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THE GEORGIAN’S MAGAZINE PAGE “The Gates of Silence” A STORY OF LOVE MYSTERY ANO HATE. WITH A THRILLING POR TRAYAL OF LIFE BEHIND PRISON BARS TODAY'S INSTALLMENT. E*t!\ looked nt the man. whose eyes met heis There wa - -■• c'lune in t voice, in hie fneoucsant roamer •‘ in made a certAin appeal to her Re- des. Ip u.is innocent A Demand. But 1 shall never p>vo you a wav. Bettv. he said 'Don'' b> v'-vid 111 say nothir.g of what know .>< voitr being at Tempest street the other nig'" >nl>. you’ve got to heir me 1 must s»e Edith He did not s*rm tn rmtn * the offem of his words on the girl; his eye® were fixed on the dismal gray vests of the parti be tween the trees Yet he ■ > vid not have failed to see the strange change that had come over her face, turning Its pallor to an ugh grayncss, nor :■■<» she caught suddenly at the bark <>f one of the little green chairs set tate-a-tete under the trees, as though she would have fallen When she spoke her voice seemed to herself to sound :•» though ft came from some grea' distance "Tou must be mad quite mad tn make such a proposition.” she said. "And not only mad as 1 said before, shameless Oh. a minute nr two ago I felt sorry for you—but now''— "You don't understand. he said, and the r e was a new, an almost stern, note In his voice I must sre Edith Rett'., you re not a child, you know that a man doe.. >k. endanger his very life out of Sheer wantoness I’ve been twice to the -ery door today then I saw you. and waited. Betty, you must give me a safe conduct into the house Tn bls eagerness he seized the girl's arm In a fierce grip .She shook off his grasp impatiently. "I will not take you in Haven’t, you wrought her evil enough?” Levasseur looked her tip and down, the pupils of his eves narrowed tn needle points "You refuse?” he asked with an evil snarl "Emphatically I refuse "So be It " The man shrugged his shoulders with a foreign air that assorted oddlv with his present disguise "Then you simply precipitate matters, mon en fant I will see Edith—but I will see her husband first.” He turned away abruptly with a few long, striding steps across the grass. Breaking into a little run, Betty gained on him "Where ar* you going'’” She did not for a moment doubt the sincerity of his intention; It was for such daredeviltry that Edmond had been noto rious "I am going to pay mv respects to the husband of your suiter.” be said "No. no ” Her fingers crooked them selves into the rough sleeve of his coat With a sudden change of manner, the man put his hand over hers reassur ingly "Can't vou trust me. Bettv'’” he asked "Give me a chance, and Edith will live to thank you; I swear that." In the House of the Enemy. Mrs Barrington was writing letters when Betty burst in upon her, . . '.Bettv what s the matter?” Alarmed by her sister's strange look, she rose hurriedly and went forward. "Everything.” Betty said, distractedly "Edith, a dreadful thing has happened. As I came across the park, whom do you think accosted met - Edmond Edmond Levasseur!" A little sound of horror escaped Edith Barrington’s lips Then the beast who had been crouching in ambush during the interminable hours of this week had sprung' She could npt speak; she stared at Betty with so strange an expression that the girl thought her words had failed in their purport “Don't you under stand? 1 met Edmond." She took her sister's arm and shook it roughly, and her voice was a thick whisper that crack ed on the final note of her question "You met him.” Edith put the ques tion stupidly "Yes. and he's here, Edith here.” 40 Us a Woman’s Gtorioos Prime When « woman realizes that her youth is slipping bx ’ \lmost 40’ She looks hack and sees that first white hair over her ,<ar She jerked it out. and laughed' Then she remem bers combing her hair each morning and carefully looking and picking out two or thr»e glistening white threads. And the next war'. The white hair.* pulled out one day were replaced by twice as many th* next And she drift ed on Are yon just drifting toward a gray haired old age at 4<». the age that should be th*- glorious prime of a wo man's life” We wish you would get our booklet “Charm” and read it (At any of our stor» s. nr sent bx mail upon request.) It explains wh\ you * an safely us** Rob. innaires Hair Dye. It Is not an ordi nary vulgar bleach or artificial color ing We should have named it a Re storative because It Is 'i pure, scientific compound that simply restores the hair to its own original color and beautiful, healthy condition. If you have but a few white hairs, don't pull them out. Re store them to their original vigorous color, and at the same time put x out hair in a health} condition and stop its fading. Th* hair respond* quickly to th* proper care and treatment and th* woman who wanu to keep its beauti ful color and fine texture an do so. Robinnaire Hail Dy* is made in our own laboratory and we personalis guarantee it to be absolutely pur** md harmless. Non stick} and does not stain skin or scalp. l it immediate ly if your hair is fading and losing vi tality. Trial size. 2 sc. postpaid 3He; regular large <ize, 75c, postpaid. 90c Prepared sot light, medium and da’k brown and black hair. Jacobs’ |‘har niHv-x Atlanta. RELIABLE DENTISTRY cte $8 SET 0F ee 3>*> < TEETH .... ZpO sls Set C.IA of Teeth . . * V "<1 fWfffn »iab * '‘ , tP it U All Other Dentistry at a<Tm iY i YTi Lowest Prices g/J^-* 1 Painless Extraction DR. E. <,. GRIFFIN’S „C,\7 24 '• \*'l- it. I. a|| g. O' a r Z AIIJ >1 c Dri.'O S'CC Hou-s 9t- " 9»n 1 LzCv AAte'’dant "That man here”” The words were j husky. almost unintelligible, the world was reeling round Edith Harrington. T' * re was a m ise nf the rushing of many w.cers- in her ears She saw Betty ; I vaguely, yet distinct!' , as one sees nb }jec’s through an Inverted opera glass Retty, vou are not playing with me? ’ I Is this \ntir revenge'”’ ’ | Tlloga ally enough, her sister's agita- 5 Hon helped to calm Betty s own "pear, it is the awful ’ruth.” she said. “He < here In your bnudoir- there’s no * time to lose Sep him and get rid of I him Tnny may enme bark at any mo- | men» Mechanically Edith moved slowly tn- I ward the door Betty held open for her , "Darling. l»e brave.” the girl whispered. With her hand pressed against her . breast, she watched the graceful figure in .is clinging draperies pass out of the room and through the beautiful hall , which seemed to serve as an ironic 1 comment on the deceit fulness of riches Rrau.Hful. exquisitely clad, surrounded , bx all that taste and money could pro- * ire. there was no more wretched or terrified woman in the whole of Ixmdon’R grim population than Edith Barrington nt that moment I’pstalrs, outside her boudoir door, Edith Barrington paused. the shrill groans nf a piano assaulted her ear For a moment she paused outside the door, sick at heart, half blind with a return of the faintness that had assailed her In the librarv Then, with the courage of de pair, she opened the dqor and went In. The Interview. At her entrance a man rose from the piano, where he had been striking a se ries of excruciating chords "Ah. madam your instrument—it is beyond mv pnnr skill,” he said with a bow Edith stared at him Then the voice betra } ed 'itself Madam.” she demanded. hoarsely, “what do you want’”' "Hush'” Ix*vAsscnr raised a deprecat- hand "Do you mind making fast that door before we begin our converse . Hon” I am presuming, of course, that you wish !t tn remain private ’’ Mrs Rarrington, with loathing In her exes, turned toward the door, hut he was before her ‘Permit me ” He hewed politely ag he turner) the key and slipped it In his pricket "Now.” he continued, suavely, "we are free from unnecessary interrup tion I have taken the liberty, vnu Ob ' serve, nf ascertaining that there was no other mode of entrance I trust you will • forgive the intrusion into your other ; apartments ” He made a little gesture towards the dour that led to her bed mom The suite iof rooms consisted of a sitting room, a I bed room and a dressing room comuni ' eating with Anthony Barrington's room ■ That door was locked she had locked it ■ herself last night They were free of ln | terruption. certainly but for how long” At any moment Anthony might return, i and when he returned Her imagin ! atlon showed the house surrounded by a force <»f police; disaster was upon her and I she knew It yet only as a womatn tied nii<l bound by the chains *»f a nightmare, ‘might have done, without power to move, ■ or cry out. or save herself. i He sat down near her and leaned for ; ward, a smile on his face. Maddened un ' der his scrutiny, she found her voire. A Frantic Appeal. “How dare you come here'” she said. 1 ; weakly. The man shrugged his shoulders. You never had much regard for the amenities of life, my dear Edith’ A real ly tactful woman wmuld have begun with sonic well-turned compliment upon my success in evading” i She made a quick, tier* e exclamation of disgust, but h*» interrupted her with a swift movement of his hand, smiling at j her still with that look she could not un i (bustand, which yet. in spite of herself. : moved her tn appeal tn him. , I "Edmond. If you have no mercy on yourself and think of what the conse quences of discovery to yourself mean for th*' sake of in\ child have nercy on me.” > The man rose abruptly, ignoring her ' appeal “You do well to say It is madness brought me here.” he said. “I don’t know what it is about you. Edith, but the very ! sigh’ <-f vou stirs up a fiend in me Ten , | minutes ago. with Betty. I felt like an | angel now, for tw»» straw’s I’d go down ,! stairs and give my name and history tn I 1 your butler j She stared at him in stupefied surprise. ; ; vet something in his words helped to , i steady her nerves a little 1 "Did you. may one ask. adopt that sin ’ gularlv unbecoming costume, run no In i cons’iderable risk, and force yourself into t this house merely 10 tpII me what I know that you hate me" ' she asked, and her tone matched his own in insolence. 1 H*> did not answer for a moment. : ' ”! am a fool,” he said at last "Any 1 1 man w ith an ounce of sense In his com position. coming tn a woman to ask what I am going to ask. would have had the common decency to <it least veil his feel ings Yet I blurt our the truth, and place myself at your mercy at the same time r Edith Ipi done. I admit it. At this moment mv life is as completely in your hands as was the life nf Slsera in the s hands of Jael. t W hat < an I do The Rack. And they talk »f women s wit!” he ■ groaned Then. Edith. Ive treated you ' aboroinally now I ask you to show the spark *'( the divine which exists, so they sax in every w<»man towards the man r she first love*! M' dear” he laid one soft, warm hand on and she quiv ered "we can’t Ret away from that I '' was th* first man \n<l Barrington for t all his virtue, ability and worth It’s rough on him th.it years and years agone those grim old sisters should haxe woven it in’o their pattern that he whs to play ■ j s»‘( on«i fiddle lie smiled into her eyes and Mrs Rar kjrmg’on drew away her hand suddenly, j with a little sound of pain and fear Continued Tomorrow. Mlle. Gabv Deslvs bells How to Dance the "Grizzly Bear" fp HIS is Part T of an article on 1 I how to dance the Grizzly Bear and its developments, Tur key Trot and Runny Hue. Th* s pic tures show Gaby Deslya and hrr danc ing partner. Harry Pilcer, Illustrating the various positions In the dance. The fnl’nw ing artie’e was written especially for The Atlanta Georgian's Magazine Page by Mlle. Gaby De sly g, in Pari.-, and forwarded here. By GABY DESLYS. PART I. NO matter whai, people may say against It. expurgated editions of the Grizzly B<>ar will be the popular dances of the day for some, time. People who can dance well can accomplish this dance as gracefully and elegantly as If they were danrina the old-fashioned waltz or minuet. It is only when the gestures and motions nf f . L._ w, is \\W / jBUK id , \ \\ A ?w/ MMtn si /Mr / M y ir ,>. .A? ■ VEK/ / MMV/// /'"lm 'iKifinF ft h o ■K *■ Far * 11 er s A T- Z '' proaching eaxth /■' J other for the / -OtWa position of V WfW Grizzly z A wwim ear aTlce Y*' Showing the P X', position where I * K® the arms are • outstretched. the body are exaggerated that the dance becomes vulgar and suggestive. It is easy enough to exaggerate, and the bad actor generally knows that he will make a hit if he overdoes some piece of work that ought to be deli cately done, hut the real artist is rec ognized as the one who gains the effect without losing either grace or beauty of gesture, and without making the dance common. It is a difficult thing to explain ex actly how the Grizzly Bear is danced, but with the help of the pictures I, think we can make It clear to you how we dance it. though, of course, for use In the ball room It is necessary tn adapt the dance which we have done on the [•tage and to modify and eliminate steps which would be too difficult for the average dancer Two-Step Time The Grizzly Bear is danced to a two. step. <>f course, we have our own mu sic. but the same steps will go to any ' good popular two-step of the day. A couple of bars should be allowed for the Introduction, then the girl ap proaches her partner, circling around him but keeping her back to him all the time, while, with arms etttatretehed, she sways gracefully front left ta right. The steps are the regular »>ri Two step" steps. During this time the nt.m should begin to awaken to the rhythm of the music, keeping time with the knees and with a fanlike wave of the hands and arms. Now the girl sways J »o the right, having previously circled around the left side of her partner, she takes six preps a»ay from the man. he approa-’hes her and begins circling jn i 'he opposite direction He should be I circling one way and she in the other . | After six step thet shoul- meet tn the I The left and right drop. Ji /Xi ' W center of the stage or platform. . The two partners are then facing each oth er. She can cross her arras over her cheat, hold her hands on her hips or outstretch, and he may do the same with his arms. The man now turns to the right, while the girl circles to the left, both of them swaying in perfect time to the music for eight bars. As the circle brings them together again there is a short pause for a poee, in which they look Into each other's eyes, arms extended during a momentary halt . In the music. The couple then take the position for rhe regular two-step, the man having his arm around his partner’s waist, the hand reaching Just above the waist. This is the first position of the dance. The girl places her left foot between her partner's feet, her toe just touch ing his. and the couple sway slightly, taking four steps forward, that is. she goes forward and he goes backward, while they bend rhythmically to the strains of the music. This step is repeated six differen' times, the man going backward first, then changing, while the girl backs and he comes forward. After that they go to the side with four steps and then to the opposite side. Now. the man holds hts partner's right hand in his> left, both arms being held very high above the head. Now. turns her around with h»r back to ward him. Dancing The Hop Next, the g*et and man each take a long two-bar step in opposite direc tions poising on one foot and giving a slight hop The v exchange hinds a'- i'h.rr pass each other, and the change land hop should be done as gracefully Showing the position where the arms are outstretched. as possible, without being abrupt or jerky. Now comes the next position, illus trated with extended arms. The man places' his arm about the waist of the girl, who stands with her back toward him and in front of him; standing slightly to the left of the girl they take four swaying steps forward, then both turn and take four steps back, return ing to the same position. This part of the dance is repeated three times, the man putting his hands on the girl's waist or holding her arms extended. The grace of this part of the dance depends entirely upon the absolute po sition of the two people, whose feet should touch the ground at the same moment. Still with outstretched hands, the couple take font' steps forward, throw ing the right foot slightly in the air while they sway forward for six meas ures. The kick in the air occupies an imperceptible moment of time. After this the girl turns and faces her part ner, placing her arms on his shoulder, elbows outstretched, while he holds het with his hands very high on her back, the elbows being outstretched again. This is the real Grizzly Bear, position, and the couple hold it whilej they sway backward and forward four steps in double-quick time. Now the girl got" backward, the man coming forward, and the same movement is repeated. The two dancers now circle around each other during a period of four bars in revet »-■ direction. They repeat this in a slower step for two bars; the girl then turns her back on the man. and he places his right arm about her waist. They then sway for four bars, tie man taking the girl firmly by the hand and wincing her toward him in two bars and unwinding her in the same space of time, turning as he does this. The winding and unwinding is then repeated at a much faster tempo. After this comes the original Grizzly Bear position again, and the swaying movement repeated twice to four bars each. Then taking the position side by side they hop to the right two Hops to each bar for four bars. Again he pivots the girl, holding her hand above bin head; then with th? hand dropped they hop to the left Once more he holds her hand up and the pivot and hop are done at the same time to two bars of music. (Part II of this article, with addi tional poses of Gaby Deslys and Harry Pilcer, will appear on this page in an issue of The Georgian.) FRECKLEFACE New Remedy That Removes Freckles or Costs Nothing. Here's a chance Miss Freckle-Fare, tn try a new rented.' for freckles with the guarantee of a reliable dealer that It will no' cost 'ou a penny unless It removes the freckles, while if ft does give vou a clear complexion, the expense ig trifling i Simply get an ounce of othine—double strength, from Jacobs' Fharmacv. and one | night's treatment «111 show mu how ««• i' to rid yourself of 'he tiomel' freck ies and ge' a beautiful complexion Rare !' is more than one ounce needed for 'he wore' case Be sure to ask Jacobs' for the double strength othine. as this is the on!’- pre- 1 .-criptlon sold under guarantee of monev I back if It fails to remove freckles * Little Bobbie’s Pa * By WILLIAM F. KIRK. PA COMES BACK FROM A REAL CONVENTION. IT was offul hot yesterday. Pa faint ed wen hh got hoam. Ma put sum ice on his hed, she was cracking sum ice wen Pa calm in, & wen she seen the way Pa looked she looked at the chunk of ice wich was in hw hand & then she put it on Pa's hed. T felt awful sorry for Pa. he had Just got back from a Democrat convenshun at Baltimore, * he had got in with sum marching club from Chicago, <Q I guess he marched so much that the hot wether must have hurt him a good deal. Ma & me both felt the heet, of course, but we dident feel it enuff to faint. I nevver knew that growed up men fainted, but the minnit Pa came into the house he looked at Ma & me kind of puzzled, as if he was in the wrong, house, & then he sed: "Three cheers for Falton B. Arker,‘& Bilyum Wryan. & CXjiamp Clark. & Bal timore,” & then Pa fainted the way I have sed. He fainted all at onst. He just keeled over. Husband, sed Ma. afterward, how long did that Baltimore convenshun last? It was jest oaver yesterday, sed Pa, & I am glad that it is oaver. I never had such a hard time beeing a dele gate in al! my life. But I thought that the convenshun Do You Know That A Mayfair club is being instituted for the purpose of promoting the in terests of animal lovers, and provid ing an exclusive clpb house in London, principally for lady and gentlemen sub scribers and supporters of animal or ganizations. A novel departure con nected with the club house will be a dogs' cloak room, consisting of prem ises which will be utilized for taking charge of members’ dogs when they are visiting the club. The dogs can be fed, groomed and will receive any at tention desired. By partaking of coca, an extract from a South American plant of that name, men can endure hard labor without food for a period of six or seven days. mean time is the standard employed on the railways of France. Belgium, Spain and Portugal. Motor spirit is produced throughout the world at the rate of 2,000.000.000 gallons per annum. Australia Is the largest island in the world: its area is nearly three-fourths that of Europe. Up till 1869- it was necessary to have a license to sell pepper in the United Kingdom. tcw,TOu aMPWIW noe.Svst llNivr Z .■ - CH I°cA<7o WsfW'-'JF \Jot//c/ *John D Rockefe/rirhave been /he richest' mwi in /he Wor/c/ifhe had snenf /he first money he earned? z He put it in the Bank- 1 The regular semi-annual interest on de posits in our SAVINGS DEPARTMENT ha,s been credited. Kindly have same en tered on your Passbook. Interest not with drawn will be added to principal. Deposits made on or before July 10 draw interest from July 1. I 4 c /c on Savings Deposits • MW*- t*. wwutrs Mil «n »m whisht X IgJ **• CTlrlll *“- Pattents vl» treated at their kame* O®- conddwtial. A book an the subject tree D& ». » WOOLLBY k son, Xo- B-A Victor Bantterixm, iKli, «*• lasted less than a week, sed Ma W « sed Pa, the faeks in the case are t!v . the Real convenshun did last ap. that long, but thare was a few of wich boited &- had a other convensh r thare was almost half of the rec., r delegates that stayed over. <t t.ha\ ■ all good sports like me, or els» r. :1v wuddent have bolted. That is ->n-> thing I will say about the crowd tpst followed me. Pa sed. ween thay do any. thing thay doant do it by halves Trr minnit thay decided that thay wan' d me for vice president of the T.'ni - States, to run on the saint ticket v; y the Bull Moose, thay bolted & we had our session in private. It jest g<,< oaver in time for me to catch the las' train out of Baltimore that I cud & still git here in time to greet rm deer little wife. Baltimore Is all r’'-. Pa sed. & politicks Is all rite, but af ter all is sed & done. Pa sed. the sweer. est & best thing in all the wurld Is th? deer littel wife that always greets you with a smile. It is then, looking into her deer eyes, that all the wurld seems primrose & azure. Pa sed. How much munny did you save out of the wreck? sed Ma. I can not speek of sordid things Ilk? munny. sed Pa. when I gaze Into them violet orbs in your sweet face. Then violet orbs in your sweet face Thru, sed Pa. all the wurld s*ems tn dan l * away in a mad reel of heavenly Joy. Pa sed. The creditors was here this morning, sed Ma. How gArong are you" I can lift five hundred pounds with one hand, sed Pa, I mean how much munny hav* too left, sed Ma. She dident care anything about Pa's prity speeches, she had her right hand out all the time. Then Pt •surprised her. He pulled out about •five hundred dollar?. It was a poker convenshun we hm;, sed Pa. that is why the good sports •bolted H stayed oaver in Baltimo » I will keep a hundred for me & give ’ •S4OO. sed Pa. Deer, darling boy. sed Ma. My kiuz. Ma sed. Nadinola Talcum WILL PLEASE THE ■ MOST EXACTING There’s None Better Contains More Antiseptics Sets free just enough oxygen to keep the skin white, soft, smooth and healthy Nadinola Talcum Powder is composed : entirely of sanative ingredients Soft as velvet. Guaranteed By toilet counters or by mail. 25 cents. NATIONAL TOILET COMPANY. Paris. Tern 1