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THE OrEOBOIAN’S MAGAZIHE PAGE “The Gates of Silence” STORY of love, mystery and hate, with a thrilling por * s trayal of life behind prison bars. TODAY’S INSTALLMENT. u’ith an exclamation of tenderness., Barrington drew her into his He “;, u ld have spoken, but she pressed one Toft hand across his lips. ■ ■Pon't talk of it any more, she cried; .., won't have it.” Then, with a com , i.te rhange of manner—“ Tony, come and be an angel, and tell me what to say to thi° fiend of a dressmaker. The studio was full of mysterious shadows The two silver lamps which swing from the ceiling, their wicks float ing in scented oil, served only to diffuse the shadows, not to dispel them. It was a magnificent room, finely pro nortioned, so large that tn winter It took , un fire s to warm it, two blazing fires nt pine logs—for Anthony Barrington i ove d sweet-smelling wood. Tonight, chill and damp for all that it was August, Barrington had lighted one. It burned dull? with a sullen concentration, and no ieap and play of lilac-tinged flame. Its red glare fell crudely on the faces of Tony Bavington and his wife. She crouched In her favorite position on the rug by his knee. He lay back with his eyes fixed on the Are. His brows puckered in a frown, and his hand rested heavily and half-unconsciously t>n his wife's shoulder. Edith's face was turned in the direction of the fire also, but here eyes were closed and her hands, hidden in the folds of her soft draperies, were tightly clenched. Yet as she crouched there she was al most happy. The renewal of her hue-, band's tenderness enveloped her with a sense of delicious completeness, and for the moment the man -nstairs crouching In the darkness of the cupboard was hard ly a reality. She had pushed all contem plation of the inevitable away from her, and was content to sit there, living ou| her woman's hour to its last moment. Barrington himself seemed half asleep; from time to time his hand moved gently across the woman’s hair in a sort of me chanical caress. Quietness and peace brooded in the room. Suddenly through this silence, shrill and distinct, came the sound of a woman’s cry. Barrington started to his feet. Mercy on us, what's the matter now?” he cried, and made for- the door. With the opening of the door the sound came again, more distant this time. “It sounds like a woman in hysterics." Edith said. Fear was gripping at her heart. The cry was a woman’s yet every alarm which shook the house seemed to her to be centered round one thing. On the landing they met the butler, white and scared looking. "What’s all this noise about?” "I hardly know, sir. VfctoVlne has had a fright—thinks she saw something.” Saw something! What kind of thing?” "A mouse?” put in Edith, contempt eusly "No. my lady, a ghost.” Mrs.H.VON RODEN of LYNDON, KY. Recommends Lydia E. Pink ham's Vegetable Compound for Backache, Nervous ness, Headaches. [W«*»; • | wkd - °o" I -Aw Lyndon, Ky. —“I have been taking LydiaE.Pinkham’s Vegetable Compound for headaches,neuralgia pains, backache, nervousness and a general run down con dition of the system, and am entirely re lieved of these troubles. I recommend your remedies to my friends and give you permission to publish what I write. ” ~Mrs, H. Von Roden, Lyndon, Ky. t woman like Mrs. Von Roden generous enough to write such a let tar as the above for publication, she should at least be given credit for a sincere desire to help other suffering women. •f you want special advice write to Lydia E. Pinkham Medicine Co. (confl wntial) Lynn, Mass. Your letter will w opened, read and answered by a woman and held In strict confidence. NATIONAL surgical A INSTITUTE y 3) For the Treatment ol ,\4 deformities £ ,V EST * bI ISHED 1874. ,-ff ,J AA ifcff Live the deformed / vXfIV JI children a chance. / / |\v\ w* Send us their / •*■ \ names, we can / | I \ help them. ' '’'■® eJi' 8 I n l titue Treatß Club Fee*. Dis •is > Spine, Hip Joints, Paraly ’ij 1 " Send for illustrated catalog. - —tS'ndh Pryor Street, Atlanta, G>. PI LES CURED FOR 50c. T} ' bv , L a ti2 >e . en . n many cases of piles I»tr-rir,. Binßl, ‘ Oc box of Tetterlne. itJIS cur --’ a " skin and scalp erup- * /l ! " g plles> 'landruff, old sores, T. tt(!r an <l ringworm. '*ndtn» c «2 be had at aH druggist# or v »nnah Ju 500 ,o J - H Shuptrtne, Sa- By META SIMMINS, Author of "Hushed Up.” “A ghost!" The exclamation was shrill and Edith’s. '"What nonsense!" said Barrington, sternly. He looked, not at the servant, but at his wife. He saw that her face was gray, and that she trembled violent ly. ’W nat did she think she saw. and where?” "In my lady’s bed room," said the but ler. "She was laying out my lady’s things. She fancied she saw' something or some one moving in the room—a white figure. She called to it. and went into the dress ing room, but it hid vanished.” “Such courage was very unlike Vic torine," said Edith, with tremulous con tempt. "I can not imagine her chal lenging a ghost.” "She thought it w r as the housemaid, my lady; but when she entered the bed room there was no sign of any one or anything, so she ran foolishly screaming through the house.” “This is a very remarkable story,” said Barrington. « Again the remark was addressed to the servant and the look to his wife. “S<y remarkable that I believe it to be untrue,” said Edith. "Where is the fool ish girl now?" “In the housekeeper’s room. Os course, it may be only her fancy. Then I feared it might be a thief," the butler answered. "Tut, tut!” said Barrington. "When men set out to rob they do not choose 6 o'clock in the afternoon to invade a lady’s bed room. Go downstairs and try and see that better order is kept." The servant turned and went down stairs, with a distinct sense of injury Barrington looked at his wife. “You look frightened,” he said “I am frightened." She made a little movement toward him. but he did not respond. “Come. I thought you had more pluck than that. Os what are you frightened— of me or the ghost?” Shaky Nerves. Edith Barrington shivered. “Os neither, really, I suppose; only it’s all a little spooky and unpleasant." “1 should certainly have thought you beyond such fears." he asid. "Victorine evidently suffers from a guilty conscience That is why she fled from the ghost. I suppose, for form's sake, we bad better have another look around.” They were at the boudoir door, and Edith would have hung back, only her husband was already halfway in the room when he spoke, and she was forced to follow him. Together 'hey made a round of the room, and it seemed to her that Barrington's search was perfunctory to a degree. But she. with the daring of desperation, even tried the door to the dress closet. “Locked?” asked Barrington "No one could hide there, then AVell. every thing seems serene, doesn't it? 1 am afraid it was a spook." “Victorine has the key of that.cupboard —she keeps my keys. I expect the silly girl saw a curtain waving in the wind, and tried to terrify us all to death." The dressing gong booming through the house ca ised her to start violently, and her husband turned to her. “Your own nerves are not much to boast of.” he said. At that moment a knock interrupted them. It was the housekeeper. "1 have come to tell you that Victorine is poorly, my lady,” she said. “I am afraid she Is quite Incapable of performing iter duties." Edith frowned and said it was tiresome, and was about to refuse the housekeep er's timidly offered assistance, when Bar rington forestalled her. The Maid 111. "Ah. yes. .Mrs. Marlowe, stay." he said, with a heartiness of manner not habitual to him. “Mrs Barrington is tired and a little upset by this ridiculous fuss. I believe she is afraid to he left alone in this haunted room. I think I shall have to question Victorine." He laughed and left he room, with just a passing word to his wife. The progress of Edith’s toilet was a continuous mental anguish. Barrington's conduct left her vacillating between hope and despair. Despair had the louder voice. It -rled insistently that there was something sinister in the calm with which Barrington bad listened to the butler's}, story, something appallingly suspicious in the careless manner in which he had gone around the room “for form’s sake.” Thanks to her maid's absence ami to her own nervousness, the last gong sound ed before she was really” ready to go downstairs. She would have given the world if she had dared to remain behind even for a moment, hut at all limes her husband was a stickler for punctuality, and tonight delay would have been con firmation of his doubts —if he had any doubts. As dinner progressed Mrs. Barrington began to feel that it might be possible he had none. Not for weeks had Tony been so charming and irresponsible, so full of quips and jests, of plans and projects for the future. What seemed to her somewhat promising was that he did not ignore the alarm which had occurred. He discussed laughingly the advisabil ity of putting the matter into the hands of the Society for Physical Research if any further manifestations took place. “Victorine may be clairvoyante," he said, seriously. “She has all the charac teristics of the type. It may prove an intensely interesting, case. Edie. What a pity she is in bed, or we might have had her in and taken down her deposi tion.” “1 don't think there is much of the clairvoyante about Victorine." said Edith, and the matter dropped. Continued Tomorrow. A SPLENDID FOOD TOO SELDOM SERVED In the average American house hold Macaroni is far too seldom served. It is such a splendid food and one that is so well liked that it should be served at one meal every day. Let it take the place of Potatoes. Macaroni has as great a food value as potatoes and is ever so much more easily digested. Faust Macaroni is made from richly glutenous, American grown Durum wheat. It is every bit as finely fla vored and tenderly succulent as-the imported varieties and you can be pos itive It is clean and pure—made by Americans in spotless, sunshiny kitch ens. Tour grocer can supply you with Faust Macaroni—in sealed packages 5c and 10c. Write for free Book of Recipes. MAULL BROS. St. Louis, Mo. Gaby Deslys Tells How 1 Dance the “Grizzly Bear' —Part II DOING THE GRIZZLY GLIDE, 'WpKh (( ' Jjl ■— W -IE /W ■ .> /gw | vErw JI A WM1 1 Hl ik HBBw/ W w IL ■ WMFAf/ 'W c k ss? IL \ B Wr I—R 1 —R «i T W > — 1 ’ SHI I W B ~ s -.a My' vWT r—— _ (C MF 4 A / / HI / \\ '1 . T'/, -- //JJ W II « H \\ ’ u vIW- i x. ,y * < I L itXi&so'' LcP ~ THE “FASCINATION POSE.” Isy GABY DESTAS. PART 11. r|x HE American dances like the Tur I key Trot and the Grizzly- Bear which 1 have been introducing in Europe are taking like wild tire over here. in the first place, they are new; they are American, and they are so differ ent from the old-time waltz. You can make them different or "Oh! so differ ent,” with the accent on the^exclama tion. according to the way you dance them. Os course, on the stage one has to be i sensational. No one would pay the slightest attention if one merely watzed around, especially in ordinary clothes. When I am doing a simple little step or dance I am much more particular about having startling and original costumes than when I am dancing a sensational novelty, which is sure to take without the aid of startling gowns. Oriental Dress. With these American dances I think | I have struck on a very happy combi nation. A dress which is staid, to say the least, and just the kind of thing that one would wear in the street, with a panel of satin in front and a “V” shaped bodice. But if you look more closely you will realize that it is not quite as demure as it looks, for under the panels of the front breadth the skirt is arranged into a trouser effect which enables me to kick and dance without being hindered by my skirt. I think this is rather original, just .like the dances. Most artists who have clung to the modern evening dress have their skirts slit at the side, but that has been done so much that my innovation'was really m eessary. The reason people are so crazy about dancing the Tin-key Trot and the Griz zly Boar is because of Ute syncopated time—the alternate rocking of the body and swinging of the feet. When the cake-walk first came out, Paris went mad about that, but the cake-walk is a lonesome dance compared with the Grizzly Bear. You can dance a cake walk all by y ourself as a "pas seul," but no one can dance the Grizzly Bear without a partner. The pictures illustrated here show some of our steps and poses in the new dance, of course. 1 don’t expect ball iboin amateurs to copy them, for no gild with a po tty party dress wants to crouch down and half recline on the floor, and, personally, I don’t enjoy it myself on the stage, for after- each per formance my frocks have to be freshly cleaned and renovated, no matter how immaculate th" stage hands keep the ; floor. All the fancy dances which are | founded on Spanish dances and, of course, you know by this time that the Turkey Trot and the Grizzly Bear came front Spanish South America, via San Francisco —Weil, all of these dances are built up like the Spanish dances of a certain measure of steps and then a pause or even a full stop of the mu sic; during this time the dancers hold the last position of the dance. This position is called a pose, and must be graceful and attractive. Many of the modern dancers make these poses gro tesque. but I would not do such a thing it is all very well for a pretty woman to try to be funny, but no one in the world is beautiful enough to do NOT MEANT FOR AMATEURS. grotesque things and keep her reputa tion for grace and looks. Besides that, J think grotesque dancing is inartis tic. An artist can get very near the ridiculous, or even vulgar, but the moment she crosses the line she is no longer an artist. An Imitation. | Now, in dancing the Grizzly Bear I I give an imitation, but 1 hope it is an l elegant version of the dancing bear with arms up and knees bent as he hops about. My partner faces me in this and often we cross our arms as in the picture and hop backward or for ward ■or to the side, as we have ar ranged, according to the music of the dance. Beginners think this is very easy, but no two people can dance these steps without a good deal of practice, unless they are holding on to each other. The hold is done by grasping each other’s shoulders, or I grasp my partner's shoulders while he takes me around the waist with kneps bent as in the picture. We hop and sway with the music. This is the real Grizzly Bear step, and I don’t see anything ob jectionable to it. though of course one can make it so if one wishes to. After beginning the dance in this way' we let go of each other, and hop one in front of the other for four steps, as shown in the illustration, each dancer going in the opposite di rection. only for two steps each, then stopping and making the other two steps back again, so that you land in tile original position with the man back of tlie girl. The pose for the end of this measure is a backward flinging of the girl over the extended arm of the man behind her. They now take hands, her right hand being tn his right, and she being (lose to him in the ordinary- dancing position. He takes a quick step back, she pirouettes or whirls away from him at arm’s length. He pulls her back again and they alternate back ward and forward for -eight more measures; the final pose ends with her close to him looking into his eyes, in what is called the "fascination pose” of the waltz. Suddenly each of the partners begins to sway in opposite directions; the girl sways the farthest, and he catches her around the waist as if she were about to lose ber balance. Turning her around so that she faces the audience with her back to him, they once more begin to sway, she bending very low and he catching her. At the end of the eighth measure they are bo4h bent to the floor, where they assume the nosi tion illustrated. Not for Amateurs. But while this is a very- pretty part of the dance, it requires almost acrobatic skill and I shoul-dn't recommend it for the amateur. In dancing these dances fortunately one can leave out such steps as are not appropriate for the time and the place and adapt others to one's purposes and one’s costume. That last item is a very important one for the girl, who will And that the modern frock keeps her from being over-ath letic or trying any gymnasium tricks in the ball room. * Little Bobbie’s Pa * By WILLIAM F. KIRK. HE FOILS A HIGHBROW. HUSBAND, sed Ma the other nite, you remember you & me was speeking about littel Bobbie having sumthing to do during the sum mer months, wile he is having his vaca shun, »o that he wuddent let his mind git dull or let hisself git lazy. I reemember, sed Pa. You yvatiled me to git him a job down on the paper as a office boy. & I put the crusher on the idee, sed Pa. Weil, what is on yure mind now? I have thought of a other skeem. sed Ma. You know that Mister Upton that jest cairn here from San Francisco, he is going to start a skool for jur nalists. Wat? sed Pa, another skool for jur nalists. It seems to me,, sed Pa, that there is moar skools for jurnalists than thare is jurnalists themselves. In she good old day s, sed Pa, wen 1 was lern ing to be a newspaper man, I never went to a skool. I jest went into a newspaper office & took the good with the bad, mostly kicks & cuffs & other well ment advice. I started at ten dol lars a week, sed Pa, & every time biz ness was bad & thay dident have the munny to pay me thay used to stand me off or fine me six dollars for miss ing a scoop. It was very hevvy going, sed Pa. but I managed to git thru it sum way & lern enuff to make living jurnalizing, & I think that is the only' way to lern to be a riter. But this Mister Upton is a vary smart man. sed Ma. he must be. flis wife sed he was one of the smartest men on the coast. Well, sed Pa, if his wife sed so it must be moar than true. Usually the things a wife says about her husband are moastly knocks, if she gb/es him a boost ft must be true. But I still stick to the thing I sed first. Speek ing as a old & experienced newspaper man. I do not beeleeve that any’ boy, however brite, can lorn to be a news paper man in a skool for jurnalism. Jest then Mister Upton cairn In. Ma interduced him to Pa, & he showed Pa a little book wich he had jest got up that toald all about his plans for his new skool for jurnalists. I am extreemty desirous of having yure yung son enter my skool & taik the jurnalistic eouise, he toald Pa Yure son has a splendid hed, & he has the keen, alert eyes of a born re porter. He got them keen, alert eyes watch ing for me to cum hoam late at nite, sed Pa. What other signs of promise do you deteck about him? He has thin, nervus hands sed Mis ter Upton. Thin, nervus hands are al ways to be found on riters, that is, on born riters. Then Pa looked at Mister Upton kind of funny. Pa has fat hands & thay aren't vary' nervus, so he dident like ! $2.50 Chattanooga and Return VIA SOUTHERN RAILWAY Premier Carrier of the South SATURDAY, JULY 13th, 1912 (Tickets will be sold for afternoon trains only (3 p. m. and. 5:10 p. m.) ; limited good to return on any regular train up to and including the morning trains, leaving Chatta nooga Monday, July 15. i GOING SCHEDULE: Lv. ATLANTA 3:00 P. M 5:10 P. M. Ar. CHATTANOOGA 8:45 P. M 9:35 P.M. The 3 p. m. train carries day coaches only. The 5:10 p. m. train carries Pullman sleeping cars (seat fare 75c), and Southern Railway dining car serving supper. JNO. I. MEEK. Assistant Gen’l Pass. Agent JAMES FREEMAN, Div. Pass. Agent ATLANTA, GA. WESLEYAN COLLEGE MACON, GEORGIA One of the Greatest Schools for Women in the South Wesleyan College is the oldest real college for women in the world; has a great body of alumnae, and students from tiie choice homes of the South. It is situated in the most beautiful residential section of Macon, the second healthiest city in the world. Its buildings are large and well equipped, its fac ulty the best of trained men and women. Its Conservatory is the greatest in the South. Schools of Art and Expression the best, and a magnificent new Gymnasium has just been completed. Wesleyan is characterized by an atmos phere of religion and refinement. The utmost care is taken of the students. For catalogue write to REV. C. R. JENKINS, President. IR INft MA M ASHEVILLE, N. C. > has prepared Boy* for College end Man □ livunnm COL. R. BINGHAM 1 hood for 119 years. Our Graduate# Excel in all the College# they attend. North and South. Ventilation, Sanitation and Safety Against Fire pronounced the BEST by 150 doctors and by every visiting Parent. Average Gain of 19 pounds term of entrance accentuates our Climate. Faro and Care es Pupil*. Military, to help in making Men of Boy*. Box 10 M. WOOUET'S SINITniDM tn ctwm at mr eases «• curabta. Parents ajso treated at thalr taste*. Cow. rultatloi. confideatlaL A book an the subject tree DB. BM. WOOXiBY * 808, Be. 88. Victar IHnn.rfe._ th-- Ba. what Mister Upton sed about nervus, thin hands. 1 doant see whare thin, nervus hands is a sign of geenius, sed Pa. Monkeys have thin, nervus hands. Let me tell you sumthing, sed Pa. 1 have been a newspaper man for many yeers. & thay say I am a fajrly good one. If I was ewer to teech a lot of boys to be newspaper men, this is the course of study I wud lay out for them: 1. How to pleese the editors. 2. How to git a order for advance munny from the editors. 3. How to explain yure absence to the editors. 4. How to git a editor to taik you out to lunch. That is all, sed Pa. but I doant want littel to be a newspaper man anyway. Goodnite. Mister Upton. FAMOUS IN A DAY FOR TflE BEAUTY OF HER HANDS ANDJRMS A Free Prescription That Does Its Work Over Night—You Can Pre pare It at Your Own Home. "It s my- own discovery, and it takes just one night to get such marvelous results," answers .Miss Grace Benson, when her friends ask her about the marvelous change in the appearance of her hands and arms. “You can do the same thing if you will take my advioe. ’ she says. "I feel it my duty to tell every woman what this wonderful pre scription did for me. Just think of it! It did all this in a night. "It affords me a world of pleasure to tell anyone else jpst how such remark able results were brought about. I give you; absolutely free, the identical prescription which has removed every defect from my hands and arms. You can form no idea of the marvelous change it will make In just one appli cation. The prescription, which can, bo prepared at your own home, is as fol lows ; “Go to any drug store and buy an ounce bottle of Kulux Compound. Pour the entire bottle of Kulux into a two ounce bottle, and quarter ounce of witch hazel and fill with water. Mix this at home, then you know that it is the genuine article. Apply night and morning. The first application will as tonish you. It makes the skin transpar ent. removes all discolorations such as tan. sun spots, freckles and coarse pores, roughness and wrinkles, atwl. in fact, every blemish the hands and arms are heir to. It also produces a mar velous effect on the neck and shoulders. "If the neck is discolored from being exposed to the sun or from wearing high collars, this prescription will immedi ately relieve that condition. No matter how rough and ungainly the hands and arms, or what abuses they have had through hard work and exposure to sun and wind, this prescription will work a wonderful transformation in twelve hours at the most. Thousands of women are using this prescription with just the same results as I have had.”