home’’
Great Human Interest Drama
Vivid Compelling Picture at The
Rylander For Monday
Only
For the seeker after something
different in the of the photo
play, the Rylander Theater has
something, special to offer- next
Monday in “Why Girls Leave Home
Althou'h the theme and title of the
production are from the igreat Amer
ican stage success of the same
name which thrilled American thea
tre-goers a generation ago, the pro
ducers of this photoplay claim thPre
is not a bit of maulding melodrama
in the entire story. One promin
e<nt reviewer has stated that the
production struck him as “a blend
of 'Way Down Esat’ and ‘Humores
que,’ although the picture itself re
sembles neither of the two produc
tions mentioned.
The story deals with every
home in general, but for the sake
of clarity presents two specific in
stances. One, the home of a rich
merchant who indulges his daugh
ter’s every whim. The other, the
home of the.pch man’s employe,
who represses in his daughter ev
ery youthmu] instinct. The result
is. that both girls leave home and
I Am Agent For The
Macon Daily
Telegraph
EUGENE LANGFORD
Phone 760
RAILROAD SCHEDULE
Arrival and Departure of Passenger
Trains, Americus, Ga.
The following schedule figures
t üblished as information and not
guaranteed:
CENTRAL OF GEORGIA RY.
Arrive » Leave
11:55 pm Colum’s-Chgo 3:45 am
10:35 pm Albany-Mont 5:14 am
7:jl pm Macon-Atl’nta 6:37 am
1:55 pm Alb’y-Montg’y pm
2:14 pm Macon-Atla’ta 1;55 pm
10:15 am Columbus 3:15 pm
6:37 am Albany 7:21 pm
5:14 am Macon-Atla’ta 10:35 pm
? .45 am Albany-J’ville 11:55 pm
2:58 am * Ibany-J’ville 12:37 am
12:37 am Chgo.St.L.’Atl 2:58 am
3:45 am Cin & Atlanta 1:35 am
SEABOARD AIR LINE
(Central Time)
Arrive Departs
10:05 am Cordele-Hel’na 5:15 pm
12.26 pm Cols-M’t’g’y 3:10 pm
3:10 pm Cordele-Savh 12:26 pm
5:T5 rw» Richland-Cols 10:05 am
I •>
DO YOU KNOW WHY GIRLS LEAVE HOME?
PARENTS! SEE
‘WHY, GIRLS
SLE ‘ LEAVE HOME’ to
‘WHY GIRLS !t Wi ** Make If j
LEAVE HOME’ Think Twice
It Will Give You
Much Food
For Thought
———> 1
i .
PyS. M There are thousands of reasons—the
most important of which are vividly de
—P’cte£l * n th** P u l® e »tHTing drama. You
' owe it to yourself to see it!
“ ' RYLANDER
Regular Admission * ** •
Why Do Girls Leave Home?
attempt to fight the battles of life
alone. Later their paths cross and
together they work out their own
destiny in a manner which is at one.
time of compelling interest and at
the same time true to life.
The theme of “Why Girls Leave
Home’’ is a, problem that many par
ents have been called upon to face.
Statistics are often boresome, but
the fact that in New Yotk City
alone the Bureau of Missing Per
sons reports 65,000 girls lost in a
year, .gives one much cause for re
flection.
“Why Girls Leave Home” goes i
right at the heart of the problem |
and does riot deviate in the slight-1
est from its purpose of presenting
a clearcut and constructive story
that reveals not only the regspni
but skilfully suggests a correction
of them.
Why Do Girls
Leave Home?
Because—
1— Parents are too cruel to their
children.
2 Os the lure of the big city.
3 Os shattered romances and
town scandal. 1
4 They leave in answer to fake
matrimonial advertisements.
> s—The search for romance and
fine clothes is irresistible.
Thus, Anna Q. Nillson, the mo
tion picture star, in no uncertain
words expounded her reasons why
over 65,000 girls desert the hearth
stone every year. The igirl prob
lem has baffled the best known au
thorities and although from time to
time many preventatives have been
.evolved for the benefit of the
young women, the disappearances
yearly continues to he appalling.
Experiments have indicated that
large areas in the Phillippines are
well adapted to the production of
quinine.
When a man goes to the dogs
many of his friends bark at him.
MBIWSB
| w/ PENCIL \\ •w'"™**"**™' /»
red band \ TEUffiSL:T'>:iiciLrf.cTonr2r
PENCIL CO. NEWYOPKUSA. *™ c Wiiß “
THIS GIRL HADI
RISE Bffl SOOL
Viola Dana in ‘Rouged Lips’
a Most Entertaining Photo-
Play , -..dfL
Nex Wednesday Vila Dana conies
to the Rvlander Theater in her fa
stest picture, “Rouged Lips.” a
story of the stage and stage people
from Rita Weiman’s story, “Up
stage.” The author is the most de
lightful of all chroniclers of life
J behind the footlights ami her
I stories have won millions of read
ers.
I Supporting Miss Dana in the pic
ture are Tom Moore, Arline Pretty
Nola Luxford, Sydney de Grey and
Francis Powers.
“Routged Lips” is the story of a
little girl whrf is a member of a
musical comedy chorus. She meets
her Prince Cfiarming who Recogn
izes her innate sweetness and in
nocence but who is led astray by
false rumors and fails to realize
the secret wishes of every woman’s
heart. In the end Norah wins her
Prince Charming, but how she suc
ceeds in doing it against terrific
obstacles forms as interesting a
tory as i the local theatres have
ever presented.
One of the most interesting fea
tures of “Rouged Dips” is a devil’s’
“chorus of “thirty under twenty.”
I This expression has become famous
in theatrical circles and signifies a
collection of beautiful girls, per
haps thirty in number and all un
der twenty years of age. In “Roug
ed Lips” several of the bi«g scenes
are laid inside of a theatre with
the performance in full progress
before an audience. This chorus
was picked out of hundreds of
California beauties.
On the program with “Rouged
j Lips” will be shown “City Chaps,”
I Cine of the Sunshine comedies
j which have proved so popular in
Americus.
Chainp! Champ! Champ! They
are ’coming!. a/a 10-5 t
IHSWTFIT
RYLANDER TUESDAY
j Popular Minstrel Star Brings His
Best Show Ever To
Americus
AH, lovers of ministrelsy will be
pleased to note that on Tuesday
night, Nov. 13, the inimitable Lasses-
White will' bring his all star mins
trels to the Rylander Theatre.
Great credit is due Lasses for
the ? aekno!edged supremacy of the
All Stars which is the result of his
great personr 1 popularity combined
with uncommon sense of what con
stitutes a good minstrel entertain
ment Combined with the ability to
write and stage it.
The coming visit will be the
fourth of the All Star and it would
seem that each succeeding season
finds it a bigger tnd better show.
Lasses’ talent, it is said;* - aside from
his personal funmaking, is shown
finely in two big features this'sea
son that are widely disimilar. One
is “At the Seashore” and the other,
which -is the afterpiece is “The
Blackville Speedway” in which Las
ses will be seen as “Exezema Itch.”
Seats for Lasses White Minstrels
are already ein sale at the Rylan
der box office.
Harold lloyd
COMING SOON
The Rylander announces as one
of its coming big attractions Harold
Loyd’s new feature comedy, “Why
Worry..” It is Lloyd’s first serious
attempt at straight farce and pre
sents real characters and entirely
probable situations exaggerated to
a state of absurdity that yet re
mains within the realms of possibil
ity.
“Why Worry” is the story of an
American youth, accustomed to lux
ury who has a flare of advanture
in his make-up. Ke goes to South
America and promptly becomes en
meshed ~in a fierce, firey and flam
ing revolution. It is a story of in
trigue and romance such as Richard
Harding Davis would revel in, yet
containing surprises and twists
such as 0. Henry would give it, is
a decided departure from previous
Lloyd stories.
From the moment Lloyd is intro
duced being taken aboard ship on a
stretcher to the final fade-out,
where he is tying up traffic, “Why
Worry” is. one mirthful, hilarious
situation after smother, each situa
tion inextricably bound up with the
plot, thereby producing a staccato
laugh effect throughout the entire
development of a story that intri
gues the interest, while adding rhe
glow of romance.
Conspicuous among Lloyd’s aides
in “Why Worry” are Joby.na Rals
ton and John Aasen. Jobyna is
young, pretty \and spirited. Aasen
is an' 8 foot 9 inch giant and is
such a hit we prophecy giants on
the screen will be in demand here
after. He takes you back to the
days when you believed in Jack,
the Giant Killer.
SOME COMING ATTRACTIONS. '
Among the many big productions
booked for an early date, at the Ry
lander are Harold Lloyd in “Why
Worry;” “Ruggles of Red Gap,” a
Paramount special production;
“Broadway Gold” with Elaine Ham- i
merstein; Wesley Barry in “The
Printer’s Devil,” Robert W. Cham
ber’s “The Common Law” Thomas
Meigham in “Woman Proof,” Gloria
Cwanson in “Zaza;” David Belas
co's “Tiger Rose;” William De
Mille’s ‘The Marraige Maker,”
Jackie Coogan in “Lor.ig Live the
King;” Buster Keaton in his first
feature comedy, “The Three Ages”
and many others.
Many Stars in “Lawful Larceny”
' Sa.
I v w* \
Ml A
i i
au WWOnIOOTmODMITOm
v-,-, j rt 7irJ u flj.ii WHO IMO ‘ tltlH l»
Hope Hampton, Lew Cody Nita. Na-IcLi and Conrad Nagel in a scene, from
the’ Paramount Picture ‘Lawful. Larceny* .An Allan P_wan‘ Produotion'.
.‘SOUL Ilf THE debt
; STOPY OF THE IMS
On Program With William
Duncan, in ‘The Steel
Ji ft? Trail
'
'Next Saturday’s program at the
Rylander is one of unusual inter
est, including a feature produc
tion, “Soul of the Beasc' with
Madge Bellamy, Cullen Landis and
Noah Beery; a Century comedy,
“Hold on;” and William Duncan in
the second Chapter of “The Steel
Trail.” I Y
With an elephant star to fur
nish novelty and a delightful hu
man interest plot for a story
“Soul of the Beast,” a Thomas H.
Ince production, is said to be a
most unusual picture.
“Oscar,” the elephant, shows api
intelligence in his performance
that is uncanny dnd marks him
for place in the front rank of
the screen’s most popular animal
stars. Madge Bellamy as the for
lorn little elephant girl gives a de
lightful performance. The combi
nation of the elephant, the girl
and some absolutely novel situa
tions carries a striking appeal for
every member of the family.
“Soul of the Beast” tells the ad
ventures of a little Cinderella of
the circus who has centered all her
affections in her elephant, Oscar.
The motherless girl is the drudge
of a moth-eaten troupe and the tar
get of the petty spitefulneSS of her
step-father until one night when
a cyclone blows down the big cir
cus tents she and Oscar run away
into the backwoods of Canada.
Some romantic adventures ensue.
This, chapter shows a thrilling es-
It Is Lawful Larceny To
Steal Another Woman's Husband?
z' '
7 ' It’s stor y a W® m ®“
,£l- ■ ■ who loses her husband to
' J?- 1 a mc dern Cleopatra and
wins him back again in
S’; Wfet startling fashion.
11’4 i/r* -“'W
L.
I \ ■SkrAJu tx
% ’■ 'lnfll s 9aram ' Hu ' t
K, 1 tajh
7/ V ! v' T BW : \ I'ftY 4 \
HOPE HAMPTON
NITA NALDI V' V-wKjil
LEW CODY ■ , I I
CONRAD NAGEL lIIMKIIU - ■'“jiEW' W !
[awful Jarceny
AN ALLAN DWAN PRODUCTION
*
Added Attraction—Aesop’s Fables > o f' d 'Af i .1
RYLANDER ™“ rßday ,
Friday • '
When You Miss a Single Picture at the Rylander You Are Missing a Real Treat
Nita Ndldi Seen As Cleopatra
in ‘‘Lawful Larceny”
Conrad Nagei Also in Cast of
Paramount Picture Thurs
day and Friday
Allan Dwan’s new Paramount
production, “Lawful Larcejny,' 1
which will be the feature attrac
tion at-the Rylander Theater next
Thursday and Friday, is filled with
scenes of splendor seldom attempt
ed by the average picture producer.
The prologue presents Nita Nalai
as Cleopatra in her court on the
Nile. The atmosphere of ancient
E‘gypt was brought to the Long
Island studio through the erection
of one of the largest sets ever built
on the huge stage. Nita Naldi in
the raiment of the champion charm
er of the world, reclines on the.
royal couch, while huge black slaves
fan her and demure handmaidens
bring viands a,nd wine for her
pleasure. While Sonia Tomora,
classic dancer, interprets an Egyp
tian dance, Cleopatra spurns lover
after lover in contempt. ,
All this is shown preparatory to
cape from pursuers in the wilder
ness, a desperate fight at a meet
ing of agitators, in which the en
gineer -pits himself against a horde
of “reds” and the hair-raising
semaphore adventure, i<n which a
heavy runaway car drags the two
toward death. Their escape is one
of the most ingenious devices ever
put into a motion picture story.
“Thg Sthel Trail,” the ■ second
chapter of which will be shotvn' c.i
the Same program, is a thrilling
story of the building of , a, railrohd,
in which, William Duncan, as the
fighting cc ( nstruetion ’ engineer,
batties with the elements and with
plotters inside his organization Lb
push his road to completion.
• SATURDAY, NOVEMBER 10, 1923
the-appearance of Miss Naldi as
Vivian Hepbuir.i, a modern charm
er. The Egyptian motif is carried mH
throughout the picture in Vivian's
New York apartment, which gives ,\j
vivid coloring to many of the scenes
in this picture. At the same time j
Mr. Dwan has preserved all the
drama and heart interest of the
story—a swift moving tale of the
intri’gues of women against men
and men against women, with the
honor and integrity of a home
hanging in the balance.
The cast of “Lawful Larceny” .
includes four of the most promin- Y
ent Paramount players, Conrad 3
Na*gel, Hopq| Hampton, Lewis I
Cody and Nita Naldi. '
t' i
Program For i
Next Week
Monday—“ Why Girls
Mome,” “Hot Chris
tie comedy.
Tuesday—Lasses White Min- J
strels. ■
Wednesday—Viola Dana in
“Rouged Lips;” “City Chaps,” |
comedy. •
Thursday and Friday— I
“Lawful Larceny,” Paramount 1
special production; Aesop’s
Fables.
Saturday “Soul of the
Beast;’ William Duncan in
“The Steel Trail,” “Hold On’
Century comedy. <
PROGRAM FOS TODAY
There is being shQVtn at the Ry
la(nd.er today ’fom Jtiis.in. his latest
feature ' “Romance
Land;” Art Acord ip. .the last chap
ter of “The OiT-gori. Trail.” William
Duncan in' “The Chapter of
Steel Trail,” "Taking Orders,” a
Century comedy.,
