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I ‘‘Tk O \X/k in ” A n E *“ ttn s Tale of Love and A dven-
1 lie W flip tn re That Grips Front Start to Finish
By BERTRAND BABCOCK.
I— ——-
Tne Story of the Play of the Same Name
Now Running at the Manhattan
Opera House. New York.
~i eh t, 1912. by Drury Lane Corn-
■ ,f America, by arrangement
i \rthur Collins, managing
.iircctor of the Drury Lane
Theater of London.
TODAY’S INSTALLMENT.
V ! because a lot of yokels give a man
odious nickname," he said tersely, you
him unheard. What do you know
of him'.’”
-X.. thing, thanks,” said Lady Diana.
Isn't it a bit rough on him to believe—
, niere hearsay?” asked the artist.
..n't. but my grandfather, who has
ktn ,l word for every one, says that his
itl ,'father was a soldier, his father a
Li '.lei and a gentleman, but he hopes the
? will never darken his doors. And all
l'i world says he frittdys away his life
~n d ;i flinging away his fortune."
The stranger smiled with a sense of
pain reflected in his face
Altai the world says is often malice.
I. said going to the rescue of Lord Bran
p'aLer 'but I'm sorry to hear what Lord
lirverlev said. Nobody's all bad. Perhaps
t s because Lord Beverley doesn’t know
,11 that he thinks so ill of him. Per
apS if you knew him, you might find—
. , m e Utile food”—
I in sure 1 hope so,” said Lady Diana.
Hut the stranger continued:
An Interruption.
Tin sure he’d hope so. If he has played
M vc< with his life, mayn't he repent his
i.'llv I .’ Perhaps in a sense he never had
,< chance perhaps he never had a father
',r mother in his youth to direct him—
and perhaps he’ll turn out all right now—
perhaps no good woman”
A softly insidious voice thrust itself into
the intimacy that seemed about to begin
1,.-tween these two young people.
■Ah, there you are,” it said.
Both the girl and the man looked up
and saw in the road a motor car with a
- hauffeur and a woman stepping out from
For the briefest space the two women
measured glances. Lady Diana saw a tall,
ather dark and foreign appearing young
woman of an uncertain age, whose black
hair and sharp features gave her, in the
estimation of any one seeing her for the
ursi time, a certain aspect of power.
A moment later she was walking toward
them.
The artist was not pleased at this in
trusion. and Diana saw that upon his
face was that tragic mask she had noted
when they saw one another for the first
time, not so many minutes ago.
"So this is where you come to sketch
so often.” went on the woman from the
motor car. "Delightful place! Pray In
troduce me.”
A Difficult Situation.
The artist interposed himself between
the two women, almost as though he
feared harm to the younger of the two.
“I’m only a stranger here,” he said,
while Lady Diana, with perfect and cold
breeding, ignored a situation that to one
of another nationality might have been
e trifle embarrassing.
The intruder again swept Lady Diana
with her eyes.
“Indeed,” she said, a subtle menace in
her tones "Well, It's lucky I found you.
if we are going for our usual spin to
gether. Francois wants to tell you some- I
thing about the car—the brake doesn’t
act properly.”
Lady Diana was not pleased with her
scrutiny of the other woman. She was
ioo young to have esteemed the other
fast, but there was a certain something
about the tall and dark intruder that re
pelled this young Englishwoman. So she
continued, though the other talked at her,
to seclude herself In her British reserve.
The situation appeared to the artist to
need relieving very much. So to create
a diversion, he walked toward the road
where the car and chauffeur were wait
ing
“We’ll take it down to the village and
look for a blacksmith,” he volunteered.
But the woman who had come for him
n the motor did not move. She was still
r hopet hat Lady Diana would recognize
her existence.
"Can't it be done here?” she asked,
still eyeing the young English noblewom
an and anxious for some offer of aid that
would enable her to make Lady Diana's
acquaintance.
Her Chilly Responses.
Certainly not,” returned the artist,
almost roughly, "and, besides, here are
ie horses. The car may’ frighten them
'f we leave it in this neighborhood.”
The woman of the motor car looked
down the road and saw the Beverley
-iring being led and ridden from the ex
cising on the Downs.
■Dear things,” she said, for Lady Di
mas benefit. "How splendidly they look,
■ace horses, too. I should have loved to
ave seen them. I'd no notion that there
were any so near to us. To whom do
hey belong?”
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hy obtaining safe and proper help
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' Lord Beverley.” said the artist, very
shortly indeed. "Come along!”
"Lord Beverley! Really," exclaimed the
woman; and then, made bolder by this
revelation, .-he spoke directly to Ladj
Diana; ”1 am so sorry we were in th*
way—pray tell Lord Beverley 111 take
great care it doesn't happen again.”
But this gracious speech won from t):<
girl only a nod of the head and the sin ■
gularly British irritating "Thank you”' I
with a rising inflection at the end
"Please make haste: they are here.” the
artist cautioned her.
"Yes. yes, dear,” the dark woman re
turned. and then smiled at Lady Diana.
"Good morning!”
Another little nod of the blond head
and a "Thank you” were her only re
wards. The artist bowed very imnerson- i
ally and, with the woman who han come
for him, rode down the road.
Musingly T-auj Diana looked after them. ■
"I wonder who he is.” she said, "and I
what hold she has on him.”
CHAPTER 111.
‘‘The Whip.”
r | A HOI GHTS of the two were out of I
i the mind of Lady Diana before ■
she had formulated any conscious- I
ness, for the whole string of horses of ■
her grandfather was now led into the ,
yard of the stables or ridden by the i
boys. Though Tom Lambert, the trainer i
of the stables, was nominally in charge i
of all the horses, he paid no attention I
to any save the nervous, skittish creature
covered with her horse “clothing" and
wearing over it all a horse rug. Lam
bert in person was leading her.
The girl made some remark to the
middle-aged trainer, who had been a boy
in the Beverley stables, and he answered
as to the condition of the pride of the
Falconhurst stables:
"The fitter she gets the worse she gets,
and when she fairly cops the needle 1
believe she'd charge a battery and try
and eat the guns.”
Though the racer was dancing about ir ’
a semi-circle, held by Lambert at the
head and Harry Anson, her jockey, in the .
saddle, Lady Diana went to the rescue I
resenting any slur upon the reputation ‘
of her pet.
"She's a dear, isn't she?” she exclaimed
to the jockey.
"With you, my lady," he answered,
“and she's all right with rre. But a stran
ger w'ould have a better time trying to
tackle a tiger."
“The Finest Filly,”
The nervous, prancing horse was put in
the stables and Tom Lambert, her train
er, turned to his' young mistress.
"The marquis won't let me try’ her out,
my lady,” he said, "but I believe The
Whip's about the finest filly as ever looked
through a bridle. But the very noblest
ship is no good without the man at the
wheel.”
“Surely Harry's good enough," said
Lady Diana
"When he's himself, my lady , but just
now at times he’s a hang-dog, mournful
sort of beggar, with no spirits and no
nerve. AVhatever he's got on his mind.
I don't want it on The Whip’s back.
Light heart makes light weight, but a
bally boy with the blues thinks he's
tidin' a hearse horse. But I wouldn’i '
speak to your grandfather If I were you ;
just now, my lady; he's so irritable about ;
the stable secrets leakin' out, and he |
sees a tout in every’ passerby. We must
not worry him more. I’ll find out what's
the matter with Harry."
The marquis of Beverley, with the Hon
Mrs. Beamish, the middle-aged distant
cousin of Lady Diana, and her compan
ion, rode into the yard, and the marquis,
who had seen the artist and his com
panion in the motor car, was quite sure
that the artist was a tout.
Lady’ Diana told him of her encounter I
with the artist and that he had been I
sketching in the yard.
“Well, I won’t have it,” he exclaimed. I
"Give orders, Tom. For all we JSnow
the fellow's a tout- a confounded tout of I
the worst possible description."
About the Artist.
"Yes, my lord; quite right,” answered
the trainer. “There's no use in having
a dark horse if all the world knows it.
But, my' lord, we don’t know that we
shall have a winner for sure until we
try the horse, my lord. Ido wish —”
“Plenty' of time for that, Tom," re
turned the marquis, who now, with Mrs.
Beamish, was out of the dog cart and
about the yard "We don’t want to have
the two thousand guinea race on the trial
ground. But we’ll have no touts and tres
passers on my grounds."
“Well, grandfather, you needn't trou
ble about this trespasser,” said Lady
Diana, "I know he's an artist. He showed
me his sketch book. And we talked about
art and scenery and the hounds."
"But not about my horses, my lady?”
put in Lambert.
"We never mentioned the horses," said
Lady Diana
Mrs. Beamish, a middle-aged and dry
voiced satirist, exclaimed with a purpose
ly rasning’inflectfon:
"What a dull conversation
| "I race for myself and not for the
I crowd," said Beverley, "and don't forget
i our old saying: ‘A Yorkshiretnan's house
I is his friends,’ but a Yorkshlreman’s horse
lis his own.' I don’t bet myself and I'll
never let our horses be turned Into pub
lic belting machines if I can help it. So
no more talk with strangers. Di."
Mrs. Beamish Is Jealous.
Lady Diana and Beverley passed into
■ the kennels, and Mrs. Beamish and Tom
Lambert were left alone. The tniddle-
iaged pair had a strong mutual attach
ment and Mrs. Beamish certainly intend
led some day to marry Lambert. who
had been the sweetheart of her youth,
but she was determined to die rather
than admit it.
And now the portly trainer turned to
■her with the love-sick eyes through
i which he had regarded her these many
■ years. And Just now Mrs. Beamish was
jealous. She had seen Tom In conversa
tion with Myrtle Anson. Harry's sister.
Their talk had been perfectly Innocent
and Tom had merely tried to find out
I from her what was making Harry fall
i off in hfs rlillng But Mrs. Beamish,
who wouldn't admit that she had any al
I faction for Lambert, wouldn't admit either
j that there was any good in his character.
She seemed prone to think that her old
lover was now at the age when middle
aged men leer at young girls
In the midst of their conversation about
The Whip the turned upon Lambert to
shake her finger with:
I saw you talking with Myrtle An
son.”
"Mrs Beamish—honorable madam—you
are jealous!" exclaimed lambert, joyous
that It was so and yet fearing her dry
temper.
•of you? Never!” returned the flame ot
ids youth.
Continued in Next Issue.
i
Concentration Wins Success, Says Miss Walker
Hfc L 1 I
I 'wST- qigi |||||||
v h
BRU
i VI \\ '¥ B
'J
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WKS f * el
... Wh.
Antoinette Walker in “The Yellow Jacket.” now playing at the Fulton
theater, New York.
By Margaret Hubbard Ayer
Little autumn (“loud, other
yvise Miss Antoinette Walker, sat
in her dressing room resting her
small Chinese feet and reflecting on
the delight of being the dark, yvicked
little cloud tn "Yellow Jacket" and hav
ing escaped from years of curly blond
ingenues.
"It's really a relief to be a siren after
Up-to-Date jokes
"Aren't you the boy who was here a
.Week ago looking for a position?”
| . “Yes. sir.”
i T thought so. And didn’t I tell you
' then that I wanted an older boy?”
"Yes. sir; that’s why I'm here now."
Sue—You said you were going to
marry an artist, and now you’re en
gaged to a dentistt.
Flo—Well, isn't hi an artist'.’ He
draws from real life.
Will —The sight of an old school
I mate is—er—well, it might be called
both meat and drink.”
I Bertha—Yes: that's what you men
I usually do in the circumstances,
"Eh?”
I "Meet and drink."
"Why do you always insist on talk
ing about the weather to your bar
ber?”
"Yon wouldn't have nt*' talk about
anything so exciting as politics to a
man who is bundling a razor, would
you ?”
"What, giving up already, my boy?”
said a gentlqman to a youthful angler.
"You must bring a little more patience
with you- another time."
"I brought enough patience with me
mister, but I didn't bring enough
worms!"
"My dear boy,” said Enpeck. who
happened to be in a confidential mood,
“you will never know what real happi
ness is until you get married.”
“You don’t mean it!” exclaimed Sin
gleton, astopished at such a remark
from such an unexpected source.
j “It's a fact." rejoined Enpeck; “but
i then it will be too late for you to ap
! preciate It."
■ ■ J
1 ‘ “Do you act toward your wife a» you
I did before you married her?”
j "Exactly. I remember just how I
i used to act when I first fell in love
I with her. I used to hang over the
fence in front of her house and gaze at
' j her shadow on the curtain, afraid to go
I in. And I act Just the same way now
■ when I get home late.”
, "How wonderful It is." said ('holly,
originally, "how dogs itnow things.
Now, there’s i'ido. I often wonder if
I he doesn’t have some sort of telegra-
1 ' phy, don't, you know. Don’t, you be
lieve he has a sixth sense—a sense
tliat I don't possess?”
"Yes,” responded Miss Cutter,
promptly; “common sense. 1 believe It
is called.”
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playing bread-and-butter misses, even
if one does have to walk on shoes like
these,” and she held up one of those
tiny slippers with the heel right in the
middle of the sole.
if you have not seen this extraor
dinary Chinese play, no criticism or de
scription can give you an adequate idea
of the remarkable effect obtained by’ the
sheer art of the actors and actresses
tn creating a perfect illusion without
the aid of anything but the crudest
Chinese stage properties.
in the scene where the hero and the
little Autumn Cloud float down the
river of pleasure listening to the splash
of the water and watching the other
boats as they pass, one feels the rhythm
of the dark, sleepy water, the slow
movement of the boat, the languorous
evening breeze, indeed the picture is
perfect; yet on the stage there is noth
ing but a few benches, a draped pole,
two men with bamboo poles for oars,
and one of the musicians in the back
ground giving the sound of the oars by
means of sand paper boards. It is the
triumph of art and acting over stage,
props.
A Difficult Part.
"This is the most difficult part 1 have
ever had to do,” said little Miss Walk
er, “and it’s the most interesting. Some
times I think we almost have to hypno
tize the audience into seeing and feel
ing with us, and I believe it’s a genuine
feat to be able to do it.
"How do We do it? Well, in the
first place there is never a single mo
ment when each one of us is nor keyed
up to the highest pitch. If one dropped
for a single second the entire scene
would go. It’s a matter of the very
closest concentration, and that is the
secret of success in everything, any
how, but we demonstrate that each
' evening, especially. I think, in the viol!
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Costs Little and Acts Quickly,
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This recipe makes a pint of cough
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and other throat troubles.
i Mix one pint of granulated sugar with
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minutes. I’ut 2% ounces of Piner (fifty
cents’ worth) in a pint bottle, and add
the Sugar Syrup, 'lake a teasp<M>nful
every one, two or three hours. Tastes
good.
This takes right hold of a cough and
gives almost instant relief. It stimu
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tive—both excellent features.
Pinex, as perhaps you know, is the
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pine elements.
No other preparation will do the work
of Pinex in this recipe, although strained
honey can be used instead of the sugar
syrup, if desired.
Thousands of housewives in the United
States and Canada now use this Pinex
and Sugar Syrup recipe. This plan has
J often been imitated, but the old success-
I fit! formula has never been equaled. Its
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immensely popular.
A guaranty of absolute satisfaction, or
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recipe. Your druarrist has Pinex. or wil)
get. it for vou. If not. send to The
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DR[
j mwM Opium am
i hornes. Const
I pot frep ]>ll
| scene. I see every bit of the changing
I landscape as 1 look out into space, I
hear the voices of the lovers in other
boats. I watch them pass. If I stopped
for one instant, if my-attention wa
vered the illusion would be lost. Os
course it's the same thing with the
others. We have learned much phi
losophy and are in 'Yellow Jacket' and
have a daily lesson in the hardest kind
of mental concentration.
"People talk a great deal about mag
in tisin and fascination and every one
wonders what it is. Little Autumn
. I 'loud lias to have both in her wicked
I little make-up and 1 hope she has.
"What are they? Well, magnetism
i seems to me to be the constant giving
>ul from a great reserve fund of brains
j oi In art without depleting oneself. Fas
-1 cination is a hundred different things.
’ The very habit of paying cluse atten
j tlon constitutes a power to charm in
J some people.
i "Listen Well.”
"Have you ever noticed that the girl
I who knows how to listen is always
| sure of friends? That Is her power of
I fascinating. 1 remember my’ cousin.
Walker Whiteside, telling me to learn
1 how to listen to people.
"He gave me that advice when I was
I a child, and 1 realize more and more the
I power, the fascination of the attentive
i listener in these days, especially when
it seems as if everybody were talking
together and nobody pays the slightest
■ heed to what the other is saying
"People are always lamenting that
; the art of conversation is declining, but
\ really it is tin art of listening. Where
■ y ou find the earnest sympathetic listener
■ you will find no Im k of fluent language,
i though the conversation may be noth
' ing more than a one-sided monologue.
“The girl who can listen well is sure
' to be a social favorite, thoughshe may
have only the meagerest claims to
beauty or brain. She is sending out
tiiose unseen waves of sympathy which
attract people to her, and she can hold
them by the same quality—her silent
concern about their affairs. Nothing is
' so flattering to a man as to gain a
woman's close attention. He will al
ways call that girl fascinating who will
listetp with the most complete absorp
j tlon to the story’ of himself. If she has
tact and understanding enough to urge
him to continue on the same engross
ing topic, she can be sure of his ad
miration."
And seeing that this advice comes
: from the most enchanting little fasci
nator, girls will do well to follow it.
Do You Know—
' The loss of crops due to bad weathe*
amounts to something like $100,000,000
; a year.
Ten years ago the wheat production
. of the whole world amounted to 393,-
■ 000,000 quarters; this year ft is reck
oned at 442,000,000 quarters.
. Os about 17,000 persons between 14
■ and IR years of age in Edinburgh, 12.000 I
underwent some farm of vocational
training or of higher education.
In the' United States nine-tenths oi I
the students choose their career at
about fourteen years of age. and they I
never have a chance of altering it. I
Later on they become machine serfs.- I
Professor Moore.
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Healthful, mild climate, both summer and
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“The Brenau Girl.”
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Att—ae flu.
The Manicure Lady >
By William F. Kirk
(( < T last I have found out sorne-
/-X thing that Wilfred can do.” said
the Manicure Lady. "There
was a long time that my brother failed
in everything lie attempted, especially
when he tried to write them verse
things. Brother Wilfred is good at one
thing, though, and 1 saw him prove it
yesterday. He can shoot rabbits.
"I don't know if shooting rabbits is
une of them manly arts that I have
read about, but if it is a manly art Wil
fred is sure full of manhood, because
we was down on Long Island yesterday’
and the brothei took his shotgun along.
Father wanted the right to use the gun
part of the time, on account of the tact
that he had bought it and paid for It,
but Wilfred kept assuring the old gent
that It would be foolish tor him to
shoot at anything, on account of him
being nearsiglited
"When we got down to the place
where father and mother and Mayme
and Wilfred and me was going to visit
for the day, my brother digs up some
kind of a dog tliat he culled a beagle.
Did you ever see a beagle. George?"
“You mean a eagle." corrected the
Head Barber. "Eagles ain't dogs. They’
fly.”
"Nobody said they didn't." said the
Manicure Lady, "but you are wrong. 1
didn't mean a eagle—l meant just what
1 said, a beagle. A beagle is a long,
low-built dog that likes to run around
in the woods hunting for rabbits. It re
minds y ou of one of them Dutch daehs
chunds. only it lias more ainbisli. Gee,
George, it would have did your sluggish
heart good to see that little dog running
them rabbits. Wilfred asked me io go
along, and told me that when the hunt
was over Ills sister would be proud of
him for once in his life. Ami so 1 was.
George, the way it turned out.
“Wilfred showed me a place where
there was a old log, and after he hail
scraped off the snow and put a old
newspaper on the log for me to sit on.
he started the dog off through the
woods. He explained to me that it
would be foolish for him to follow the
dog. He said that the dog would re
member where we was sitting, and
would chase any’ rabbit he found right
up to the place where we was.
“Sure enough, after we had sat there
about two hours, that beagle started to
bark, way’ off in the distance. We could
hear his bark coming nearer anil near
er, and finally Wilfred cocked his gun
and stood ready, like one of them Min
ute Men that fought under Napoleon at
' the Battle of Lexington, Kentucky.
"Then I seen the rabbit It was a
big, white one, and it was all that you
could do to see it on account of the
snow, but when it got a little ways
from Wilfred it stood up and looked
around, and my brave brother gave it
! Southern California affords more opportunities than any
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You Will Want To
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Marvelous Country
•f hi .
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may not see this announcement. Use the coupon below and see that they
get a copy.
Ims Angeles "Examiner,”
Los Angeles. Cal.
I Enclosed please findcents, for which yon will
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| Los Angeles Examiner |
LOS ANGELES, CALIFORNIA
the Roosevelt work before it had a
chance in the world to get away.”
“I don’t like to see a man shoot a
little wild creature that Is defenseless,”
said the Head Barber.
"That's the joke of it. George.” said
the Manicure Lady. "This wasn't a
wild rabbit at all. It was a tame Bel
gian hare, and Wilfred had to pay the
farmer for shooting It. It's a good thing
for Roosevelt that he left Africa before
tin- farmers found out wiio was doing
the shooting around there!"
Household Sug
gestions
To press skirts, always lay a damp
cotton cloth over the material, so that
it will not lie touched by the iron. This
prevents the mat* rial from becoming
shiny.
Here is a fact worth knowing when
you cook * ggs. A spoonful of flour
added to the grease in which eggs are
to be fried wil prevent them from
breaking or sticking t, the pan
Very frequently when separating the
whites from the yolks of eggs the yolk
becomes broken ami tails into the
whit*'. Dip a cloth in .varm water,
a ring it dry and touch the yolk with
a cornet of it. The yolk will adhere to
tile cloth ami may easily be removed.
F-w people realize that tile gas bill
may be very p. reeptlbly reduced by ex
ercising ear*- to light the gas properly.
Hold the ligl n J match to the burner
then very slowly turn on the gas. If
you turn th* gas on full force and ap
ply the match tt slight explosion en
sues. which is said to affect the meter
—and sends it forward rapidly.
FEED THE FAMILY BETTER
AT LESS COST
Thnst- American housewives
who know the high food value
and the easy digestibility of
Faust Spaghetti often serve this
deleetable dish. In many homes
‘‘Spaghetti Night” is a weekly
institution and usually finds a
bigger circle around the table
than any other night.
Get the Faust Spaghetti Book of
Recipes and know how many delight
ful ways in which this nourishing food
can be served. We'll send a copy free.
Faust Spaghetti is equal in tender
toss and flavor to the finest imported—
and it is certain to be clean and fresh
Ask your grocer for a package of Faust
Spaghetti—sc and 10c.
MAULL BROS.,
St. Louis, Mo.