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‘ ‘Tko \X/kin’ ’ An Lxcittng Tale of Love and Adven-
1 lie W Hip ture That Grips From Start to Finish
By BERTRAND BABCOCK.
The Story of the Play of the Same Name
Now Running at the Manhattan
Opera House, New York.
ht 1912. by Drury Lane Com-
' . > "of - America, by arrangement
•> b Krlhur Collins, managing
i rector of the Drury Lane
Theater of London.
TODAY'S INSTALLMENT.
.no because a lot of yokels give a man
an , . ,us nickname," he said tersely, you
ige li’m unheard. What do you know
of him .'"
■y 'tiing. thanks.’ said Lady Diana.
isn't it a bit rough on him to believe—
,mere hearsay?" asked the artist.
m t. but my grandfather, who has
.; word for every one. says that his
father was a soldier, his father a
_ r and a gentleman, but he hopes the
will never darken his doors. And all
, world says he fritters away his life
a flinging away his fortune.”
l"ne stranger smiled with a sense of
..Hi!) reflected in his face.
' tfhat the world says is often malice,"
~ said going to the rescue of I.ord Bran
ster. "but I'm sorry to hear what Lord
Beverley said. Nobody’s all bad. Perhaps
< because Lord Beverley doesn’t know
m that he thinks so ill of him. Per
(.(ps if you knew him, you might find—
< little food" —■
1 sure I hope so.” said Lady Diana.
Bi,’ the stranger continued:
An Interruption.
sure he'd hope so. If he has played
a ... .. with his life, mayn't he repent his
,;iy: Perhaps in a sense he never had
• bance perhaps he never had a father
, r mother in his youth to direct him—
4ii,i perhaps he'll turn out all right now—
perhaps no good woman
A softly insidious voice thrust itself into
the intimacy that seemed about to begin
between these two young people.
"Ah. there you are," it said.
Both the girl and the man looked up
and saw in the road a motor car with a
chauffeur and a woman stepping out from
it. For the briefest space the two women
measured glances. Lady Diana saw a tall,
rather dark and foreign appearing young
woman of an uncertain age, whose black
Hair and sharp features gave her, in the
estimation of any one seeing her for the
first time, a certain aspect of power.
A moment later she was walking toward
them.
The artist was not pleased at this in
trusion, and Diana saw that upon his
face was that tragic mask she had noted
when they saw one another for the first
time, not so many minutes ago.
"So this is where you come to sketch
so often." went on the woman from the
motor car. "Delightful place! Pray in
troduce me."
’ A Difficult Situation.
The artist interposed himself between
ii.e two women, almost as though he
feared harm to the younger of the two.
"I’m only a stranger here,” he said,
while Lady Diana, with perfect and cold
breeding, ignored a situation that to one
of another nationality might have been
a trifle embarrassing.
The intruder again swept Lady Diana
with her eyes.
"Indeed,” she said, a subtle menace in
her tones. "Well, it's lucky I found you.
If we are going for our usual spin to
gether, Francois wants to tell you some
thing about the car—the brake doesn't
act properly.”
Lady Diana was not pleased w’lth her
scrutiny of the other woman. She was
too young to have esteemed the other
fast, but thebe was a certain something
about the tall and dark intruder that re
pelled this young Englishwoman. So she
continued, though the other talked at her,
io seclude herself in her British reserve.
The situation appeared to the artist to
need relieving very much. So to create
a diversion, he walked toward the road
where the car and chauffeur were wait
ing.
“We'll take it down to the village and
look for a blacksmith, ” lie volunteered.
But the woman w’ho had come for him
in the motor did not move. She was still |
in hopet hat Lady Diana would recognize
her existence.
"Can't it be done here?" she asked,
still eyeing the young English noblewom
an and anxious for some offer of aid that'
would enable her to make Lady Diana’s j
acquaintance.
Her Chilly Responses.
'< ertainly not.” returned the artist,,
almost roughly, "and. besides, here are
■ie horses. The car may frighten them I
we leave it in this neighborhood.”
Ihe woman of the motor car looked
■ >wn the road and saw the Beverley
ring being led and ridden from the ex
’rcising on the Downs.
Dear things,” she said, for Lady Di
benefit. ’’How splendidly they look,
■uce horses, too. I should have loved to
of seen them. I’d no notion that there
were any so near to us. To whom do
'bey belong?’ 1
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"Lord Beverley,” said the artist, very
shortly indeed. “Come along!”
"Lord Beverley! Really,” exclaimed the
woman; and then, made bolder by thia
revelation, she spoke directly to 1-a.ly
Diana; "I am so sorry we were in the
way—pray tell Lord Beverley I’ll take
great care it doesn't happen again,"
But this gracious speech won from the
girl only a nod of the head and the sin
gularly British irritating "Thank you!"
with a rising inflection at the end.
"Please make haste; they are here.” the
artist cautioned her.
Yes, yes, dear," the dark woman re
turned. and then smiled at Lady Diana,
“Good morning!"
Another little nod of the blond head
and a "Thank you” were her only re
wards. The artist bowed very imperson
ally and, with the woman who had come
for him, rode down the road.
Musingly Lady Dlsna looked utter them
"I wonder who he Is," she said, "and
what hold she has on him.”
CHAPTER 111,
"The Whip.”
rpHOI'GHTS of the two were out of
| the mind of Lady Diana before
she had formulated any conscious
ness. for the whole string of horses of
her grandfather was now led into the
yard of the stables or ridden by the
boys. Though Tom Lambert, the trainer
of the stables, was nominally in charge
of all the horses, he paid no attention
to any save the nervous, skittish creature
covered with her horse “clothing" and
wearing over it all a horse rug. Lam
bert in .person was leading her.
The girl made some remark to the
middle-aged trainer, who had been a boy
in the Beverley stables, and he answered
as to the condition of the pride of the
Falconhurst stables:
“The fitter sue gets the worse she gets,
and when she fairly cops the needle I
believe she’d charge a battery and try
and eat the guns."
Though the racer was dancing about in
a semi-circle, held by Lambert at the
head and Hairy Anson, her jockey, in the
saddle, Lady Diana went to the rescue,
resenting any slur upon the reputation
of her pet.
“She's a dear, isn’t she?” she exclaimed
to the jockey.
"With you, my lady,” he answered,
“and she’s all right with me. But a stran
ger would have a better time trying to
tackle a tiger.”
“The Finest Filly."
The nervous, prancing horse was put in
the stables and Tom Lambert, her train
er, turned to his young mistress.
“The marquis won’t let me try her out,
my lady," he said, “but I believe The
Whip's about the finest filly as ever looked
through a bridle. But the very noblest
ship is no good without the man at the
wheel."
"Surely Harry's good enough," said
Lady Diana.
"When he's himself, my lady; but just
now at times he's a hang-dog, mournful
sort of beggar, with no spirits and no
nerve. Whatever he's got on his mind,
I don’t want it on The Whip’s back.
Light heart makes light weight, but a
bally boy with the blues thinks he’s
ridln' a hearse horse. But I wouldn’t
speak to your grandfather if I were you
just now, my lady; he’s so irritable about
the stable secrets leakin' out, and he
sees a tout In every passerby. We must
not worry him more. I’ll find out what's
the matter with Harry.”
The marquis of Beverley, with the Hon.
Mrs. Beamish, the middle-aged distant
cousin of Lady Diana, and her compan
ion, rode into the yard, and the marquis,
who had seen the artist and his com
panion in the motor car, was quite sure
that the artist was a tout.
Lady Diana told him of her encounter
with the artist and that he had been
sketching in the yard.
"Well, I won't have it," he exclaimed.
"Give orders, Tom. For all we know
the fellow's a tout —a confounded tout of
the worst possible description."
About the Artist.
“Yes, my lord; quite right," answered
the trainer. "There's no use in having
a dark horse if all the world knows it.
But, my lord, we don’t know that we
I shall have a winner for sure until we
I try the horse, ray lord. Ido wish—”
i “Plenty of time for that, Tom,” re
: turned the marquis, who now, with Mrs.
I Beamish, was out of the dog cart and
j about the yard. "We don't want to have
I the two thousand guinea race on the trial
ground. But we'll have no touts and tres
passers on my grounds.”
“Well, grandfather, you needn't trou
ble about this trespasser,” said Lady
Diana, “I know he's an artist. He showed
me his sketch book. And we talked about
art and scenery and the hounds.”
“But not about my horses, my lady?"
put In Lambert.
“We never mentioned the horses,” said
Lady Diana.
Mrs. Beamish, a middle-aged and dry
voiced satirist, exclaimed with a purpose
ly rasping inflection:
I “What a dull conversation.”
“I race for myself and not for the
! crowd,” said Beverley, "and don't forget
our old saying: 'A Yorkshireman's house
I is his friends.' but a Yorkshireman's horse
jis his own.' I don't bet myself and I'll
never let our horses be turned into pub
lic betting machines if I can help it. So
I no more talk with strangers. DI."
Mrs. Beamish Is Jealous.
Lady Diana and Beverley passed into
I the kennels, and Mrs. Beamish and Tom
Lumbert were left alone. The middle
, aged pair had a strong mutual attach
; nient and Mrs. Beamish certainly intend
led some day to marry Lambert, who
' had been the sweetheart of her youth,
but she was determined to die rather
' than admit it.
I And now the portly trainer turned to
[ her with the love-sick eyes through
’ which he had regarded her these many
i years. And just now Mrs. Beamish was
jealous. She had seen Tom in conversa
tion with Myrtle Anson, Harry's sister.
Their talk had been perfectly Innocent
and Tom had merely tried to find out
from her what was making Harry fall
oft In his riding. But Mrs. Beamish,
who wouldn't admit that she had any as
fectlon for Lambert, wouldn't admit either
| that there was any good In his character
She seemed prone to think that her old
lover was now at the age when nilddle
’ aged men leer at young girls.
In the midst of their conversation about
The Whip uhe turned upon lambert to
shake her finger with:
"I saw you talking with Myrtle An
son.”
"Mrs Beamish -honorable madam - you
are*jealous!” exclaimed Lambert, joyous
ihat It was So and yet fearing her dry
temper.
“Os you? Never!" returned the flame of
his youth.
Continued In Next Issue
Concentration Wins Success, Says Miss Walker
~~r~-- ’ .< gWEESSMfr
i' ■'■'vas- tu •-
vX )jGBHsSF BM
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■>* a'' 1 di T m-'
I ~
Antoinette Walker in “The Yellow Jacket,” now playing at the Fultrn
theater, New Yo'k.
By Margaret Hubbard Ayer
LITTLE AUTUMN CLOUD, other
wise Miss Antoinette Walker, sat
in her dressing room resting her
small Chinese feet and reflecting on
the delight of being the dark, wicked
little cloud in “Yellow Jacket” and hav
ing escaped from years of curly blond
ingenues.
“It's really a relief to be a siren after
Up-to-Date Jokes
"Aren’t you the boy who was here a
week ago looking for a position?"
“Yes, sir.”
"I thought so. And didn't ! tell you
then that I wanted an older boy?”
“Y’es, sir; that’s why I’m here now.”
Sue—You said you were going to
marry an artist, and now you're en
gaged to a dentlstt.
Flo—Well, isn't lie an artist" lie
draws from real life.
Will—Tlie sight »of an old s. hool
mete is—er—well, it might be called
both meat and drink."
Bertha —-Yes; that's what you men
j usually do in the circumstances.
“Eh?”
“Meet and drink."
"Why do you always insist on talk-
I ing about the weather to your bar-
I ber?”
| “You wouldn’t have me talk about
I anything so exciting as politics to a
man who is handling a razor, would
you?”
“What, giving up already, my boy?”
said a gentleman to a youthful angler.
“You must bring a little more patience
with you another time."
“I brought enough patience with me.
mister, but I didn't bring enough
worms!”
“My dear boy,” said Enpeck, who
happened to b» in a confidential mood,
“you will never know what real happi
ness is until you get married.”
"You don’t mean it!” exclaimed Sin
gleton, astonished at such a remark
from such an unexpected source.
i "It's a fact,” rejoined Enpeck: "but i
I then it will be too late for you to ap- I
j predate it.”
“Do you act toward your wife as you
did before you married her?"
"Exactly. I remember just how 1 ]
used to act a hen I first fell in love
with her. I used to hang over the
fence in front of het; house and gaze at
her shadow on the curtain, afraid to go
in. And I act just tlie name way now
when 1 get home late."
"How wonderful it is." said <'holly, j
originally, “how dogs know things, j
Now, there’s Fido, I often wonder if
he doesn't have some sort of telegra
phy, don't you know. Don't you be
lieve he has n "sixth sense —a sense
that I don't possess?"
“Yes,” responded Miss Cutter,
promptly: "common sense, 1 believe it
Is called."
_ _
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playing bread-and-butter misses, even
if one does have to walk on shoes like
these," and she held up one of those
tiny slippers with the heel right in the
middle of tlie sole.
If you have not seen this extraor
dinary Chinese play, no criticism or de
scription can give you an adequate idea
of the remarkable effect obtained by the
sheer art of the actors and actresses
in creating a perfect illusion without
the aid of anything but the crudest
Chinese stage properties.
In the scene where the hero and the
little Autumn Cloud float down the
river of pleasure listening to the splash
of the water and watching the other
boats as they pass, one feels the rhythm
of the dark, sleepy water, the slow
movement of the boat, the languorous
evening breeze, indeed the picture is
perfect: yet on the stage there is noth
ing but a few benches, a draped pole,
two men with bamboo poles for oars,
and one of tlie musicians in the back
ground giving the Sound of the oars by
means of sand paper boards. It is the
triumph of alt and acting over stage
I props.
A Difficult Part.
"This is the most difficult part 1 have
ever had to do,” said little Miss Walk
er, "and it's the most interesting. Some
times 1 think we almost have to hypno
tize the audience into seeing and feel
ing with us, and 1 believe it’s a genuine
feat to be able to do it.
“How do we do it? Well, in the
first place there is never a single mo
ment when each one of us is not keyed
up to the highest pitch. If one dropped
for a single second the entire scene
would go. It's a matter of the very
closest concentration, and that is tlie
secret of success in everything, any
how, but we demonstrate that each
evening, especially, I think, in the vloli
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Pinex, as perhaps you know, is the
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No other preparation will do the work
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thousands of housewives in the United
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A guaranty of absolute satisfaction, or
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“ TH TT DRi wqolley ' s SANITARIUM
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ject free, • 41. B H. WOUUEEY t BON.. No. »-A Via-
scene. I see every bit of the changing
landscape as I look out into space, I
hear the voices of the lovers In other
boats. I watch them pass. If I stopped
for one instant, if my attention wa
vered the illusion would be lost. Os
course, it’s the same thing with the
others. We have learned much phi
losophy and are in 'Yellow Jacket' and
have a daily lesson in the hardest kind
of mental concentration.
"People talk a great deal about mag
netism and fascination and every’ one
wonders what it is. Little Autumn
Cloud has to have both in her wicked
little make-up and I hope she has.
"What are they? Well, magnetism
seems to me to be the constant giving
out from a great reserve fund of brains
or heart without depleting oneself. Fas
cination is a hundred different things.
The very habit of paying close atten
tion constitutes a power to charm in
some people.
‘ Listen Well.”
"Have you ever noticed that the girl
who knows how to listen is always
sura of friends? That is her power of
fascinating. I remember my cousin.
Walker Whiteside, telling me to learn
how to listen to people.
“He gave me that advice when I was
a child, and I realize more and more the
power, the fascination of the attentive
listener in these days, especially when
it seems as if everybody’ were talking
together and nobody pays the slightest
heed to what the other is saying.
"People are always lamenting that
j the art of conversation is declining, but
j really it is the art of listening. Where
j you find the earnest sympathetic listener |
you will find no lack of lluent language, i
! though the conversation may be noth- |
I Ing more than a one-sided monologue.
"The girl who can listen well Is sure
l to be a. social favorite, though she may
have only the ir.eagerest claims to
I beauty or brain. She is sending out
l those unseen waves of sympathy which
attract people to her,, and she can hold
them by the same quality—her silent
concern about their affairs. Nothing is
so flattering to a man as to gain a
woman’s close attention. He will al
ways call that girl fascinating who will
listen with the most complete absorp
tion to the story of himself. If she has
tact and understanding enough to urge
him to continue on the same engross
ing topic, she can be sure of his ad
miration.”
And seeing that this advice comes
from the most enchanting little fasci
nator, girls will do well to follow it.
Do You Know—
The loss of crops due to bad weather
amounts to something like $100,000,000
a year.
Ten years ago the wheat production
of the whole world amounted to 393,-
000,000 quarters; this year it is reck
oned at 442,000,000 quarters.
Os about 17.000 persons between 14
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underwent some farm of vocational j
training or of higher education.
In the United States nine-tenths of!
the students choose their career at I
about fourteen years of age, and they I
' never have a chance of altering It. I
Later on they become machine serfs. 1
Professor Moore.
- - . ._ j
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© © The Manicure Lady © ©
A T last I have found out some-
Z-X thing that Wilfred can do,” said
the Manicure Lady’. "There
was a long time that my brother failed
In everything he attempted, especially
when he tried to write them verse
things. Brother Wilfred is good at one
thing, though, and I saw him prove it
yesterday. He can shoot rabbits.
”1 don't know if shooting rabbits is
one of them manly’ arts that 1 have
read about, but if it is a manly art Wil
fred is sure full of manhood, because
we was down on Long Island yesterday
and the brother took his shotgun along.
Father wanted the right to use the gun
part of the time, on account of the fact
that he had bought it and paid for it,
hut Wilfred kept assuring the old gent
that it would be foolish for him to
shoot at anything, on account of him
being nearsighted.
“When we got down to the place
where father and mother and Mayme
and Wilfred and me was going to visit
for the day, my brother digs up some
kind of a dog that he called a beagle.
Did you ever see a beagle, George?"
“You mean a eagle,” corrected the
Head Barber. "Eagles ain’t dogs. They
fly.”
"Nobody said they didn't," said tlie
Manicure Lady, "but you are wrong, 1
1 didn’t mean a eagle—l meant just what
; I said, a beagle. A berfgle Is a long.
I low-built dog that likes to run around
| in the woods hunting for rabbits. It re
minds you of one of them Dutch daehs
chunds, only it has more arnblsh. Gee.
George, it would have did your sluggish
heart good to see that little dog running
them rabbits. Wilfred asked me to go
along, and told me that when the hunt
was over his sister would be proud of
him for once in his life. And so I was.
George, the way it turned out.
"Wilfred showed me a place where
there was a old log, and after he bad
scraped off the show and put a old
newspaper on the log for me to sit on,
lie started the dog off through the
woods. He explained to me that it
would be foolish for him to follow the
dog. He said that the dog would re
member where we was sitting, and
would chase any rabbit he found right
up to the place where we was.
"Sure enough, after we had sat there
about two hours, that beagle started to
bark, w’ay off in the distance. We could
hear his bark coming nearer and near
er, and finally Wilfred cocked his gun
and stood ready, like one of them Min
ute Men that fought under Napoleon at
the Battle of Lexington, Kentucky.
“Then I seen the rabbit It was n
big. white one, and it was all that you
could do to see it on account of the
snow, but when it got a little ways
from Wilfred it stood up and looked
around, and my brave brother gave it
jlllj Southern California affords more opportunities than any IB
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| You Will Want To
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Marvelous Country
I
THE NINTH ANNIVERSARY NUMBER OF THE
LOS ANGELES “EXAMINER” will be issued WED
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The information will be accurately and entertainingly I
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The p-opos*d opening of th* rename Canal turns afl the eyes of tr.a I]
world or. this region.
This apeclal edition will be mailed to any addroes In the United States ||
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Aa the edition la limited, and eo aa not to disappoint anyone, an earl? [I I
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S Los Angeles, Cal. HI
I > Enclosed please findcents, for which you will? IB
| $ please send the Ninth Anniversary number of your paper to HI
' ? the following names; ' In
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i i|] j Name Street j
iClty State
Name. Street
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11 Los Angeles Examiner a
LOS ANGELES, CALIFORNIA fl
Bv William F. Kirk
the Rooseveß work before it had a
chance in the world to get away."
“I don’t like to see a man shoot a
little wild creature that is defenseless."
said the Head Barber.
“That's the joke of it. George,", said
the Manicure Lady. "This wasn't a
wild rabbit at all. It was a tame Bel
gian hare, and Wilfred had to pay the
farmer for shooting it. It’s a good thing
for Roosevelt that he left Africa before
the farmers found out who was doing
the shooting around there!"
Household Sug
gestions
To press skirts, always lay a damp
cotton cloth over the material, so that
It will not be touched by the iron. This
prevents the material from becoming
shiny.
Here is a fact worth knowing when
you cook eggs. A spoonful of flour
added to the grease in which eggs are
to be fried wil prevent them from
breaking or sticking to the pan.
Very frequently when separating the
whites from the yolks of eggs the yolk
becomes broken and falls into the
white. Dip a cloth in warm water,
wring it dry and touch the yolk with
a corner of it. The yolk will adhere t»
j the cloth and may easily be removed.
Few people realize that the gas hilt
may be very perceptibly reduced bj- ex
ercising care to light the gas properly
Hold the lighted match to the burner
then very slowly turn on the gas. If
you turn the gas on full force and ap
ply the match a slight explosion en
sues, which is said to affect the meter
—-and sends it forward rapidly.
FEED THE FAMILY BETTER
AT LESS COST.
Those American housewives
who know the high food value
and the easy digestibility of
Faust Spaghetti often serve this
delectable dish. In many homes
“Spaghetti Night’’ is a weekly
institution and usually finds a
bigger circle around the table
than any other night.
Get the Faust Spaghetti Book of
Recipes and know how many delight
ful ways In which this nourishing food
can be served. We’ll send a copy free
Faust Spaghetti is equal in tender
ness and flavor to the finest imported—
and it is certain to be clean and fresh
Ask your grocer for a package of Faust
Spaghetti—sc and 10c.
MAULL BROS.,
St. Louis, Mo.