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— 6 D TVE NftST'S sr.NDAV AMERICAN, ATLANTA, CA , SUNDAY. SEPTEMBER 14, 1913. b i/v G Mj C TIGHTEST OF TIGHT GOWNS NEWPORT IS STARTLED AGAIN By MME. HAUTE MONDE -\ RANTER that th» butterfly Is jp 1 ha most prominent trimming feature of the hour, whether on • mall or larsre hate, the tentlenry Is toward feathery decorations of va rlotis types. The ostrich plume Is he In* used more extensively than for many years, and particularly by tin Paris milliners who csater to the American trade. It. Is ostrich In nil Its curly beauty that Is used to-da> the uncurled, draiury looking feather of the last few seasons having dls appeared from the new hats. Thes* mounts of ostrich may he arranged m the barlt or at the side where tin brim breaks or eurves upward. • • • The newest corsasre sachets—to be pinned somewhere beneath the trans- \ parent velllnK of the waist—are small I colored satin hairs Incased In real I cluny lace cases. The pink, blue or lavender satin eases are slipped Into the outer lace rases and fastened with removable ribbons, so that dlf form! colored satin cases may be used It Is not a difficult undertak- inK to make these dainty corsair© sa chets at home. • • • The demand for fur of every de scription has brought Into existence the Imitation for cloths, which are so cleverly made that It requires a care ful scrutiny to discover the differ ence between the broadtail cloth and the genuine pelt. The mole pelt has been equally well Imitated, and. like the broadtail, comes In the natural coloring, black and green. These fur cloths are all-silk materials, and, combined with velvet, make very handsome street costumes. • • • Small clusters of bright-colored, unnatural looking fruits give the de sired dash of color to many of the little hats which tilt over the face and flare high in the hack This is a development of the nlntche hat, or rather, one should say, an adaptation In onier to make It more becoming the brim In the front Is broken, as Is shown In the drawing for unless one is blessed with the piquant type of countenance these hats accentuste one's age. The piquant face, with small features, such as nine out of ten French women possess, Is the only type that looks well In the very small hats, though many of them are Imported and worn by Americans who in other matters of dress have un questioned taste. The majority of these little hats are fashioned from taffeta or velvet. • • • Supple white satin 1s the favorite material of milliners to-day. It Is combined with linen and with velvet or moire. One of the newest face veils Is made of tine silk tulle In a pale shade ,,f heliotrope with tiny pin dots all over Its surface. - Shoe buckles are mounted on strips of velvet the color of the gown with which they nre worn. Some are ar ranged on tongues of plaited velvet. Buckles made of pale blue, pink anil yellow satin and chiffon roses are worn on pale colored satin evening slippers. • • • It Is the fashion to cover the coat collar with something white, and an attractive choice Is the negligee 'if white erepe de rhlne or marquisette, made In the Robespierre manner and falling well over the shoulders and fronts of the coat. • • • The skirt In tiers Is a success of the season. These skirts have taken the fancy of women—so long vised to straight or dfhped efTects. Three tiers Is the favorite style. Plaid materials are the craze and one sees tiered skirts with alternate plain and plaid flounces to the waistline, the hrlght plaid appearing again as a trimming on the Jacket. • • • Real tortoise shell Is the Ideal thins for hairpins The present style of hair dressing demands that several or these pins should he of the broad nrk shape and that the prongs should rather short. 1 have seen these real tortoise shpll pins Inset with sil ver with good effect. 1 have also seen them rimmed in finely cut Jet. r„r Monde hair the pale shade of tori" s. shell gives a dainty appear ance, While red-gold hair looks best ■' v •/ I :■ i*m*e mZmt wm. f v l -' '.#> 4% 9 ■ p |;' ■ <£'< ■ v * »*N - ■ V. 1M »v* A \ ** 4 *<. s •*" / - VG M RS. “REGGIE” BROOKS, snapped on a Newport street as she startled the ultra fashionable residents of that re sort. She is shown wearing the new minaret gown, which is the tightest of the many variations of the clinging skirts seen here tofore. id m n Simplicity Will Be Sought, but Masculine Severity Will Be Carefully Avoided. Special Cable to The American. LONDON. ^ Sept. 13.—At a time when the newspaper.** are so ardently and earnestly discussing the new Paris fashion* of the X-ray gown it is pleasing to discover that there will be worn this autumn and winter other kind. The Times lias Just published an article which, to one who has not been fully Initiated into the mysteries of feminine apparel, seems to be a worth wiille diwusslon of the ever present problem of what may be called chicneaf*. The Times says: ’‘Quite the most interesting of the •Fantasies sur le Costume Moderne’ recently exhibited in London by Leon Bakst *ake the form of a coat and skirt. Indeed, that Is partly why these ‘fantasies’ are of such Interest to the practical ntudent of dress. "For no matter how variable the modes, the coat and skirt always per sists; it is only In its precise form that there Is continual change. Again, though these drawings are frankly fantasies, the artlm has expressed in them the salient points of to-day’s fashions. The picturesque aspect of the coat, the importance of the waist coat. the narrowness and the straight BESTSOUEEN; SETS CLCTHES Plotted With Prince of Wales to Buy Things on His Account. Conspiracy Discovered. M08T CHARMING OF G0WN8 FOR A SEPTEMBER BRIDE Wonderful Parisian Trosseau Is Being Pre pared for Miss Marion Glen Coats. Special Cable to The American. LONDON. SepL 13.— Prominent among September brides will be Miss Marlon Glen Coats, who is marrying Major Parsons on the tenth. A truly wonderful Parisian trousseau is be ing prepared for her, the chief gem train composed entirely of old French lace. Another charming creation is a gown of fine suede cloth in delicate champagne color. The skirt falls in rich sculptured folds around the tall figure of the wearer and opens slight ly in a few fan pleats in the front, while the folds are caught together at Special Cable to The American. LONDON, Sept. 13.—Prince Albert, the King’s second son. the “Sailur Prince,” is delighted by the hews that, he will take up his duties as mid shipman on his majesty’s steamship Collingwood in ten days. The prince returned from a six some smart and chic gowns of an-* months’ cruise on his majesty steamship Cumberland last July; for a while everything was just as It should be In the royal family cirem, but now r a decided Jarring note !s — , TT sounding loudl> Prince Alhert, who j P Ol’PlO Ml Hnhh P 311(1 is nearly !S. inherited all his moth- -LvIUbUlU -L1UUU1L dilU , color of clotted cream, on either side. The sleeves are innocent of a shoulder seam, but are, broken at the elbow' with a line of piping, the long cuff being split open to show a doublure of champagne cloth. Over the square sailor collar la a second collar of old blue charmeuse bordered with a strip of skunk fur. The corsage is a parchment lace with a shaped band of blue charmeuse. The bust Is partially hidden by a dentelle; under this is faintly seen an embroidery of pale pink rosebuds and ciel blue threaded ribbon. A little round hat of black velvet, which fits w r ell dow'n over the head, the sides with a silk cord j Buttoning about the height of the j framing the face, is encircled with '.*•* knees, the coat is of old blue char- , blue feathers, ending in an upstand- meuse lined with champagne cloth; ing plume tied near the base in the there is a light fall of lace, of the I new fashion. er’s strong-mindedness. Independ- j ent and intensely keen on work, he chafes severely under the restraining 1 influence which Queen Mary brings to bear heavily on her children. Rebels on Clothes. One very sore point over wiiich the prince defied his royal mother recently concerned the vexed ques tion of clothes. Albert has jus; reached the age which pays great heed to socks, ties and creased trou sers. Soon after his return he or dered a new outfit from the tailors and hosiers who supply the Prince of Wales. Wales is allowed to buy such things for himself now. The arrange ment was that all Albert's purchase were to be. put on.his elder brothers accounts, but, by an error, one of the bills was sent t:o the King and the ness of the skirt are well noted. In w'hole conspiracy was discovered, each the idea is so simple and yet so Youngster Has His Way. wonderfully effective. Simplicity also I Queen Mary, who had been going characterizes the decoration. So that i through the pMnce’s wardrobe and many a couturier wdth a tpo generous j sending various garments to the bias to ornament might learn from i cleaner, insisted that he wear out his them some useful lessons In the art old clothes and return the new ones, of restraint Slit 200 Years Ago Scotchman Says Creator’s Work Should Not Be Concealed From Admiring Eyes. CORNKSH. COLO., Sept. 13.—The arrival of the diaphanous, the hobble and the slit skirt is the fulfillment of a prophecy of Sir Charles DePuyster Goldwin. who lived in Scotland 200 years ago. until he went to London and the fashions evoked his displeas ure, according to a manuscript found to-day by Miss Faith Corson Smith in a trunk. It is dated November 10, 1704, and, after referring slightly t o the costumes of men, says: “Ladies should not be so circum spect in their dresses, which are cum bersome. and the long trains which please their majesties of this year of our Lord seem to me naught but u design to conceal that which the Creator meant should be revealed. “The best designers, however, have for the last few years set a ntandard - , j j „. QO 4^ii v I “Perhaps posterity will learn that The prince boldly said ^ ‘ there is naught to be ashamed of in well going: to dress as he liked a no (hat whlch (Jod hath crea ted, /ould not go about in_p - P| "The Creator never meant men and In this matter. And. judging from the I rags as David used to—David being women to be so burdened with velvet new models displayed for the early | the Prince of ^ ales, who was or a • rIbbons> lace and pow d er that H's be vhen th irrangcd wdth made of dark t ,ut Jet pins >rtoise shell In- Slant of the New Hot The majority of the new autumn hats are squashed down over one eye, generally the right one, and are raised high on the other side, show ing a wide expanse of the hair. This gives a very Jaunty air to the hat, which is accentuated by the curve of the brim and the trimming. The effect Is rakish, that fact must be admitted, but these hats are univer sally becoming, for the large features Decollete'Still the Vogue The sensational success which has attended decollete styles for day and evening W'ear has revived many charming conceits for the fair and shapely throat. While ornamentation is not essen tial for candlelight hours, the V- shaped decollete for daytime requires a break in the sweeping new line now favored. For this the black velvet bands are are well •rusted with little jet facets * * • Velvet ribbons edged with plcot are now verv much used by the best Parisian milliners. Some of these ribbons are very wide, while others comparatively narrow Individ- . . , permitted great freedom season. A Panama would look If trimmed with win*- red Vel vet ribbons or with a long length of velvet ribbon In a strong shade of ►arma velvet * e e Trie latest style of hairdressing for the daytime . ails for a few very good pins in tortoise shell or dull silver. Even effort is made to do away with anything like an artificial appearance and the woman or girl who can ar range her hair with a single comb Is the admired of all. • • • Newest shoes may have high Louis XT heeis, but they have broad soles, and they are mostly laced up over l .he ankle*. • • • Collarettes of marabou are short and wide* and finished with a bow and end* They come in exquisite chinchilla mixture, a softly shaded gray and a variety of new Parisian shade* « • • • ^lose-fttilng hats, with outstanding nlng. art* as much in vogue as The trimming may be either her. fancy or loo] f I’ll id and flv* in ! an tactic shape. American require this | very much favored because of the of the average slanting line across the front, with the height at the side, tending tow ard the back. Whether the hats Hare on one side or not. they set low on the head. The popular sailor shape is well to the fore among the new huts, though shown in many modifications. The patent leather sailor brought out by one of the leading Paris milliners is Mown as a morning • and rough wear hat at the 4»est shops. It is quite remarkable to find tulle as chic as it seems to be. consider ing that it has been extensively worn ali summer, yet many of the smartest fall hats are partly developed in it. Hither the crown or the brim is of tulle The newest way of using it on the brim is in a triple effect; each fold is wired and thus separated, making the three-tier efTeot notice able. The high ruches or collars of tulle are shown on some of the latest hats, the edge being outlined with a narrow band of fur. The touch of fur on the hat is be coming as universal as it is on the gowns, and it use Is likely to increase as the season advances. • • • Rough-surfaced cottons closely re semble their woolen prototypes, and they are likely to be worn well into autumn Cotton aponge cloths, cot ton plushes, cotton velvets, it is pre dicted. will be worn throughout the winter. flattering eff?ct on the skin; how ever, becoming colors in harmony with the gqwn or its accessories are equal ly favored. The soft, pastel tints, as a rule, are more becoming than the brilliant shades. There are two styles of bows used as a finish for the velvet band. One ia a flat, tailored pump bow and the other is a pert affair, shaped like a butterfl>. Tue center Illustra tion shows tin* former style. In the right corner another treatment of the velvet throat band is seen in the shaped, pendant ends studded with gold beads on a foundation of gold thread lattice work. White crystal beads and pearls would be effective in a simple design forming a flower motif or mime formal as a bowknot or classic wreath. The velvet band is enlivened with charming Jeweled pendants which add another coquetry to the list of baubles now fashionable. These pendants partake of fanciful forms as wee baskets of flowers in graceful shapes, butterflies, bowknots. bird and insect designs, together with the delicate French patterns which are especially admired. Hip sashes appear on most of the new dresses; they offer an oppor tunity for introducing color or con tras: of shades and materials In the dresses. autumn, they still maintain this ideal. Not for the first time do we see that because the coat is perfectly cut and the skirt cleverly arranged a smart effect 19 obtained. In many instances, however the waistcoat is extremely decorative, a beautiful brocade being considered none too luxurious a ma terial for this detail. Skirts Not to Be Wider. “Meanwhile let no optimist hope for a widening of the skirt. For, though It Is possible that Paris may exert her influence In this direction when October is here, she seems at present to he taking an impish de light in flouting those who criticise the scantiness of the season’s models by giving the new 7 models an even narrower effect than any which have preceded them. This is made possi ble in some instances by the manner in which the fronts are crossed, and without seam, for plenty of freedom is thus insured with the narrowest possible appearance. “One very attractive dre*rs carried out In this way in dark blue chiffon velvet is everywhere outlined with narrow embroider*- in silk soutache. And In this way the lines of the crossing in front are naturally em phasized. In the model a V-shaped opening anpears In the center, imme diately above the feet. Just as it occurs in more than one of the ‘fantasies;’ but this can easily be avoided, or a simulated underskirt of satin or taf fetas arranged beneath it. "The same Idea expressed in ablacK moire taffetas is still more deserving of notice, because the latter promises to be a very popular material in the early autumn. The lines of the coat nre also particularly pleasing. For the back, which is rather longer than some have been of late, falls grace fully from the shoulders, and is rounded in the basque; but the fronts are crossed and tucked into a wide belt of black chiffon velvet. The lat ter is fastened beneath the basque at the back and falls in one long tasseled end almost to the hem of the skirt. Quite a simple blouse in white mousscline is worn with this dress, and its long sleeves are carried over the w*rist just as are those of the coat. A Cerise Colored Waistcoat. “The manner in which this coat Is finished, with the front of the coat finished by the belt at the waist, precludes the introduction of a waist coat. But many another model, de signed in this black moire taffeta, is arranged with a waistcoat, and it gives opportunity for the introduction of color. For instance, one famous dressmaker has just finished a dress of this material with a waistcoat of cerise colored velvet. The coat is sloped away in front, and the waist coat, which is cut very low, is crossed and fastened with one button, and Is then carried down to two points be low* the waist. Above the waistcoat appears the chemisette of white tulle, very finely tucked, fastened w*ith small, round pearl buttons and turn ed back in a little V opening at the throat. “The picturesque note which has recently characterized the coat-and- skirt intended for full dress occasions Is still maintained. Everything that Is stiff and formal is avoided. Even when a coat is girt with the wide belt which might easily endow it with a rigid appearance, care is taken that the belt shall be draped with an ef fect of studied carelessness. The tunics, too. with which many of these dresses are designed, serve to empha size their picturesque character. Masculine effect Avoided. “Again, the waistcoat is often ar ranged in the most unexpected man ner. Sometimes it is a mere con tinuation of the revers very cleverly j contrived. But, w hatever be the idea, it never savors of the severe, such as distinguished the woman's w*aistcoat of twenty or thirty years ago. Some times. too. the contrast between the materials of the coat and the skirt achieve picturesque results. And never is the effect more striking than w hen the skirt is of cloth and the coat of white or cream tulle. The taste for such a combination of ma terials is essentially French. “But even when designing the sim pler coats and skirts, the couturiers are careful to avoid the severity which once characterized every cos tume tailleur. To-day this Is re served entirely for the Scottish tweed or homespun designed for the sportswoman. In every other instance there is at least some note of ease in the skirt, which differentiates it at once from that masculine appearance which formerly characterized dress of this type." handiwork should be concealed or very submissive nature. / In the end Albert distorted, and it may be that in a way. this being the flr. t t e Q - dozen score of years peoples of the Mary has been known vvor i d will grow weary of these late w-orsted. | changes, which are only worse than were their immediate predecessors.” Communion Denied M , n , London Society Will Wear Oriental Charms, Too, of Amethyst, Tor- quoise and Onyx. Pastor Denounces Modern Gowns as Monstrosities in Sermon to Congregation. NEW BRITAIN, CONN., Sept. 13 - Rev. H. T. Walsh, pastor of the Church of Our Lady of Mercy, an nounces to-day to his congregation that he will refuse to ser\ e c ornmun i ^ platinum will be fashionable this ion to women who approachl the'altar I seas * n Blark opals are second fa- wearing slashed or diaphan s • ; vorites. Pendants are taking the Such women are also p * place of necklets. Earrings have long from visiting the parochial residence. * i , b ' W “i“ h ^ modern I ™^ K “roesus stone, afire Special Cable to The American. LONDON, Sept. 13.—Moonstones In early Celtic mountings of gold, silver Father Walsh denounced modern gowns as “monstrosities,’’ and said that while once knights would give up their lives, If necessary, for women, to-day m**n in general are disgusted with the immodest attire in which some who call themselves ladies appear. Lost Switch While in Surf; Sues Hotel Man Brooklyn Girl Claims Damages for Embarrassment While Bathing at Coney Island. opal from the mine in Asia Minor that King Croesus Is said to have worked, is being worn a good deal. Women with a taste for the Ori ental are adorning themselves with charms suspended from a long neck chain. They are carved out of amethyst, turquoise, onyx, lapis lazuli and other stones, and repre sent peacocks and elephants and strange Eastern beasts. Sued Because He Did Not Like X-Ray Skirt Young Wife Wants Divorce From Aged Millionaire Hotel Man on Account of Style. RAN JOSE, CAL.. Sept. 13.-—Be cause he disapproved of diaphanous skirts and she had modern tastes, Mrs. Bertha C. Hanscom, 30 years old. and pretty, has brought suit for divorce against James D. Hanscom, 60 years old, and a millionaire hotel man of this city. Six Midinettes of Famous Paris Establishment Finish Fashion able Gown in Tube. Special Cable to Tha American. PARIS, Sept. 13.—On a bet six mid inettes, belonging to a famous Paris dressmaking establishment, cut out and made a fashionable dress during a Journey of twenty minutes In & tube train. The dress is of pink chif fon, designed In the latest style, with a draped tunic and lavish ornamen tation. The design was submitted to the midinettes as they boarded a train on the Metropolitan Railway at the Porte d’Orleans station. As soon as the train started the six girls fell to work. Each had a particular task. One of them made a sleeve, another the other sleeve, another the bodice, a fourth the skirt, while the flfth and sixth afTlxed hooks and eyes and at tached trimmings. Half way through the last tunnel the flna.1 stitch was put in, and as the train drew up at the terminal sta tion at the Porte de Clignacourt the girls stepped from their seats and held out the finished dress with a shout of triumph. The ]ecXcfiTxf Jra/frucfor/ i MISS FURLOW ANDERSON Teacher of Voice and Pfano Studio Wesley Memorial Building. Room 423. Studio Phone Ivy 1996. THIRTY-FOURTH SESSION BARIU SCHOOL OF MUSIC Director: Mr. Alfredo Barlll. School Reopen* Monday, Sept. 1, 1913. Home Studios: 167 Myrtle St., Near Fourth, ATLANTA, GA. Phone Ivy 3059-J. $500 a Pound Price Of White Human Hair 1913-SIXTH SESSION-1914 ATLANTA CONSERVATORY OF MUSIC MORTIMER WILSON, GENERAL DIRECTOR, WITH A STAFF OF THIR TY ARTIST-TEACHERS, Offers a musical education complete from the kindergarten games to the concert stage, under unusual auspices, In commodious and centrally located quarters, recital hall seating six hundred. Theory and Composition, Piano, Organ, Voice, Violin, Orchestral Instru ments, Ensemble Classes, Chorus, Orchestra and Conducting. Private and C blie recita's. School of Opera, Languages and the Drama. Concert and cture Bureau Extension. Diplomas of merit only. Expenses the lowest. Results the most satisfying. i^ssion: September 2, 1913, to June 18, 1914. MIDSUMMER SCHOOL FOR MUSIC SUPERVISORS. Address The General Director, Peachtree and Broad Streets, Atlanta, Georgia. MISS SARAH ADELLE EASTLACK School of Expression. Reading (The Spoken Word). Physical and Personal Culture. Professional Training. Atlanta Institute of Music and Oratory. 20 E. Baker St. Ivy 6986. Warm Titian Glow Is Shade Next in Demand, Say Toupee Makers. NEW YORK. Sept. 13.—Miss Sadie j Ber^nzweig, nineteen years old. of | No. 738 Myrtle avenue, Brooklyn, is suing Samuel Stitch, a Coney Island j hotel proprietor, for damages because of embarrassment caused by the loss Special^ Cable to The American, of her $35 charmeuse dress and $5 LONDON. Sept. 13. Pure white switch human hair is quoted at $500 a pound. They were left by her, she told “Give us hair,” cry the bald. “Give Judge Richards yesterday in the us gold.” retort those who possess Gates Avenue Municipal Court, in a I ‘woman’s crowning glory.’ room in Stitch's hotel when she went Some offer their locks by-the foot In bathing last Sunday. Three com- ! to the dealers; others demand $-5, panions suffered other losses. $50—almort any extravagant price. Stitch offered them some of his Many women sell their "combings ’ to clothing, but they sent home for the be made into toupees and fringes, needed things. The case will be Next to snow-white hair that with heard on Tuesday. | the warm “Titian glow" is rarest. MISS NORA PLUNKETT Teacher of Voice and Piano STUDIO: WESLEY MEMORIAL BLDG., ROOM 414. Studio Phone, Ivy 1127. Residence Phone, Ivy 2769. MISS LULA CLARK KING • Teacher of Singing. JAMES C. WARDWELL, Associate Teacher and Tenor Soloist. 408 WESLEY MEMORIAL CHURCH. Studio, Phone Ivy 3613. Home, Phone East Point 29. Miss Martha Hudson Teacher of Piano Theory and Harmony Residence Studio, 52 E. CAIN STREET, Apartment No 4. BELL PHONE, IVY 1346. TURKS ITS NATURAL AFTER APPLYING SAGE TH Atlanta’s Leading Violin School A PRIVATE school of proven ability for the individual training of vio lin students from the beginning to the concert stage. 419 WESLEY MEMORIAL BUILDING. Prospectus maned on application. ERWIN MUELLER, German Violinist FOUNDED IN 1904. Mixed With Sulphur It Darkens Beautifully and Takes Off Dandruff. Almost everyone know* that Sage Tea amt Sulphur, properly compounded, brings back the nat ural color and luster to the hair when faded, streaked or gray; also cures dandruff, itching scalp and •tops falling hair. Years ago the only way to get this mixture was to make it at home, which is mussy and troublesome. Nowadays skilled chemists do this better than ourselves. By ask* ing at any drug store for the ?ady-to-use product—called ‘'Wy eth’s Sage and Sulphur Hair Rem edy”—you will get a large bottle for about 50 cents. Some druggist* make their own, but it’s usually too sticky, so insist upon getting “Wyeth’s,” which can be depended upon to restore natural color and beauty to the hair, and is the best remedy for dandruff, dry, feverish, itchy scalp and to stop falling hair. Folks like “Wyeth’s Sage and Sulphur” because no one can pos sibly tell that you darkened your hair, as it does it so naturally and evenly, says a well-known down town druggist. You dampen h sponge or soft brush and draw it through your hair, taking one small strand at a time. This requires but a few moments, by morning the gray hair disappears and after an other application or tw*o Is re stored tb its natural cHlor and looks even more beautiful and glossy than ever. MISS LILLIAN H. FOSTER VOICE AND PIANO Also Sight-reading, Musical Theory and History of Music Residence Studio: 81 Summer Ave. Phone Ivy 1197. Studio: Baptist Tabernacle, Luckle Street. Office: Y. M. C. A. Bldg. MARY CRAFT WARD Teacher of Piano Studios: 325 Peaohtraa St. and Washington Seminary. PUPIL OF GODOW8KY Three Y»ara Berlin and Vienna. MELODIGRAND PIANO USED. Anna Rocheleau Burt VOICE CULTURE AND SIGHT READING 412 Wetley Memorial Bldg. T Rorid. studios| Cor. Cascade Ace and Beecher BUSH & GERTS PIANOS USED .Vf.} Phono W«il lit* SOUTHERN COLLEGE OF MEDICINE AND SURGERY SESSION 1913-14. The Southern College of Medicine and Surgery will begin Hs 1911-14 ses sion Monday September 8. 1918 with a full staff of paid Fr°fes*ors We have added a Pharmacy, Poat-graduate and Literary School to the Medical Depart ment thus making the college template in every sense for the matriculate in Medicine Vast improvements have been made in the college puna mg. Including the enlargement of the amphitheater. Chemical. Anatomical, Path- ological. Bacteriological and Histological laboratories; with the addition of our new Hospital, the student will receive bedside training and have an op- nortunkv of studvlng different cases In their several phase*. POST-GRADUATE SCHOOL COURSE Our Post-Graduate School Course »six weeks) is for the busy practi tioner who wishes to perfect himself in certain lines of work. PHARMACY SCHOOL. The Pharmaov School consists of two sessions, of six months rack, »n4 will continue throughout the rear the same “ the Port-Gniduate SchooL For catalogue and information app V to WM BERNARD LINOO. M D., Pear 52-54 McDaniel street. Atlanta. Ga. Annie Gartreil Memorial Conservatory of Music New Location at 506 Ponce DeLeon Avenue. Young children taken to board. Special home care and every advantage All grades of city school work specialized, as well as best advantages in aJU branches of music. Large grounds and outdoor games. Session, September 1- May 9 (MISS) LUCY A. GARTRELL, Directress Phone Ivy 157-L WASHSNGTON SEMINARY 1374 Peachtree Street, Atlanta MUSIC FACULTY: Piano. Miss Marguerite Bartholomew. Mrs. Mary Graft Ward. Miss Eda Bartholomew. Miss Clementine Macgregor, Mrs L. P. Soott VOICE: Miss Mary W. Lovelace. VIOLIN; Alexander von Skibinsky PIPR <»RGAN: Miss Eda Bartholomew MUSICAL KINPERGARTEN; Mima Pearl Rivers. EXPRESSION: Mis- Nannie Duncan ART: Miss A. C Butler. Thirty-sixth year begins September 11. 1913. Music itudenta m*y t<T- I any time during term. mm -