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Copyright,, 10.- Uit St a; «Juiupan> iJi’llain Higiitb Reserved. 4 Anna Held Plays aPespectableAmeiocanWiman Mmc. Anna Held, the Fascinating French Actress, Whose Long Experience in America Enables Her to Defend American Women So Charmingly. How Lions Help the Crops on Jungle Farms V KIUCAN farmers are beginning to regret the activity of sportsmen who come into their territory and kill off the lions. There was once, a time not long ago, when it was believed to he a great thing to have this king of beasts killed off. and the na tives rejoiced, ever, as they do to-day in many sections of Africa, but the intelligent farmer has learned to his cost that the untamed lion of the jungle is really a great help to hint The lion is a beast of prey. He is a hearty eater, and gets his entire living on the fresh- killed beasts of the forests, jungles and plains. These beasts incude antelopes in a great many varieties, zebras and other animals of that class. In one season it is claimed that 350 lions were killed. This number of lion-, would have, in a single season, killed from thlrt> to * forty thousand zebras and antelopes. Now the zebra.--, and antelopes do not pounce upon the natives and kill ana eat them. Lions do. occasionally, kill a native, but this does not happen frequently. The zebras and an telopes and such animals as me lions live on cause untold loss,to the farmers, as they are herbivorous, and destroy valuable crops as 'fast ns the farmer and his native workmen can plant and grow them. It is not impossible that tne prosperous farmers will take some means to prevent sportsmen front all over the world coming into their territory and killing off the lions, for, they declare, if the lions are left un- slaughtered for a few years they will so re duce the zebras and antelopes that the crops . ill be given a chance to grow, and the farm ers can hope to get big returns. Captivaung Conversation with a Frivolous Frenchman, Who Declares Our Girls Detest Love, but Adore Flirtation, and Have Wooden Souls A NNA HELD, accompanied by one actor, ha* been giving an odd tittle playlet called “Le Chic Amerlcain,’’ at the Theatre Marigny, in Paris. Perhaps the oddest thing about it is that Anna Held represents herself for a time as a highly respectable American woman and makes herself the spokeswoman of American womanhood’s ideals, manners, elegances and standards of conduct, in a conversation with a frivolous Frenchman. The playlet fellows: (Anna Held Sings “I Cannot Make My Eyes Behave”) HE FRENCHMAN—How true that is. ANNA HELD—Then you understand English? THE FRENCHMAN—Not a word. But I have a heart, and when one has a heart, “a man thinks of his wife and little ones,” as the song says. No, I don’t mean that exactly, but when one has a heart there are certain words a man understands without knowing the language. ANNA HELD—I don’t think you are serious, Monsieur. THE FRENCH-MAN—Oh. yes, indeed, 1 am, only I don't look it. * * * As soon as I saw you with your dashing air, your splendid carriage, your "chic,” so American and yet rather French, 1 adored you. ANNA HELD—You talk about the American • chic" as if you knew all about it? Do you know anything about American girls? THE FRENCHMAN—Oh, yes; I knew all about them, believe me. American girls speak English and go in for every sport. They walk like professional pedestrians. They box like ■lack Johnson. They detest love, but adore flirtation * * * and they play with senti ments like tennis balls. They avoid kissing for fear of microbes, and in short, they are a sort of hybrid, neither man nor woman. ANNA HELD—Thanks! That is a pretty portrait. THE FRENCHMAN—Oh, it is quite life-like. ANNA HELD—It is a gross and, clumsy cari cature. If you knew the true American girl, en dowed with every feminine grace and every in tellectual accomplishment, you would immedi ately become her admirer. The American girl you described is taken from the French musi cal comedies, where the part is played by the funny woman of the company. The real person is very different. She lacks none of the seduc tive graces of the French woman. She as similates them easily, but in adapting them to her temperament and the conditions of her life, Bhe shows a very acute intelligence. You are trying to keep woman as she was ages ago. Modern women in France and in Europe gener ally, however bold, however desirous of eman cipation they may be, are always held down by prejudices, by family and social customs, by a whole mass of basic principles of education and routine. Behind the French woman there are twenty centuries of slavery from which she cannot free herself. THE FRENCHMAN—Oh, they free them selves from it quite easily. ANNA HELD—Don’t you believe it. The French woman Is oppressed, imprisoned by ancestral customs and manias. Morally she still wears the crinoline. THE FRENCHMAN—Pardon, you exaggerate. ANNA HELD—She does not walk through life by the side of man, but under his protec tion. That Is outrageous. THE FRENCHMAN—You think so? It ap pears to me quite natural. ANNA HELD—For twenty centuries you have kept woman under your domination. You are hideous, odious, frightful! THE FRENCHMAN—Oh, say those words of love again. ANNA HELD—I do not libel the French tr n. I paint him as he is. Under the pretence of id and protection he distorts al! the natural in stincts of woman. He bends them to his will, to his tyranny. He has formed her into a very attractive creature, made up of submission charm, dissimulation, a feline who has all t\ seductions, all the graces of the cat family, btf- all the tricks and cruelty also. THE FRENCHMAN—That is not very flatter ing to the woman we have formed, but 1 catch the likeness. She is like a cat, now curling her self up prettily, now moving with graceful sinu osities, playful, her claws ready to scratch, but she is also quick to lay her head on our shoul der with a purring of tender words. Naturally American girls are not like that. They are courageous, intrepid "persons. They wear the breeches from the cradle. Oh, they do not jest with life, still less with man. They clench their fists and as they know how to use them, they do not hesitate to fight with destiny or their husbands. She would have been a man if the Creator had had the patience to finish the work. THE FRENCHMAN—Well, aren’t American girls like that? ANNA HELD—No, they are true women. But they have grown up In a new country where space is greater, traditions less numerous, mas culine domination less fixed than In Europe. They have been able to develop an independent character. They were born free and they have remained so voluntarily, resolutely, obstinately. THE FRENCHMAN—Those three adverbs sound well. They sound like the clash of arms. They mean that the American woman will die, but never surrender, like our Old Guard. You paint a terrible picture bf her. To hear you the American women enter life armed and belmeted like the goddess of war, and yet they are women. Women like you, perhaps? ANNA HELD—Yes, like me. THE FRENCHMAN—You, you are the female fortress that fears nothing, that never falls. Oh, The Frenchman’s Idea of the Money-Making American Man’s Home Life. how unfortunate you are to be so insensible. A woman of wood! Let me close my eyes upon the horrible vision. And yet how it pleases me to look at you now. Look into my eyes like that, yes, quite straight, into them and give me your hands, your pretty hands, with the tapering fingers and the- pink nails. Give me a smile, one of those adorable smiles that seem to have caught a ray from the sun. You have such an exquisite smile and such pretty little teeth that know how to bite (he drops one of her hands). And to think that all that belongs to a women of wood! ANNA HELD—How foolish you are. I never said that. THE FRENCHMAN—Then quick, tell me it is not so. Tell me that the American woman is like other women, neither stronger, nor weaker, that she is the same sensitive, delicate, foolish little creature that women always are when they have hearts, imagination and when they feel the passion of love stealing over them. ANNA HELD—How sentimental you are! THE FRENCHMAN—I must remember that I am a man, an oppressor. Are Frenchmen so terrible after all? ANNA HELD—You are funny. THE FRENCHMAN—I don’t like that. ANNA HELD—Why? THE FRENCHMAN—It is as if you said that 1 was not a man. Funny men are the last re serves of the army of cupid. They are the last to be called to the colors. ANNA HELD—I have discouraged you. THE FRENCHMAN—Not at all. Go on talk ing about American girls. You say dreadful things with a candor and simplicity that delight me. The American girls have "chic,” haven't they? ANNA HELD—Yes, indeed, a great deal. THE FRENCHMAN—As much as the suf- ragettes ? ANNA HELD—Oh, they are not women. THE FRENCHMAN—What are they? ANNA HELD—Politicians (she sings her "Votes for Women” song). THE FRENCHMAN—But tell ajiout this American “chic.” ANNA HELD—It Is special, personal, dis- “American Women Are Money Mad,* Said the Frenchman. “Life with Thei Is a Perpetual 'Stand and Deliver’!'* tinctive. It is sober and discreet. It has rich ness and elegance. When your eye is a little trained you recognize the American girl easily by her walk, her outline, her dignified self- possession, and yet she lacks neither grace nor charm. You have seen men whose figures and features are manly, but who have in their move ments something of feminine grace. American women create a similar Impression with cer tains conditions reversed. They are women and yet there is something virile in their bear ing. You feel it and yet you cannot pick out any feature that gives this air. it is not only in tall women that you see it. That would not be surprising, but quite little women show it also. They have a certain energy in their walk that you find in all their actions, even the most feminine. THE FRENCHMAN—Oh, please show me that. Walk up and down here, as if you were in a cage. Do, yes, like that. Go, turn round, come back (Anna Held walks). It is mar vellous! How can you take such long steps when you have such little legs? ANNA HELD—Just practice. THE FRENCHMAN—You can never have worn hobble skirts, those skirts which grip the tinkles and make a woman look like a tied up lettuce. ANNA HELD—The American women are too practical to do anything to destroy the freedom of their limbs. They accept no bonds, not even those of the dressmaker. It is not that they despise fashion, but they show discernment. They do not accept with eyes shut whatever Is brought to them. They try it and adapt it’ to their needs. They have not generally adopted the hobble skirt, hut they have, on the other hand, invented the ankle length walking skirt. THE FRENCHMAN—Ah, I know it. I appre ciate it very much. I owe it many rare joys. ANNA HELD—You are joking. THE FRENCHMAN—Not at all. I am re calling the ankles, the prettiest little ankles, which the walker amiably revealed at each step. Yes, I have followed the ankles. ANNA HELD—Ah, you follow them? THE FRENCHMAN—Sometimes—when it rains. ANNA HELD—Why when it rains? THE FRENCHMAN—One Beds the ankles better. ANNA HELD—You have a low ideal, Mon sieur. THE FRENCHMAN—Are all American women as quick at repartee as that? ANNA HELD—They have quick, keen minds, Monsieur. THE FRENCHMAN—You delight me. Shall I fall in love with you now. ANNA HELD—You are silly. THE FRENCHMAN—Go on, please. When a woman says to a man, “You are silly,” she is grateful to him for the slightest spark of in telligence, for the least effort to pay a compli ment. He is on the road to her heart. Take a glass of wine. I feel that 1 am going to say foolish things to you. I want you to be a little gay, so that you will hear me sympathetically. ANNA HELD—Oh, you must not make me drink. THE FRENCHMAN—Yes, take another glass. ANNA HELD—Oh, I feel so funny. (She sings a tipsy song.) THE FRENCHMAN (coming very close to her)—Now that you are feeling so happy, with your lips full of laughter and your eyes full of joy, confess to me that the American woman, with all her decided airs, her virility, her masculine appearance that you praise so much, is only a fragile and delicate little creature. ANNA HELD (struggling nd laughing)— Let me go, let me go. I believe I am tipsy. THE FRENCHMAN—Tell me that she is weak like other women, that she has a heart and that she is nothing in the arms of a man but the creature of love she should be. Tell me that there are hours when she forgets her in dependence, when she thinks no longer of liberty, when she displays all her “chic” in sur rendering herself. ANNA HELD (laughing very much and try ing to recover her dignity)—I will tell you any thing you like, but leave me alone now. I am tipsy and besides I am not American, I am French. What the Stars Predict for Next Month T HE astral promises for May are rather gratify ing than otherwise, with Mercury and Venus in the Oriental quarter, and the conjoined lumi- nurie. supported by Jupiter. The new moon on the sixth is a solar eclipse, and occurring in this point of Taurus, according to Proclus, will affect crops further along in the year, especially corn and wheat, inducing to barrenness and scarcity by reason of drought. International amity is promised, and a generally tran quil sentiment in diplomatic circles, hut the illness of a Cabinet minister is threatened. A brisk influence per meates the public mind, with prevailing optimism, des pite a railroad strike. May fetes and marked social activity are foreshown by the position of Venus. Mars afflicts hospitals, charitable institutions, and places of detention. In New York, the .District Attorney's activities will bear whoiesome fruit, and two or more members of the constabulary will be introduced to closer quarters in the northward direction. The interests of the suf fragists meet with some pleasant recognition, with Venus rising in the sign of Mars. Some of the incidents foreshadowed are as follows: May 2—Danger to a public building: a social an nouncement attracts attention: pleasant developments in speculative marts. May 4—Illness of a prominent financier. Disturbances in public gatherings. May 8—A diplomatic transaction satisfactorily con summated. Mon#y centres are benefitted at this time, and some act of the President meets with special ap proval. Financial and postal legislation accomplished. May 12—Much excitement in Congress and Eastern Legislatures. A temporary crisis in the Cabinet, and hot unlikely the recall of an ambassador. The 19th, similar, with probable illness in the President’s of ficial family. May 17—A public social function. Army appropri ations due at this time; special legislative activity. May 23-24—Failure of a financial house: money cen tres disturbed. Some peculiar suicides between this and the 28th, with incendiarism rampant. May 29—Probable death of a church dignitary, as well as one prominent in literary or scientific circles. The sun, in conjunction with -Saturn, on this day brings a critical financial situatwn, and building casu alties may be looked for. The market presents a conflicting outlook. Reform legislation and tariff tinkering will affect sentiment, and while up to about the 18th is normally bullish, the steel horoscope Is sadly afflicted in this period, and this leader as a market factor must be noted. The first eight days bring advances, particularly around the 1st, 5th and 7-8th: market sags at the close on the 7th, with pronounced recovery on the 8th. The 12th is restless and erratic. Manipulation and professionalism much in evidence on the 15-16th. Cop per advances between the 15th and 17th. The 19-20th rather depressed, with renewed confidence on the 21st, bringing activity and advance in the general list. The 23d, reactionary and very fluctuative between then and the 29th. with materially lower points on the 29th. Wide ranges on the 31st. Saturn has now entered Gemini, the ruling sign of the United States, signifi cant of marked depreciation in speculative values in the year ahead. His last transit of this sign brought the Grant-Ward failure. The application of the luminaries to Jupiter pre sages fine weather up to about the 18th, very season able for crops, with occasional rains, but withal a germinative atmosphere and temperature. Jupiter will prove a benevolent factor this month in the lives of those born near the 8-10th of January, March, May, September or November of any year. Good health, fortunate prospects, and favors may be looked for, and advancement of interests confidently sought.; the 6th, 8th, 14th, 19th, 23d, 24th and 28th are fortunate days for them. Not so optimistic for those born in the last week of February, May, August or November. The sinister Sa turn will bear heavily upon their efforts, affecting health, material interests, cause mental depression, and bring obstruction and duplicity into the surroundings. Our Secretary of War comes under this transit. The 7th, 14th. 20th and the 27th to 29th are tedious days for them, to be especially noted. Those born in the third week of April will receive presents and be socially popular; similar in lesser measure if born in the third week of February. June or December. Erratic and reactionary influences affect those born near the 28-29th of January, April, or immediate close of July and October; changes, journeys and investments must be avoided, and the affectional and domestic in terests if of the fair sex. The first eight days as natal anniversaries promise a pleasant year ahead: likewise the 10th, 17th. 21st jud 31st. The 16th, 19th, 23d and 27th to 29th. present worries and difficulties: those born on the 27th or 28th may expect bereavement. \\