Newspaper Page Text
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WP \ AST'S SUNDAY AMERICAN, ATT. A NT A. C,A . SUNDAY, SEPTEMBER 14. 1913.
6 D
TIGHTEST OP TIGHT GOWNS
+ *v +•+ •!••+ •!•»•!• •!•»•:• •!• •
NEWPORT 18 STARTLED AGAIN
By MME. HAUTE MONDE.
C "A RANTED that the butterfly 1."
■j the moat prominent trimming
feature of the hour, whether on
small or large hate, the tendency is
toward feathery decorations of va
rloui types. The ostrich plume Is be
ing used more extensively than for
many years, and particularly by the
Paris milliners who cater to the
American trade. It Is ostrich In nil
its curly beauty that Is used to-day
the uncurled, draggy looking feathei
of the last few seasons having die
appeared from the new' huts. Thes< \
mounts of ostrich may be arranged at
the back or at the side where th«
brim breaks or curves upward.
• • •
The newest corsane sachets -io be
pinned somewhere beneath the trail*
parent veiling of the waist- ar* small
colored satin bags Incased in real
cluny lace cases. The pink, blue or
lavender satin oases are slipped Into
the outer lace cases and fastened
with removable ribbons, so that dlf
ferent colored satin cases may he
used. It Is not a difficult undertak
ing to make these dainty corsage sa
chets at home.
• • •
The demand for fur of every de
scription has brought into existence
the Imitation for cloths, which are so
cleverly made that It requires a care
ful scrutiny to discover the differ
ence between the broadtail cloth and
the genuine pelt. The mole pelt has
been equally well Imitated, and. like
the broadtail, comes In the natural
coloring, black and green. These fur
cloths are all-silk materials, and,
combined with velvet, make very
handsome street costumes.
• • •
Small clusters of bright-colored,
unnatural looking fruits (five the de
sired dash of color to many of the
little hats which tilt over tho face
and flare hl(fh In the hack This Is a
development of the nlnlche hat. ot
rather, one should say, an adaptation.
In order to make It more becoming
the brim In the front Is broken, as Is
shown In the drawing for unless one
Is blessed with the piquant type of
countenance these hats accentuate
one's age. The piquant face, with
small features, such «s nine nut of
ten French women possess. Is the
only type that looks well In the very
small hats, though many of them are
Imported and worn by Americans who
In other matters of dress have un
questioned taste. The majority of
these little hats are fashioned from
taffeta or velvet.
• • •
Supple wMtf satin 1* the favorite j
'material of milliner* to-day. It is '
combined with linen and with velvet
or moire.
One of the newest face vetls 1*
made of tine silk tulle In a pale shade
of heliotrope with tiny pin dota .ill
over Its surface. f
Shoe buckles are mounted on strips
of velvet the color of the gown with
which they are worn. Some are ar
ranged on tongues of plaited velvet.
Buckles made of pale blue, pink and
yellow satin and chiffon roses are
worn on pale colored satin evening
slippers.
• • •
Tt Is the fashion to cover the coat
collar with something white, and an
attractive choice is the negligee of
white crepe de chine or marquisette,
made in the Robespierre manner Hnd
falling well over the shoulders and
fronts of the coat.
• • •
The skirt In tiers Is a success of
the season. These skirts have taken
the fancy of women* so long used to
straight or draped effects Three tiers
Is the favorite style. Plaid materials
are the craze and one sees tiered j
skirts with alternate plain and plaid
flounces to the waistline, the bright
plaid appearing again as a trimming
on the Jacket.
• • •
Real tortoise shell is the Ideal thing
for hairpins. The present style of
hair dressing demands that several of
these pins should be of the broad
fork shape and that the prongs should
be rather short 1 have seen these
real tortoise shell pins Inset with sil
ver with good effect. I have also seen
them rimmed in finely cut Jet.
For blonde hair the pale shade of
tortoise shell gives a dainty appear
ance. while red-gold hair looks heat
when arranged with cut Jet pins «»r
those made of dark tortoise shell in-
crusted with little Jot facets.
• • •
Velvet ribbons edged with pleot are
now wrv much used by the beat
Parisian milliners. Some of these
ribbons are very wide, while others
are comparatively narrow Individ- |
uni taste Is permitted great freedom
this season A Panama would look
well If trimmed with wine red vel
vet ribbons or with a long length of
velvet ribbon In a strong shade of
Parma velvet.
• • •
The latest style of hairdressing for
the daytime calls for a few very good
pins In tortoise shell or dull silver.
Every effort Is made to do away with
anything like an artificial appearance
and the woman or girl who can ar
range her hair with a single comb Is
the admired of all.
• • •
Newest shoes may have high Tvouie
XV heels, but they have broad soles,
end they are mostly laced up over
the ankles
M
TO m AGAIN
SAT MODISTES
Simplicity Will Be Sought, but
Masculine Severity Will Be
Carefully Avoided.
Special Cable to The American.
LONDON, Sept. 13.—At a time
when the newspapers are *o ardently
mnd earnestly discussing the new
Paris fashions of the X-ray gown it
Is pleasing to discover that there will
be worn this autumn and winter
some smart and chic gowns of an
other kind.
The Times has just published an
article which, to one who has rot
been fully initiated into the mysteries
of feminine ^pparel. seems to be a
worth while discussion of the ever
present problem of what may be
railed chimes* The Times says:
"Quite the most interesting of the
'Fantasies sur le Costume Moderne’
recently exhibited In London by Leon
Bakst take the form of a coat and
skirt. Indeed, that Is partly why these
PRINCE ALBERT
BESTS QUEEN;
GETS CLOTHES
: Plotted With Prince of Wales to
Buy Things on His Account.
Conspiracy Discovered.
HOST (HARMING OE G0WN8
EOR A SEPTEMBER BRIDE
Wonderful Parisian Trosseau Is Being Pre
pared for Miss Marion Glen Coats.
Special^ Cab|e to The American. , color of clotted cream, on either side.
LONDON, Sept. 13.—Prominent i The sleeves are innocent of a shoulder
among September brides will he Miss seam, but are broken at the elbow
Marion Olen Coats, who is marrying | with a line of piping, the long cuff
Major Parsons on the tenth. A truly | being split open to show a doublure
wonderful Parisian trousseau is be- i of champagne cloth,
ing prepared for her, the chief gem Over the square sailor collar Is a
train composed entirely of old French second collar of old blue charmeuse
Special Cable to The American.
LONDON, Sept. 13.—Prince Albert,
the King’s second son, the "Sailor
Prince,” is delighted by the news tha*
he will take up his duties as mid
shipman on his majesty’s steamship
Colllngwood in ten days.
The. prince returned from a six
months’ cruise on his majesty’s
steamship Cumberland last July; for
a while everything was just as it
should be in the royal family circle,
but now a decided Jarring note is
sounding loudly. Prince Albert, who j
Is nearly 18, Inherited all his moth- ;
strong-mindedness. Independ- \
lace.
Another charming creation is a
gown of fine suede cloth in delicate
champagne color. The skirt falls in
rich sculptured folds around the tall
figure of the wearer and opens slight
ly in a few fan pleats in the front,
while the folds are caught together at
j the sides with a silk cord.
Buttoning about the height of the
knees, the coat is of old blue char
meuse lined with champagne cloth;
there is a light fall of lace, of the
bordered with a strip of skunk fur.
The corsage is a parchment lace with
a shaped band of blue charmeuse.
The bust Is partially hidden by a
dentelle; under this is faintly seen
an embroidery of pale pink rosebuds
and ciel blue threaded ribbon.
A little round hat of black velvet,
which fits well down over the head,
framing the face, is encircled with
blue feathers, ending in an upstand
ing plume tied near the base in the
new fashion.
ent and Intensely keen on work, he
chafes severely under the restraining
influence which Queen Mary brings
to bear heavily on her children.
Rebels on Clothes.
One very sore point over which
the prince defied his royal mother
recently concerned the vexed ques
tion of clothes. Albert has Just
fantasies’ are of such interest to the reached the age which pays great
practical student of dress.
"For no matter how variable the
modes, the coat and skirt always per
sists; It la only In Its precise form
that there Is continual change. Again,
though these drawings are frankly
fantasies, the arthas expressed in
them the salient points of to-day’s
fashions. The picturesque aspect of
the coat, the Importance of the waist
coat, the narrowness and the straight
ness of the skirt are well noted In
each the Idea 1m so simple and yet so
wonderfully effective. Simplicity also
heed to socks, ties and creased trou
ser* Soon after his return he or
dered a new- outfit from the tailors
and hosiers who supply the Prince of
Wales.
Wales is allowed to buy such
things for himself now. The arrange
ment was that all Albert’s purchas**
were to be put on his elder brother s
account*, but, by an error, one of the
bills was sent to the King and the
whole conspiracy wss discovered.
Youngster Has His Way.
Queen Mary, who had been going
RS. “REGGIE” BROOKS, snapped on a Newport street
ns she startled the ultra fashionable residents of that re
sort. She is shown wearing the new minaret gown, which is the
tightest of the many variations of the clinging: skirts seen here
tofore.
Slant of the New
Mat
•j
Collarettes of marabou are short
and wide and finished with a bow
and end.s. They come in exquisite
chinchilla mixture, a softly shaded
and a variety of new Parisian
hades.
Close-fitting hats, with outstanding
trimming, are as much in vogue a*
•ver. The trimming may be either
feather, fancy or loops of ribbon and
▼*iv*t in fantastic snaps.
The majority of the new autumn
hats are squashed down over one
eye, generally the right one, and are
raised high on the other side, allow
ing a wide expanse of the hair. This
gives a very Jaunty air to the hat.
which is accentuated by the curve
of the brim and the trimming. The
effect is rakish, that fact must be
admitted, but these hats are univer
sally becoming, for the large features
of the average American require this
slanting line acroos the front, with
the height at the side, tending tow
ard the back. Whether the hats flare
on one side or not, they set low on
the head.
The popular sailor shape is well to
the fore among the new hats, though
shown In many modifications. The
patent leather sailor brought out by
one of the leading Paris milliners is
thown as a morning and rough
rear hat at the best shops.
It Is quite remarkable to find tulle
as chic as it seems to be. consider
ing that it has been extensively worn
all summer, yet many of tin smartest
fall hats are partly developed in it.
Either the crown or the brim is of
tulle The newest way of using it on
the brim is in a triple effect, each
fold is wired anti thus separated,
making the three-tier effect notice
able. The high ruches or collars of
tulle are shown on some of the latest
hats, the edge being outlined with a
narrow band of fur.
The touch of fur on the hat is be
coming as universal as it is on the
gowns, and it use is likely to increase
as the season advances.
• • •
Rough-surfaced cottons closely re
semble their woolen prototypes, and
they are likely to be worn well into
autumn. Cotton sponge cloths, cot
ton plushes, cotton velvets, it Is pre
dicted, will be worn throughout tho
winter.
Decollete Still the
Vogue
The sensational success w'hich has
attended decollete styles for day and
evening wear has revived many
charming conceits for the fair and
shapely throat.
While ornamentation is not essen
tlal for candlelight hours, the V-
shaped decollete for daytime requires
a break in the sweeping new line now
favored.
For this the black velvet band* are
very much favored because of the
flattering effect on the skin, how
ever, becoming colors in harmony with
the gown or its accessories are equal
ly favored. The soft, pastel tints, as
a rule, are more becoming than the
brilliant shades.
There are two stylo* of bows used
as a finish for the velvet band.
One is a flat, tailored pump bow'
and the other Is a pert affair, shaped
like a butterfly. The center Illustra
tion shows the former style. In the
right corner another treatment of the
velvet throat band Is seen In the
shaped, pendant ends studded w r ith
gold beads on a foundation of gold
thread lattice work.
White crystal beads and pearl*
would be effective in a simple design
forming a flower motif or more formal
us a bowknot or classic wreath.
The velvet hand is enlivened w’lth
charming Jeweled pendants which add
another coquetry to the list of baubles
now’ fashionable.
These pendants partake of fanciful
forms as wee baskets of flowers in
graceful shapes, butterflies, bowknots.
bird and insect designs, together with
the delicate French patterns which
are especially admired.
• • •
Hip sashes appear on most of the
new dresses; they offer an oppor
tunity for introducing color or con
tras! of shade* and material* In the
droM—.
NEW BRITAIN, CONN., Sept. 13-
Rev. H. T. Walsh, pastor of the
Church of Our Lady of Mercy, an
nounces to-day to his congregation
that he will refuse to serve commun
ion to women who approach the altar
wearing slashed or diaphanous skirts.
Such women are also prohibited
from visiting the parochial residence, j
Father Walsh denounced modern ;
gowns as ‘‘monstrosities,” and said j ^ ^
that while once knights would give j
up their lives, if necessary, for
women, to-day men in general are
disgusted witH the immodest attire
in which some who call themselves
ladies appear.
characterize* the decoration. So that i through the prince’s w’ardrobe and
many a couturier with a too generous J sending various garments to the
bias to ornament might learn from | cleaner, insisted that he wear out his
them some useful lessons In the art
of restraint.
"The best designers, however, have
for the last few year* set a standard
In this matter. And, Judging from tilt-
new models displayed for the early
autumn, they mill maintain this Ideal.
Not for the first time do we see that
because the coat is perfectly cut and
the skirt cleverly arranged a smart
effect 1» obtained. In many instances,
however the waistcoat is extremely
decorative, a beautiful brocade being
considered none too luxurious a ma
terial for this detail.
Skirts Not to Bo Wider,
"Meanwhile let no optimist hope
for a widening of the skirt. For,
though It is possible that Paris may
exert her influence in this direction
w’hen October is here, she seems at
present to be taking an impish de
light In flouting those who criticise
the scantiness of the season’s models
by giving the new models an even
narrower effect than any which have
preceded them. This Is made possi
ble In some Instances by the manner
In which the fronts are crossed, and
without, seam, for plenty of freedom
Is thus insured w’lth the narrowest
possible appearance.
"One very attractive dre*s carried
out In this way in dark blue chiffon
velvet Is everywhere outlined with
narrow embroider" in silk soutache.
And In this way the lines of the
crossing in front are naturally em
phasized. Tn the model a V-shaped
opening appears In the center. Imme
diately above the feet, just as It occurs
in more than one of the ‘fantasies;’
but this can easily he avoided, or a
simulated underskirt of satin or taf
fetas arranged beneath It.
The same idea expressed in a black
moire taffetas Is still more deserving
of notice, because the latter promises
to be a very popular material In the
early autumn. The lines of the coat
are also partlcularlv pleasing. For
the back, which is rather longer than
some have been of late, falls grace
fully from the shoulders, and is
rounded in the basque; but the fronts
arc crossed and tucked into a wide
belt of black chiffon velvet. The lat
ter Is fastened beneath the basque at
the back and falls in one
long tasseled end almost to
the hem of the skirt. Quite
a simple blouse in white mousseline
Is worn with this dress, and its long
sleeves are carried over the wrist just
as are those of the coat.
A Cerise Colored Waistcoat.
"The manner In which this coat Is
finished, with the front of the coat
finished by the belt at the waist,
precludes the introduction of a waist
coat. But many another model, de
signed In this black moire taffeta, is
arranged with a waistcoat, and It
gives opportunity for the Introduction
of color. For instance, one famous
dressmaker has Just finished a dress
of this material with a waistcoat of
cerise colored velvet. The coat is
sloped away In front, and the waist
coat, which Is cut very low, Is crossed
and fastened with one button, and Is
then carried down to two points be
low the waist. Above the waistcoat
appears the chemisette of white tulle,
very finely tucked, fastened with
small, round pearl buttons and turn
ed back in a little V opening at the
throat.
"The picturesque note which has
recently characterized the coat-and-
skirt intended for full dress occasions
1h still maintained. Everything that
is stiff and formal Is avoided. Even
when a coat Is girt with the wide belt
which might easily endow It with a
rtgtd appearance, care is taken that
the belt shall be draped with an ef
fect of studied carelessness. The
tunics, too, with which many of these
dresses are designed, serve to empha
size their picturesque character.
Masculine effect Avofded.
"Again, the waistcoat Is often ar
ranged in the most unexpected man
ner. Sometimes it is a mere con
tinuation of the revers very cleverly
contrived. But, whatever be the idea.
It never savors of the severe, such as
distinguished the woman s waistcoat
of twenty or thirty years ago. Some
times. too, the contrast between the
materials of the coat and the skirt
achieve picturesque results. And
never la the effect more strtking than
when the skirt is of cloth and the
coat of white or cream tulle. The
taste for such a combination of ma
terials Is essentially French.
“But even when designing the sim
pler coats and skirts, the couturiers
are careful to avoid the severity
which once characterized every cos
tume tailleur. To-day this is re
served entirely for the Scottish
tweed or homespun designed for the
sportswoman. In every other Instance
there is at least some note of ease in
the skirt, which differentiates it at
one* from that masculine appearance
which formerly characterized dress of
this type.”
Foretold Hobble and
Slit 200 Years Ago
Scotchman Says Creator’s Work
Should Not Be Concealed From
Admiring Eye*.
CORNISH, COLO., Sept. 13—The
arrival of the diaphanous, the hobble
and the slit skirt is the fulfillment of
a prophecy of Sir Charles DePuyster
Goldwin. who lived in Scotland 200
years ago, until he went to London
and the fashions evoked his displeas
ure, according to a manuscript found
to-day by Miss Faith Corson Smith
in a trunk, it is dated November 10.
1704, and, after referring slightly ».o
the costumes of men, says:
"Ladies should not be so circum
spect in their dresses, which are cum
bersome, and the long trains which
please their majesties of this year of
our Lord seem to me naught but a
design to conceal that which the
Creator meant should be revealed.
"Perhaps posterity will learn that
there is naught to be ashamed of m
that w’hich God hath created.
“The Creator never meant men and
women to be so burdened with velvet
Sued Because He Did
Not Like X-Ray Skirt
Young Wife Want9 Divorce From
Aged Millionaire Hotel Man on
Account of Style.
RAN JOSE, CAL.. Sept. 13—Be
cause he disapproved of diaphanous
skirts and she had modern tastes, Mrs.
Bertha C. Hanscom, 30 years old. and
pretty, has brought suit for divorce
against James D. Hanscom, 60 years
old, and a millionaire hotel man of
this city.
Six Midinettes of Famous Pari*
Establishment Finish Fashion
able Gown in Tube.
Special Cable to The American.
PARIS, Sept. 13.—On a bet six mld-
inettes, belonging to a famou* Pari*
dressmaking establishment, cut *ut
and made a fashionable drea* during
a Journey of twenty minutes in a
tube train. The drees is of pink chif
fon, designed in the latest style, with
a draped tunlo and lavish ornamen
tation.
The design was submitted to the
midinettes as they boarded a train on
the Metropolitan Railway at the Porte
d’Orleans station. As soon as the
train started the six girls fell to
work. Each had a particular task.
One of them made a sleeve, another
the other sleeve, another the bodies
a fourth the skirt, while the fifth and
sixth affixed hooks and eyes and *4-
tached trimmings.
Half way through the last tunnel
the Anal stitch was put in, and os the
train drew up at the terminal sta
tion at the Porte de Clignacourt the
girls stepped from their seats and
held out the finished dress with a
shout of triumph.
old clothes and return the new’ ones.
The prince boldly said he was Joilv
well going to dress as he liked and
would not go about in patched-up
rags as David used to—David being
the Prince of Wales who was of a ribb „ nS( lace and powder that H >.
yep- submissive nature. ; handiwork should be concealed or
n ?i?, e r n r* nue.n distorted, and it may be that in a
way. this being the flr. t e Q , dozen score of years peoples of the
Mary baa been known to be world wlll grnv weary of [hfc . se (a , e
worsted. changes, which are only worse than
' ~ -L ( -j : were their immediate predecessors.”
Communion Denied ,, — y n ,
Women in Slit Skirts an f P a,s
To Deck Fair Ladies
Pastor Denounces Modern Gowns as
Monstrosities in Sermon to
Congregation.
Jhe [c<\c[ipcf jp/truefor/1
>! ' % AT W 2 T
MISS FUftLOVy ANDERSON
Teacher of Voice and Ptano
London Society Will Wear Oriental
Charms, Too, of Amethyst, Tor-
quoise and Onyx.
Special Cable to The American.
LONDON, Sept. 13.—Moonstones tn
early Celtic mountings of gold, silver
and platinum will be fashionable this
season. Black opals are second fa
vorites. Pendants are taking the
place of necklets. Earrings have long
hanging lobes.
The King Croesus stone, a fire
opal from the mine in Asia Minor
King Croesus is said to have
worked, is being worn a good deal.
Women with a taste for the Ori
ental are adorning themselves with
charms suspended from a long neck
chain. They are carved out of
amethyst. turquoise, onyx, lapis
lazuli and other stones, and repre
sent peacocks and elephants and
strange Eastern beasts.
Lost Switch While in
Surf; Sues Hotel Man
Brooklyn Girl Claims Damages for
Embarrassment While Bathing
at Coney Island.
NEW YORK, Sept. IS—Miss Sadie i Warm Titian Gl0w ls Shade Next in
$500 a Pound Price
Of White Human Hair
Demand, Say Toupee
Makers.
Rerenzweig. nineteen years old, of
No. 738 Myrtle avenue, Brooklyn, is
suing Samuel Stitch, a Coney Island (
hotel proprietor, for damages because
of embarrassment caused by the loss Special Cable to The American,
of her $35 charmeuse dress and $5 LONDON. Sept. 13. Pure
switch.
They were left by her, she told
Judge Richards yesterday in the
Gates Avenue Municipal Court, in a
room in Stitch’s hotel when she went
in bathing last Sunday. Three com
panions suffered other losses.
whit*
human hair is quoted at $500 a pound
“Give us hair,” cry the bald. "Give
us gold,” retort those who possess
‘‘woman’s crowning glory."
Some offer their locks by the foot
to the dealers; others demand $25
$50—almost any extravagant price.
Stitch offered them some of his Many women sell their "combings to
clothing, but they sent home for the be made into toupees and fringes,
needed things. The case w’ill be Next to snow-white hair that with
heard on Tuesday. the warm "Titian glow” ls rarest,
Studio Wesley Memorial
Room 423.
Building.
Studio Phone Ivy 1S96.
THIRTY-FOURTH SESSION
BARIU SCHOOL OF MUSIC
Director: Mr. Alfredo Barlll. School
Reopens Monday, Sept. 1, 1913.
Home Studios: 167 Myrtle St., Neer
Fourth, ATLANTA, GA. Phone Ivy
3059-J.
1913-SIXTH SESSION-1914
ATLANTA CONSERVATORY OF MUSIC
MORTIMER WILSON, GENERAL DIRECTOR, WITH A STAFF OF THIR
TY ARTIST-TEACHERS,
Offers a musical education complete from the kindergarten games to the
concert stage, under unusual auspices, In commodious and centrally located
quarters, recital hall seating six hundred.
Theory and Composition, Piano, Organ, Voice, Violin, Orchestral Instru
ments, Ensemble Classes, Chorus, Orchestra and Conducting. Private and
f ubllc recitals. School of Opera. languages and the Drama. Concert and
jecture Bureau Extension. Diplomas of merit only. Expenses the lowest.
Results the most satisfying.
Session: September 2, 1913, to June 1.8, 1914.
MIDSUMMER SCHOOL FOR MUSIC SUPERVISORS.
Address The General Director, Peachtree and Broad Streets, Atlanta. Georgia.
MISS SARAH A DELI.!'. EASTLACK
School of Expression. Reading (The Spoken Word).
Physical and Personal Culture. Professional Training.
Atlanta Institute of Music and Oratory. 20 E. Baker St. Ivy 6986.
MISS NORA PLUNKETT
Teacher of Voice and Piano
STUDIO: WESLEY MEMORIAL
BLDG., ROOM 414.
Studio Phone. Ivy 1127.
Resldenoe Phone, Ivy 2769.
MISS LULA CLARK KING
Teacher of Singing.
JAMES C. WARDWELL,
Associate Teacher and Tenor Soloist.
408 WESLEY MEMORIAL CHURCH.
Studio, Phone Ivy 3613.
Home, Phone East Point 29.
fliss Martha Hudson
Teacher of Piano Theory and Harmony
Residence Studio, 52 E. CAIN STREET, Apartment No 4.
BELL PHONE, IVY 1346.
COLOR
TBS IIS NMURAL
AFTER IMIS SAGE TEA
Mixed With Sulphur It Darkens
Beautifully and Takes Off
Dandruff.
Almost everyone know’* that
Sage Tea and Sulphur, properly
compounded, brings back the nat
ural color and luster to the hair
when faded, streaked or gray; also
cures dandruff, itching scalp and
stops falling hair Years ago the
only way to get this mixture was to
make it at home, which ls rrussy
and troublesome.
Nowadays skilled chemists do
this better than ourselves. By ask
ing at any drug store for the
ready-to-use product—called "Wy
eth’s Sage and Sulphur Hair Rem
edy"—you will get a large bottle for
about 50 cents. Some druggists
make their own, but It’s usually
too sticky, so insist upon getting
"Wyeth s. ’ which can be depended
upon to restore natural color and
beauty to the hair, and is the best
remedy for dandruff, dry, feverish,
itchy scalp and to stop falling hair.
Folks like "Wyeth’s Sage and
Sulphur" because no one can pos
sibly tell that you darkened your
hair, as it does it so naturally and
evenly, says a well-knowfi down
town druggist. You dampen h
sponge or soft brush and draw it
through your hair, taking one small
strand at a time. This requires
but a few’ moments, by morning the
gray hair disappears and after an
other application or two is re
stored to its natural color and looks
even more beautiful and glossy than
ever.
Atlanta’s Leading Violin School
A PRIVATE school of proven ability for the Individual training of vio
lin students from the beginning to the concert stage.
‘ “ IRIAL BUI
419 WESLEY MEMORI
Jl LDINQ. Prospectus me fled on application.
ERWIN MUELLER, German Violinist
FOUNDED IN 1904.
MISS LILLIAN H. FOSTER
VOICE AND PIANO
Also Sight-reading. Musical
Theory and History ol Music
Residence Studio: 81 Summer Ave.
Phone Ivy 1197.
Studio: Baptist Tabernacle, Luckle
Street. Office: Y. M. C. A. Bldg.
MARY CRAFT WARD
Teacher of Piano
Studios: 325 Peaoktrae St. and
Washington Seminery.
PUPIL OF GODOW8KY
Three Y®ars Berlin and Vienna,
MELODIGRAND PIANO USED.
Anna Rocheleau Burt
VOICE CULTURE AND SIGHT READING
o’T'TTnTrxc' 412 Wesley Memorial Bldg. 1
S 1 UDIOb‘j Cor. Cascade Are and Beecher St.J Pho “*
BUSH & GERTS PIANOS USED
West UM
SOUTHERN COLLEGE OF MEDICINE AND SURGERY
SESSION 1913-14.
The Southern College of Medicine and Surgery will begin Ke 1913-14
elon Monday. September 8. 1*'.S with a full staff of paid Professors We hare
added a Pharmacy. Post-graduate and l iterary School to the Medical Depart
ment thus making the college <fftmpl*t* in every sense for the matrlcu ate
in Medicine Vast Improvements have been made In the college building,
including the enlargement of the amphii heater. Chemical. Anatom.cal. I atn-
oioglcal. Bacteriological and Histological laboratories, with tne addition of
our new Hospital, the student will receive bedside training and have an op
portunity of studying different cases in their several phases.
POST-GRADUATE SCHOOL COURSE
Our Post-Graduate School Course (six weeks) is for the busy practi
tioner. who wishes to perfect himself tn certain line* of work.
PHARMACY SCHOOL.
The Pharmacy School consists of two sessions, of six months each. an *
wlll continue throughout the year the same a *^he Post-Graduate School
For catalogue und information app y to WM. BERNARD LINGO, M D.,
Dean 62-54 McDaniel street. Atlanta. Ga.
Annie Gartrell Memorial Conservatory of Music
New Location at 506 Ponce DeLeon Avenue. <
Young children taken to board. FreciaJ home cara and every advantage.
All grades of city school work specialized, as well as best advantages In ail
branches of music. Large grounds and outdoor games Session, September 1-
May 9. (MISS) LUCY A. QARTRELL Dlrectreoa.
Phone Ivy 157-L
WASHINGTON SEMINARY
1374 Peachtree Street, Atlanta
MUSIC FACULTY”: Plano. Miss Marguerite Bartholomew. Mrs. Mary Graft
Ward. Miss Eda Bartholomew, Miss Clementine Macgregor, Mrs L. D. Boot*.
VOICE: Miss Mary W. Lovelace. VIOLIN: Alexander von Sklblneky PIPR
ORGAN: Miss Eds Bartholomew MUSICAL KINDERGARTEN Mias Pearl
Rivera. EXPRESSION Miss Nannie Duncan. ART Miss A. C. Butler.
Thirty-sixth year begins September 11. 1913. Music students may **
any tima during term. /