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6 D TTT: MIST’S SUNDAY AMERICAN, ATLANTA, 0A„ SUNDAY, SEPTEMT5ER 14. 1013. TIGHTEST OP TIGHT GOWNS + •4* +•+ •!•••!• *!*••!• NEWPORT IS STARTLED AGAIN By MME. HAUTE MONDE. RANTED that the butterfly Ip -v the mo*t prominent trimming feature of the hour, whether on email or large hate, the tendency le toward feathery decorations of va- rlotia types. The ostrich plume Is be. ing used more extensively than for many years, and particularly by the Paris milliners who cater to the American trade It Is ostrich In all Its curly beauty that Is used to-day the uncurled, draggy looking feather of the last few seasons having dis appeared from the new hats. Then, mounts of ostrich may be arranged at the hack or at the side where the brim breaks or curves upward. • • • The newest corsage sachets -to be pinned somewhere beneath the trans- I»arent veiling of the waist—are small colored satin bags incased In real cluny lace cases. The pink, blue or lavender satin cases are slipped Into the outer lace cases and fastened with removable ribbons, so that dif ferent colored satin cases may be used. It Is not a difficult undertak ing to make these dainty corsage sa chets at home. • • • The demand for fur of every de scription has brought Into existence the Imitation for cloths, which are so cleverly made that It requires a care ful scrutiny to discover the differ ence between the broadtail cloth and the genuine pelt. The mole pelt has been equally well Imitated, and. like the broadtail, comes In the natural coloring, black and green These fur cloths are all-silk materials, and, combined with velvet, make very handsome street costumes. • • • Small clusters of bright-colored, unnatural looking fruits give the de sired dash of color to many of the little hats which tilt over the fare and flare high In the back. This Is a development of the ntnlche bat. or rather, one should say, an adaptation. In Ollier to make it more becoming the brim in the front Is hroken. as Is shown In the drawing, for unless one is blessed with the piquant type of countenance these hate accentuate one's uge The piquant face, with small features, such ss nine out of ten French women possess, Is the only typo that looks well In the very small hats, though many of them are imported and worn by Americans who in other matters of dress have un questioned taste. The majority of these little hats are fashioned from taffeta or velvet. • 0 • Supple white satin Is the favortts material of milliners to-day. It is combined with linen and with velvet or moire. One of the newest face veils Is made of line silk tulle In a pale shade of heliotrope with tiny pin dots all over Its surface. Shoe buckles are mounted on strips of velvet the color of the gown with which they are worn. Some are ar ranged on tongues of platted velvet. Buckles made of pale blue, pink and yellow saiin and chiffon roses are worn on pale colored satin evening •Uppers. • • • It ts the fashion to cover the coat collar with something white, and an attractive choice 1? the negligee of white crepe rie chine or mnrqulsette. marie In the Robespierre manner and falling well over the shoulders and fronts of the coat • • • The skirt In tiers la a success of the season. These skirts have taken the fancy of women an long used to straight or draped effects. Three tiers Is the favorite style. Plaid materials are the craze and one sees tiered skirts with alternate rlaln nnd plaid flounces to the waistline, the bright plaid appearing again as a trimming on the Jacket. • • • Real tortoise shell is the Ideal thing for hairpins. The present style of hair dressing demands ths! several of these pins should he of Ihe broad fork shape and that the prongs should be rather short. 1 have seen these real tortoise- shell pins Inset with sil ver with good effect. I have also seen them rimmed In finely cut Jet. For blonde hair the pale shade of tortoise shell gives a dainty appear ance. while red-gold hair looks hest when arranged with rut Jet pins or those made of dark tortoise shell In- crusted with little Jet facets Velvet ribbons edged with plcot are now verv much used by the hest i Parisian 'milliners Some of these | ribbons are very wide, while others are comparatively narrow'. Individ ual taste Is permitted great freedom this season. A Panamn would look well if trimmed with wine red vel vet ribbons or with a long length of velvet ribbon In a strong shade of Parma velvet. * * • Trio latest style of hairdressing for the daytime calls for a few very good pins In tortoise shell or dull sliver. Kvery effort Is made to do away with anything like an nrtlfletal appearance and the woman or girl who can ar range her hair with a single comb Is the admired of all • • • Newest phoes may have high Louis XV heels, but they have broad soles, and they are mostly laced up over the ankiee. *90 Collarettes of marabou are short and wide and finished with a bow- end ends They come In exquisite chinchilla mixture, a softly shaded gray and a variety of new Parisian Clo«e-flttlng hats, with outstanding trimming, are as much In vogue as ever The trimming may be either feather, fancy or loops of ribbon and velvet in fantastic shape. M RS. “REGGIE” BROOKS, snapped on a Newport street as she startled the ultra fashionable residents of that re sort. She is shown wearing the new minaret gown, which is the tightest of the many variations of the clinging skirts seen here tofore. BESTS QUEEN; SIT MODISTES GETS CLOTHES —- i Simplicity Will Be SoDght, but Masculine Severity Will Be Carefully Avoided. Plotted With Prince of Wales to Buy Things on His Account. Conspiracy Discovered. Slant of the New Mat The majority of the new autumn hata ore squashed down over one eye, generally the right one, and are raised high on the other side, show ing a wide expanse of the hair. This gives a' very Jaunty air to the hat, which Is accentuated by the curve of the brim and the trimming. The effect is rakish, that fact must be admitted, but these hats are univer sally becoming, for the large features of the average American require this J planting line across the front, with the height at the side, tending tow ard the back. Whether the hats Hare (fn one side or not, they set low on the head. The popular sailor shape Is well to the fore among the new hats, though shown in many modifications. The patent leather sailor brought out by one of the leading Paris milliners is shown as a morning and rough wear hat at the best - shops. It is quite remarkable to find tulle as chic as It seems to be. consider ing that it has been extensively worn a’l summer, yet many of the smartest fall hats are partly developed Hi It. Either the crown or the brim is of tulle The newest way of using it on the brim is in a triple effect, each fold is wired and thus separated, making the three-tier etYect notice able. The high ruches or collars of tulle are shown on some of the latest hats, the edge being outlined with * narrow' band of fur. The touch of fur on the hat is be coming as universal as it is on the gowns, and it use Is likely to increase as the season advances. Rough-surfaced cottons closely re semble their woolen prototypes, and they are likely to be worn well Into autumn. Cotton sponge cloths, cot ton plushes, cotton velvets, It is pre dicted, will be worn throughout the winter. Decollete Still the Vogue The sensational success which has attended decollete styles for day and evening wear has revived many ehnrinlng conceits for the fair and shapely throat. While ornamentation is not essen tial for candlelight hours, the V- shaped decollete for daytime requires a break in the sweeping new line now favored. For this the black velvet band* are very much favored because of the flattering effect on the skin; how ever, becoming colors in harmony with the gown or its accessories are equal ly favored. The soft, pastel tints, as a rule, are more becoming than the brilliant shades. There are two styles of bows used as a finish for the velvet band. One is a flat, tailored pump bow and the other ts a pert afTair. shaped like a butterfly. The center Illustra tion shows the former style. In the right corner another treatment of the velvet throat band ts seen in the shaped, pendant ends studded with gold beads on a foundation of gold thread lattice work. White crystal beads and pearls would be effective in a simple design forming a flower motif or more formal as a bow knot or classic wreath. The velvet band is enlivened with charming Jeweled pendants which add another coquetry to the list of baubles now fashionable. These pendants partake of fanciful .forms as wee baskets of flowers in graceful shapes, butterflies, bow-knots, bird and insect designs, together with the delicate French patterns which are especially admired. 0 0 0 Hip sashes appear on most of the new dresses; they offer an oppor tunity for introducing color or con- ! trast f shades and material* In the dresses. Special Cable to The American. LONDON, Sept. 13.—-At a time when the newspapers are 90 ardently and earnestly discussing the new 'aria fashions of the X-ray gown It is pleasing to discover that there will be worn this autumn and winter some jnnart and chic gowns of an other kind. The Times has Just published an article which, to one who has not been fully initiated into the mysteries of feminine apparel, seems to be a worth while discussion of the ever present problem of what may be called chicness. The Times says: “Quite the most interesting-of the •Fantasies sur le Costume Moderne* recently exhibited In London by Leon Bakat take the form of a coat and skirt. Indeed, that is partly why these ‘fantasies’ are of such interest to the practical student of dress. "For no matter bow variable the modes, the coat and skirt always per sists; It Is only In Its precise form that there is continual change. Again, though these drawings are frankly fantasies the artist has expressed in them the salient points of to-day’s fashions. The picturesque aspect of the coat, the Importance of the waist coat, the narrowness and the straight ness of the skirt are well noted. In each the idea Is so simple and yet so wonderfully effective. Simplicity also characterizes the decoration. So that many a couturier with a too generous bias to ornament might learn from them some useful lessons in the art of restraint. “The best designers, however, have for the last few years set a standard In this matter. And, judging from the new models displayed for \the early autumn, they still maintain this ideal. Not for the first time do we see that because the coat is perfectly cut and the skirt cleverly arranged a smart effect 1» obtained. In many Instances, however, the waistcoat Is extremely decorative, a beautiful brocade being considered none too luxurious a ma terial for this detail. Skirts Not to Be Wider. ‘•Meanwhile let no optimist hope for a widening of the skirt. For, though It is possible that Paris may exert her Influence in this direction when October is here, she seems at present to be taking an impish de light In flouting those who criticise the scantiness of the season’s models by giving the new models an even narrower effect than any which have preceded them. This Is made possi ble in some instances by the manner in which the fronts are crossed, and without seam, for plenty of freedom Is thus insured with the narrowest possible appearance. “One very attractive dress carried out in this way in dark blue chiffon velvet Is everywhere outlined with narrow embroider- In silk soutache. And In this way the lines of the crossing in front are naturally em phasized. In the model a V-shaped opening anpears In the center, imme diately above the feet, just as It occurs in more than one of the ‘fantasies;’ but this can easily be avoided, or a simulated underskirt of satin or taf fetas arranged beneath it. “The same idea expressed in a blac k moire taffetas is still more deserving of notice, because the latter promises to be a very popular material in the early autumn. The lines of the coat are also particularly pleasing. For the back, which is rather longer than some have been of late, falls grace fully from the shoulders, and is rounded In the basque; but the fronts are crossed and tucked into a wide belt of black chiffon velvet. The lat ter Is fastened beneath the basque at the back and falls in one long tasaeled end almost to the hem of the skirt. Quite a simple blouse In white mnusscline Is worn with this dress, and Its long sleeves are carried over the wrist Just as are those of the coat. A Cerise Colored Waistcoat. “The manner In which this coat Is finished, with the front of the coat finished by the belt at the waist, precludes the introduction of a waist coat. But many another model, de signed in this black moire taffeta, Is arranged with a waistcoat, and it gives opportunity for the introduction of color. For Instance, one famous dressmaker has Just finished a dress of this material with a waistcoat of c-erl^e colored velvet. The coat is sloped away in front, and the waist coat, which is cut vent’ low. is crossed and fastened with one button, and is then carried down to two points be low the waist. Above the waistcoat appears the chemisette of white tulle, very finely tucked, fastened with small, round pearl buttons and turn ed back in a little V opening at the throat. “The picturesque note which has recently characterized the coat-and- skirt intended for full dress occasions is still maintained. Everything that is stiff and formal is avoided. Even when a coat is girt with the wide belt which might easily endow it with a rigid appearance, care is taken that the belt shall be draped with an ef fect of studied carelessness The tunics, too, with which many of these dresses are designed, serve to empha size their picturesque character. Masculine effect Avoided. “Again, the waistcoat is often ar ranged in the most unexpected man ner Sometimes it is a mere con tinuation of the revers very cleverly contrived. But. whatever be the idea, it never savors of the severe, such as distinguished the womans waistcoat of twenty or thirty years ago. Some times. too, the contrast between the materials of the coat and the skirt achieve picturesque results. And never is the effect more striking than when the skirt is of cloth and the coat of white or cream tulle. The taste for such a combination of ma terials is essentially French. “But even when designing the sim pler coats and skirts, the couturiers are careful to avoid the severity which once characterized every cos tume tailleur. To-day this is re served entirely for the Scottish tweed or homespun designed for the sportswoman. In every other instance there is at least some note of ease in the skirt, which differentiates it at once from that masculine appearance which formerly characterized dress of tills type." MOST CHARMING OH GOWNS | EOR A SEPTEMBER BRIDE ‘ Wonderful Parisian Trosseau Is Being Pre- pared for Miss Marion Glen Coats. Special Cable to The American. LONDON, Sept. 13.—Prince Albert, the King’s second son, the “Sail >r Prince,’’ is delighted by the news tha* he will take up his duties as mid shipman on his majesty’s steamship Colling wood in ten days. The prince returned from a six months’ cruise on his majesty’s steamship Cumberland last July; for a while everything was Just as It should be in the royal family clrcie, but now' a decided Jarring note is 1 sounding loudly. Prince Albert, who | Is nearly 18, inherited ail his moth- . er’s strong-mindedness. Independ- | ent and intensely keen on work, he chafes severely under the restraining influence which Queen Mary brings to bear heavily on her children. Scotchman Rebels on Clothes. One very sore point over which the prince defied his royal mother recently concerned the vexed ques tion of clothes. Albert has Just reached the age which pays great heed to socks, ties and creased trou sers. Soon after his return he or dered a new' outfit from the tailors and hosiers who supply the Prince of Wales. Wales is allowed to buy such things for himself now. The arrange ment was that all Albert’s purchases were to be. put on his elder brother's accounts, hut, by an error, one of the bills was sent to the King and the whole conspiracy was discovered. Youngster Has His Way. Queen Mary, who* had been going through the prince’s wardrobe and sending various garments to the J cleaner, insisted that he wear out his | old clothes and return the new ones. I The prince boldly said he was Jollv W'ell going to dress as he liked and I would not go about in patched-up | rags as David used to—David being I the Prince of Wales, who was of a j very submissive nature. In the end Albert had his own way. this being the first time Quesn j Mary ha» been known to be worsted. Special Cable to The American. LONDON. Sept. 13.—Prominent among September brides will be Miss Marion Glen Coats, who is marrying Major Parsons on the. tenth. A truly w’onderful Parisian trousseau is be ing prepared for her, the chief gem train composed entirely of old French lace. Another charming creation Is a gown of tine suede cloth in delicate champagne color. The skirt falls in rich sculptured folds around the tall figure of the wearer and opens slight ly in a few fan pleats in the front, while the folds are caught together at the sides with a silk cord. Buttoning about the height of the knees, the coat is of old blue ehar- meuse lined with champagne cloth; there is a light fall of lace, of the color of clotted cream, on either side. The sleeves are innocent of a shoulder seam, but are broken at the elbow with a line of piping, the long cuff being split open to show a doublure of champagne cloth. Over the square sailor collar Is a second collar of old blue charmeuse bordered with a strip of skunk fur. The corsage is a parchment lace with a shaped band of blue charmeuse. The bust Is partially hidden by a dentelle; under this is faintly seen an embroidery of pale pink rosebuds and ciel blue threaded ribbon. A little found hat of black velvet, which fits well down over the head, framing the face, is encircled with blue feathers, ending in an upstand ing plume tied near the base in the new fashion. Foretold Hobble and Slit 200 Years Ago Says Creator’s Work Should Not Be Concealed From Admiring Eyes. Communion Denied Women in Slit Skirts Pastor Denounces Modern Gowns as Monstrosities in Sermon to Congregation. NEW BRITAIN. CONN., Sept. 13.— Rev. H. T. Walsh, pastor of the Church of Our Lady of Mercy, an nounces to-day to his congregation that he will refuse to serve commun ion to women who approach the altar wearing slashed or diaphanous skirts. Such women are also prohibited from visiting the parochial residence. Father Walsh denounced modern gowns as “monstrosities,” and said that while once knights would give up thejr lives, If necessary, for women, to-day men in general are disgusted with the immodest attire In which some who call themselves ladies appear. CORNISH, COLO., Sept. 13.—The arrival of the diaphanous, the hobble and the slit skirt is the fulfillment cf a prophecy of Sir Charles DePuysler Goldwin. who lived in Scotland 200 years ago. until he went to London and the fashions evoked his displeas ure, according to a manuscript found to-day by Miss Faith Corson Smith in a trunk. It is dated November 10, 1704, and, after referring slightly cO the costumes of men, says: “Ladies should not be so circum spect in their dresses, which are cum bersome, and the long trains which please their majesties of this year of our Lord seem to me naught but a design to conceal that which the Creator meant should be revealed. “Perhaps posterity will learn that there is naught to be ashamed of in that which God. hath created. “The Creator never meant men and women to be 60 burdened with velvet ribbons, lace and powder that H’s handiwork should be concealed or distorted, and it may be that in a dozen score of years peoples of the world will grow weary of these late changes, which are only worse than were their immediate predecessors.” Moonstones andOpals To Deck Fair Ladies London Society Will Wear Oriental Charms, Too, of Amethyst, Tor- quoise and Onyx. Sued Because He Did Not Like X-Ray Skirt Young Wife Wants Divorce From Aged Millionaire Hotel Man on Account of Style. SAN JOSE, CAL., Sept. 18.—Be cause he disapproved of diaphanous skirts and she had modern tastes, Mrs. Bertha C. HtMCom, 80 years old. and pretty, has brought suit for divorce ugainst James D. Hanscom, 60 years old, and a millionaire hotel man of this city. Six Midinettes of Famous Paris Establishment Finish Fashion able Gown in Tube. Special Cable to The American. PARIS, Sept. 13.—On a bet six mid inettes, belonging to a famous Paris dressmaking establishment, cut eti% and made a fashionable dress during a journey of twenty minutes in a tube train. The dress is of pink chif fon, designed in the latest style, with a draped tunic and lavish ornamen tation. The design was submitted to the midinettes as they boarded a train <m the Metropolitan Railway at the Porte d’Orleans station. As soon as the train started the six girls fell to work. Each had a particular task. One of them made a sleeve, another the other sleeve, another the bodice^ a fourth the skirt, while the fifth and sixth affixed hooks arid eyes and at tached trimmings. Half way through the last tunnel the final stitch was put in, and as the train drew up at the terminal sta tion at the Porte de Clignacourt the girls stepped from their seats and held out the finished dress with a shout of triumph. Lost Switch While in Surf; Sues Hotel Man Brooklyn Girl Claims Damages for Embarrassment While Bathing at Coney Island. NEW YORK. Sept. 13.—Miss Sadie Berenzweig, nineteen years old. of No. 738 Myrtle avenue, Brooklyn, is suing Samuel Stitch, a Coney Island hotel proprietor, for damages because of embarrassment caused by the loss of her $35 charmeuse dress and $5 switch. They were left by her, she told Judge Richards yesterday in the Gates Avenue Municipal Court, in a room in Stitch's hotel when she went In bathing last Sunday. Three com panions suffered other losses. Stitch offered them some of his Special Cable to The American. LONDON, Sept. 13.—Moonstones in early Celtic mountings of gold, silver and platinum will be fashionable this season. Black opals are second fa vorites. Pendants are taking the place of necklets. Earrings have l^ng hanging lobes. The King Croesus stone, a fire opal from the mine in Asia Minor that King Croesus is said to have worked, is being worn a good deal. Women with a taste for the Ori ental are adorning themselves with charms suspended from a long neck chain. They are carved out of amethyst, turquoise. onyx, lapis lazuli and other stones, and repre sent peacocks and elephants and strange Eastern beasts. $500 a Pouud Price Of White Human Hair Warm Titian Glow Is Shade Next in Demand, Say Toupee Makers. Special Cable to The American. LONDON. Sept. 13.—Pure white human hair Is quoted at $500 a pound. “Give us hair,” cry the bald. “Give i us gold,” retort those who possess ‘woman's crowning glory.” Some offer their locks by the foot to the dealers; others demand $25, J50 almost any extravagant price. Many women sell their “combings” to clothing, but they sent home for the be made into toupees and fringes needed things. The case will be Next to snow-white hair that with heard on Tuesday. 1 the warm “Titian glow” Is rarest. GRAV HUH IMS ITS NATURAL COLOR AFTER MIS SAGE TEA Mixed With Sulphur It Darkens “ s b °u?*n- s dr uKln* Beautifully and Takes Off Dandruff. Almost everyone knows that Sage Tea and Sulphur, properly compounded, brings back the nat ural color and luster to the hair when faded, streaked or gray; also cures dandruff, itching scalp and stops falling hair. Years ago the only way to get this mixture was to make it at home, which is mussy and troublesome. Nowadays skilled chemists do this better than ourselves. By ask ing at any drug store for the ready-to-use product—called “Wy eth's Sage and Sulphur Hair Rem edy”—you will get a large bbttle for too sticky, so Insist upon getting “Wyeth’s,” which can be depended upon to restore natural color and beauty to the hair, and Is the best remedy for dandruff, dry, feverish, itchy scalp and to stop falling hair. Folks like “Wyeth’s Sage and Sulphur” because no one can pos sibly tell that you darkened your hair, as it does it so naturally and evenly, says a well-known down town druggist. You dampen »;>onge or soft brush and draw' It through your hair, taking one small strand at a time. This requires but a few moments, by morning the gray hair disappears and after an other application or two is re stored to its natural color and looks even more beautiful and glossy than ever. SOUTHERN COLLEGE OF MEDICINE AND SURGERY SESSION 1913-14. The Southern College of Medicine and Surgery will begin tts 1911-14 ses sion Monda> September 8. 1*18 with a full staff of paid Professors We have added a Pharmacy. Post-graduate and Literary School to the Medical Depart ment thus making the college complete In every sense for the matriculate in Medicine Vast improvements have been made in the college building. Including the enlargement of the amphitheater. Chemical. Anatomical. Path ological. Bacteriological and Histolcgc^l laboratories, with the addition of our new Hospital, the student will receive bedside training and have an op portunity of studying different cases in their several phases. POST-GRADUATE SCHOOL COURSE Our Post-Graduate School Course (six weeks) !s for the busy practi tioner who wishes to perfect himself In certain lines of work. PHARMACY SCHOOL. The Pharmacy School consists of two sessions, of six months each. at>4 will continue throughout the year the same as the Post-Graduate School. J For oatalcirue an<j information apply to WM BERNARD LINGO, If D. Dear. 52-54 McDaniel street, Atlanta. Ga. Jhe Jcc\c[irccj‘ Irc/Fructor/1 MISS FURL0W ANDERSON Teacher of Voice and Plano Studio Wesley Memorial Building. Room 423. Studio Phone Ivy 1996. THIRTY-FOURTH SESSION BARIU SCHOOL OF MUSIC Director: Mr. Alfredo Barlll. School Reopens Monday, Sept. 1, 1918. Home Studios: 167 Myrtle St., Near Fourth, ATLANTA, GA. Phone Ivy 3059 -J. 1913-SIXTH SESSION-1914 ATLANTA CONSERVATORY CF MUSIC MORTIMER WILSON, GENERAL DIRECTOR, WITH A STAFF OF THIR TY ARTIST-TEACHERS. Offers a musical education complete from the kindergarten gaums to the concert stage, under unusual auspices, in commodious and centrally located quarters, recital hall seating six hundred. Theory and Composition. Piano, Organ. Voice, Violin, Orchestral Instru ments, Ensemble Classes, Chorus, Orchestra and Conducting. Private and public recitals. School of Opera, Languages and the Drama. Concert and Lecture Bureau Extension. Diplomas of merit only. Expenses the lowest. Results the most satisfying. Session: September 2, 1918, to June 18, 1914. MIDSUMMER SCHOOL FOR MUSIC SUPERVISORS. Address The General Director, Peachtree and Broad Streets, Atlanta, Georgia. MISS SARAH ADELLE EASTLACK School of Expression. Reading (The Spoken Word). Physical and Personal Culture. Professional Training. Atlanta Institute of Music and Oratory. 20 E. Baker St. Ivy 6986. MISS NORA PLUNKETT MIGS LULA CLARK KING Teacher of t/oice and Piano Teacher of Singing. JAMES C. WARDWELL, STUDIO: WESLEY MEMORIAL Associate Teacher and Tenor Soloiet. BLDG., ROOM 414. 408 WESLEY MEMORIAL CHURCH. Studio Phone, Ivy 1127. Studio, Phone Ivy 3513. Resldenoe Phone, Ivy 2769. Home, Phone East Point 29. Teacher of Piano Theory and Harmony Residence Studio, 52 E. CAIN STREET, Apartment No 4. BELL PHONE, IVY 1346. Atlanta’s Leading Violin School A PRIVATE school of proven ability for the individual training of via- rtn students from the beginning to the ooncert stage. 419 WESLEY MEMORIAL BUILDING. Prospectus mailed on application. ERWIN MUELLER, German Violinist FOUNDED IN 1904. MISS LILLIAN H. FOSTER VOICE AND PIANO Also Sight-reading. Musical Theory and History ol Music Residence Studio: 81 Summer Ave. Phone Ivy 1197. Studio: Baptist Tabernacle, Luckle Street. Office: Y. M. C. A. Bldg. MARY CRAFT WARD Teacher of Piano Studios: 325 Peaohtree St. and Washington Seminary. PUPIL OF QOOOWSKY Three Years Berlin end Vlsonsu ME LODI GRAND PIANO USED. Anna Rocheleau Burt VOICE CULTURE AND SIGHT READING 412 Wesley Memorial Bldg. 1 R«*id«mo* I Cor. Cascade Ace and Beecher St A BUSH Ac GERTS PIANOS USED STUDIOS‘[ ( Phono West U3» Annie Gartrell Memorial Conservatory of Music New Location at 506 Ponce DeLeon Avenue. Young children taken to board Special home oare and every advantage All grades of city school work specialized, as well as best advantages In aU branches of music. Large grounds and outdoor games Session, September 1- May 9 (MISS) LUCY A. OARTRELL, Directress. Phone Ivy 157-L WASHINGTON SEMINARY 1374 Peachtree Street, Atlanta MUSIC FACULTY: Piano, Miss Marguerite Bartholomew. Mra. Mary Oaft Ward. Miss Eda Bartholomew. Mias Clementine Ma. gregor, Mr* L. D. 8oott. VOICE: Miss Mary W. Lovelace VIOLIN; Alexander von Skiblnaky PIPK i ORGAN: Mle* Eda Bartholomew MUSICAL KINDERGARTEN; Miss Pearl j Rivers. EXPRESSION; Miss Nannie Duncan. ART. Mlse A C. Butler. Thirty-sixth year begin* September 11. 1913. Music student# ma^ I any time during tejm.