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ITEARST’S SUNDAY AMERICAN, ATLANTA, GA„ SUNDAY, APRIL 20, 1010,
EXQUISITE TOILET!
OE MATRONS AND
'S
\
\IDS
T
A rEATUPE or WEEK
M ISS ANNIE LEE M’KENZIE,
who Is one of the smartest
[jToscanini, Dynamo of Grand Opera,
Conducts Every Opera From Memory
>HE display of Atlanta- most
beautiful women In exquisite
toilets will be a great feature of
the (rand opera. The boxes will pre
sent a brilliant appearance, and give
a fit setting to the presentation of
grand opera. Mrs Robert F. Maddox,
one of the most besutirul women of
Atlanta, hai some very handsome toi
lets for opera week On Monday
evening she will wesr a French gown
of white shadow lace, the deslRn out
lined In gold thread, and the cordage
brightened with a touch of old blue
and with knots of French hand-made
flowers. . „ ,
On Wednesday evening Mrs. Mad-
uox will wear eorn-c olored chiffon
over turquoise blue satin, embroid
ered In blue, with this costume she
will wear some beautiful turquoise
gowned young women of the
city, will wf*ar to-morrrtw night a
French gown of draped pink crepe de
chine, veiled in shadow* lace with a
garniture of pearls. On Wednesday
evening Mips McKenzie will wear ciel
blue charmeusp satin with draperies
of lace cauglit w*ith tiny pink rose
buds and crystal garniture outlining
the corsage. Another beautiful opera
costume to be worn by Miss McKen
zie will be of gold brocade, having
pleatings of -exquisite lace. An after
noon gown to be worn by Miss Mc
Kenzie is a three-piece suit of pale
gray tnoire combined with gray crepe
de chine, and destined to be worn
with a large gray hat adorned with
ornaments Tor a’lsterTveni'ng'T. - : *™y “haded plume- At another mat-
formance Mrs Maddox will wear, inee performance Miss .McKenzie will
black Chantilly lace over white satin, * e ar a smart tailored suit of white
with sash of old blue and knots of j serge, with a black picture hat of
French rosebuds. i black adorned with a paradise.
M
RS JOHN 1) LITTLE, whose ■» j I
toilets are always models of j jy/J
IENRY JOHNSON, JR.
?1AWS$W0.
p RS.
will wear some igQUilltl
exquisite taste and style, will | * w gowns for the opera perform-
wear some beautifyl gown* for the j ances. Her toilet for Monday ev ening
operas. Mrs. Little s gown for the will be of blue chiffon, embroidered in
opening performances is a French: crystal and draped over pale pink
model of white chiffon embroidered charmeuse, a girdle of charmeuse In
in pale pink, effectively combining troduclng tlie pink also A diamond
pink and whits. The skirt has one neckU( . e wm t . omp i, to the attractive
side formed of pink brocade, ending
in a long train, and the other side is costume. Mrs. Johnson will wear an-
of white chiffon embroidered in *»e-1 other blue gown one evening during
quins The corsage is of white chlf- the opera, a pale blue chiffon, which
fon Mr*. Little will wear her mag is embroidered in blue and pink and
nifleent diamond necklace and hair made over blue satin, with a girdle of
ornaments. Another beautiful gown blue, adorned on the left side with a
m be worn by Mrs. Little Is of black big pink rose.
satin richly embroidered in rhlne- * * *
stones and sapphires, with handsome IV/T HELEN PAYNE, a lovely
lore at the neck and sleeves. An lin- I y I young woman, whose cos-
ported gown of pale blue chiffon bui t tumes are always le dernier
swsrjrrfwfflrs:* - **
sn evening performance, and with this 1,1 bridal trousseau, seveial of which
gown she will wear turquoise Jewelry, she w ill wear at the opera. Miss
Payne’s costume for the opening night
RS. JOHN K. MURPHY, who'of the week is of pale yellow char
ms just returned from New ni,, use. the curzage formed of gold-
,, . . . , . . threaded lace, over which Is laid gera-
\ork, has brought home som< nlum colored chiffon. The sleeves
beautiful gowns, and on the opening arc of gold lace, and a skirt drapery
night she will wear an exquisite Lucile the chiffon partially veils the nur-
model of white chiffon. The skht l.i A°'' *“ tln >*««. Another charming
„ , , toilet to be worn by Miss Payne at
h draped model, and the corsage of the opera is of flesh colored chiffon
shadow la« e over chiffon in outlined and satin, mode In the severely sim-
with French rosebuds. With this cot- ! J’ u ' ■“'V, 1 *' n <'"’ popular. The chif
fon which forms a tunic and veils the
M v %
n
?iAm
‘Haestoso
" Tempo’
turn© Mr*. Murphy will wear a clls-
mond necklace and diamond hair or
naments.
A stunning gown to be worn by
Mrs. Murphy at one of the matinee
performances is of blue matalesse,
made with a draped skirt, and a short
coat, opening over a blouse of French
net. A large black hat. adorned with
a white paradise, completes the toilet.
Another afternoon gown which Mrs.
Murphy will wear at a matinee per
formance combines black and white
chiffon, forming n draped skirt, with a
coat of black chiffon lined with pink
satin. With this toilet Mrs. Murphy
wears h hat of black straw adorned
f with a paradise.
Miss Julia Mm: . the older of the
two lovely daught- > of Ah'.‘and Mrs.
Murphy, who is still a schoolgirl, but
is an enthusiastic lover of opera, will
be a charming tig m e in the Murphy
box. A beautiful frock to be worn by
her for the opening performance of
the opera is of shell pink chiffon,
draped from u \«r> high waistline and
simply fasbio
Miss Mami& Btins, who will als >
occupy the Mf»t.v bqx for several
of the operas, m wear on Monday
night a gown B ciel blue chiffon,
draped over hl&flsatln. the corsage
ornamented with wench rosebuds and
bands of iridescei I passementerie.
corsage is embroidered in crystal.
’ RS. J. CARROLL PAYNE will
M
M
- RS. FLOYD Al'R.VE, who makes
an annual trip abroad for the
purchase of her exquisite
French gowns, w ill wear some beau
tiful costumes next week. On Monday
evening Mrs, McRae will wear white
brocade crepe, heavily embroidered»in
rhinestones, and worn with a short
coat of matalesse. Her Jewels will be
diamonds. On Wednesday evening she
will wear pale green crepe de chine,
with overdress of point lace. Another
of Mrs. McRae’s beautiful costumes
for the opfra is a hand-painted chif
fon cloth showing a design of pink
roses A very smart afternoon cos
tume which Mrs. McRae will wear at
one of the matinee performances -s
of white voile, embroidered in pjnk
apple blossom
wear at the opening night of
the opera a handsome toilet
of colored chiffon and satin, em
bellished with rhinestones. 0
• *
Mr*. F. E. Kneip will wear for the
opening performance a white char
meuse satin draped gown, veiled In
chiffon, with the corsage embroidered
in pearls.
» » *
Mrs Janies L. Riley on the opening
oyening will wear apricot charmeuse
satin, combined with gold lace, the
corsage handsomely embroidered in
rhinestones.
* * •
Miss Laura Ansley and Miss Ma
mie Ansley, the two young daugh
ters of Mr. and Mrs. Edwin P. Ans
ley. will have with them their guest,
Miss Caroline Cummlng. of Augusta,
and the three young women will be
beautifully gowned for the opera.
For tin* first performance Miss Laura
Ansle.v will wear pink satin veiled in
blue chiffon, the corsage embroidered
in gold, the low neck outlined with
French rosebuds. Miss Mamie Ans
lev, who will be a debutante of next
| season, will wear a pretty frock of
lavender chiffon over lavender satin.
Mrs. Edwin P. Ansley will wear for
the opening performance a French
model of white satin, with overdress
of crystal embroidered chiffon.
• * •
-Mis. Andrew Calhoun, who Is al
ways beautifully gowned, will wear
on Monday night a charming costume
of pink chiffon, veiling shadow lace
the draperies . aught at the knee by a
wreath of French roses, i made
over shell pink eharmeuse! Ynother
gown to be worn by Mrs. aff.xlhoun
one evening of next week Is a crea
tion In white Canton crepe, hand-
embroidered, and made over white
charmeuse. For one of the matinees
Mrs. Calhoun will wear a ehle suit
of wistaria crepe and a hat of rose-
colored chiffon crepe adorned with a
taupe-colored osprey and small rose
buds in a cluster.
BORI NEW TO SOUTH.
When Madame Lucrexla Hon ap
pears to-morrow night in “Manon
.eseaut.” she will be making her first
appearance south of the Mason ar.d
PIxon line. She has been a great
favorite in New York duripg the past
season, and Atlantans are preparing
to give her a cordial reception.
• • *
Mr. Otto Kahn tells the story of a
man who came ‘excitedly to the tele
phone to tell him of the discovery of
a new Caruso. He poured into Mr.
Kahn's ears the wonders of his find
and asked for an immediate appoint
ment. Mr. Kahn set an hour to hear
this new marvel, but half an hour
after the telephone conversation the
discoverer called up again to say
that the new Caruso was in reality a
very homely young man witli bo voice
to speak of. But why didn't you
tell me that first?” asked Mr. Kahn.
"Why, the Infernal pest Was sitting
next to me when I telephoned," was
the answer.
• • * •
When Signor Toscanini mounts the
conductors stand this week he may
surprise Atlantu musical critics by
conducting with his left hand. Dur
ing a rpcent performance of “Madam
Butterfly’" in New York, Signor Tos
canini conducted almost the entire
opera wltn his left hand.
* • *
When an opera Is really successful
in Parts it is likely to be given at
least a hundred times the first season.
How far Debussy’s "Pelleas et Meli-
sande” lias been from such success la
shown by the fact that It required
eleven years to reach Its hundredth
repetition. Nevertheless, the event
was celebrated by a supper at which
Paul Dukas, Xavier Leroux, Jean Pe-
rier and other prominent musicians
were present, besides the composer
and his wife.
Great Conductor Is the Most Modest Man Under the Operatic Spotlight,
Which He Dodges—He Will W ield Baton Here Thursday Afternoon.
M 1
rRS. W. S ELKIN, who will bo
in one of the boxes Monday
evening, life* a very handsome
gown of white charmeuse. over which
is effectively draped black chantillv
lace, which she will probably wear
on that occasion. At another time *ho
will be gowned in white carrama-t
«*ross lace, made over white chiffon,
with an underdress of white satin.
* * •
M MRS. FRANK PEARSON will
wear on Monday evening a
decollete gown of black char
meuse satin, with overdress of dull
gold and draperies of black Spanish
lace, and a girdle of dull gold.
Miss Edith Row ron, of Birming-!
ham, a lovely out-of-town visitor who
is Mrs. Pearson’s house guest for the
opera, will wear on Monday evening
toilet of pink brocade, combined with
pink charmeuse satin and trimmed in
>»ilver passementerie, her coiffure
adorned with a Juliet cap of gold lace
• « •
M IS. GEORGE M’KENZIE. who
will entertain different groups
of friends at each perform
ance of the grand opera, in her box,
will wear *6me charming toilets which
she brought back from her recent stay
In New York. The first of Mrs. Mc
Kenzie’s opera toilets will be a gown
of white crepe de chine, showing a
design of Dresden flowers, the skirt
draped in com flower blue chiffon
Telling shadow lace. Diamonds will
be worn with this costume, and her
flowers w*lll be orchids On Wednes
day evening Mrs. McKenzie will wear
lavender charmeuse Satin, embroid
ered in,pearls Another evening gown
to be worn by her is of white satin
with overdraperies of black lace
Mrs. McKenzie has nemo handsome
afternoon toilets for the matinee per
formances. one being a three-niece
suit of blue moire, to be worn with a
0 f blue adorned with blue j :um<-
and another of wisteria cloth, iviik-.i
will be worn with a large whit* hat
M“
RICHARD C. CONGDON
"11! wear some very lovely
costumes for grand opera, and
her gown for the opening per
formance will be of white satin, with
overdress of jetted crystal.
• * '.
Mrs. Charles P. King will wear at
the opening performance an evening
gow n of t ie! blue satin, embroidered
In silver, with a handsome Oriental
embroidery on the corsage.
Mis Alex Smith,*Jr* will be a lovely
> uimg matron at the opera on opening
nlRht, wearing a costume of cream
embroidered net over soft satin, belted
with a sash of (lame colored ohar-
meuso and finished with "angel
sleeves of White chiffon. On another
evening Mr*. Smith will wear a king’s
blue satin gown, with drapery of chif-
foil and corsage of shadow luce, veiled
In chiffon.
A tlantans, you who have
meats for La Gioconda” next
Thursday . Iternbon, please do
not applaud the conductor. He
doesn’t I ke it.
Arturo Toscanini will wield the
baton Thursday afternoon. All other
operatic celebrities have press agents.
Toscanini seems to have hired a si
lencer.
Just before th? overture, the Au
ditorium will be dimmed. This is fof
Toscanini's benefit He always de
mand!* this darkening of the house
before h - slips into the orchestra pit.
When ne is in his place, the lights
come on again; Toscanini lifts his
baton, and the opera begins.
L' your seats are well back from
the Auditorium stage Thursday aft
ernoon, you may be deluded into
thinking that Toscanini is using the
score of “La Gioconda.” If your seats
are close to the front, you will see
that he has on his stand nothing bm
a blank sheet of paper.
Signor Toscanini never uses the
score. Every note of nearly one hun
dred operas is photographed on hW
wonderful brain. Hut rather than ap
pear to bo “showing off” his marvel
ous memory, the modest conductor
fools the many with the white sheet
of paper.
In five years he has appeared on
the stage before the curtain so few
*linos that they could be counted up- 1
on 'he Angers of one hand—possibly
only at certain premieres, when the
composer insisted upon dragging thU
incarnation of modesty from the com
parative seclusion of the orchestra
Pit.
DISLIKES A “HAND.”
If the audience applauds him when
he appears his only answer is to
raise his baton and begin to conduct.
A few weeks ago an audience con
tinued to applaud so loudly that lie
simply had to stop and bow his ac
knowledgments. But it seemed not
to please him.
As soon as an act is completed the
wiry, agile little figure hurries out of
the pit—sometimes managing to reach
the exit even before -the lights flare
up. In passing he sometimes has a
word of gratification to bestow upon
some player or other who has per
formed his task to his entire satisfac
tion, or he may pause an instant to
drop a reproach at one who has failed.
But the applause which storms about
his ears, a great part of which is di
rected at him—that seems to count
for nothing.
HE IS ELOQUENT.
While conducting an opera Mr. Tos
canini is ihe inopt eloquent conductor
imaginable. He stands erect, save
when pleading with His orchestra for
subdued volume of tone. When he
commands a fortissimo, his baton
fairly sings through the air and the
conductor’s face is gnarled with pent-
up emotion. His left hand Is almost
as expressive as the one that wields
the wa^d, for the left hand produces
a sudden hush by a mere warning
gesture, or it coaxes rroin the players
volumes of tone that are thrilling in
their climaxes.
More than that, his baton seldom
beats* lime, but its tip appears to car
ry the melodic phrase of singer or
orchestra, indicating what musicians
call “phrasing.' There is no escaping
his intentions regarding the interpre
tation of the music in hand, for he
makes absolutely clear to the artists
just what he wishes.
MAKES NO COMPROMISES.
And there never is any Yalteriqg,
never any factor of whim, humor or
mood that seems to enter into what
the musical high brow calls his "read
ing” of a score. Once he has mastered
a score of an opera or a symphony, it
is all worked out in Jhis wonderful
brain, a clearly thought-out interpre
tation which is what ho believes the
composer intended. To attain this
end he strives unconditionally.
The story of nis debut as conduc
tor is interesting. His debut was
made years ago in Rio de Janeiro,
where 'ne was playing ’cello and also
acting as assistant chorus master.
One night during o troublesome sea
son the impulsive audience hissed the
regular conductor and refused to ac
cept an incompetent substitute who
tried to lead “Aida,” but was driven
from the orchestra pit by yells of
disapproval.
It was suggested to try Mr. Tos
canini, but the latter escaped and
hid. He was founds dragged into the
pit, and as soon as he raised the
baton the turbulent audience became
silent. He discarded the score at
c nee, impressing he audience by *his
single move, raided his baton and
conducted a performance that arous
ed shouts of approval.
GAINS FAME IN A NIGHT.
After this, his fame as conductor
was established, and he became al
most in a single night what he is
to-day—one of the greatest conduc
tors the world has ever known. He
remained first conductor at Rio de
Janeiro, went to Italy, conducted
opera and concerts there in import
ant opera houses, and five years ago
accepted with Mr. Gatti-Casazza the
call to come to New York.
The sum paid 1 im at the Metropo
litan for a season’s work is mere
conjecture, save to a few, and they
won’t * ell. But is hinted that he
earned about $46,000 last season
Then Buenos Ayres wanted him and
sent him a blank contract to fill out
covering three months there as con
ductor. It is said that he received
$66,000 for three months' work in the
South American capital.
This is hearsay, of course, as is
almost everything else dealing with
the private life to this great little
man. He never talks for publication.
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Remember the old piano slogan of Atlanta,
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H. R. CALIF, Mgr.
Sweet Songs That Public Never Hears
Miss Elizabeth Hi B h will bo one of
the many rharmintt g\r\g attending
Monday night’s opera, and she will
be gowned In yellow brocaded char-
meuae, with the corsage of chiffon,
elaborately embroidered In self-tones
Another pretty toilet to be worn irv
Mies High la of pale blye charmeuse,
trimmed In shadow lace. In tile box
with Mia* High will be Mrs. Albert
Adams, "earing a blue crepe meteor
with a girdle of old gold lace
• • •
The gown to be worn by Mrs. W. M.
McKenzie Monday evening is a soft
white charmeuse. the skirt of which
is draped in caramarroaso lace, and
the waist being made over chiffon
with angel sleeves of chiffon. Later
in the week she will wear a white
satin gown draped in chiffon, brocade
in Dresden flowers, with a finish about
the V-shaped neck of seed peals. On
the opening night Mrs. Marshall M
| Kenzie w ill be charming in a tur-
What of the songs never heard by
the public? You good people ^f At
lanta. lovers of music who pour out
the flood of dollars that makes pos
sible the week of song, did you ever
stop to think of the songs- more
beautiful than any you hear on the
public stage—that money can not
buy?
Atlanta audiences and those of
other cities sit in rapt delight while
the golden notes pour out over the
footlights.
But neither Atlanta, audiences nor
those of any other city may ever hear
the artists 1 most entertaining and
beautiful songs. They may not fall
on alien ears. They are the songs
that the singers, when the lights of
the theaters are out, sing or croon
to their own little babies at home.
They are happy songs, witching
songs, funny songs that all the fervor
of love makes tender, and the little
scamps who hear them cuddle, up
and go to sleep, ar dance and keep
time to the tune of them. Just as if
the greatest singers in the world
were not performing for them free of
charge.
Shut your eyes for a minute and
imagine the magnificent baritone of
Pasquale Amato, the great singer,
who Wednesday evening next week
will take the leading role of “Cy
rano,** modulated toward the refor
mation of his young son nine years
old. whom he designates as “that
youngster ’ most of the time.
To Amato’s very great delight, mu
sic has proved its power to soothe
the young son’s very savage breast.
"For what should 1 have done," he
asked a reporter, "if that boy had
continued his very terrific manner?”
(Largo question mark.)
Amato Cites Miracle.
The story of the miracle Amato told
like this:
“The young rascal used to be up to
j all sorts of mischief. He w as a gen
eral young American. But now. since
quoisi brocade*: chu.mseusn- Cu ,*t 11 have put him to study music, he
which has tl.«- transparent j has become calm. We could scarcely
made oi mechiine lace over ( keep him in school he was so bad.’
flesh colored chiffon.
was a pity there were not more peo
ple who made a specialty of compo
sitions for children, for it had al
ways been his theory, as well as
his practice on his ambitious young
offspring, that music can be a large
influence in turning little folks from
the mischievousness of their ways.
“There are plenty of words for
children’s songs,” he said, “but the
music is scarce. Of course, there are
certain songs of all countries that be
long to children, but these are lim
ited. If grownups are given such a
vast amount of music to select from,
why not a child, whose imagination is
very strong and active?”
Amato has another boy besides the
reformed one. His name is Spartaco,
and his father sings to him. But he
has to sing different songs to him
from the ones he sings to Mario, the
younger, and that’s why Amato
knows there are differences in chil
dren's tastes and believes in indi
vidual souls having the kind of songs
they happen to like.
Now, Mario, whose nature was the
one he had to subdue, has Napoleon-
istlc tastes.
"He delights in martial music.“ de
clared his father, "while on the other
hand Spartaco will have none of it.
Spartaco Is gentle in manner and ex
ceedingly studious, like his brother is
not.”
Amato and the two boys occasion
ally have some regular times at their
house. There are a few* costumes
that have weathered several seasons
of stage use which come in handy
when they go through little operas all
their own. The juveniles' long suit
is coming in from matinees and per
suading their father to change him
self in the twinkling to a musician, a
stage director or a costumer, so that
they can go through some scene they
have witnessed.
Mm«. Homsr on Lullabies.
Madame Louise Homer, who will
sing Thursday afternoon in "La Gio-
onda." doesn’t understand the prop-
“Now, tell me. ’ she asked the re
porter seriously when he suggested it,
“how could you go to sleep if some
one was singing to you?”
Therefore the little Homers have
no lullabies at bedtime, and w*ould
likely consider that something was
seriously the trouble with mother if
she lifted her voice in song about the
time they were crawling in between
the sheets.
The little Homers consist of Louise,
Sidney, the twins, Anna and Kather
ine, and Baby Hester Makeplece
Their mother said about their sleep
ing arrangements:
“A child should be put to bed in a
room with plenty of good fresh air,
and there go to sleep. There are
other times for children to hear mu
sic besides bedtime. Indeed, 1 sing to
them, though. It is one of my great
est delights, and all of my childrer
have had their especial baby song." I
Then she said that all mothers!
should sing to their babie§. It was a
hard problem for her pers»opally. how*- J
ever, to satisfy the demands of her
little flock, for while the twins called
on her to moderate her singing tones,
ehe couldn't sing loud enough to suit
the baby.
Martin at Horn*.
The moat important thing in Ric-'
cardo Martin’s home is a bookcase—
and Biejie. Now, Biejie is a Persian
word for baby, and stands for Rie-
cardo’s little girl Alfreida. Riccardo
Martin, w*ho will sdng several roles
this week, is only a father when he is
at home, and he and his little girl,
who has a very correct ear, sing to
gether.
Bie’jie is fond of paraquets and has
two cases full of them in the recep
tion room, which is hung with chintz
She also writes poetry, and her favor
ite song is “Celeste Aida.*’ whfch she
sings in her high little treble with her
father, who thinks that children are
Just like birds.
‘I always think of Biejie as one."
he told the reporter. "And l think
children ought to be allowed to sing
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0
They never slip
or drop
Lady Attend
ant and
!
Ladies’ Rest
TERMS—Don’t wor-
Room
ry; they can be ar
ranged to suit.
Crcwn and
Bridge Work
$4
Fillings in
Gold, Plati
num, Porce
lain and
Silver 58c
and SI.CO
$4 Per Tooth
Phone Main 1298
Hours---8 A. M. to 8 P. M.
Sundays—10 to 3
When coming to my office
always be sure you are in the
right place
73 1-2 Whitehall St.
osfition of rocking babies to sleep when they feel like it. It i.« as natural)
Dr. Whitlaw Painless Dentist
Largest and most thoroughly equipped office south of New York. Entrance, 73 1 -2 Whitehall 8treet.
fourth door from J. M. High Company (over the Atlantic and Pacific Tea Store), opposite Vaudette Theater'.
References: My work and the Central Bank and Trust Corporation.
Aiiiat.i "eni on to remark that it ami .tnttiUK to tbeu. at the same time, with them a« it is with birds. '.
. I
J.