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The Symdol of the Untrustworthy
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The Jupiter Kiss, Which Is Not
Entirely Human,
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The Kiss Governed by Mars —the
Lively but Brutal Type.
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The Symbol of the Planet Mercury
—Practical and Matter-of-Fact.
By Prof. Sothnos Latillier,
the Faméus French Astrologer.
HE kiss has wmade and unmade
more history than any other
single human factor. It is at
once the most everyday and the most
exalted of phenomena. The kiss of
Cleopatra changed the destinies of
Rome, and the kiss of Judas changed
the destinies of the world. So univer
gal, so potent, so symbolic a thing
ghould have a secret. language. It
has—so plain a one that he vgho runs
may read as soon as he has mastered
its simiple alphabet. Ihave discovered
this language and:so tested it in
@ series of experiments that 1 may
mow claim 'that I have-standarized
the kiss.
| Put alittle-rouge on :your. lips. and
then imprint a kiss in ‘your most nat
ural manner possible upon a sheet of
mhite paper, preferably a coarse
gralned, rough paper, which takes the
impression more perfectly. You will
find that-the,mlddle of the lips in
front forms a design. This design con
forms to. one. of .the seven . types de
geribed here each type belonging to
one of seven planets.
You may.learn from these imprints
the character, temperament, humor,
health, and even the future destiny,
of ‘the person who makes the im
print.
The circle corresponds to the sun.
The semi-circlée to the moon.
The horizontal line to Mars.
The squaré to Mercury.
The vertical line to Jupiter.
The oval to Venus.
The aig-zag line to’Saturn.
These signs were the first graphic
representations of the planets, their
first authentic signatures, the forms
vhich they impressed upon things.
The signs which we use to indicate
these planets to-day are exactly these
earlier symbols.
If the figure appear plainly on the
paper the person who made it has all
of the defects and qualities of the
planet, in full force. The more the
_type is deformed the more the quall
ties and defects are weakened.
When the type is deformed—which
generally happens—it should be ex
amined to see if it is also like any ef
the other types. It may be that one
side of the impression is square and
.the other round; this is no doubt sig
nature of Mercury and the sun or the
moon—depending upon the degree of
'gonvexity of the round part.
1f the impression, while regular in
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The Malignant Line of Saturn in
the Kiss.
Interesting Suggestions for Individual Scien
tific Research Offered by a New “Science”
Which Deciphers the “Planetary Symbols”
Formed When Love Puckers the Lips
shape, seems‘broken, the person Is
{rregular in qualities and faults—not
¢to be relied upon, capriclous. These
interruptions are most often found
in moon-signatures.
The lmpflnt‘ of the lips themselves
betray egpeclally age, sex, health.
Their breadth, thickness, cleanness
should be noted. Ridges show age;
thickness shows sensuality; smooth
ness shows duplicity. .
Character is betrayed at the same
time; the hypocrite, trying to conceal
his character, touches the paper with
the edges of the lips, leaving a hardly
peroeptible picture; the excitable per
son, on the contrary, crushes his lips
to the paper, making a horizontal line.
Of course, the momentary condi
tion of subjects must be taken into
consideration. £
Here are the seven types in detail:
First—The kiss forming a circle,
the signature of the sun. The sun
gives frankness and loyalty. It 18
the planet of conscience. But At is
also envious. These persons are sat
isfied with themselves; often pedantic,
but just and even charitable. They
like to be listenea to, keep their
promisés, like to 'fule and some
times show severity to those Dbe
neath them. They are apt to
live long and have little illness. They
do not like physical exercise and de
test speed. They are usually of medium
height, with a tendency to be stout.
The sun corresponds to the heart, s 0
these persons arqost liable to heart
diseases, and to obviate these should
use plants, minerals and perfumes of
the sun, such as rosemary. cedar,
lemon; gold, chrysolite; musk, am
per, saffron.
If the circle is out of shape, the
qualities and weaknesses of the sun
are in a lower degree. If it tends to
the oval, that person bears the double
signature -of sun and Venus. The
most perfect owner of the sun kiss
is Mme. Sarah Bernhardt. In her
lips the circle is most pronounced.
it is modified slightly by the Jupiter
kiss.
Second—Those kissing in the form
of the semi-circle are under the influ
ence of the moon. They have imag
ination, but are lazy. They dream
the day away, forgetting every one,
and everythihg. But they are not re
ally uninterested. for they require
money to satisfy their luxurious de
sires. They resort to any means to
get the money, but do not iike work
and for ease ' will often sacriiice
conscience and friendship. But if
they happen to be rich they
are prodigal, even spendthrifts.
for they have no sense of order. Busi
ness seems too material for them, and
they affect the arts, especially litera
ture and poetry, but only short bits
are done, for they lack power of con
centration. They are capricious and
changeable, yet when they really
love they are the most ardent and
self-sacrificing.
The people of the moon kiss usu
ally end up logically when they are
actually swept away by love. The
classical examples of the moon kiss
es are Romeo and Juliet and 1 have
no doubt if their lips could have
been analyzed both would have
shown clearly the curse of Luna.
Third—The kiss of Mars forms a
horizontal rectangle. It is the brutal
kiss, sincere because it is impulsive.
These persons are lively. audacious.
choleric, but not so bad after all They
will do anything for praise, but they
cannot bear contradiction. They give
freely when they have it, but do not
know how to economize, Even in
their generosity they are brutal. They
are usually of mnervous tempera
ments, with small eyes, large noses,
red lips, full ears, pale complexion.
They do not live to be very old, and
often die suddenly. They should not
marry or associate with persons hav
ing the sign of Mercury. but rather
with those of Saturn and Jupiter. Nor
should they select those of the sun or
Venus, for those of the sun want to
rule, and the Martians will not bear
it; and those of Venus are not always
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The Symbol of the Sun. A Repro
duction of Sarah Bernhardt's Kiss.
trank, and the Martians cannot live
happlly with this type.
Fourth—THe kiss of Mercury is
square. Tpese persons are practical,
materialistic, intensely matter-of-fact.
They are not very honest, willing to
“do the other fellow.” They succeed
in commerce and finance.. They are
SMI 55 : ;
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TL. W :
The
Kiss of
Saturn.
A
Photograph
of a Once
Famous
Apache
Dance.
Those -
Who
Bear the
Symbol
of Saturn
on "~
Their
Lips,
Says
Professor
Latillier,
Are
the
Outlaws
of the
World.
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masters of concentration and most
persevering. They do not like advice
from others. They make hard mas
ters but just, knowing how to appre
clate efforts m:de in their interest.
They have little time for love, and
are apt to marry for money. They
do not make good husbands or wives,
being wrapped up in business.
Fifth—The kiss of Jupiter forms a
vertical rectangle. It is the kiss of
wisdom. the kiss of the father of the
family. of legal love, honest, sincere,
disinterested. We may have all con
fidence in these persons, for they keep
their promises. They have one great
defect—they hesitate so long that
zood opporh'nities are often lost. They
marry for love. They seldom become
rich. but are just as seldom poor.
They are satisfied with mediocrity.
Sixth—The kiss of Venus is shaped
like an oval. It is the one of which
to beware. It is the kiss of incon
stancy, of light-mindedness, of infidel
ity, of folly. The person is apt to be
impulsive, acting without * thought,
speaking the first word that rises to
«he lips. Always capricious, a prom
ise is only air. If a woman, she is
lazy, egotistical, but with luxurious
tastes, which she will gratify at any
cost. Very artistic in taste, they ac
complish little for lack of industry.
Seventh—The kiss of Saturn forms
a zig-zag on paper. It is a bad kiss.
It is the kiss of hypoerisy, of hatred,
of night. The person who kisses this
way is neurasthenic, fleeing society,
only doing evil to men. If appearing
amiable and generous; it ix only the
easier to deceive others and to attain
certain ends the more easily. They
are usually the pirates 'of society.
They make others unhappy, and
thmselves most of all. They never
will understand that the best way to
be happy on earth is to seek the
happiness of .others. The kiss of
Copyright, 1914, by the -Star Company. Great. Britain . Rights Reserved.
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RO ERER N
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The Kiss That Carries the Uffortu
nate Sign of the Moon,
Cleopatra was no doubt a mixture
of Sun and Saturn.
Few are found with the distinet
planetary symbol strougly marked.
Usually they are combinations. It is
easy, once the fundamentals are
known, to synthesize these combina
tions.and-read ‘the character truly.
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A N A S B i g SRR R R R S v S
The Classical Example of the ‘‘Moon Kiss,” Says
Professor Latillier,-Is the Osculation of Romeo
-and Juliet. = Both Lovers, However, Had a
Touch of the ‘‘Saturn Symbol’’ in Their Lips.
The Famous Painting of the Unfortunate
Veronese Shows the Typical Approach to the
““Moon Kiss.” By " )
g .
Why Our Noblest Sympathies
Are Only Stomach Troubles
By Leonard Keene Hirshberg, Ph. D.
XPERIMENTAL psychology has proved that pity,
E gelf-sacrifice and heroism are merely psyclilc
. developments of the muscular movements of youf
stomach and its need of food. '
The beginning of mental life came when man's: an
cestor was a mere one-celled stomach floating around
in a primeval mud puddle. From this one-celled stom
ach man developed. There was only one primal . im
pulse, and that was to satisfy ‘Hunger and to keep the
tiny life going. The instinct for the propagation of
the species was not nearly so important to the little
one-celled creature as keeping alive. {
In the struggle for food the one cell developed on
ward. The fifst beginnings of motion and of the higher
“psychic phenomena” or life of feeling, thought and
action were all clustered about the food habit. As
time went on the stomach and its hunger were car
ried along until the increased complexity of higheriand
higher animals formed the nerves, which soon began
to be refined and grew equally: complex. Yet it was
still hunger. Love is hunger, and this is conclusively
shown by the fact that oftentimes the wires get crossed.
A cat biting while under the influence of love is.an
example of this. So is the mating of certain crabs,
during which the female will chew off the claw of ‘its
mate.
Now it has been shown that if a child is pitied or
a woman who is starving receives sympathy the emo
tion you feel is a psychic virbation which has its roots
in your own stomagh and in the memory of your own
hungers and starvings. If you pity a person in peril
and risk your own life to save them this again is sim
ply sympathetic hunger. The wires get crossed and
unconsciously in your ancestral memories you think
back to a time when the only peril was lack of enough
to eat. You are not aware of it, yet you are under the
domination of a primitive food ideal and forced by
these ancient vibrations from your stomach to jeopard
ize your life to save the imperilled person from what has
nothing to do with food but is an endeaVor to save
yourself from starving. Without any consciousness on
your own part, it is a stirring up of the same nerves
that crave cabbage and sausage.
Subjects, young men and young women, who were in
vestigated as to their sensations of various kinds, named
“hunger” as the human or animal condition which gave
rise to the “most pathetic of all experiences.”
From these experiments we see clearly why love is,
after all, akin to pity.
Love, it can be shown, has throbbings and pulsatiens
like the vibrations of a violin string, attuned to the
motor activity of the stomach. Professor Cannon of
Yale has demonstrated that the stomach moves*in wavy
motions whenever you are hungry. Psychological ex
periments also show that there are harmonious move
ments of the stomach muscles whenever the. emoticns
of pity and love are pronounced. This can be shown by
the kymograph, a little recording instrument.
The passions oflove and the emotions of pity can be
greatly dampened, if not suppressed, by strapping up
the stomach tightly with a belt.