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PAGE TWO MAGAZINE SECTION Tloveltits in VdveP. ~ jy Gray Fox, the Lady Duff-Gordon's Newest Hats ||||P New Tucked Effect, W||||||Bk and the Cutaway 7\ fflUh and Walking Gowns ££4Km Fashioned in This Popular Material ■ r '* t 7 - ißf ; Bv |& ' • ' \ -if i ..-a iwy - JBW- |w* ‘ Hat of Brown Seal Al is Skin and Velvet, SA/ V ■ * X ' : Showing the New r >'•• '■' . •'/ i ,: s V^^' /^^* > >:.*?!? Brim Trimming. * The Quiik of fol ' <Wk ’ Green and Brown jfißK A C .. An “Episode” Ifjllsll. ilPp&ffil Gown of Mushroom |g|i-||| Velvet and Chine h i Ila Fur f Mf*X Small Hat of the I '■- X" ■■ . $& ™>*Mgi'' jHjr Velvet Bound with 1 w : - .. W the Fur. |> v vK “"waA. tns». ' r x._ T Wk. MlM| '< a : ’. ' ■KMiM^OyZ^JIIMk Lady duff-gordon. the famous Lucile of Lon* don, and foremost creator of lasi us n the world, writes each wee’- ’the fashion article for this newspaper, presenting all that is newest and best in styles for well ’’■essed women. Lady Duff-Gordon's new Pans establishment brings her into close .ouch with that centre of fashion. Lady Duff-Gordon’s American establishment is at Nos. 37 and 39 West Fifty-seventh street. New York City. By Lady Duff-Gordon (“Lucile”) VELVET Is, after all. the one fabric that every woman Knows she must have to be happy Other fabrics may be as expensive, but nothing else will sat isfy the feminine heart bent on a reception gown but velvet, and the mere silky it is the better. 1 base created several unusual demi toilettes of this materia! that are very beautiful and yet exceed ingly simple in design. I am show ing you this week a gray velvet costume that, while plain, is dressy enough to wear to any afternoon affair. The shade of gray, by the way. is one of those clear grays •hat have nothing of the mole in them .. WINTER STYLES IN SHOES \ No woman's Wardrobe is com- I *" / £ ' filete without stylish shoes. 7 In our, Laird and Schober shoes we \ combine comfort as Well as style in your \ footwear. W 1 ese s^loes ma k e Walking a real delight. Yf cnien s Fashion's Favorites in Fall Stules, Now Shoes O J & > S3.so and Up Ready. | w orders carefUlly Billed Agents for ~ Laird & /?> Z A§ ?, n J ts . for Schober / Jg / Edwin Shoes for { j <> fey Clapp Women ZZLiiuiiw —Shoes for Men 1 The skirt, as you will see. has the neb- front opening. It is circu lar in form, and the right side is fastened over on the left with large gray buttons. The deep tuck just below the hips is one of the little touches that mark the latest gowns 1 particularly like the coat. Its front edges are shaped to niHtch the front of the skirt. This gives the fashionable cutaway effect. The revers and collar are of robins’ egg blue velvet. The fur on the sleeves, the boa nnd the muff bands are of gray fox. The coa* is lined with blue, and so is the muff. The muff is one of the smartest, it is of bright green velvet shirred, and is, you see, the newest shape. This touch cf green is very effect ive with the gray, I think. The hat is simple to a degree. It Is medium in sir,*,. Is of gray velvet faced with black. The feather is vari-colored. and there is no other trimming. In tue middle picture I am show Ing you one of my episode gowns. This is made of a peculiar shade of deep pink, the shade that Is found on the under side of ordinary mush rooms. The coat is severe and gives, as you will observe, the new wide-hip effect and narrow shoul ders; in fact, that is to be the next feminine outline. The tight high-collar, skirt and mu? bands are of chinchilla. The coat is untrimmed. aside from till two dozen buttons that fasten it and the low pockets that are bound with green satin. The muff is shirred and Has a facing of velvet. The hat. of the velvet and ~, : . JITF ATLANTA GEORGIAN AND NEWS. SATURDAY, NOA’FMBER 23. 1912. chinchilla. Is one ot the smartest of the small shapes. ] The hat shown in the first pic- I ture is cf velvet and . sealskin. Ti e turned-back brim is about six inches deep. The only trimming is the hunch ot green and brown quills on the tip of the brim. This gives a verv dashing effect, and is apt to be becoming to most women But to lay aside hats and gowns for the moment, let me tell yon of some of the blouses and small fixings that take so important a place in every well-groomed wom an’s wardrobe, and incidentally make a large hole in her pocket money. I always urge my clients to wear sheer muslin blouses, rather than chiffons and silks. For personally—as 1 have always tried to make quite clear to you in my articles —I attach the greatest possible importance to the “little things” of the toilette, and even — and. Indeed, especially—when a woman is wearing a severely plain ■allot suit would wish her to intro duce iu bl-use or undersiip or belt or t-e some "’irely and alluringly feminine to. so that in the -ery contrast the.v will be added plquan ey for both. Imagine, for example, a blue serge coat and skirt: perfect ly plain—and also, let us hope, per fectlv cut—worn with a shirt blouse of white lawn; as tine > a handker chief. with a crepe do chine scarf.. also deeply but rather more brightly blue, loosely knotted beneath the polo collar, while for the rest it is just as plain as a man’s shirt. But because it is a woman’s—and a 1 . dainty woman's at that— its filmy semi-transparency is softened with _ /-''it the faintest pos sible plush from the inner cachi corset cf flesh pink ninon, with its borderings and in- C £ J T- H f t ! . sertions of Valenciennes lace, and its wide encircling banding, just oe- D ®a’b the bust of soft roseate satin ribbon with a high-looped bow tied °. ver , l h° heart Or, perhaps, tn stead of the ribbon, the little bodice will be nothing but a softness of the *aintly pink ninon and the ivory w hite lace, the fastening being ar ranged—and carefully hidden—at the back so that the, front is left free for the undisturbed adornment of half a dozen tiny bows of folded ninon. But both bodices will —if you take my advice—be alike in the one important respect of being made with short kimono sleeves, inside which the preservers can be at tached so that, however filmy the blouse itself may be. these neres- Chamberiin-Johnson-Dußose Company Atlanta New York Paris Showing In The Millinery Department The New French Fur Sets With Hats To Match We have from Estelle Mershon of 20 East 46th Street, New York, those excl us i\e novelties, the French Fur Sets that are being much talked about nowadays. I hey are exquisite, truly Parisian. We would like you to see them. Here is one set of blocked mole, it is an exact copy of a Paris model set. The muff is large, loops up at the bottom and is caught with a mole covered buckle. Deep shirrings of crepe chiffon edge the sides. Ihe neckpiece is a short stole showing the same trimmings of crepe chiffon—the hat is a soft round turban. Another set seems more of drapings of crinkled crepe de chine than of fur— the muff is edged with bands of skunk, the center is of plaited and shirred crinkle (.rope de chine, gray. It is lined with old blue satin, the neckpiece has tabs of the gray crepe de chine, the hat is a little turban with an up-standing brim and soft crown with a band of skunk and one old blue rose at the side. * .A very attractive seal set is this one with muff edged with folds and puffs of chiffon cloth, the neckpiece a high fluffy ruff with just a band of seal, the hat, a small shape with tarn o shanter crown, trimmed with a cluster of roses shading from American beauty to deep old rose. And still another striking set, a hat and muff, is of chinchilla. No one who see them wonder that they are so fashionable! t >•.<&s»* to the ribbon banding on the cor sage. another threading can be in troduced —with- delightful effect—on the skirt just beneath the hips and again above the transparent border ing of lace at the hem But such a contrast demands repe tition as a reason for its first intro duction and so for an under-bodice alone keep to pink ribbon on a pink background, or else if white be used, you can either have blue or pink— whichever ;ou prefer. As a matter of fact—and as prov ing. the new importance of this par ticular and once private item of at tire —some of the latest and loveliest blouses are being made with the prettiest of cache-corsets as a per manent addition fin* ->e <s.- r t ❖ ♦ aary, but not at all dec orative additions may never give a hint of their presence. And, as you must know, it only too often happens that their outline, every inch of it. is immediately and un mistakably and hideously obvious. I love, too, the delicate contrast of pale blue satin ribbon as threaded through the laces of a still more elusively pink ninon or charmeuse. but I only use and recommend this when an entire under robe Is being arranged, as then, in addition. * * is a distinctly good cue. I will give Jou such details as will possibly **elp you to achieve something of the effect—without all the expense—ot the original and somewhat costly Barm x<jd“i. First of all then, the blouse itself as presented io the public-—ana admiring view is a dainty affair of white chiffon, close ly clustered tucks forming the yoke and shoulder pieces and being en closed within pipings of white satin, while also of the softest satin, is the deeply down-turned collar, which ends ,<)=. z-n-nor ir at Me # ST UF * either side of a cen tral band of tuck- Ings studded with liny satin buttons and edged with ruf- Hings of Valencien nes lace. There ar» a certain number of lucks, too, at each side to get a becom ing suggestion cf fullness: while then the oversleeves are bordered at the elbow with encir cling tucks, but so that that that par: of the arm which is ordinarily. alas not the pretties:, may be softened in to an appearance of .-harm There are longer semi transparent undersleeves of plain chiffon, piped with satin bo far emphatically so good—don t yo iiuok so?—but there is tno.e and still better to follow, for a coinp.ets lining of white chiffon is added anu made beautiful by many insertion stripes ot Ince, while hislde that again (all three filmy fabrics being united in the one waist band) the.® comes the aforementioned cam corset which is made entirely o cleverly shaped insertions and bor nf tace. <