Newspaper Page Text
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1
Lady Constance Stewart Richardson
How to Acquire a Beautiful Figure Through Daneing.
Figure One (on top)—
This is known as the “ Pray
ing Boy” figure.
This takes in exercises
that develop the shoulders
into rounded grace, and also
stretch the waist muscles
taut and firm.
The chief exercise con
cerns a shoulder shrugging
movement that is easy to
learn and produces wonder
ful results in bust develop
ment.
Figure Two
(on bottom)—
This
exercise
develops
graceful
control
of the
whole body.
This is a
more difficult
exercise
than any
so far
described by
Lady
Richardson,
but is well
worth per
sisting in.
Both
exercises
are fully
described
in the
accompanying
article.
One Woman’s Story .
By VIRGINIA TERHUNE VAN DE WATER
CHAPTER XVIII.
A MONTH went by before an
other line came from Craig.
Day after day Mary watched
for a letter, hope deferred making
her heart sick. Yet she did not
doubt him. Something was wrong,
she told herself. Some family
trouble was taking his thought, or
he was too busy to write. She was
sure he had not forgotten her. At
last she could bear the uncertainty
no longer and wrote him a brief
note asking if he was well. In a few
days she received as brief a reply.
He was well, but rushed with work.
Matters had come up to take all his
time and endeavor. Much was at
stake, and until he had something
definite to tell her, she must not
expect to hear from him.
When she read this letter a change
came over the girl’s hopeful spirit.
It was not that she thought the
man she loved had stopped caring
for her, hut she felt that he did not
know her well enough to be willing
to confide to her this new trouble,
whatever it was. She would follow
his lead and keep silence too. When
he was ready to hear from her
he would communicate with her.
Meanwhile, all she could do was to
keep on loving him and believing in
his devotion. He could not be false
to her, of that she was certain. Did
he not love her he would tell her so.
Had they not promised each other
to be honest in this matter?
“Promise to tell me If your heart
fails you or If your love toward me
wavers, darling,” he had entreated.
“And I will do the same with you.
Only”—with a tender smile-—“my
ceasing to love you better than life
itself would be be impossible.”
She had said she would be truth
ful with him always, as he had as
sured her he would be with her.
And as he had not told her he did
not love her she knew that his heart
was still hers. But she w’ondered
now if his hope to borne for her
soon had been destroyed. Or—and
her heart beat fast as this thought
occurred to her—was he planning
to come soon and surprise her, and
was he silent lest she might guess
his purpose?
Still she worked on in the dingy
office. To all her mother’s ques
tions she replied that “Gordon was
all right—only busy.” Does such
faith and patience seem strange?
Some girls are capable of these.
Yet, with all her affection and con
fidence, pride or an inborn reticence
kept her from asking any questions
of Craig. For modesty and pride
are not incompatible with love and
trust.
As the weeks passed, Mary Dan-
forth saw Bert Fletcher often at the
office, and. while he occasionally re
pelled her by his blunt manner and
lack of delicate feeling, she found his
friendship and interest in her agree
able. He brought a great bunch • f
daffodils to her one day in early April,
and her eyes filled with tears at the
gift. She had not received any gifts
of flowers since she went to w.ork.
right after her father’s death, and
that was almost two years ago. It
would b * two years in June since she
had parted from Gordon! A lump
came into her throat and she bent her
flushed face over the yellow blossoms
But Fletcher had seen the change
in her look, and laid a large hand on
her shoulder. The pair were alone in
the outer office.
“See here,” he said awkwardly, his
voice trembling with feeling, "you’re a
brave girl all right, and I used to
think I was sorry for you. for Pearson
told me when I first met you that you
weren’t used to this kind of work. But
now the feeling I have for you ls»n’t
sorriness any more. I love you. girl'
I say, I didn’t mean to displease you!”
For she had shrunk from him and
started to her feet, her face pale and
her Ups quivering. But her anger
died away as she looked Into his star
tled eyes. Hhow should he know that
his declaration w>unded like an Insult
to her? Was not her own heart too
sad and heavy for her to treat this
m m’s evident affection with anger or
cruelty? She forced herself to speak
gently.
“I am sorry, Mr. Fletcher," she said.
“I did not think that you had any
thought of me except to be kind to
me. You must never say again to me
what you just said. I can not listen
to it.”
But her gentleness made the man*
consider her more attractive than
ever, and her refusal of his devotion
increased her desirability.
“I know you don’t think I’m good
enough for you,” he said impulsively
“and I ain’t—I mean. I am not.”
Even at this moment* the girl no
ticed the grammatical slip and knew
that this man’s correct speech was
the result of continued vigilance on
his part. Yet she. pitied him too much
to snub him. She rejoiced inwardly
when, the office door opened to admit
some one wishing to see Mr. Pear
son. As she rose to announce the
caller to her employer, Fletcher
spoke low and hurriedly'.
“I don’t want to annoy you,” he
said, “but may I come to see you
at your home some evening? Then
If you don’t wish to see me any
more I will not bother you again.”
It was a fortnight before she saw
him again. It happened to be on the
anniversary of her first meeting with
, Gordon Craig that Fletcher came In
to the office, ostensibly for a mo
ment's chat with Mr. Pearson. The
girl’s mind had been full of Craig
and of his silence. Surely he must
remember this date as he had remem
bered It last year! Surely she would
get a letter from him this evening.
And upon her musings broke this
other man, burly, blunt, awkward,
yet with a coar?«e type of good looks
that would have won some women’s
admiration. He stood beside her desk.
“Miss Danforth,” he said abruptly,
“may I come to see you to-night?”
The girl thus taken off her guard
replied “Yes.”
“But,” she mused later. “If I get
my letter from Gordon to-night (such
a letter as he will write if he has I
remembered this date beforehand In j
time to write a letter for this day).
I shall not see that man if he calls.”
With which determination she
turned her face homeward.
The Mistakes of Jennie By hal goffman
Being a Senes of Chapters in the L fe of a Southern Girl in the Big City
“Give me the money.”
CHAPTER XXIV.
T OM came over to the house to see Jennie the
night her aunt was so sick, and found Jennie
sitting by the bedside holding her relative’s
hand. Her aunt was asleep and Jennie tiptoed
out of the room to talk to Tom. Jennie had begun
to realize how selfish she had been and how un
happy she had made her mother—the way she had
been acting the last few month*.
All because she wanted good clothes and to dress
and act like other girls she saw. She was crying,
with her head on Tom’s shoulder, for site knew her
aunt was very, very sick and the doctors had told
her that her aunt must have a good rest, fresh air
and good wholesome food or site could not live
much longer.
They hardly had enough money to exist from
one week to the next, and she didn't see liow she
could do anything to help her aunt get well. All
this she sobbed out to Tom, with her bead on his
shoulder, in the midst of which there was a ring
at tile front door bell. Jennie went to answer It,
leaving Tom in the other room.
Tom heard Jennie arguing with Home one, and
finally heard a man’s voice say: “You either give
me the money or I’ll take the clothes back—” Then
Tom went out to see what the trouble was, ami
Jennie had to tell him it was the man where she
got her clothes and he wanted her weekly install
ment or would take the clothes away from her, and
she didn’t have the money to pay him. Tom asked
her how much it was and she told him $1.50, which
he paid to the man.
When he had gone Tom asked Jennie how much
more she owed on her clothes, and she told him
$28. —UAL COS'f'MANt
(To Be Continued.)
t rsKuvo &TOXMOS
These pictures were especially posed for this paper.
By LADY CONSTANCE STEWART
RICHARDSON.
(Copyright, 1913. by International
News Service.)
I J ancient times, dancing stood for
two things—an expression of di
vine worship and an effervescence
of human Joy. Dancing has come
down through all the ages, and It
seems to me that what It stood for
baa persisted and come down to us
to-day, too.
I never can say In enough ways,
or with sufficient emphasis, this one
doctrine that I hold all Important:
The human body was given to us by
our Maker in all health and youth and
Innocence—and the beauty that Is the
result of these component parts. It
Is our sacred duty to respect, and to
keep beautiful and Well this temple
our sacred soul.
Now, since dancing makes the body
supple, pliable, fine and fit, Is not this
proper exercising of the body He gave
us a beautiful form of worship of Its
Maker?
We were meant to be happy, I think.
Most of our troubles are either men
tal attitude entirely, or if real Ills
befall us our minds can magnify or
minimize, just as we choose to have
ihem do. So, if joy wells from our
spirits and expresses itself in grace
ful posture and movement: if a spirit
of happiness and thanksgiving ex
presses itself In rhythmical move
ment, we are only completing the
circle of all the ages-—and in its ex
pression of human joy dancing gives
thanks for existence even while it
benefits physical existence with won
drous efficacy.
To-day I am giving you two exer
cises which I incorporate in my danc
ing and which I have copied directly
from two fascinating little Greek
bronzes. The one is called “The Pray
ing Boy,” and the other Is a “Danc
ing Maiden.” One Is a very simple
movement, yet it brings about won
derful co-ordination of muscles, and
has a wonderful value In arm de
velopment from shoulders to finger
tips. The other, which is a difficult
and complicated step, is well worth
. a careful study, for it will give flex-
’.iility of waist and back, grace of
arm. arched insteps and a lithe, sway
ing carriage. Quite a bit for one ex
ercise. Is it not? Now let me go Into
detail and prove my assertions'.
Figure I—The praying boy figure
may be copied with an ease that is
deceptive—for the grace that comes
from absolutely knowing how to con
trol your muscles with ease and
smoothness is hard to acquire. Ad
vance the weight on the ball of the
right foot, and stand poised thus
lightly with the lifted heel and ball of
the left foot, leaving only the toes
on the ground.
Sway from foot to foot, changing
the weight to the forward foot. When
you have mastered ease in this part
of the movement, combine it with
the arm exercise—shrug the shoul
ders as high as possible, at the same
time raising the arms from the el
bows with down drooping wrists and
well-separated fingers.
When the forearms are completely
raised it the elbow raise the wrist
and gradually diminish the uplift of
the shoulders. Practice this again
and again, swaying from foot to foot
the while; then w*alk forward, prac
ticing the arm exercises as you move.
The shoulder shrugging will develop
the shoulders in rounded grace, and
will also stretch the waist muscles
taut and firm.
Figure 2—Walk forward on tip
toes, bending the weight gradually
backward as you move. When you
have learned to keep your poise while
doing this exercise, try It with the
flexed body a-yway from side to side,
and then finally add the arm move
ment, which should be done in oppo
sition to the leg movement—that is,
when the weight is advancing to the
forward right foot, bend the body to
the right, with the arm in a perfect
curve drawn from waist line to el
bow, and from elbow to wrist the
forearm in a second curve circling the
head. While the left foot Is held
back the right arm la forward In a
graceful horizontal curve. With the
line of the torso stretched back, walk
slowly forward, swaying from side to
side, and circling the arms as you
sway.
These exercises are well worth
faithful practice, and from them it is
possible to develop graceful control
of the human body—two consumma
tions devoutly to be wished.
An Elopement
Up-to-D ate
Jokes
A Redeeming Trait.
“Cannibals have one redeeming fea
ture, after all ’
“What Is that?”
“They are very fond of children.”
Might Be Fooled Again.
Mrs. Whimper—John, if 1 should
die, would you marry again?
Whimper—Perhaps; if the trap was
set differently.
w
Advice to the Lovelorn
By BEATRICE FAIRFAX.
DON’T BE DISCOURAGED.
Dear Miss Fairfax:
I am a young man of 19, and
every* morning on my way to
work I meet a girl whom I would
like very much to meet, but we
have no mutual friends, and I am
at a loss a . to how to accomplish
an introduction. She works at
the same place I do. but 1 don’t
know in what department.
I show her every courtesy, and
sometimes she favors me with a
smile, but I am still as far from
an introduction as when I first
saw her G. H. T.
An introduction is always best. It
la what you would Insist upon for
your sister. Isn’t that true?
I am sure in time you will find a
mutual friend, but if one does not
appear, and you are satisfied in your
own heart that you will never give
her cause for regretting your ac
quaintance, say “Good morning,”
next time you meet. A closer ac
quaintance will develop.
WAIT FOR LOVE.
Dead Miss Fairfax:
I am 22, and am friendly with a
man considerably older than L
I do not love him, but he has a
good business and I know If I
married him I would be com
fortable. He has asked me to
become his wife. Is it wrong to
marry him and not love him?
I am in a position where I can
not meet many young men. My
family are in reduced circum
stances, and If I do not marry I
will have to work hard and be
lonely all my life. A HEADER.
If everything else were In his fa
vor, and you did not love him, you
must not marry him.
Love Is all there Is worth while,
and the loneliness of spinsterhood is
better than marriage without It.
Wait, and there 1-s always the hope
love will come to you. Marry this
man, and you condemn yourself to
a life without It.
HAT are you thinking of.
Yvonne?”
“Oh, nothing In partic
ular, Auntie, dear.”
Aunt Lucie smiles knowingly. She
pushes her spectacles up on her fore
head. takes her snuff box and taps Its
golden lid, as she says:
“Oh, nonsense, Yvonne! When a
person says ‘nothing in particular’ it
generally means something very im
portant.”
“Rut I assure you, auntie ”
“That is all very well, Yvonne, but
just look at me.”
Yvonne slowly raised her head.
“That Is as plain as day, you have
some secret sorrow which you don’t
want to tell me about; your eyes are
full of tears.”
“Oh, Auntie, dear!’
Yvonne threw her arms around the
old lady’s neck, buried her face at her
bosom and burs' into tears.
“Then you are quite sure your fa
ther will never permit you to marry
Charles,” said Auntie Lucie, when
Yvonne had grown a little more calm.
“Yes. Auntie, dear”
“Then 1 think I had better take a
hand In this matter,” said Auntie
Lucie determinedly. ‘‘Because my
brother has a quarrel with Delords, It
I is* not necessary for him to ruin his
I daughter's happiness for life and
I make two young people act like
| Romeo and Juliet. He is a most sym-
I pathetic young fellow'.”
“Yes—Isn’t he, Auntie?”
“He Is a lawyer with a growing
practice and it is the most natural
thing In the world that he should want
a wife. Does he love you?”
“Yes, Auntie, dear.”
“Well, then you shall have him.
Wipe away your tear." darling. Your
name will be the Mme. Charles Delord
as sure as I am your Aunt Lucie.”
Yvonne smiled through her tears
and kissed the old lady heartily.
* * * *
Aunt Lucie had always been ro
mantically Inclined, and life had done
everything to develop this tendency.
Her husband had eloped with her.
causing a grent scandal, but Aunt
Lucie’s conscience did not trouble her
and she was very fond of talking
about her old love affair. Heavily
veiled she had stolen out of the gar
den one dark evening and had enterel
a carriage In which her lover was
waiting for her. As fast as ♦he
horse*? could gallop they sped throug
the sleeping country to a small ian
where she had slept alone In a room
w'hlle he stood guard outside her door
The following day her parents had
given their consent and then ther*
was a wedding.
Since that day Aunt Lucie had lived
in perfect happiness until her hus
band died, many years later. She still
lived in the same old house, and she
was Just the same as when she wa<
20. and hated all modern Inventions,
telephones and automobiles in partic
ular, and she missed the old stage
coaches which the railroads had done
away with.
She was interested only In love af
fairs, and often said, with a sigh,
“Love has become out of fashion. The
young people nowadays don’t know
how to love as we did In my time.”
Now, however, she decided to make
Yvonne happy. She went to her broth
er and tried to persuade him to give
in, but in vain.
Then she sent for Charles and had
a long talk with him.
“Listen to me, darling,” she said to
Yvonne the next day. “I have tried
everything, in vain. There is only
one way now—you must elope as I
did.’ *
“But, Auntie ”
“But. but—nonsense. Do you love
him or not? Do you want to marry
Mm ?”
“You know I do, Auntie.”
******
It Is a beautiful, calm evening with
out moonlight. At the garden gate
two conspirators are waiting. Aunt
Lucie feels 50 years younger, her heart
is heating violently against her siik
shawl, the same one she wore when
she eloped and w'hich she now wraps
around Yvonne’s shoulders. She is
listening at the slightest noise from
the rqad. Soon he will come, the tall,
handsome lover, wrapped in an ele
gant black mantle, his face pale with
emotion and his leps trembling under
the dark mustache. The horses will
snort and prance and the bells will
tingle while he helps his beloved Into
the carriage.
A vehicle stops. It is he! He
knocks twice at the gate. Aunt Lu
cie opens and steps back horrified. |
Is that the romantic lover who stands ’
there in the glare of the searchlights
of the big touring car, big and shape-
less in his leather coat with enormous
goggles and a fiat cap? And the
chariot of love! An automobile!
“No, no.” groans Aunt Lucie; “you
get too far away in those awful mon
sters, you never know If you come
back again.”
And she slams the gate in his face,
but Yvonne quickly opens It again
and jumps Into the car. which disap
pears with a dreadful roar, while
Aunt Lucie sinks down on a bench
and sighs in a tone of despair:
“Oh, mercy me, what have young
people come to nowadays?”
An Englishman, fond of boasting
of his ancestry, took a coin from
his pocket and pointing to the head
engraved on it said:
“My great-great-grandfather was
made a lord by the king whose pic
ture you see on this shilling.”
“What a coincidence?” said his
Yankee companion, who at once pro
duced another coin. “My great-
great-grandfather was made an an
gel by the Indian w’hose picture you
see on.this cent.”
* * •
A birthday gift was given to a wife
by her husband and three children.
The youngest, a little ten-year-old.
was appointed to make the -speech of
presentation. She did it after much
preparation for the occasion, and this
was the form it took:
“Dear mamma, this gift in pre
sented to you by your three children
and your one husband.”
• * *
Mrs. Subbub—I wonder what’s
come over your master this morn
ing, Sarah? Instead of being cross,
as usual, he started off happy and
whistling like a bird.
Sarah (the new “general”)—I’m
afraid it’s my fault, mum. I got the j
wrong package, and gave him bird
seed for breakfast food.
* * *
Gabe—Why do they say that the j
ghost walks on pay day?
Steve—Because that’s the day our
spirits rise.
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