Newspaper Page Text
14H
Wl NTEH SMB
MINGS LITTLE
EK CHANGE
Many of New Wools and Worsteds
Are Practically the Same as
Those of Summer.
Ts you look over*the season's fabrics
you will bw that It is not nearly so
long away as It seems from th*
summer fabrics to those of the au
tumn and winter.
For instance, you find among th*
newest materials 1n wool and worsted
many of the whites with which you
have become so familiar during the ;
last feu month* in cottun. iiney and
ramie But, In order to satisfy wont. '
en’s desire for something new, the
manufacturer having found out their
favorites in the Jasl reason—has mod- 1
Ified the weaver ors many of thojr
materials slightly, so that While they
xre tlie same, they are at the Mine
lime different. Th«'se new material*,
untried, are called “novelties,” and
not infrequently a novelty become
ho popular that it is«looked upon ar a
standard fabric.
Among the standard fabrics are the
•erg*; . cheviots, broadcloths, mixture* i
and the staple chocks and plaids
These fabrics navo for many years
given such excellent service that one i
never regrets putting money Into one
of them. Eponges and ratines, which
first found favor In cotton materials,
have proved so satisfactory that
women are glad to welcome them In
wool a* one of the best fabrics for
the winter. Repo, piques and pop
lino are duplicated in wool under the
names of “reps.” “Bedford cords’’and
"needle cords.”
The trend of materials Is toward
the crepe effect In weave, known as
"‘crepon*’ tn wool, or, when In a weave
called ''granite," If known as “Mel
rose.’’ a fabric for some years marie
principally in black, but now shown
in colors. Som** of the eponges are
woven with a corded stripe which is
most effective. The heavier materials
for outer garment* still continue very
rough in texture, many of them
showing the camel’s-hair or zibeline
finish.
nffi
~~~ I
Back to School
The children are trudging the time- <
worn pnth just aa other children j
have done for generations.
Hut the modern child should have
a watch. Twice a day he must be
on time, but he will waste time if
be has to guess.
|| One of the great lessons of life is
II learned when one spends time '
I carefully. Give the child a watch, *
I for it will teach punctuality while ’
the mind Is still plastic. 1
Boy’s watches sl, $2 and •$.
Girl’s watches S 2 up. <
Good enough for grown-ups at that
E. A. MORGAN
10E. Hunter Street
■wwr— ----- ’--t. I
Vi i
I
75
Peach
tree
| Street•
An Evening Dress
with wrap to match. The wrap is trimmed with yellow fox
fur. On exhibition at Dayjson-Paxon-Stokes. '
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fit? 4 ''oWeL
ida Tashion Points
Costume., suit and wrap fashions
for thi.w season present not so much
novelty of form as novelty of mate
rials and colorings. To some degree
the Oriental form is still In evidence,
but so marked Is the movement to
ward utility that the Eastern influ
ence is remarkably lessened; in fact,
from the viewpoint of novelty the
Oriental styles are on the decline.
The latest effects lead to the adop
tion of really ideal forms, combining
art and* utility. The new fabrics
themselves have suggested now ideas
to the dressmakers, which, united
Order Your Fall Suit I
At the “Dundee”--Faultlessly Tailored! I
Os course you can pay more, but you can get
no better workmanship and fit at ANY price.
Any Suit or Overcoat
t° Your I’ '
“A
and v B
Strictly
Union
Made
Our Display of Fall Woolens Is Ready!
_ Corner
Auburn 6
"'On the Corner’ } Ave.
I with the gay colorings and unusual
patterns of the Modern Art, will give
to the fall and winter fashions a nov
elty and interest unsurpassed. Va
riety and originality in design distin
guish this season’s fashions.
Women of good taste demand indi
viduality of dress, and Paris dress
makers, protecting themselves from
copyists, are pledged not to copy. This
means more individuality than ever
before. Each big maker will uphold
fils conception of the proper dress for
the woman fashionable, and each will
have his own select following.
HEARST'S SUNDAY AMERICAN, ATLANTA. GA., SUNDAY, SEPTEMBER 21, 1913.
SHORTER SKIRTS
THAN EVER ARE
PROMISED NOW
Street Suit That Touches the
Ground Will Be Regarded
as a Monstrosity.
One* of the most remarkable changes
to be noticed is ip the matter of the
length of the skirt.
All makers agree that must of the
skirts will be short, even very short,
since there is a noticeable fashion for
showing the feet. Even costumes for
dressy occasions will have the skirts
short, and what is more, as short as
those of the tailored suits. A street
dress that touches the ground will be
looked upon as a monstrosity.
Ar to the width, skirts will con
tinue narrow, at least, narrow in ef
fect. Many of them show the uplift
ed drapery at the front, accentuating
the curving line of the figure.
Draperies follow the outlines of the
figure, and pleated, paneled or plain
skirts will keep to close lines. There
is a marked evidence of flounced
skirts, but these will be mounted on
close-fitting foundations, and there
by retain the silhouette of the body
in spite of their fullness.
Trains will not be especially popu
lar, and when used they will be slen
der. These trains will be wound
about the figure, and fastened in gir
dle form when the wearers do not
wish to have the trailing lengthy in
evidence.
■FODbEN & BATE f
65 Peach tree
V „ Everything Known in Music
Store with the Newest and |!t||
ethods and Service to Patrons (r'
>l7 for the quality and worth of any Piano, Player-Piano or <
;ht here. We are answerable for the value of it as well as
i the use of it. The average buyer knows nothing of the
de of a Piano and must rely to some extent upon the good gis
f tl|e dealer. Let us accept the responsibility of your Piano
tanner to insure your permanent satisfaction.
established 1870 ExchanffeYour Old W
—iv r n n. r,
Days £ nano for One of Our Player-Pianos
1 xt If you have a plain piano that is rarely ever EM I
10 U played and deteriorating in value, why not turn it
in to us as part payment on a new, modern Player-
Udto riAiNUS D Piau ” K
$ Mathushek Piano, Ebonv, D C * 1 D *
Regular Price $450, now .. OHFffHIIIS
■ Packard Piano, Mahogany, IL A O
Regular Price $450, now .. |\l I n IISFO y?®
ra Kimball Piano, Maple, (Mor ™ « U3EU 1 AayCTS ®).
Jugular Priee now.. & Kreil Playar, Mahogany, /U »A A
l.rewsterliano. Mahogany, (Mat 65-note, Regular Price Ik Jit? | ffet
NAJ Regular I rice s32d, now .. $750, now s*loo
Geo. Steck Piano, Mahogany, D at
Regular Price $550, now .. vOVv * Mathushek Player, Ma- LW/
Wilbur Piano, Mahogany, hogany, 65-note, Regu- xk <
Regular Price $350, now .. 'J • lar Price $750, n0w.... ■*' W’
HW Columbus Piano, Mahogany, t? . T >- , T)1 A Pfeb*
Regular Price S3OO. now .. E Stuyvesant P.anola Player, zft A SK
§ E Z2e,5i 1 .;.,,, $250 | S Ali& jlj
Bl $l7O Sold Pianos H
7 Fischer Piano, AValnut, dMPF ,i «
• Regular Price $450, now V XU3 GrjUlUparCllt S Realizing that many music
UKreM lovers will buy one of these
D’ DI D* pianos who are not quite prepared or
iianOS or 1 layer-1 lanos ready to meet the usual payments, we
i • j i . shall extend remarkably easy month-
snipped any w here m ly payments—just about the usual
Georgia or the South rental rate. For just a small
f .. sum monthly or quarterly you
in|g wf with safe delivery can °^ a^n oue these choice w r ||n
JLffl guaranteed values. Do not delay Bjm
H ’7^1 your visit of inspection
<». RWM I 8fc,.,. IL — , ■w I -111 1 ■ 1 ■■■■■' ■■ s<r« ' ■- 111 M IWWII 1 ' ' wi—
POIRETMDDEL
LATE GR EATION
DF PARIS ART
Fitch Collar and Cuffs Keynote of,
Suit Displayed by Chamberlin-
Johnson-Dußose Company.
On* of the loveliest creations of
Parisian art, to be seen right hero in
our ow n Atlanta, Is the costume of blue ;
matelasse, an exact reproduction of a
Poiret model, now being shown it |
Chamberlin-John sun-Dußose Compa
ny.
The keynote of distinction of this
stunning suit is In the fitch collar and
cuffs, combining in artistic beauty
with the soft blue of the suit.
The coat, of bolero effect, is caught
in with a loose belt, producing a dis
tinctive note.
And there’s the tunic effect of the
skirt, giving that stylish width over
the hips effect. 1
The skirt, of course, is narrow at
the bottom, with just a slight split in
the front.
The charming simplicity and the
delicate blending of colors of this suit 1
easily make it a marvel of models.
To complete this charming toilet
there's a three-piece set of natural I
fitch and tan velvet, that tan with
the golden tint. ,
The hat, of velvet, is a tiny, nobby
affair, round in shape, and, with a <
distinctive towering ostrich tip set- i
ting off its simple beauty.
The immense muff of shirred velv-' ..
combined with the- soft tones of the
fitch, is. indeed, a thing of beauty. i
And then there’s the daintiest neck- i
piece of fitch, completing this won
drous costume of blue and gold.
j In the World of Music [
The following musical program will
be rendered at the First Baptist ;
Church to-day under the direction of
J. P, O’Donnelly, organist: ,
Morning.
Prelude.
“They Shall Not Hunger Nor ;
Thirst,” Woodman.
“Save Me, O God, for Thy Name’s
Sake.” Matthews —Mr. Harry R.
Bates.
Evening.
Prelude.
“The Lord Is Mj- Light," Rogers.
”O For a Closer Walk With God." !,
Foster —Mrs. Peyton H. Todd and ■
choir?
Postlude.
The Atlanta Conservatory, Morti- i
i mer Wilson general director, an- |
Inounces the engagement of Signor
. and Madame Domenico Brescia and C. I
Frederick Bonaw itz as additions *o j
the faculty of the school. Signor:
Brescia Is among the foremost Italian
teachers of repertoire. He is a com
poser of opera, a voice specialist, I
teacher of bel canto, opera coach and ;
a conductor of wide experience. He
refused a flattering offer from the '
Chicago Grand Opera Company to ac
cept the position with the conserva
tory. Signor Brescia will have charge
of the school of opera.
Madame Brescia is an accomplished
linguist as well as a pianist and as- I
sistant to Signor Brescia. She will I
have charge of the department of'
languages in the school.
Mr. Bonawitz Is a baritone of un- •
usual qualifications. He couples with !
his long traning and experience as a
singer a practical knowledge of the
dramatic and operatic stage. He will I
have charge of the school of acting in
addition to his duties as voice teach- I
er and coach.
The student recitals will be given j
weekly, beginning In October. Re- j;
citals by members of the faculty w)li[<
occur twice each month. A perform- I
ance of "The Messiah" wilt be given j
each year by the students of the
school, and every spring a cantata I
will be sung by the school chorus, ac
companied by the student orchestra.
There will be recitals of the school
of opera and drama several times
during the year.
The school orchestra and chorus
are already under rehearsal. New
students are constantly entering
the conservatory from out-of-town
points as well as from the city.
• • •
Mme. Nordica is making Charles’
Wakefield Cadman's songs familiar to
Australians’. He has recently com
posed a trio for piano, violin and
’cello, concerning which he writes that
he has endeavored to put into two of
the movements what he considers a
“reflection of the American spirit.”
“While I have not used a single ne
gro, Indian. Creole, ‘Hurrah for the
Flag, Boys.’ or ragtime theme, I have
tried to write some music with a
tinge of all these elements for i
melodic or thematic base.” He now
wonders: “Will music containing
these diverse elements, European. In
dian, Creole, negro and idealized rag
time, not forgetting a patriotic tinge
(whatever that may be considered),
coalesce in a satisfactory manner
will it amalgamate in a style all its
own or will it sound like a congress
of nations gone crazy?”
Mahler’s eighth symphony, which
requires for its performance a thou
sand players and singers, is to be
heard this season in London as well
as in Paris.
The latest Don Juan opera is by the
Italian composer Franco Alfani. It
has nothing in common with Mozart’s
masterwork except Don Juan himself.
Tired of the life he has been leading,
he seeks refuge in a ruined castle in
Corsica. A young woman, suspecting
him of being the assassin of one of
her relatives, gathers a mob of peas
ants and enters the castle. She dis
covers her mistake, promptly falls in
love with the professional lady
killer, and the two escape while the
peasants are burning what remains
of the castle.
ART IIWENT
PREDOMINATES
IN STAGE GOWN
Paquin Will Undoubtedly Take
Many Suggestions From Cos
tumes Designed by Bakst.
The new art movement Is noticed
in all of the recent theatrical produc
tions. A striking example of this !•
the Russian la regarded
I as a criterion in matters of this kino.
\ This spectacle is produced under
Bakst, the great scenic artist of the
I modern school, who devises the light
ning arrangements, as well as ds
! signing the costumes and scenery.
As an artist Bakst has won great
renown, and it Is admitted that the
artistic success of the Russian ballet
is due chiefly to him. For Bakst made
the setting for the dancers—the
. background, the frame and the light
i ning for the picture.
j Unconsciously one couples the name
’ Paquin and Bakst. For the famous
■ Mme. Paquin has accepted designs
from Bakst and shown them in her
'' collection. Suggestions from these
1 models will undoubtedly make an ap
. pearance in Paquin’s future produc
, tions.
The main principles of the modern
art—rank use of color, simplicity of
i outline and originality of treatment—
I, have distinguished the Bakst designs,
i both in the matter of dress and the
■ millinery.
i Their exhibition has made Paquin
even more nopular, and has increased
! confidence In the results of the merg
i ing of the ideas of artists and dress
makers.