Atlanta Georgian. (Atlanta, Ga.) 1912-1939, July 05, 1912, EXTRA, Image 5

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THE QEOR.GIAN’B MAGAZINE PAGE “The Gates of Silence” STORY of LOVE. MYSTERY AND HATE, WITH A THRILLING POR TRAYAL OF LIFE BEHIND PRISON BARS. TODAY'S INSTALLMENT. Bettv looked at the man. whose eyes met hers There was something in his voice in his insouciant manner than made , certain appeal to her. Besides, he was innocent. A Demand. But I shall never give you away. Bettv '• he said. ‘ Don't be afraid. I'll sav nothing of what I know of your being at Tempest street the other night only, vou've got to help me. I must see Edith." He did not seem to notice the effect of hls words on the girl; his eyes were fixed on the dismal gray vista of the park be tween the trees. Yet he could not have failed to see the strange change that had fomf over her face, turning its pallor to ar ugly grayness, nor how she caught suddenly at the back of one of the little green chairs set tete-a-tete under the trees, as though she would have fallen. When she spoke her voice seemed to herself to sound as though it came from some great distance. • You must be mad—quite mad—to make such a proposition." she said. "And not onlv mad—as I said before, shameless. Oh, a minute or two ago I felt sorry for you —but now You don't understand. ' he said, and there was a new, an almost stern, note In his voice. "I must see Edith. Betty, you're not a child: you know that a man does not endanger his very life out of sheer wantoness. I’ve been twice to the verv door today—then I saw you, and waited. Betty, you must give me a safe conduct into the house.” In his eagerness he seized the girl’s arm in a tierce grip. She shook off his grasp impatiently. I will not take you in Haven't you wrought her evil enough?” Levasseur looked her up and down, the pupils of his Acs narrowed to needle points "You refuse?" he asked with an evil snarl "Emphatically I refuse." So be it.” The man shrugged his shoulders with a foreign air that assorted oddly with his present disguise "Then vou simply precipitate matters, mon en fant I will see Edith but I will see her husband first.” He turned away abruptly with a few long, striding steps across the grass. Breaking into a little run. Betty gained on him Wlmre are you going”” She did not for a. moment doubt the sincerity of his intention: it was for such daredeviltry that Edmond Levasseur bad been noto rious I am going to pay my -aspects to the husband of your ssiter." he said. "No. no.” Her fingers crooked them selves into the rough sleeve of his coat. With a sudden change of manner, the man put his hand over hers reassur ingly. "Can't you trust me. Betty?" he asked. "Give me a chance, and Edith will live to thank you; I swear that.” In the House of the Enemy. Mrs. Barrington was writing letters when Betty burst in upon her. Betty what’s the matter?" Alarmed by her sister's strange look, she. rose hurriedly and went forward. "Everything.” Betty said, distractedly. Edith, a dreadful thing has happened. As 1 came across the park, whom do you think accosted me? Edmond Edmond Levasseur!" A little sound of horror escaped Edith Barrington's lips. Then the beast who had been crouching in ambush during the interminable hours of this week had sprung! She could not speak; she stared at Betty with so strange an expression that the girl thought her words had failed In their purport. "Don't you under stand? 1 met Edmond.” She took her sister's arm and shook it roughly, and her voice was a thick whisper that crack ed-on the final note of her question. You met him?” Edith put the ques tion stupidly. Yes; and he’s here, Edith here.” 40 a Woman’s Gflonoos Pro me Yi hen a woman realizes that he' youth is slipping by! Almost 40! She looks back and sees that first n htte hair over Iter ear. She jerked it out. and laughed'. Then she remem bers combing her hair each morning and carefully looking and picking out t"o <>r three glistening white threads, 'nd the next year! The white hairs pulled out one day were replaced by t'-vice as many the next. And she drift ed on. Are you just drifting toward a gray "aired old age at 40. the age that -hould be the glorious prime of a wo man's life? . e ",! sb you would get our booklet ' harm and read it. (At any of our s'ores. or sent by mail upon request.) ' explains why you can safely use Rob innaire’s Hair Dye. II (s not an ordl nttv vulgar bleach or artificial color 'J'S Me should have named it a Re 'otative. because It is i pure, scientific t onip.>und that simple restores the hair o ts non original color and beautiful, Jf'ajthy condition. If you have but a few "ite hairs, don’t pull them out. Re them to their original vigorous !". r "; an, l at the same time put your in a healthy condition and stop its J-' mg. The hair responds qul'ckly to ' " proper.care and treatment, and the on>an who wants ft* keep Its beaut!- L r ?* or an(! fine texture can do so. ovl" b i’ n u a ' rp Ha,r Dvp is fiade in our ...” ® borat °ry. and we personally hLrn‘i nteP 11 be nb «’lutely pure and » t „i,' e , s 7 Non sticky, and does not !v it *' k ” l b? scalp, Use it Immediate i.tlitv ° U m !’ a " fs fading and losing vi , * s,ze> 25c; postpaid. 30c; Pro, size > 75c ' postpaid, 90c. hr 'l, rPr ,l ? b *. medium and dark n and black hair. .Jacobs’ Phar rf,.v. Atlanta RELIABLE DENTISTRY CE TEETH .... sls Set CIA of Teeth . . 4* A V LryLstSMMHHßwlßfnVuuiM f jJ All Other Dentistry at j j tlMr* Lowest Prices. Painless Extraction. DR. E. G. GRIFFIN’S ’ Whitehall St.. Over B r own ft Allen'a Drug Store. - Hours. R to ?; Sunday. 0 <-o 1. Lady Attendant. "That man here?" The words were husky, almost unintelligible; the world w&s reeling round Edith Barrington. There was a noise of (he rushing of many waters in her ears. She saw Betty vaguely, yet distinctly, as nne sees ob jects through an inverted opera glass. "Betty, you are not playing with me? Is this your revengp n " Illogically enough, her sister’s agita tion helped to calm Betty's own "Dear, it is the awful truth." she said. "He's here—in your boudoir—there’s no time to lose. See him and get rid of him —Tony may come back at any mo ment." Mechanically Edith moved slowly to ward the door Betty held open for her. "Darling, be brave." the girl whispered. With her hand pressed against her breast, she watched the graceful figure in its clinging draperies pass out of the room and through the beautiful hall which seemed to serve as an ironic comment on the deceit fulness of riches. Beautiful, exquisitely clad, surrounded by all that taste and money could pro cure. there was no more wretched or terrified woman in the whole of London’s grim population than Edith Rarrington at that moment. I pstairs. outside her boudoir door. Edith Rarrington paused; the shrill groans of a piano assaulted her ear. For a moment she paused outside the door, sick at heart, half blind with a return of the faintness that had assailed her in the library Then, with the courage of despair, opened the door and went in. The interview. At her entrance a man rose from the piano, where he had been striking a se ries of excruciating chords. "Ah. madam, your instrument it is beyond my poor skill." he said with a bow. Edith stared at him Then the voice betrayed itself. Madam. she demanded, hoarsely, "what do you want?" "Hush*" raised a deprecat ing band. "Do you mind making fast that door before we bpgin our conversa tion 0 iam presuming, of course, that you wish It tn remain private ' Mrs. Barrington, with loathing in her eyes, turned toward the door, but bp was before her. Permit me. ’ He bowed politely as h a turned, the key and sT med it in his pocket. X’ow, he enni ■ d. suavely, "we are free from unnecessary interrup tion. I have taken the liberty, you ob serve. of ascertaining that there was no other mode of entrance. I trust you will forgive the intrusion Into your other apartments." He made a little gesture toward® the door that led to her bed room The suite of rooms consisted of a sitting room, a bed room and a dressing room comuni eating with Anthony Barrington’s room That door was locked she had locked It herself last night. They were free of in terruption, certainly but for how long? At any moment Anthony might return, and when he returned Her imagin ation showed the house surrounded by a force of police: disaster was upon her and she knew It yet only as a woman tied and bound by the chains of a nightmare might have done, without power io move, or cry out. or save herself. He sat down near her and leaned for ward. a smile on his face Maddened un der his scrutiny, she found her voice. A Frantic Appeal. "How ilar* 1 you come here!" she said, weakly. The man shrugged his shoulders. "You never had much regard for the amenities of life, niy (Hr Edith’ A real ly tactful woman would have begun wit: some well-turned conipl ?uen< upon my success in evading” She made a quick, fierce exclamation of disgust, but he interrupted her with a swift movement of his hand, smiling at her still with that look she could not un derstand. which yet. in pite of herself, moved her to appeal to him. "Edmond, if you have no mercy on yourself and think of what the conse quences of discover' to 'ourself mean for the sake of my child have mercy <»n me." The man rose abruptly, ignoring her appeal. "You do well tn say it is madness brought me here." he said. "I don't know what it is about you. Edith, but the very sigh' of you stirs up a fiend in me. Ten minutes ago. with Betty. 1 felt like an angel now. for tvo straw’s I’d go down stairs and give my name and history to your butler.” She stared at him in stupefied surprise, yet something in his words helped to steady her nerves a little "Did you. may one ask. adopt that sin gularly unbecoming costume, run no in considerable risk, and force yourself into this house merely to tell me what I know that you h&te me?” she asked, and her tone matched his own In Insolence He did not answer for a moment. "I am a fool." he said at last "Any man with an ounce of sense in his com position. coming to a woman to ask what I am going to ask. would have had the common decenc.v to at least veil his feel ings Yet l blurt out the truth, and place myself at your mercy at the same time. Edith. I'm done, I admit it. At this moment my life is as completely in your hands as was the life of Sisera in the hands of Jael.” "What can I do?" The Rack. "And the.' talk of women® wit!” he groaiii.d. Then, "Edith. Ive treated you abominally now I ask you to show the spark of the divine which exists, So they say, in every woman towards the man she first loved M' dear" he laid one soft, warm band on hers, and she quiv ered "we ran t get away from that J was the first man. And Barrington for all his virtue, ability and worth -it’s rough on him that years and years agone those grim old Misters should have woven it into their pattern that he was to play second fiddle. He smiled into her eyes and Mrs. Bar rington drew’ away her hand suddenly, with a little sound of pain and fear Continued Tomorrow. Mlle. Gabv Deslvs Tells' Hoi l« Dance fhe"Grimly Bear" THIS is Part I of an article or how to dance the Grizzly Bear and its developments, the Tur key Trot and Bunny Hug. The pic tures show Gab.' Desly s and her danc ing partner. Harr? Piher, illustrating the various positions in the dance. The following article was w.ritten especially for The Atlanta Georgian's Magazine Page by Jlflle, Gaby Deslvs, in Paris, and forwarded here. By GABY DESLYS. PART I. NO matter what people may say against it. expurgated editions of the Grifzly Bear will be the popular dances of the day for son), time. People who can dance well can accomplish this dance as gracefully and elegantly as if they were dancing th” old-fashioned waltz or minuet. It is only when the gestures and motions of / //IIMRWF- Jr P / * W' * / / dMWMK. 'A jBF ' »iz \ j / . Um KMolb mfer-.. JfWi \ \ ml Sff s/ /Jr \s/ SkS// Ik** i■w I I . P«r tnc r s ap- proaching each other for the / first position of Grizzly \ /' j. wBH&l Bear Donee. ijj Showing the W position where FJO the arms are ’ M outstretched the bod? are exaggerated that the dance becomes vulgar and suggestive. It is easy enough to exaggerate, and the bad actor generally knows that he will make a hit if he overdoes some piece of work that ought to he deli cately done, but the real artist is rec ognized as the one who gains the effect without losing either grace or beauty of gesture, and without making the dance common. It is a difficult thing to explain ex actly how the Grizzly Bear is danced, but with the help of the pictures I think we can make it clear to you how we dance It. though, of course, for use in the ball room It is necessary to adapt the dance which we lytve done on the stage and to modify and eliminate steps which would be too difficult for the average dancer. Two-Step Time. The Grizzly Bear Is danced to a two. step. Os course, we have our own mu sic, but the same steps will go to any good popular two-step of the day. A couple of bars should be allowed for the introduction, then the girl ap proaches her partner, circling around him but keeping her back to him all the time, while, with arms outstretched, she sways gracefully from left to right. The steps are the regular sort "two step" steps. During this time the man should begin to awaken to the rhythm of the musk', keeping time with the knees and with a fanlike wave of the hands and arms. Now the girl sways to the right, having previously circled around the left side of her partner: she takes six steps away from the man; he approaches her and begins circling In the opposite direction. Hr should be circling one way and she in the other. After six steps they should meet in the The left and right, drop. .. *ll center of the stage or platform. The two partners are then facing each,oth er. She ran cross her arm* over her chest, hold her hands on her hips or outstretch, and he may do the same with his arms. The man now turns to the right, while the girl circles to the left, both of them swaying in perfect time to the music for eight bars. As the circle brings them together again there is a short pause for a pose, in which they look into each other's eyes, arms extended during a momentary halt in the music. The couple'then take the position for the regular two-step, the man having his arm around his partner’s waist, the hand reaching just above the waist. This is the first position of the dance. The girl places her left foot between her partner’s feet, her toe just touch ing his, and the couple sway 4 slightly, taking foui steps forward, that is. she goes forward and he goes backv ard, while they bend rhythmically to the strains of the music. This step is repeated six different times, the man going backward first, then changing, while the girl backs and he comes forward. After that they go to the side w ith four steps and then to the opposite side Now. the man holds his partner's right hand in his left, both arms being held very high above the bead. Now. he turns her around with her back to ward him Dancing The Hop. Next, the girl and man each take a long two-bar step In opposite direc tions. poising on one foot and giving a slight hop. They exchange hands as they pass each other, and the change and hop should be done as gracefully Showing the position where the arms ore outstretched. as possible, without being abrupt or jerk?. Now ionics the next position, illus trated with extended arms. The man places his arm about the waist of the girl, who stands with her back toward him and in front of him: standing slightly to the left of the girl they take four swaying steps forward, then both turn and take four steps back, return ing to the same position. This part of the dance Is repeated tb'<*e times, the tnan putting his hands on the girl’s waist nr holding her arms extended. The grace of this part of the dance depends entirely upon the absolute po sition of the two Jteople. whoso feel should touch the ground at the satm moment. Still with outstretched hands, the couple take four steps forward, throw ing the right foot sligbll? in the air while they sivay forward for six meas ure.l The kick in the air occupies tin imperceptible moment of time. After this the girl turns and faces her part ,nr'. placing her arms on his shoulder, elbows, outstretched, while he holds her with his bands very high on her back, the elbows being outstretched again. This is the real Grizzly Bear position, and the couple hold it whiir thi’? sway backward and forward fout steps In double-quick time. Now the girl gons backward, the man coming forward, and the same movement is repeated. The two dancers now circle around each other during a period of four bars in reverse direction. They repeat this in a slower stop so- two bars, the girl then turns Iter back on the man. and he places his right arm about her waist. They then sway for four bars, the man taking the girl firmly by the hand and winding her toward him In two bars and unwinding het In the same space of time, turning as he does this. The winding and unwinding is then repeated at a much faster tempo. After this comes the original Grizzly Rear position again, and the swaying movement repeated twice to four bars each. Then taking the position side by side they bop to the right two bops to each bar for four bars. Again he pivots the girl, holding her band above his head; then with th' hand dropped they hop to the left Once mote he holds her hand up anil the pivot and hop are done at the same time to two bars of musl* (PaT II of this article, with addi tional poses of Gaby Deslys and Harry Pilcer, will appear on this page in an issue of The Georgian,) FRECKLEFACE New Remedy That Removes Freckles or Costs Nothing. Here's a chance Miss Freckle-Face, to try a new rented? for freckles with the guarantee of a reliable dealer that it will not cost you a. penny unless it removes the freckles, while If it does give you a clear complexion, the expense is trifling Simply get an ounce of othine double strength, from Jacobs' Pharmacy, and one night s treatment will show you how easy ft Is to rid yourself of the homely freck les and get a beautiful complexion Rare ly Is more than one ounce needed for the worst case. Re sure to ask Jacobs’ for the double strength othine. as this Is the onlv pre »• rtption sold under guarantee of monev back ts it fads to remove freckles. * Little Bobbie’s Pa * By WILLIAM F. KIRK. PA COME§ BACK FROM A REAL CONVENTION. I T was offul hot yesterday. Pa faint ed wen he got hoant. Ma put sum ice on his hed. she was cracking sum ice wen IJa calm in, & wen she seen the way Pa looked she looked at the chunk of ice wieh was in her han 1 & then she put it on Pa’s hed. I felt awful sorry for Pa. he had just got back from a Democrat convenshun at Baltimore. A- he had got in with sum inarching club from Chicago. & I guess he marched so ntm’h that the ho* wether must have hurt him a good deal. Ma & me both felt the heet, of course, but we dident fee! it enuff to faint. I nexwer knew that growed up men fainted, but the minnlt Pa came inti the house he looked al Ma & me kind of puziled. as if he was in the wrong house, A- then he sed: "Three cheers for Palton R Acker. A- Bilyum Wryan. A- Champ Clark. & Bal timore.” A- then Pa fainted lhe way I have sed. He fainted all at onst. He just keeled over. Husband. sfd Ma. aftpr'vard. Ii<»" If> Bg f Hd that Baltimore (‘on'’* nshun last ? It was jest oaver yesterdased Pa. & I am glad that it is oavor. I never had such a hard time bering a. deb gate in all my life. Rut I thought that the convenshun Do You Know That A Mayfair club is being instituted for the purpose of promoting the in terests of animal lovers, and provid ing an exclusive club house in London, principally for lady and gentlemen sub scribers and supporters of animal or ganizations. A novel departure con nected with the club house will be a dogs’ cloak room, consisting of prem ises which will be utilized for taking charge of members’ dogs w hen th, y are visiting the club. • The dogs can be fed. groomed and will receive any at tention desired. By partaking of coca, an extract from a South American plant of that name, men can endure hard labor without food for a period of six or seven days. Greenwich mean time Is the standard employed on the railways of Erance, Belgium, Spain and Portugal. Motor spirit is produced throughout the world at the rate of 2,000.000.000 gallons pet annum. Australia Is the largest island in the world: its area is nearly three-fourths that of Europe. Vp till 1809 it was necessary to have a license to sell pepper in the United Kingdom. nsn . eusT A.. University >». I .oWWffllF'yX ~ / cHlc Aco wdawnLi r IB^rK®! W® - Wei t pit x jjF \IOIM D. Rockefetterhave been the richest man in the v/oi’/c/if be had 'Spent the frnsf money he earned?* z He put it in the Bank — The regular semi-annual Interest on de posits in our SAVINGS DEPARTMENT has been credited. Kindly have same en tered on your Passbook. Interest not with drawn will be added to principal. Deposits made on or before July 10 draw interest from July 1. 4% on Savings Deposits ■KBiHglHi i I EnBHHM 08. WOOLLEY’S SAHITABIBiT O|g| OPIUM and WHISKY BtSSffiSSW.SInsJMjK. .. pwlence above rheae in*. *** **• ramble. Psttmte also treated »t thatr kames. Com jgaj E^SS 0 ” A book an the subject £raa DR. B. M WOOXJJiY A SOS, B*. ba VlatM Soutactw. fck * . lasted less than a week, s°d Ma. Well, sed Pa, the facka In the case are these, the Real convenshun did last about i that long, but thare was a few of us c wicb bolted A had a other convenshun, thare was almost half of the regular delegates that stayed over, A thay was ' all good sports like me, or else thay wiiddent have bolted. That Is one 1 thing I will say about the crowd that ' followed me, Pa sed. ween thay do any ! thine' tbnv doant do it by halves. Th" I ininnit thay decided that thay wanted , me for vice president of the United ! States, to run on the saitn ticket with f the Hull Moose, thav bolted A we had our session in private. It jest got 1 oaver in time for me to catch the last, train out of Baltimore that I cud take 1 A 'Still gft here in time tn greet my 1 deer little wife. Baltimore Is all rite, 1 Pa sed. A- politicks is all rite, but af ' ter all is sed A done. Pa sed, the sweet est A- best thing in all the wurld Is the deer littel wife that always greets you ' v. ilh a smile. If Is then, looking Into her deer eyes, that all the wurld seems primrose A azure. Pa sed. Hoc. miii'lt munny did you save out of the wreck? sed Ma. 1 can not speek of sordid things like munny. sed Pa. when I gaze Into them ■ violet orbs in your sweet face. Then violet orbs in your «weet face Then, sed Fa. all the wurld seems to dance away in a mad reel of heavenly joy. Pa. sed. The creditors was here this morning, sed Ma How strong are you? I can lift Ove hundred pounds with ups hand, sed Pa, I mean how much munny hav° you loft, sed Ma. She did* nt care anything about Pa’s prity speeches, she had her right h ind out all the time. Then Pa ■surprised her Hi pulled out about five bundled dollars. II vas a poker convenshun we had, S'd Pa. that Is nhi the good sports ■bolted A- stayed oaver in Baltimore. I will keep a hundred tot A- give you $41)0. sed Pa. Deer, darling laty. sed Ma. My king. Ma sed. Nadinola Talcum 8 WILL PLEASE THE MOST EXACTING There’s None Better Contains Mors Antiseptics Sets free just enough oxygen to keep the skin white, soft, smooth and healthy.. I Nadinola Talcum Powder is composed entirely of sanative ingredients. Soft as velvet Guaranteed By toilet counters or by mail 25 cents. NATIONAL TOILET COMPANY. Paris. Tern,